Neoclassical Music ⁞ New Releases⁞ Artist Interviews⁞ Music News
Introduction of Neoclassical Music
Neoclassical music is a style of classical music that is characterized by its use of traditional forms and styles, as well as a focus on structure and balance. It is often seen as a reaction against the romantic style of music, which was characterized by emotion and passion, and was influenced by the ideas of the Enlightenment, which valued reason and classical learning.
Some of the key features of neoclassical music include the use of traditional forms such as sonata form, the use of clear and concise melodies, and the incorporation of elements of folk music and popular music. Neoclassical music also often featured a return to tonality, which is the use of a specific key or tonal center in a piece of music.
The neoclassical style has had a lasting influence on classical music, and it continues to be an important part of the classical repertoire
Favorite Neoclassical Music on Spotify
Favorite Neoclassical Videos on Youtube
Recent Neoclassical Interviews
Harry Maes Interview on Nagamag.com
Nagamag:
What are the genres that describe better your music style?
Harry Maes:
My current music is influenced by neo-classical and melancholic music with an underlying emotion which focuses on listening to and finding your inner voice of soul. You can also find elements of jazz / fusion, EDM, Pop and Guitar instrumental music influences because I've been producing in these styles before I chose my new musical direction in 2019.
Nagamag:
Few words about your musical background and career?
Harry Maes:
I’m a multi-instrumentalist (guitar, bass, piano/synths, drums, percussion). I’ve studied pop/jazz Guitar at the Rotterdam Conservatorium in the Netherlands. I've focused on playing fusion music in the 90s and started producing Pop and EDM after the year 2000. Between 2010 and 2018 I created fusion guitar compositions and video demos for various guitar related products. Since the end of 2018 I'm focusing on my new music direction.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Harry Maes:
Before the end of 2018 I was mainly focusing on producing music for other artists. In 2010 I've had a life threatening experience and it took me years to process all the emotions from that time. I've composed songs around 2012 that I've finally been able to work on again in 2019 and 2020. Inner Voice of Soul is one of those older songs that came to life in the last years. So my new music direction gave me the confidence to produce and finalize this music and choose to promote myself as an artist. It feels very liberating to finally share something that truly represents myself.
Nagamag:
Why have you chosen a new music direction in 2019?
Harry Maes:
At the end of 2018 I've made the bold decision to move from composing on guitar to piano! Because of that 2019 was a very intense but also exciting year in which I've forced myself to only compose on piano and improve my playing ability on piano. It was quite challenging but also liberating to not focus on guitar and fall back onto default patterns. The limitation of the piano has really led me to find my deeper underlying emotions, my inner voice and truly following my heart!
Nagamag:
Are your family or children also musicians?
Harry Maes:
My son Justin is a DJ and producer who lives in Seoul (South Korea). He's currently working closely with DJ Koo and LIPHOP and he's building his Entertainment Agency RISEDAWN specializing in Korean Future Pop and Digital Marketing. I've also worked with my daughter Tiffany during 2000 - 2010 in which we composed songs together and where she performed in the Dutch Eurovision preselection contest in 2004 and participated in the Dutch Idols 4 competition in 2008.
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
Harry Maes:
Ailee (DJ Koo, Undaunted, Justin Levai) "Heartcrusher"
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
Harry Maes:
Olafur Arnalds "Only the Winds"
Matt Stewart-Evans Interview on Nagamag.com
Matt Stewart-Evans
Interview
Nagamag:
What are the genres that describe better your music style?
Matt Stewart-Evans:
As a solo artist - contemporary classical, neo-classical, whatever you want to call it.
Nagamag:
Few words about your musical background and career?
Matt Stewart-Evans:
I’ve been playing piano for the past 12 years or so and have been writing music alongside that, whilst completing various music theory and performance exams right through to making the decision last year to switch to composing (almost) full-time.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Matt Stewart-Evans:
I've had a fascination of music from quite an early age, but only had a couple of years of piano lessons as a child before being distracted by other things in life. Thankfully my teacher was very good despite my lack of attention at the time, and I built a solid grasp of the essentials which was hugely valuable in picking the instrument back up years later. At 15, I got my first pair of turntables and mixer and that was my main musical outlet for the next ten years, but piano slowly took up more time and become more serious as a realised how much satisfaction I got from developing my skills and writing.
Nagamag:
What was a defining moment for you as an artist?
Matt Stewart-Evans:
A big change for me came around four years ago when 1631 Recordings contacted me to ask whether I'd be interested in adding one of my piano pieces "Opus #24" onto a compilation (Piano Cloud), as they were just starting out the label. That ended up being very successful and was playlisted for 6 months or so. Up until then, I'd not considered releasing my music commercially, but that was a big moment for me in terms of seeing an unexpected reward for doing something I loved, which made me consider how I could make it more central to my life.
