Neoclassical Music ⁞ New Releases⁞ Artist Interviews⁞ Music News
Introduction of Neoclassical Music
Neoclassical music is a style of classical music that is characterized by its use of traditional forms and styles, as well as a focus on structure and balance. It is often seen as a reaction against the romantic style of music, which was characterized by emotion and passion, and was influenced by the ideas of the Enlightenment, which valued reason and classical learning.
Some of the key features of neoclassical music include the use of traditional forms such as sonata form, the use of clear and concise melodies, and the incorporation of elements of folk music and popular music. Neoclassical music also often featured a return to tonality, which is the use of a specific key or tonal center in a piece of music.
The neoclassical style has had a lasting influence on classical music, and it continues to be an important part of the classical repertoire
Favorite Neoclassical Music on Spotify
Favorite Neoclassical Videos on Youtube
Recent Neoclassical Interviews
Mark Sutton Interview on Nagamag
Nagamag:
What are the genres that describe better your music style?
Mark Sutton:
Spiritual
Orchestral
Easy Listening
Cinematic
Nostalgic
Nagamag:
Few words about your musical background and career?
Mark Sutton:
My family are mainly all musicians and music and theatre were encouraged growing up. I've not played live too many times, but one of my highlights was accompanying a ukulele player for the Cheltenham Jazz Festival a few years back.
My main aim is to get my music distributed to as many ears as possible. The positive feedback I receive about my tunes always spurs me on to do more.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Mark Sutton:
When I was around 10 years old I remember starting to play the piano. I started creating some small tunes and my parents decided they would send me to have some piano lessons but after 6 months the teacher decided she could not teach me as I played by ear and once I had the tune in my head all the fingering was wrong.
Elton John, Scott Joplin and James P. Johnson were all great inspirers for me growing up.
Nagamag:
How has your music progressed over the years?
Mark Sutton:
Over the last 15 years in particular, my music has more or less been channeled. I sit at the piano and literally tune into my higher self and the tunes seem to flow from my fingers. I've also dabbled with orchestrating my tracks using Logic Pro and these seem to have been widely well received, although my first love and inspiration is from the piano.
Nagamag:
Do you favour a particular type of piano?
Mark Sutton:
At the moment I play a baby grand K.Kawai GL-30. I love the tone and speed of the notes from the way the keys are weighted, they seem to encourage me to play. I've had quite a few pianos over the years, Yamaha, Kaps and a Kemble/Mozart limited edition. All of which have played their part in helping me do mine.
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
Mark Sutton:
Supertramp "Logical Song"
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
Mark Sutton:
Randy Newman "God's Song"
Discover & Listen to Mark Sutton
Mark Sutton on Spotify
Mark Sutton's Signature Track
Mark Sutton on Social Media
Mark Sutton's Website
Chiara Dubey Interview on Nagamag
Nagamag:
What are the genres that describe better your music style?
Chiara Dubey:
My music is a crossover between alternative pop, dreamy electronic, and modern classical - a fusion of airy strings textures, electronic beats/ sound design and my voice.
Nagamag:
Few words about your musical background and career?
Chiara Dubey:
I sing since when I was a child and started playing the violin at the age of 5. As I grew up, it became clear to me that I wanted to become a professional musician and I chose to study classical music at the conservatoire, majoring in violin and composition. In parallel, I kept performing as a singer/songwriter on international stages - like the Eurovision national finale. In 2018 I left my homeland and moved to London, where I completed my Master studies in vocal performance. Now I am back in Switzerland where I focus on my project as a solo artist.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Chiara Dubey:
On the weekends, when I was a child, I would have tea (chai tea) with my father in the morning. It was our little ceremony. While he would prepare the tea, I would play an old CD of Céline Dion, always the same one, and I would sing along with all the air that I had in my lungs. I remember it would fill me with an ecstatic feeling, the same one I still have now when I perform. I guess these were the first moments where I fell in love with music and that bond never broke.
Nagamag:
You just released your début album, Constellations. What is the idea behind it?
