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Federico Ferrandina Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , |

Federico Ferrandina
Interview

Nagamag:
Which are the genres that describe your music style better?

Federico Ferrandina:
Neoclassical, Electronic, Experimental. I call my own genre Hyperclassical, which is a blend of classical tradition, XXth century music and contemporary sound design elements and techniques

Nagamag:
Few words about your musical background and career?

Federico Ferrandina:
I was born in a family of classical musicians, that heritage seemed destined to pair my hunger for diverse musical galaxies with non-musical disciplines like literature, modern dance and sociology. This wide constellation shaped my unique and yet multi-layered grammar of sound, where classical instruments are surrounded by a contemporary arsenal of synthesizers, drones and drum machines with the light touch of contrapuntal writing and tridimensional harmonies. I teamed up with artists of all kinds (world music stars Yasmin Levy and Omar Faruk Tekbilek, pop artist Michele Bravi, rock collective Playing For Change, jazz big bands, Grammy winner producers, choreographers and filmmakers). My production gained attention in the entertainment industry, and many of my works are currently part of some of the major movies and tv shows soundtracks, such as the multi-Oscar winner Dallas Buyers Club or renown tv show The Big Bang Theory.

Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Federico Ferrandina:
Even if I was already able to play some piano music, when I was 10 years old I listened for the first time to Yesterday by the Beatles, and that was the deepest feeling I ever experienced in my life, it really touched me. That’s when I understood how a musical emotion could change you.

Nagamag:
What are you currently working on?

Federico Ferrandina:
Some film music: an American mystery/fantasy drama and a Canadian animation movie. I’m also preparing some music for 2023 to complete my Hypermetropia project, Defence will be part of an album with that title.

Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Federico Ferrandina:
070 Shake Body

Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Federico Ferrandina:
Deru The Way Through The Forest

Discover & Listen to Federico Ferrandina

Federico Ferrandina on Spotify

Federico Ferrandina’s Signature Track

Federico Ferrandina on Social Media

Facebook: @federicoferrandinamusic – facebook.com/federicoferrandinamusic

Instagram: @federicoferrandina – instagram.com/federicoferrandina

Federico Ferrandina’s Website: www.federicoferrandina.com/

Gifts From Crows Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , |

Gifts From Crows
Interview

.


Nagamag:
Which are the genres that describe your music style better?

Gifts From Crows:
I like to think of my music as classical music for a post-rock audience. Neoclassical is probably the best genre though as it includes a lot of artists, like me, that use classical instrumentation but are not quite classical in the true sense of the word. Neoclassical is a broad church and easily encompasses artists that weave electronics in with the more traditional orchestral instruments.


Nagamag:
Few words about your musical background and career?

Gifts From Crows:
Since I was a teenager I have been passionate about composing and performing music and have been involved in many post-rock / electronic bands and studio projects. Whilst I played guitar and synth during those years, my first love was always the piano and Gifts From Crows really feels like coming home.
Writing orchestral arrangements is a relatively new undertaking for me but one that feels very natural and intuitive. Hearing my music performed by the Northern Film Orchestra for the first time was an incredible experience and I have carried the learnings from that into the new album, 'Stories in Slow Light' which features a lot of live performance mixed in with the samples and the piano.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Gifts From Crows:
I grew up near and went to school in Macclesfield in the north of England - home to one of the greatest bands of the post-punk era - Joy Division. I can still remember taking home their album, 'Closer' and playing it for the first time. I had shivers running down my spine listening to that music and it still affects me the same way today. That was when I truly understood how powerful music could be and also when I realised that I wanted to try and produce something that gave other people the same feeling. Whilst you never feel that you even get close to those levels, there is always the hope that the next piece of music will be transformational.


Nagamag:
What was the inspiration for the new album, Stories in Slow Light

Gifts From Crows:
Each piece was inspired by a different photograph by artist Helena Whitten. I found that by sitting at the piano with one of Helena’s photos placed where the sheet music would normally rest, I could literally write music to accompany the scene in front of me, as if the score were hidden inside the image.
I find Helena’s photos incredibly emotive. They are simultaneously timeless but also contemporary and speak to so many of the challenges that humanity is facing today – the fragility of the planet, the transience of life, loneliness and mental health. It is all there and these are also the themes that I explore in my music.