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
Matt Stewart-Evans:
Djrum "Showreel, Pt. 3"
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
Matt Stewart-Evans:
Hania Rani "F Major"
Neoclassical Features
Gift – Tanner Christian Gesek
“Η υπέροχη μελωδία χτυπά σαν φτερούγισμα στο στήθος και ισορροπεί απίστευτα τις σκέψεις μου. Ρομαντικά και χαρούμενα αγγίγματα ανοίγουν το μουσικό κουτί του μυαλού μου. Το ονειρεμένο ταξίδι του ρυθμού γεμίζει με αισιοδοξία την ψυχή μου. Αναμφισβήτητα τώρα νιώθω πως όλα θα πάνε καλά και τίποτα δεν μπορεί να το αλλάξει αυτό.”
-Nagamag.com
Expand to read review translations *
“The wonderful melody hits like a flutter in the chest and balances my thoughts incredibly. Romantic and joyful touches open the music box of my mind. The dreamy journey of rhythm fills my soul with optimism. Undoubtedly now I feel that everything will be fine and nothing can change that.”
-Nagamag.com
“La maravillosa melodía golpea como un aleteo en el pecho y equilibra increíblemente mis pensamientos. Toques románticos y alegres abren la caja de música de mi mente. El viaje onírico del ritmo me llena el alma de optimismo. Sin duda ahora siento que todo estará bien y nada podrá cambiar eso.”
-Nagamag.com
The original review of “Tanner Christian Gesek – Gift” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Neoclassical reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Tanner Christian Gesek” (United States) and the other one is translated to a different language than original review and the country of origin of the artist.
* Automatically Translated
Nagamag unveils the mesmerizing composition “Gift”, an extraordinary creation of harmony and creativity that “Tanner Christian Gesek” offered to all of us. A Neoclassical song, which evoked an emotional voyage to our curator that desired to write down a unique review for “Tanner Christian Gesek – Gift”. What also sets this song among the featured choices of Nagamag is the way that “Gift” is enriched with Piano characteristics. “Tanner Christian Gesek – Gift” is a rich music creation that deserves to be listened to again and again. Nagamag is honored to share this detailed music review by one of our experienced reviewers for Neoclassical music compositions. As always, Nagamag keeps up evaluating Neoclassical songs from across the globe, ensuring that all Neoclassical enthusiasts around the world have access to these auditory treasures .
Neoclassical home page where “Tanner Christian Gesek – Gift” is hosted on Nagamag Music Magazine
Nagamag takes pride in supporting Neoclassical artists like “Tanner Christian Gesek”, providing music reviews and music discoveries like “Gift”.
This music post about song “Gift” by “Tanner Christian Gesek” is hosted in Neoclassical page on Nagamag.
There you can find similar Neoclassical artists to “Tanner Christian Gesek” and more Neoclassical, Piano songs like “Gift” that have been carefully selected by Nagamag’s Neoclassical experienced curators and reviewed by Nagamag’s Neoclassical dedicated reviewers.
Learn everything about Neoclassical on Wikipedia
If you enjoyed “Tanner Christian Gesek – Gift” but you have never listened before to any other Neoclassical song or you are interested in learning more about Neoclassical music gerne then click here to visit Neoclassical music page on Wikipedia.
Neoclassical music refers to a distinct style with common characteristics. Each genre carries its unique sound, instruments, and cultural influences. For a deeper understanding of Neoclassical music, Wikipedia provides comprehensive insights into its history, notable artists, and iconic works. Delve into the diverse and dynamic world of Neoclassical music through this valuable resource, broadening your knowledge around Neoclassical genre.
No Belobog Here – Albert Stensen
“Σαν πραγματικές νεράιδες των ποταμών τα φωνητικά μας μαγεύουν και μας μεταφέρουν σε μια ατμόσφαιρα γεμάτη μυστήριο. Η επιβλητικά υπέροχη μελωδία μας ανατριχιάζει και αναστατώνει τις αισθήσεις μας χωρίς έλεος. Χανόμαστε στην αυξανόμενη δύναμη του ρυθμού που με επιδέξιο τρόπο μας βγάζει σε μια απολαυστική διάσταση εκτός πραγματικότητας. ”
-Nagamag.com
Expand to read review translations *
“Like real river fairies, the vocals enchant us and transport us to an atmosphere full of mystery. The hauntingly gorgeous melody chills and unnerves our senses without mercy. We lose ourselves in the increasing force of the rhythm that skillfully takes us to a delightful dimension outside of reality. ”
-Nagamag.com
“Niczym prawdziwe rzeczne wróżki, wokale oczarowują nas i przenoszą w atmosferę pełną tajemniczości. Zniewalająco piękna melodia bezlitośnie wywołuje dreszcze i wytrąca z równowagi nasze zmysły. Zatracamy się w rosnącej sile rytmu, który umiejętnie przenosi nas w zachwycający wymiar poza rzeczywistością. ”
-Nagamag.com
The original review of “Albert Stensen – No Belobog Here” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Neoclassical reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Albert Stensen” (Poland) and the other one is translated to a different language than original review and the country of origin of the artist.