Chiara Dubey:
As a child, I would spend most of my summers in the mountains. Nights, away from the city lights were so dark and quiet, and the sky was a breathtaking, dusty explosion of stars. Other children and I would lay for hours on the grass, just staring at them - and eventually keeping count of the falling stars. I couldn’t avoid noticing, what an influence that sight would have on my thoughts. It would slowly detach me from my daily reality, my thoughts would drown in that deep universe and I would find myself wondering about life, about death, about time, about dreams. That awareness and wonder accompanied me through the years, as I grew. I wanted to create an album that would carry some of those feelings, which are a beautiful part of our human essence. They accompany us in our choices and habits, but our daily pattern somehow makes it difficult for us just to find that space, that quietness, which allows our mind to wonder and dream. I have the feeling that we often get lost in the fuss of our busy scheduled lives. With Constellations, I wanted to emulate the effect that the deep, starred skies have on me, and create an atmosphere that would invite people to evade their reality, just for a while.
Nagamag:
Your album also contains instrumentals, why this choice?
Chiara Dubey:
Classical music is an important part of my personality and I like to express myself just trough sound sometimes, trough compositions, without using words. In this album I really wanted to include this side of me as well, without fearing what the audience might expect from me. It also gives me the chance to perform with the violin on stage, from time to time!
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
Chiara Dubey:
Jon Hopkins "Emerald Rush"
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
Chiara Dubey:
Aurora "Infections of a different kind"
Discover & Listen to Chiara Dubey
Chiara Dubey on Spotify
Chiara Dubey's Signature Track
Chiara Dubey on Social Media
Chiara Dubey's Website
Neoclassical Features
Dream (Live from The Home Concert) – Alex Solely
“Mesmerizing and incredibly calming atmosphere of this piano beauty engage deeply within first notes. Harmonic structure and composition is done in a beautiful way, reminiscing the movie themes with its depth that can be felt within this blissful keys. It feels like a roller coaster of emotions that tingle us with every note.”
-Nagamag.com
Deliverance – Liam Phan
“Stunning and incredibly calming atmosphere of this piano beauty engage deeply within first notes. Harmonic structure and composition are done in a beautiful way, reminiscing the movie themes with its depth that can be felt within this blissful keys. Arrangement, although short, will engage deeply with your thoughts. ”
-Nagamag.com
Latest Neoclassical discoveries
Single Review: Kenneth Overton – Steal Away | Review
Το Steal Away με τον Kenneth Overton και την Elizabeth Hill στο πιάνο ξεκινά με μια απαλή, σχεδόν υπαινικτική εισαγωγή, που ... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #crossoverclassical #kennethoverton #unitedstates #nagamag #musicmagazine #musicreview #review
Song Review: “Frozen Longing” by Jürgen Reimann | Neoclassical Essential
Οι νότες του Frozen Longing κυλούν αργά, σαν πάγος που λιώνει μεθοδικά, χωρίς βιασύνη για κάθαρση. Το πιάνο του Jürgen Reiman... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #solopiano #jürgenreimann #germany #nagamag #musicmagazine #musicreview #review
Single Review: Søme – Nocturnal Spirits | Review
Το Nocturnal Spirits ανασύρει τον έρωτα και το πάθος μέσα από μια μελωδία που κινείται υπόγεια, σχεδόν υπνωτιστικά. Δεν πρόκε... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #solopiano #søme #germany #nagamag #musicmagazine #musicreview #review
Release Critique: “What Remains” by Chris Thaler | Neoclassical Review
Στο What Remains, ο Chris Thaler επιλέγει τη διακριτική συναισθηματική αποφόρτιση αντί για τη δραματική κορύφωση. Η μελωδία α... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #christhaler #switzerland #nagamag #musicmagazine #musicreview #review
Composition Critique: “Opaline” by Sharon Lynn Makarenko | Neoclassical Review
Το Opaline της Sharon Lynn Makarenko απλώνεται στον χώρο με την απαλότητα μιας στιγμής που δεν θέλει να διακοπεί. Οι γλυκές, ... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #solopiano #sharonlynnmakarenko #canada #nagamag #musicmagazine #musicreview #review
Song Critique Magnus John Anderson – Halide Grain | Review
Το απαλό χάδι αυτής της υπέροχης μελωδίας ζεσταίνει την ψυχή σου, ενώ η θλίψη της αγγίζει βαθιά την καρδιά σου. Οι σκέψεις δι... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #ambient #magnusjohnanderson #sweden #nagamag #musicmagazine #musicreview #review
“She Was Here (feat. Elaine)” by Hwang Sang Jun | A Neoclassical Breakdown Review
Η συγκινητική και μελαγχολική μελωδία μιλά με τόση ειλικρίνεια μέσα σου και αγγίζει τις πιο ευαίσθητες χορδές σου. Τα αιθέρια... >>> Read full review & listen to the song on Nagamag #cinematic #epicmusic #hwangsangjun #southkorea #nagamag #musicmagazine #musicreview #review
Mikhail Gurbo – Quietly Riding on the Waves” Review | Neoclassical Discovery
Αυτό το υπέροχο κομμάτι έχει τόσα πολλά να μας πει και το κατορθώνει μέσα από τη γεμάτη συναίσθημα πλοκή του. Η ήρεμη δύναμη ... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #solopiano #mikhailgurbo #russia #nagamag #musicmagazine #musicreview #review
ORKA – Beyond Love | Essential Pop by Nagamag.com, Neoclassical Review
Τα ρομαντικά και απαλά φωνητικά δημιουργούν μια παρεΐστικη ατμόσφαιρα και, με την ειλικρινή τους ερμηνεία, έρχονται πιο κοντά... >>> Read full review & listen to the song on Nagamag #acousticfolk #singersongwriter #orka #israel #nagamag #musicmagazine #musicreview #review
Difference between Classical and Neoclassical Music
Classical music refers to a broad range of music written in the classical tradition, which encompasses a wide range of styles and forms. It is generally characterized by its formal structure and its use of traditional instruments and ensemble configurations.