Nagamag:
How did the video for The Empty Mirror come about?

Gifts From Crows:
The song was inspired by a photograph taken by Helena Whitten at Poltimore House in Devon which depicts a solitary figure in front of an oval frame where a mirror used to be.
The track evokes the memory of our ancestors and imagines all the living souls who have passed in front of the now long gone mirror. The protagonist appears to be channelling these spirits out of the ancient walls of the house, at times contorted by the energy flowing through her and then flowing with serenity.

The video for was shot on location at Poltimore House but this time dancer and choreographer Kristine Berget reprises Helena’s role from the photograph and we follow her as she moves around the rooms and hallways of the crumbling mansion.

We worked with Kristine before on the video for 'Without Beauty' and so I knew her choreography was good but her performance on The Empty Mirror was extraordinary and the film directed by Corey Rid really brings the whole work to life.


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Gifts From Crows:
Joy Division "Love Will Tear Us Apart"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Gifts From Crows:
Wim Mertens "Struggle For Pleasure"

Discover & Listen to Gifts From Crows

Gifts From Crows on Spotify

Gifts From Crows' Signature Track

Gifts From Crows on Social Media

GiftsFromCrows
giftsfromcrows

Gifts From Crows' Website

lnk.bio/giftsfromcrows/

Carlos Maya Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , |

Carlos Maya
Interview

.


Nagamag:
Which are the genres that describe your music style better?

Carlos Maya:
I'm perfectly OK with this "Neoclassical" term to refer music that has a strong emotional focus, as I pretend to do that, to communicate and to express these "emotional ideas" and perspectives that cannot be expressed with words.


Nagamag:
Few words about your musical background and career?

Carlos Maya:
I've studied music at the Conservatory of Music of the National University of Colombia. I studied classical music, academic music, composition and music theory. But my interest in music was raised from a very young age, with the music instruction of my father who is a Sax player. Regardless my academic music background I was always interested in genres that are more connected to people than the strictly academic music, hence this neoclassical piano project, I also have great love for the keyboards and synthesizers, and absolutely for the Rock music. I also have a progressive rock project called Cadius in which I am its main composer.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Carlos Maya:
My first connection of love with music was when I was very young... I think 6 maybe 7 years old... My father used to play in his turntable classical music and progressive rock music, music from Bach, Mozart, but also Rick Wakeman, Yes and that kind of stuff... I remember that Bach music touched me very deeply, I was really moved in my heart while listen to this second movement of the Harpsichord Italian concerto, touched to the point of tears, and I was like 7 or 8 years old, right then I decided that I wanted to be a pianist.


Nagamag:
What do you want to achieve with your music?

Carlos Maya:
I try to do my best to make beautiful music, I deeply feel that the purpose of each one of us, as human beings, is to bring beauty to this life, the beauty is an ideal from "higher states" and we bring these "higher states" to this world, and when we commit to this purpose I think we make the world a little better.


Nagamag:
What are your next steps in your career?

Carlos Maya:
I am working to put one of my songs as a soundtrack in a movie or a documentary. That would be awesome!


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Carlos Maya:
Meshuggah "Clockworks"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Carlos Maya:
Michael Nyman The heart asks pleasure first

Discover & Listen to Carlos Maya

Carlos Maya on Spotify

Carlos Maya's Signature Track

Carlos Maya on Social Media

carlosmayaofficial
carlosmayaofficial
carlosmayapiano

Carlos Maya's Website

smarturl.it/TheReturn.CarlosMaya

SAAH Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , |

SAAH
Interview

.


Nagamag:
Which are the genres that describe your music style better?

SAAH:
Neoclassical, contemporary classical, modern classical piano,


Nagamag:
Few words about your musical background and career?

