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Introduction of Neoclassical Music

Neoclassical music is a style of classical music that is characterized by its use of traditional forms and styles, as well as a focus on structure and balance. It is often seen as a reaction against the romantic style of music, which was characterized by emotion and passion, and was influenced by the ideas of the Enlightenment, which valued reason and classical learning.

Some of the key features of neoclassical music include the use of traditional forms such as sonata form, the use of clear and concise melodies, and the incorporation of elements of folk music and popular music. Neoclassical music also often featured a return to tonality, which is the use of a specific key or tonal center in a piece of music.

The neoclassical style has had a lasting influence on classical music, and it continues to be an important part of the classical repertoire

Favorite Neoclassical Music on Spotify

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Recent Neoclassical Interviews

  • William Ogmundson interview on Nagamag Music Magazine

William Ogmundson Interview on Nagamag.com

February 12th, 2020|Tags: , , , , , , , , , |

William Ogmundson
Interview

William Ogmundson Interview on Nagamag.com

Nagamag:
What are the genres that describe better your music style?

William Ogmundson:
I draw from so many styles...classical music has always been my primary influence, but I've worked quite a bit in musical theater, and also play ragtime, stride piano and early jazz. I take all of my influences and try to channel them into the neoclassical/solo piano genre.

Nagamag:
Few words about your musical background and career?

William Ogmundson:
It was only a couple years ago that I started taking my career as a recording artist seriously. Before that, I was a working musician for about 20 years. I did accompanying, played piano and organ in churches, taught lessons, performed locally, and composed primarily for the theater. I never made it "big" but got to perform in some pretty neat places along the way, including Notre Dame and the Vatican. I was nominated for an EMMY for a children's TV show I composed for, and one of the musicals I composed for was published by Dramatic Publishing.

Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

William Ogmundson:
My first experience was picking out an Icelandic folksong "A Sprengisandi" on the piano. I couldn't have been more than 3 or 4 years old at the time, but I had that sudden revelation that wow, I could really do this-I could make music. I could be one of those people.

Nagamag:
What is the strangest song you've every written?

William Ogmundson:
I had written a pretty little solo piano ballad, but couldn't think of a good title, so I shared it on facebook and asked people to help me come up with one. I got many predictable responses like "Lover's Last Kiss" or "Passion in the Rain", but none of them did anything for me. Then one wise guy suggested calling it "Squirrel's Last Crossing" and immediately the wheels started spinning! I sat down and wrote a new song to go with the title, and it's been a hit with audiences ever since.

Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

William Ogmundson:
Eminem "Lose Yourself"

Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

William Ogmundson:
Greg Maroney "Breathe"

Discover & Listen to William Ogmundson

William Ogmundson on Spotify

William Ogmundson's Signature Track

William Ogmundson on Social Media

William Ogmundson's Website

  • Kirsten Agresta Copely interview on Nagamag Music Magazine

Kirsten Agresta Copely Interview on Nagamag.com

February 2nd, 2020|Tags: , , , , , |

Kirsten Agresta Copely
Interview

Kirsten Agresta Copely Interview on Nagamag.com

Nagamag:
What are the genres that describe better your music style?

Kirsten Agresta Copely:
New Age, Ambient, Neoclassical

Nagamag:
Few words about your musical background and career?

Kirsten Agresta Copely:
KIRSTEN AGRESTA COPELY is a harpist, composer, and arranger that has made music in four continents for heads of state, in blockbuster movie soundtracks, alongside Billboard 100 artists, on late night television, with the most recognized symphony orchestras in the world. Her first album as composer, Around the Sun, will be released in January 2020. Steeped in rigorous classical training, Copely’s performance career began at an early age: by fourteen, she performed a full solo tour of the British Isles, and continued to gain attention in the classical world by winning Bronze Medal in the 1st USA International Harp Competition, debuting as concerto soloist at Carnegie Hall and Lincoln Center soon after. While she maintains a heavy classical schedule—she serves as Principal Harpist with the Mostly Mozart Festival Orchestra at Lincoln Center —Copely has also garnered a reputation as the pop industry’s go-to harpist, culminating with a performance alongside Beyoncé at the second official White House State Dinner for President Barack Obama. Other live engagements include appearances on Saturday Night Live, Tonight Show with Jimmy Fallon and the MET Gala; in studio, she has recorded with greats like Lionel Richie and has performed in numerous video game, television, and movie soundtracks.

Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Kirsten Agresta Copely:
Music has been an integral part of my life since I was a child; I began playing the harp when I was five years old. I have always made my living as a musician which is something I'm very proud of.

Nagamag:
How did you get started playing with so many iconic pop artists?

Kirsten Agresta Copely:
I was hand picked to play with Kanye West at Live 8 which led to many more performances with Jay Z, John Legend, Enya, Evanescence and more. Ultimately the performances grew increasingly illustrious, and culminated in a performance with Beyoncé at the second official White House State Dinner for President Barack Obama, First Lady Michelle Obama, and Mexican President Felipe Calderón - a true "gig of life."

Nagamag:
'Around the Sun' is billed as an album of new age and ambient music. What was your inspiration for wanting to write and record music in this genre?

Kirsten Agresta Copely:
A lot of the compositions I was writing were naturally minimalistic in style and led easily into being more defined by ambient soundscapes. It was a perfect opportunity to collaborate with my husband, Marc, who has lots of experience playing ambient guitar on TV/film soundtracks. We both love the work of Brian Eno and Harold Budd (pioneers of the ambient genre) so he creatively designed the supporting complimentary layers. There isn’t a single keyboard effect on the album; just solo harp recorded in a classical style with sonic treatments.

Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Kirsten Agresta Copely:
Queen "Hammer to Fall"

Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Kirsten Agresta Copely:
Brian Eno & Harold Budd "Late October"

Discover & Listen to Kirsten Agresta Copely

Kirsten Agresta Copely on Spotify

Kirsten Agresta Copely's Signature Track

Kirsten Agresta Copely on Social Media

Kirsten Agresta Copely's Website

Neoclassical Features

  • Juan Pablo Fernández Ramos - La bola de cristal | Neoclassical music review, Neoclassical music genre, Nagamag Magazine

Juan Pablo Fernández Ramos – La bola de cristal | Neoclassical music review

May 7th, 2024|Tags: , , |

“Меланхоличная и очень красивая неоклассическая композиция, в основе которой камерный оркестр, сопровождаемый тонкими и очень богатыми струнными. Минималистичный инструментарий позволяет слушателю сосредоточиться на эмоциональном исполнении, наполненном душевными гармониями. Композиция строится медленно, создавая ощущение напряжения и ожидания, прежде чем достичь катартической кульминации.”

-Nagamag.com


Expand to read review translations *

“A melancholic and very beautiful neoclassical composition, based on a chamber orchestra, accompanied by delicate and very rich strings. Minimalistic instrumentation allows the listener to focus on an emotional performance filled with spiritual harmonies. The composition builds slowly, creating a sense of tension and anticipation before reaching a cathartic climax.”

-Nagamag.com

“Una melancólica y bellísima composición neoclásica, basada en una orquesta de cámara, acompañada de delicadas y muy ricas cuerdas. La instrumentación minimalista permite al oyente concentrarse en una interpretación emocional llena de armonías espirituales. La composición crece lentamente, creando una sensación de tensión y anticipación antes de alcanzar un clímax catártico.”

-Nagamag.com

The original review of “Juan Pablo Fernández Ramos – La bola de cristal” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Neoclassical reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Juan Pablo Fernández Ramos” (Spain) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated


Nagamag unveils the mesmerizing composition “La bola de cristal”, an extraordinary creation of harmony and creativity that “Juan Pablo Fernández Ramos” offered to all of us. A Neoclassical song, which evoked an emotional voyage to our curator that desired to write down a unique review for “Juan Pablo Fernández Ramos – La bola de cristal”. What also sets this song among the featured choices of Nagamag is the way that “La bola de cristal” is enriched with Piano characteristics. “Juan Pablo Fernández Ramos – La bola de cristal” is a rich music creation that deserves to be listened to again and again. Nagamag is honored to share this detailed music review by one of our experienced reviewers for Neoclassical music compositions. As always, Nagamag keeps up evaluating Neoclassical songs from across the globe, ensuring that all Neoclassical enthusiasts around the world have access to these auditory treasures .

Listen to “Juan Pablo Fernández Ramos – La bola de cristal” on Youtube and Spotify

You can listen to “Juan Pablo Fernández Ramos – La bola de cristal” through the following Youtube and Spotify players.
Press play to enjoy this unique Neoclassical song and watch the official video clip of “Juan Pablo Fernández Ramos – La bola de cristal”.