Neoclassicism is a style of music that refers to the revival and use of classical forms and styles in music, particularly in the 18th and early 19th centuries. It is characterized by its use of clear, concise forms and a focus on structure and balance. Neoclassicism was a reaction against the romantic style of music, which was characterized by emotion and passion, and was influenced by the ideas of the Enlightenment, which valued reason and classical learning.
Some of the key differences between classical and neoclassical music include:
Time period: Classical music refers to music written during the classical period (1730-1820), while neoclassicism refers to music written after the classical period that incorporates elements of classical forms and styles.
Emphasis on structure: Classical music is known for its formal structure and the use of traditional forms such as the sonata and the symphony. Neoclassical music also places a strong emphasis on structure, but may also incorporate elements of popular music and folk music.
Emphasis on emotion: Classical music is often more reserved and formal in its emotional expression, while neoclassicism tends to be more emotional and expressive.
Use of tonality: Both classical and neoclassical music use tonality, but neoclassicism often incorporates a wider range of tonal structures and may experiment with atonality.
Use of traditional instruments: Both classical and neoclassical music use traditional classical instruments such as strings, woodwinds, brass, and percussion. However, neoclassicism may also incorporate elements of popular music and folk music, and may use a wider range of instruments.
Overall, the main difference between classical and neoclassical music is the time period in which the music was written, and the specific techniques and styles used by the composer. Classical music is generally more formal and reserved in its expression, while neoclassicism tends to be more expressive and may incorporate elements of popular music and folk music.
The most used instruments in Neoclassical Music
In neoclassical music, the most common instruments used are those found in the classical orchestra, including:
Strings: Violin, viola, cello, double bass
Woodwinds: Flute, oboe, clarinet, bassoon
Brass: Trumpet, French horn, trombone, tuba
Percussion: Timpani, snare drum, bass drum, cymbals, xylophone, marimba, triangle
Keyboard: Piano, harpsichord
These instruments are often used to create a wide range of textures and sounds, and are featured in many different types of classical music, including neoclassical music. In addition to these instruments, many composers also incorporate elements of popular music and folk music into their compositions, and may use a variety of other instruments such as guitars, bass, drums, and synthesizers.
It’s also worth noting that many composers and performers of neoclassical music are skilled in a variety of different instruments, and may switch between different instruments in order to achieve the desired sound and texture.
Vocals are sometimes used in neoclassical music, although they are not as common as instrumental music. When vocals are used in neoclassical music, they are typically performed by trained classical singers who have the ability to sing with precise pitch and control.
One common use of vocals in neoclassical music is in operatic compositions, where singers perform arias and recitatives in a style that is similar to traditional opera. Neoclassical opera is a subgenre of classical music that combines elements of traditional opera with elements of neoclassicism, and often incorporates elements of popular music and folk music.
In addition to operatic vocals, vocals may also be used in other forms of neoclassical music, such as choral music or vocal chamber music. Some composers may also incorporate elements of popular music or folk music into their compositions, and may use vocals in a more modern or experimental style.
It’s worth noting that the use of vocals in neoclassical music is highly dependent on the individual composer and the specific piece of music, and not all neoclassical compositions will feature vocals.












