“Sova’s “Quarry” moves with the kind of rare restraint that makes melancholy feel restorative rather than overwhelming. Its melody unfolds patiently, almost ritualistically, allowing every note the space to breathe until it gathers emotional weight. It never chases catharsis; instead, it gradually constructs an intimate space where inner tension slowly gives way to acceptance. As the rhythm begins to emerge, it doesn’t shatter the silence—it gently illuminates it, like a distant beam of light that offers no easy resolutions, only the quiet possibility that even our heaviest emotions can begin to move.”
“On “YA SHXT OUTSIDE,” Journei Eloise transforms vulnerability into atmosphere, letting her voice drift effortlessly across a production that favors nuance over spectacle. Her sweet, sensual tone never fights for attention; it quietly commands it, while the melody unfolds with patience and precision. The rhythm remains understated yet persistent, creating an undercurrent of movement that gradually pulls you in almost without notice. It’s a track that finds its strength in restraint, turning serenity into a subtle but captivating form of emotional tension.”
-Nagamag.com
Hit Play and enjoy listening “YA SHXT OUTSIDE” by Journei Eloise
“”Say That (Orchestral Version)” by Planetarium Sessions x Blimes and Gab unfolds over a cinematic melody that balances romance and drama, building an immediate sense of tension without ever resorting to easy sentimentality. As the vocals enter, their raw honesty and quiet confidence transform the orchestral grandeur into something deeply human. The rhythm, shaped by subtle yet meaningful shifts, keeps the track in constant motion, allowing its emotional weight to build organically rather than forcing a climax.”
-Nagamag.com
Hit Play and enjoy listening “Say That (Orchestral Version)” by Planetarium Sessions x Blimes and Gab
Youtube embedded player:
Press Release – About Song:
Planetarium Sessions – a new LA-based live session series that blends orchestral arrangements, astronomy, hip hop, and R&B. Inspired by stargazing, it’s all about discovering new stars in every sense – both literally and musically. We believe that hip hop and strings have long been among the strongest cultural connections in music, but have never had the right online outlet. That’s why we are creating a spin on the live session concept – instead of relying on the location and the hook and expecting the artist to come up with a version of their song (like Tiny Desk or any other live session series), we’re reimagining the artist’s song with creative string arrangements ourselves. The vision is to shoot our episodes inside actual observatories around Los Angeles, and to create ongoing cultural events that will collide chamber music and hip hop audiences.
In the short time that we’ve been around, we’ve already generated notable traction – with hundreds of thousands of views on social media and industry legends like Timbaland paying attention.
The pilot episode, featuring Blimes and Gab, marked the loved duo’s long-awaited comeback with their new single – Say That – completely reimagined with strings and drums.
“On “Bus To Nowhere,” Marta Valadon turns nostalgia into forward motion. Her vocals, warm and sensual without ever feeling excessive, drift across a gentle, carefully crafted melody that favors subtle charm over grand crescendos. The song builds an intimate world where romance is not framed as a dramatic confession but as a quiet, enduring force that effortlessly pulls you in. The rhythm remains restrained, carrying an almost understated optimism that gives the track a sense of freedom and escape. It’s a song that never rushes to impress; instead, it gradually finds its place within you, revealing its appeal through natural confidence and character.”
-Nagamag.com
Hit Play and enjoy listening “Bus To Nowhere” by Marta Valadon
“On Lamentations, Biribá Union weave a sonic landscape that balances the ritualistic with the dreamlike. The melody unfolds gradually, carrying an understated tension that draws the listener in without ever forcing its presence. The vocals function less as a narrative guide and more as an atmospheric instrument, drifting through the arrangement with quiet elegance. Subtle rhythmic shifts and the organic interplay between the musicians lend a sense of constant motion to a composition that seems to hover outside of time. The result is hypnotic, richly textured, and open-ended enough to leave ample room for the imagination to fill in the spaces.”