Neoclassical home page where “Juan Pablo Fernández Ramos – La bola de cristal” is hosted on Nagamag Music Magazine

Nagamag takes pride in supporting Neoclassical artists like “Juan Pablo Fernández Ramos”, providing music reviews and music discoveries like “La bola de cristal”.
This music post about song “La bola de cristal” by “Juan Pablo Fernández Ramos” is hosted in Neoclassical page on Nagamag.
There you can find similar Neoclassical artists to “Juan Pablo Fernández Ramos” and more Neoclassical, Piano songs like “La bola de cristal” that have been carefully selected by Nagamag’s Neoclassical experienced curators and reviewed by Nagamag’s Neoclassical dedicated reviewers.

Learn everything about Neoclassical on Wikipedia

If you enjoyed “Juan Pablo Fernández Ramos – La bola de cristal” but you have never listened before to any other Neoclassical song or you are interested in learning more about Neoclassical music gerne then click here to visit Neoclassical music page on Wikipedia.
Neoclassical music refers to a distinct style with common characteristics. Each genre carries its unique sound, instruments, and cultural influences. For a deeper understanding of Neoclassical music, Wikipedia provides comprehensive insights into its history, notable artists, and iconic works. Delve into the diverse and dynamic world of Neoclassical music through this valuable resource, broadening your knowledge around Neoclassical genre.

  • Karen Salicath - Angel Hanaels Dream | Neoclassical music review, Neoclassical music genre, Nagamag Magazine

Karen Salicath – Angel Hanaels Dream | Neoclassical music review

May 4th, 2024|Tags: , , |

“Звуки пианино, кажется словно летят в воздухе, тают в облаках и рассыпаются дождём о землю. Музыка наполнена нотками мистики и загадочности, что дает ей особый шарм и привлекательность. Это настоящее, чистое и искреннее творчество, которое восхищает своей красотой и глубиной. Слушать ее — значит погрузиться в мир красоты и гармонии!”

-Nagamag.com


Expand to read review translations *

“The sounds of the piano seem to fly in the air, melt into the clouds and scatter as rain on the ground. The music is filled with notes of mysticism and mystery, which gives it a special charm and appeal. This is real, pure and sincere creativity, which delights with its beauty and depth. Listening to it means immersing yourself in a world of beauty and harmony!”

-Nagamag.com

“Οι ήχοι του πιάνου μοιάζουν να πετούν στον αέρα, να λιώνουν στα σύννεφα και να σκορπίζονται σαν βροχή στο έδαφος. Η μουσική είναι γεμάτη νότες μυστικισμού και μυστηρίου, που της προσδίδει μια ιδιαίτερη γοητεία και ελκυστικότητα. Αυτή είναι μια πραγματική, αγνή και ειλικρινή δημιουργικότητα, που απολαμβάνει την ομορφιά και το βάθος της. Το να το ακούς σημαίνει να βυθίζεσαι σε έναν κόσμο ομορφιάς και αρμονίας!”

-Nagamag.com

The original review of “Karen Salicath – Angel Hanaels Dream” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Neoclassical reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Karen Salicath” (United States) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated


Nagamag unveils the mesmerizing composition “Angel Hanaels Dream”, an extraordinary creation of harmony and creativity that “Karen Salicath” offered to all of us. A Neoclassical song, which evoked an emotional voyage to our curator that desired to write down a unique review for “Karen Salicath – Angel Hanaels Dream”. What also sets this song among the featured choices of Nagamag is the way that “Angel Hanaels Dream” is enriched with Piano characteristics. “Karen Salicath – Angel Hanaels Dream” is a rich music creation that deserves to be listened to again and again. Nagamag is honored to share this detailed music review by one of our experienced reviewers for Neoclassical music compositions. As always, Nagamag keeps up evaluating Neoclassical songs from across the globe, ensuring that all Neoclassical enthusiasts around the world have access to these auditory treasures .

Listen to “Karen Salicath – Angel Hanaels Dream” on Spotify

You can listen to “Karen Salicath – Angel Hanaels Dream” through the following Spotify player.
Press play to enjoy this unique Neoclassical song.