* Automatically Translated
Nagamag unveils the mesmerizing composition “No Belobog Here”, an extraordinary creation of harmony and creativity that “Albert Stensen” offered to all of us. A Neoclassical song, which evoked an emotional voyage to our curator that desired to write down a unique review for “Albert Stensen – No Belobog Here”. What also sets this song among the featured choices of Nagamag is the way that “No Belobog Here” is enriched with Cinematic characteristics. “Albert Stensen – No Belobog Here” is a rich music creation that deserves to be listened to again and again. Nagamag is honored to share this detailed music review by one of our experienced reviewers for Neoclassical music compositions. As always, Nagamag keeps up evaluating Neoclassical songs from across the globe, ensuring that all Neoclassical enthusiasts around the world have access to these auditory treasures .
Neoclassical home page where “Albert Stensen – No Belobog Here” is hosted on Nagamag Music Magazine
Nagamag takes pride in supporting Neoclassical artists like “Albert Stensen”, providing music reviews and music discoveries like “No Belobog Here”.
This music post about song “No Belobog Here” by “Albert Stensen” is hosted in Neoclassical page on Nagamag.
There you can find similar Neoclassical artists to “Albert Stensen” and more Neoclassical, Cinematic songs like “No Belobog Here” that have been carefully selected by Nagamag’s Neoclassical experienced curators and reviewed by Nagamag’s Neoclassical dedicated reviewers.
Learn everything about Neoclassical on Wikipedia
If you enjoyed “Albert Stensen – No Belobog Here” but you have never listened before to any other Neoclassical song or you are interested in learning more about Neoclassical music gerne then click here to visit Neoclassical music page on Wikipedia.
Neoclassical music refers to a distinct style with common characteristics. Each genre carries its unique sound, instruments, and cultural influences. For a deeper understanding of Neoclassical music, Wikipedia provides comprehensive insights into its history, notable artists, and iconic works. Delve into the diverse and dynamic world of Neoclassical music through this valuable resource, broadening your knowledge around Neoclassical genre.
Latest Neoclassical discoveries
The Awakening – OHNomad
Οι νότες του πιάνου μοιάζουν σαν τα ταξιδιάρικα πουλιά που ελεύθερα πετούν. Η υπέροχη και χαρούμενη μελωδία διώχνει μακριά τι... >>> Read full review & listen to the song on Nagamag #piano #nagamag #musicmagazine #musicreview #review
Anatomy of Melancholy – Maria Luefing
Η φανταστική αυτή μελωδία είναι ένα ολόκληρο ταξίδι συναισθημάτων και ήχων. Η μελαγχολική πλευρά της είναι τόσο γοητευτική πο... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #solopiano #marialuefing #germany #nagamag #musicmagazine #musicreview #review
Angel Michael -The Angel of Courage – Karen Salicath
Οι νότες του πιάνου παιχνιδίζουν κάτω από τον ζεστό ήλιο και μας φέρνουν τόσες αναμνήσεις. Η γλυκιά μελωδία με την απαλότητα ... >>> Read full review & listen to the song on Nagamag #piano #nagamag #musicmagazine #musicreview #review
Radiance – Jonathan Fitas
Ο ρυθμός με αργές κινήσεις μας πλησιάζει και κάνει τα μυαλό μας να αφήνεται στο απολαυστικό ταξίδι του. Η θεσπέσια μελωδία απ... >>> Read full review & listen to the song on Nagamag #piano #nagamag #musicmagazine #musicreview #review
Dream (Live from The Home Concert) – Alex Solely
Mesmerizing and incredibly calming atmosphere of this piano beauty engage deeply within first notes. Harmonic structure and c... >>> Read full review & listen to the song on Nagamag #piano #nagamag #musicmagazine #musicreview #review
Life goes on… – Nicolas Le Minh
Serene and very beautiful ethereal melodies and gentle piano textures with this enchanting and soothing composition. Its harm... >>> Read full review & listen to the song on Nagamag #piano #nagamag #musicmagazine #musicreview #review
Rainy Winter Day – Peace and Honey
Οι νότες του πιάνου ζεσταίνουν την καρδιά σου, όταν όλα γύρω σου είναι ψυχρά και αδιάφορα. Η φανταστική μελωδία με ενσυναίσθη... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #solopiano #peaceandhoney #unitedstates #nagamag #musicmagazine #musicreview #review
Motionshine – Mario Verandi
Φανταστική μελωδία που η ενέργεια της μας δημιουργεί ενθουσιασμό και αφήνει τα συναισθήματα μας ελεύθερα να σχεδιάσουν το δικ... >>> Read full review & listen to the song on Nagamag #electronica #nagamag #musicmagazine #musicreview #review
Misty Blue – Felt Mix – Mark Sutton