SAAH:
I was given an old piano at the age of nine. i immediately fell in love with that instrument(i actually wanted a flute, but I didn´t get one)
since then I loved to improvise and create little melodies.
i also had piano lessons for some years, but I always preferred to play by ear.
that´s why I decided not to study at the music university.
i played in bands and the last years I´ve been composing for theatres and I´ve been creating solo piano pieces in my tiny homestudio. Last year I won the European song writing award in the category: music for motion pictures. since then I´ve been releasing heartfelt solo piano songs. I am very grateful to have the opportunity to do what I love and to share my music with everybody who wants to listen.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

SAAH:
I guess it was when i first heard some Tory Amos songs (i fell in love with her way to play the piano) and later i really loved the Keith Jarrett´s Köln concert (i was so impressed by the spirit and vibes of his free and harmonic improvising )


Nagamag:
do you have any plans for the near future?

SAAH:
Yes, I have :)
I always desired to play outside in nature or in other special places with my stage piano.
...so I had a stunning handmade piano shell built by a very talented man and now (about 2 weeks ago) a wonderful painter completed this work with a very special and beautiful painting on the cover of the shell, that means a lot to me.
So from now on I will also share some little video clips from outside, playing on Juna (that´s my pianos name;) - it means the desired..... I am over the moon excited about that.


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

SAAH:
INCUBUS "Wish you were here"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

SAAH:
Franco Roberts (He has a different piano sound, I really like his work) "axolotl"

Discover & Listen to SAAH

SAAH on Spotify

SAAH's Signature Track

SAAH on Social Media

SAAHmusik
saahmusic

SAAH's Website

www.saah.at

Chafa Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , , |

Chafa
Interview

.


Nagamag:
Which are the genres that describe your music style better?

Chafa:
Piano-led, cinematic, & ambient contemporary classical music.


Nagamag:
Few words about your musical background and career?

Chafa:
I began teaching myself piano when I was twelve years old, but I always loved music. Growing up in the Bay Area (California), I was introduced to several different cultures and styles of music.
It wasn't long before I felt the need to express my own thoughts and feelings through art, and piano was the instrument I felt the most connected to.

Before the pandemic, I would perform locally, but after spending time recording and releasing my music during this last year, I have my eyes set on creating music for film and potentially collaborating with other composers and orchestras.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Chafa:
Seeing performers on the street as a kid really inspired me. Watching their music move people to dance, smile, laugh, or cry was inspiring. I wouldn't learn an instrument for several more years, but my love for music continued to grow until I felt the urge one day to sit down and play some of the songs I loved so much.


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Chafa:
Beirut "Elephant Gun"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Chafa:
Max Richter "Written on the Sky"

Discover & Listen to Chafa

Chafa on Spotify

Chafa's Signature Track

Chafa on Social Media

shaynechafa
shaynechafa

Chafa's Website

shaynechafa.com

Andrei Poliakov Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , |

Andrei Poliakov
Interview

.


Nagamag:
What are the genres that describe better your music style?

Andrei Poliakov:
The foundation of my works is a well-educated neoclassical, romantic soundscape, but as soon as the music begins, it starts looking for cross-over opportunities to develop into an exciting house-party, jazz, pop, or electronic music, all these easily transforming to warm classical follow-ups – hence the eclectic style which I hope helps me tell better stories without words.
Essentially, I treat a musical genre as an additional color for the compositions, like seasoning in food; these colors help me get the emotions across and tell the stories to the listener with better precision and stronger impact:

I do not feel bound by a genre or a style, and instead I use and abuse the variety of styles to paint a deeper and more colorful, meaningful musical picture. Nevertheless, the Piano is always staying as a centerpiece of my compositions as I believe the richness and diversity of sounds of the “king of music” easily trumps any other instrument I know


Nagamag:
Few words about your musical background and career?