-Nagamag.com
Hit Play and enjoy listening “Lamentations, ft. Mike Block, Christylez Bacon, and Patricia Ligia” by Biribá Union
Youtube embedded player:
Press Release – About Song:
The song is a reimagined version of a solo-cello piece, originally written in 1973 by the African-American composer Coleridge-Taylor Perkinson. Based on the fourth movement, “Calvary Ostinato,” it frees GRAMMY-winning cellist and vocalist Mike Block to improvise over acclaimed bassist Patricia Ligia’s foreboding line. GRAMMY-nominated beatboxer and guitarist Christylez Bacon composed a meaningful and timely rap that brings the piece into the context of our modern world… “Blaming the opposition… can we ever see eye to eye when hatred got us blind…knowing our humanity’s more complex than ones and zeroes…both sides engaged in a zero-sum game.”
“On “The Aftermath,” Alexa Kate revisits the emotional core of pop music with a sense of purpose that feels both contemporary and timeless. The song unfolds gradually, revealing its strengths through a dreamy, nostalgia-tinged melody that balances longing with quiet optimism. Her vocals are the centerpiece, delivered with a soft sensuality and understated confidence that draw the listener deeper into the track’s emotional landscape. Rather than relying on excess, the arrangement allows each element to breathe, giving the song an effortless elegance. Beneath its reflective surface, a vibrant rhythmic pulse provides momentum and lift, transforming introspection into something liberating. ”
-Nagamag.com
Hit Play and enjoy listening “The Aftermath” by Alexa Kate
“On “to be my muse,” Emil Georgis turns intimacy into the song’s defining texture. The vocals are striking not through excess, but through restraint — warm, sensitive, and delivered with a kind of emotional precision that makes every phrase feel deeply inhabited. Georgis allows the melody to unfold slowly, balancing tenderness with quiet anxiety, as though affection and vulnerability are constantly pulling against each other. The arrangement mirrors that tension: moments of calm drift into livelier rhythmic passages that keep the track suspended in a state of gentle anticipation. Rather than chasing catharsis, the song lingers inside emotion, letting it breathe naturally.”
-Nagamag.com
Hit Play and enjoy listening “to be my muse” by Emil Georgis
““Not Your Fault” by Alexa Kate unfolds with a delicacy that borders on the dreamlike. The vocals, soft and almost fairy-like in tone, hover above the track with a fragility that doesn’t impose itself but gently draws you in, allowing emotions to find release naturally. The bright, uplifting melody creates an atmosphere of inner radiance, like a brief escape from everyday weight, where unexpected moments of joy surface quietly yet vividly. Beneath this luminosity, the rhythm moves quickly and fluidly, giving the song a kinetic energy that turns it into a smooth, intoxicating journey with no resistance—only flow.”
-Nagamag.com
Hit Play and enjoy listening “Not Your Fault” by Alexa Kate
““All I Need Is Love” by Alan Murin leans into emotional clarity with a tenderness that never feels overstated. The vocals arrive warm and deeply human, carrying an honesty that quietly dissolves any distance between artist and listener. There’s a softness in the delivery that gives the song its emotional center, allowing every phrase to linger with understated weight. The melody moves gently, wrapped in sentiment without collapsing into excess, offering a calm sense of intimacy that feels almost restorative. Beneath it all, the rhythm unfolds at an unhurried pace, steady and reassuring, channeling a quiet resilience that pushes the track forward with grace rather than force.”
-Nagamag.com
Hit Play and enjoy listening “All I Need Is Love” by Alan Murin
“Το “Lit Tonight” των Padre Tóxico x Barry Darkley κινείται με μια άμεση, σχεδόν εκρηκτική ενέργεια, που σε τραβά από τα πρώτα δευτερόλεπτα. Η μελωδία, ζωντανή και φωτεινή, λειτουργεί σαν καταλύτης, απελευθερώνοντας την ανάγκη για κίνηση χωρίς δεύτερη σκέψη. Τα φωνητικά, ευκίνητα και ασταμάτητα, με μια στιβαρή και γεμάτη αυτοπεποίθηση χροιά, σε παρασύρουν σε έναν κόσμο όπου η διασκέδαση μοιάζει μονόδρομος. Ο ρυθμός κυλά αβίαστα αλλά με ένταση, διατηρώντας μια συνεχή κορύφωση που κάνει κάθε στιγμή να μοιάζει πιο απολαυστική.”
-Nagamag.com
Hit Play and enjoy listening “Lit Tonight” by Padre Tóxico x Barry Darkley