Η ησυχία της φύσης υποδέχεται με χαρά την υπέροχη αυτή μελωδία. Γλυκιά και αισιόδοξη είναι σαν να μας περιγράφει την απίστευτ... >>> Read full review & listen to the song on Nagamag #piano #nagamag #musicmagazine #musicreview #review
Difference between Classical and Neoclassical Music
Classical music refers to a broad range of music written in the classical tradition, which encompasses a wide range of styles and forms. It is generally characterized by its formal structure and its use of traditional instruments and ensemble configurations.
Neoclassicism is a style of music that refers to the revival and use of classical forms and styles in music, particularly in the 18th and early 19th centuries. It is characterized by its use of clear, concise forms and a focus on structure and balance. Neoclassicism was a reaction against the romantic style of music, which was characterized by emotion and passion, and was influenced by the ideas of the Enlightenment, which valued reason and classical learning.
Some of the key differences between classical and neoclassical music include:
Time period: Classical music refers to music written during the classical period (1730-1820), while neoclassicism refers to music written after the classical period that incorporates elements of classical forms and styles.
Emphasis on structure: Classical music is known for its formal structure and the use of traditional forms such as the sonata and the symphony. Neoclassical music also places a strong emphasis on structure, but may also incorporate elements of popular music and folk music.
Emphasis on emotion: Classical music is often more reserved and formal in its emotional expression, while neoclassicism tends to be more emotional and expressive.
Use of tonality: Both classical and neoclassical music use tonality, but neoclassicism often incorporates a wider range of tonal structures and may experiment with atonality.
Use of traditional instruments: Both classical and neoclassical music use traditional classical instruments such as strings, woodwinds, brass, and percussion. However, neoclassicism may also incorporate elements of popular music and folk music, and may use a wider range of instruments.
Overall, the main difference between classical and neoclassical music is the time period in which the music was written, and the specific techniques and styles used by the composer. Classical music is generally more formal and reserved in its expression, while neoclassicism tends to be more expressive and may incorporate elements of popular music and folk music.
The most used instruments in Neoclassical Music
In neoclassical music, the most common instruments used are those found in the classical orchestra, including:
Strings: Violin, viola, cello, double bass
Woodwinds: Flute, oboe, clarinet, bassoon
Brass: Trumpet, French horn, trombone, tuba
Percussion: Timpani, snare drum, bass drum, cymbals, xylophone, marimba, triangle
Keyboard: Piano, harpsichord
These instruments are often used to create a wide range of textures and sounds, and are featured in many different types of classical music, including neoclassical music. In addition to these instruments, many composers also incorporate elements of popular music and folk music into their compositions, and may use a variety of other instruments such as guitars, bass, drums, and synthesizers.
It’s also worth noting that many composers and performers of neoclassical music are skilled in a variety of different instruments, and may switch between different instruments in order to achieve the desired sound and texture.
Vocals are sometimes used in neoclassical music, although they are not as common as instrumental music. When vocals are used in neoclassical music, they are typically performed by trained classical singers who have the ability to sing with precise pitch and control.
One common use of vocals in neoclassical music is in operatic compositions, where singers perform arias and recitatives in a style that is similar to traditional opera. Neoclassical opera is a subgenre of classical music that combines elements of traditional opera with elements of neoclassicism, and often incorporates elements of popular music and folk music.
In addition to operatic vocals, vocals may also be used in other forms of neoclassical music, such as choral music or vocal chamber music. Some composers may also incorporate elements of popular music or folk music into their compositions, and may use vocals in a more modern or experimental style.
It’s worth noting that the use of vocals in neoclassical music is highly dependent on the individual composer and the specific piece of music, and not all neoclassical compositions will feature vocals.