Andrei Poliakov:
I am a professional musician, composer and producer, received a fundamental classical music master education as a pianist and an oboist in Russia, and then continued with the professional musical career performing with world-renowned orchestras. Later I diversified my musical taste and capacity into jazz, rock, and pop genres, performing and recording with various bands and solo.
Since 2012 I have been living in Switzerland, Geneva, engaging into various professional activities both in artistic and business domains.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Andrei Poliakov:
I started learning piano at a very early age of 3 or 4 years old: my parents are pianists and music has always been in the center of my life.
When I was in school (yes, seriously underage…) my favorite pastime while cutting lessons was to grab a couple of friends, buy a box of beers, go to a nearest abandoned building (which we had a lot in Russia in the 90s), sit down on a window sill, take a sip of a cold one, and put the 6th symphony by Tchaikovsky, or the 2nd (no, 3rd… any of them!) Rachmaninov’s piano concerto on a Walkman and basically drown in emotions and thoughts… and beer.

Hence, the music that has influenced me the most, comes from the second half of 19th – first half of 20th century – and I must admit, most of it is Russian music or music with Russian roots. Rachmaninov, Tchaikovsky, Skryabin, Mussorgsky, Rimsky-Korsakov, Prokofiev, Shostakovich, Stravinsky – but also Mahler, Bruckner, Richard Strauss – these composers influenced my taste the most. Depth of thought, wide array of emotions, unimaginable soundscape and extremely clever and elegant arrangement solutions; beautiful harmonies and melodies…

Being a teenager, I of course dived into the world of rock and pop music, starting with The Beatles - the band that still remains my all time favorite, and all the usual suspects: Queen, Michael Jackson, Metallica... and this journey continues to date.


Nagamag:
Is there a story behind your latest release "Moonlight" and would you like to share it?

Andrei Poliakov:
I dedicated this short piano essay to the Moon and to the most beautiful village in the world: Céligny - a tiny little place in Switzerland, where I live.
Céligny is inhabited by incredibly kind, smart, and very warm people, has an unbelievably rich and beautiful nature, and stunning views along with very old historical houses drowning in floral multi-coloredness, and there is #MontBlanc 🏔 on the horizon... and don't get me started on the birds' chirping and singing...

Once it was a home for Elizabeth Taylor and Richard Burton, the latter is buried in the old cemetery of the village.

Céligny is an unfathomably cozy place on this planet, and I feel very blessed to have had a chance to engrave my very intimate memories of this village.

I have actually composed the Moonlight in the heart of a former water mill!

And then one early morning in February I woke up and couldn’t fall asleep again. I decided to go for a walk and took along a video camera, and there was a full Moon in the skies! I was so enchanted and intrigued by mysterious flair of that morning that I couldn’t stop the camera running - and then I decided to use some of that footage for the video of this track.


Nagamag:
Is Moonlight going to be a part of a bigger project you are working on right now?

Andrei Poliakov:
Yes, this new solo piano release “MOONLIGHT” is continuing to form my live album “Moonlight & Sunshine”, and it follows the previous releases of 2020: “Declaration of Love”, “Lullaby”, and “La Promenade in Paris”
The “Moonlight & Sunshine” album has an uncommon approach for the neoclassics genre: every next release features 2 different versions of one motive, coming to life as a piano solo piece, interpreting a narrative in the moonlight, and as a fully arranged piece, revealing the same story under the sunshine.

The album has been evolving live on the major streaming platforms as a playlist (Spotify, Apple Music, YouTube and others), thereby gradually forming the full album as new pairs of tracks are released.

The album Moonlight & Sunshine on Spotify: open.spotify.com/playlist/3MCyNWldBXCbZdLKehspn2?si=882c2e2dc09d4074

In a few weeks I am planning to follow up and release the fully arranged track called "Sunshine", which is inspired by the melodics of Moonlight, but features a duet of piano and violin (played by a very talented violinist from Russia) and other instruments.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Andrei Poliakov:
The Beatles "Here comes the Sun"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Andrei Poliakov:
Ludovico Einaudi Una Mattina

Discover & Listen to Andrei Poliakov

Andrei Poliakov on Spotify

Andrei Poliakov's Signature Track

Andrei Poliakov on Social Media

funkypianoplay
funkypianoplay

Andrei Poliakov's Website

www.funkypianoplay.com

Sacha Hoedemaker Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , , |

Sacha Hoedemaker
Interview

.