Neoclassical home page where “Karen Salicath – Angel Hanaels Dream” is hosted on Nagamag Music Magazine

Nagamag takes pride in supporting Neoclassical artists like “Karen Salicath”, providing music reviews and music discoveries like “Angel Hanaels Dream”.
This music post about song “Angel Hanaels Dream” by “Karen Salicath” is hosted in Neoclassical page on Nagamag.
There you can find similar Neoclassical artists to “Karen Salicath” and more Neoclassical, Piano songs like “Angel Hanaels Dream” that have been carefully selected by Nagamag’s Neoclassical experienced curators and reviewed by Nagamag’s Neoclassical dedicated reviewers.

Learn everything about Neoclassical on Wikipedia

If you enjoyed “Karen Salicath – Angel Hanaels Dream” but you have never listened before to any other Neoclassical song or you are interested in learning more about Neoclassical music gerne then click here to visit Neoclassical music page on Wikipedia.
Neoclassical music refers to a distinct style with common characteristics. Each genre carries its unique sound, instruments, and cultural influences. For a deeper understanding of Neoclassical music, Wikipedia provides comprehensive insights into its history, notable artists, and iconic works. Delve into the diverse and dynamic world of Neoclassical music through this valuable resource, broadening your knowledge around Neoclassical genre.

Latest Neoclassical discoveries

Difference between Classical and Neoclassical Music

Classical music refers to a broad range of music written in the classical tradition, which encompasses a wide range of styles and forms. It is generally characterized by its formal structure and its use of traditional instruments and ensemble configurations.

Neoclassicism is a style of music that refers to the revival and use of classical forms and styles in music, particularly in the 18th and early 19th centuries. It is characterized by its use of clear, concise forms and a focus on structure and balance. Neoclassicism was a reaction against the romantic style of music, which was characterized by emotion and passion, and was influenced by the ideas of the Enlightenment, which valued reason and classical learning.

Some of the key differences between classical and neoclassical music include:

Time period: Classical music refers to music written during the classical period (1730-1820), while neoclassicism refers to music written after the classical period that incorporates elements of classical forms and styles.

Emphasis on structure: Classical music is known for its formal structure and the use of traditional forms such as the sonata and the symphony. Neoclassical music also places a strong emphasis on structure, but may also incorporate elements of popular music and folk music.

Emphasis on emotion: Classical music is often more reserved and formal in its emotional expression, while neoclassicism tends to be more emotional and expressive.

Use of tonality: Both classical and neoclassical music use tonality, but neoclassicism often incorporates a wider range of tonal structures and may experiment with atonality.

Use of traditional instruments: Both classical and neoclassical music use traditional classical instruments such as strings, woodwinds, brass, and percussion. However, neoclassicism may also incorporate elements of popular music and folk music, and may use a wider range of instruments.

Overall, the main difference between classical and neoclassical music is the time period in which the music was written, and the specific techniques and styles used by the composer. Classical music is generally more formal and reserved in its expression, while neoclassicism tends to be more expressive and may incorporate elements of popular music and folk music.

The most used instruments in Neoclassical Music

In neoclassical music, the most common instruments used are those found in the classical orchestra, including:

Strings: Violin, viola, cello, double bass

Woodwinds: Flute, oboe, clarinet, bassoon

Brass: Trumpet, French horn, trombone, tuba

Percussion: Timpani, snare drum, bass drum, cymbals, xylophone, marimba, triangle

Keyboard: Piano, harpsichord

These instruments are often used to create a wide range of textures and sounds, and are featured in many different types of classical music, including neoclassical music. In addition to these instruments, many composers also incorporate elements of popular music and folk music into their compositions, and may use a variety of other instruments such as guitars, bass, drums, and synthesizers.

It’s also worth noting that many composers and performers of neoclassical music are skilled in a variety of different instruments, and may switch between different instruments in order to achieve the desired sound and texture.

Vocals are sometimes used in neoclassical music, although they are not as common as instrumental music. When vocals are used in neoclassical music, they are typically performed by trained classical singers who have the ability to sing with precise pitch and control.

One common use of vocals in neoclassical music is in operatic compositions, where singers perform arias and recitatives in a style that is similar to traditional opera. Neoclassical opera is a subgenre of classical music that combines elements of traditional opera with elements of neoclassicism, and often incorporates elements of popular music and folk music.

In addition to operatic vocals, vocals may also be used in other forms of neoclassical music, such as choral music or vocal chamber music. Some composers may also incorporate elements of popular music or folk music into their compositions, and may use vocals in a more modern or experimental style.

It’s worth noting that the use of vocals in neoclassical music is highly dependent on the individual composer and the specific piece of music, and not all neoclassical compositions will feature vocals.