Nagamag:
What are the genres that describe better your music style?

Sacha Hoedemaker:
Cinematic Piano.
Often, his music is compared to film scores. Soundtracks.
Atmospheric Piano.
There is always a story in his music. A universal story.


Nagamag:
Few words about your musical background and career?

Sacha Hoedemaker:
Sacha started playing piano at the age of 8. After two years of piano lessons, he quit. Thinking; this is not for me.
Then he was cast as a musical accompanist at the age of 14 in a school musical. He fell in love with musicals and wanted to learn everything there was about musical theory. How were songs built up and what were recurring patterns, etc. He quickly realized that he had a good ear and started exploring different genres. After a couple years he was playing professionally for semi-pro singers as well as in theaters and restaurants as a background pianist. Always listening to how his music had an effect on the room.
This skill then became useful when he tried improvisational theater. He scored scenes with the same ears as listening to a busy restaurant. What is needed in order for the 'audience' to have a good time. Connecting music with emotions and stories. That's what makes him a highly sought after musical director.
Sacha is now a musical improviser. Envisioning a story and letting go of all that is distracting, through meditation and mindfulness. Using all his gathered knowledge about music in the last decade, and focusing it on his craft by creating a listening experience. On a daily basis, he plays for Europe's biggest improvisation theater called Boom Chicago. He graduated from the Abbey Road Institute in Amsterdam in 2020 and currently is running a growing home-studio called The Music Maker. At the start of 2020, he was looking for more creative outlets and he joined several collaborative projects, one of them resulted in an Emmy win. (#CreateTogether) He is the pianist for Dr. Peacock (in Concert).
He started releasing music during the pandemic, in August 2020, and has been growing his presence on the classical piano market ever since.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Sacha Hoedemaker:
Yes, after I had discovered that I could play anything.. I took on the challenge of learning Rhapsody in Blue by George Gershwin. It took me a full week, but I managed to do it. I couldn't contain myself and kept playing new songs every day. From Classical to Pop and from Jazz to Gabber. Seeking to challenge myself, was a driving factor for me to keep coming up with, and taking on creative projects.


Nagamag:
What is your goal in terms of music?

Sacha Hoedemaker:
It has been a dream of mine to score a full feature film, as a composer.
Starting small, my initial goal is to create several cues, or score a short film. Help conveying a story in any way that I can. Too many stories are silenced, I see it as a my calling, to help tell some of those.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Sacha Hoedemaker:
Vulfpeck "1612"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Sacha Hoedemaker:
Elliot Jacques "Kaleidoscope"

Discover & Listen to Sacha Hoedemaker

Sacha Hoedemaker on Spotify

Sacha Hoedemaker's Signature Track

Sacha Hoedemaker on Social Media

sachahoedemakerofficial
sachahoedemaker
sachahoedemaker

Sacha Hoedemaker's Website

linktr.ee/sachahoedemaker

Alberto Rizzo Schettino Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , , , , , , , , , , , |

Alberto Rizzo Schettino
Interview

.


Nagamag:
What are the genres that describe better your music style?

Alberto Rizzo Schettino:
I write original music for film and video games. I play piano and keyboards and in the years I have gathered quite a collection of synthesizers, guitar amps and FX pedals. This definitely drives my music towards those instruments as I like to mix elements of electronic music (ambient, downtempo, glitch etc.) with more traditional orchestral instruments (strings, brass, percussion) and ethnic sounds from Africa and the Middle East. I try and mangle these original acoustic sounds from world music to be 'assimilated' by the machines, while still retaining their contrasting features. I try to maintain a delicate and constant fight between an industrial, cyberpunk and somehow dystopian sound palette and a more organic, classical setup with roaring strings and epic orchestral elements. I guess a lot of my work with techno artists and the club scene plays a role in what I imagine would be the sound of the streets and the underground in a distant future.


Nagamag:
Few words about your musical background and career?

Alberto Rizzo Schettino:
I've worked as a pianist/keyboardist for artists, bands and recording studios, mostly as a session musician. I've had my good share of live gigs in rock, acid jazz and fusion setups in which I would bring my keybards, guitar amps and guitar pedals and kinda force the stage to accept my sounds. I am not a fan of playing 'realistic instruments' live, and unfortunately you can achieve pretty good ones these days with keyboards.. but for me it's either acoustic piano, vintage keys or straight up synthesizers and mangled sounds. There's no in-between. In 2007 I opened my own recording studio, called 'Fuseroom' and I started producing records and keeping the facility open to music education programs. In the past years I went back to my role of composer and joined some game development companies (among which were some good friends of mine, from high school) to write original music for their video games. Getting back to writing music by myself was an adventure and somehow reconnected me with an artistic self that I had kept asleep for a while. It was a good time to get back at it and I was able to use this momentum to release a new solo record, called 'Future in the Past', highlighting some of the most iconic elements of my sound and songwriting, in the soundtrack genre.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Alberto Rizzo Schettino:
As a kid I was lucky to have friends who one day told me on the phone: "We're making a band. What do you want to play?". It was that simple. We wanted to move from air guitars and air drums using broomsticks and empty soda bottles to playing for real. I looked around, I had a small digital keyboard I had been playing since I was in primary school and decided that I wanted to play piano and go to a real teacher. I started both classical and modern piano together and never stopped taking lessons from the day. At around 18 I felt like I had to choose and was captivated by modern music. I've played in pop/rock bands, jazz ensembles, small freestyle and acid jazz bands etc. especially when I moved my beautiful (but small) town of Firenze (Italy) to continue studying in Los Angeles. I cannot remember how many people I've played with and whose projects I joined. From there on I kept on studying, moving cities, attending to more music academies in the US and in Europe. If there was one constant that never left me is that I do not partake in projects that I do not like. I just cannot do it. I've studied to be a professional musician and I am happy to provide others with my expertise but I have to hear some kind of pulse in the project. Exposure, fame, money, you name it.. they just do not cut it in the end as I cannot go to sleep and look at myself in the mirror if I am doing something I do not genuinely and directly enjoy. I guess that spontaneous phone call from my friends when we were kids really left a mark.


Nagamag:
Is there a cliché or recurring pattern in the way you come up with a new piece of music?

Alberto Rizzo Schettino:
With the passing of time (and things become more recurring or fixed, with deadlines, revisions, team discussion, production supervisors and so on) I noticed that I start working on a song only after I can hear it in my head 'enough', over the course of a couple days. It is kinda funny to say that but once I receive the initial brief for a new music project and the team or production sends me guidelines for the vibe they are looking for, I do not sit at the instrument and try to put down ideas. I just let things breathe for a couple days and I start thinking about a tune. It might happen at the worst time or before falling asleep. If the idea is good, in a couple days I can always recall the main theme and at least the B-section that answers it. That is usually the right time for me to sit down, turn my computer on and start writing music.


Nagamag:
If you only had to keep one musical instrument, what would it be?

Alberto Rizzo Schettino:
This would be very challenging. I certainly consider the acoustic piano as my foundation but I have so many instruments that I like for their specific sound palette, some of which have almost healing properties when played, in my opinion. I would have a very hard time parting from my Voyager, Polysix, Juno-6 and Hammond, as well. Please do not make choose! ;)


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Alberto Rizzo Schettino:
Andy Summers Mysterious Barricades


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Alberto Rizzo Schettino:
Ola Strandh Tom Clancy's The Division (Original Soundtrack)

Discover & Listen to Alberto Rizzo Schettino

Alberto Rizzo Schettino on Spotify

Alberto Rizzo Schettino's Signature Track

Alberto Rizzo Schettino on Social Media

albertorizzoschettino
alberto__rs

Alberto Rizzo Schettino's Website

www.albertorizzoschettino.net
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