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Introduction of Neoclassical Music
Neoclassical music is a style of classical music that is characterized by its use of traditional forms and styles, as well as a focus on structure and balance. It is often seen as a reaction against the romantic style of music, which was characterized by emotion and passion, and was influenced by the ideas of the Enlightenment, which valued reason and classical learning.
Some of the key features of neoclassical music include the use of traditional forms such as sonata form, the use of clear and concise melodies, and the incorporation of elements of folk music and popular music. Neoclassical music also often featured a return to tonality, which is the use of a specific key or tonal center in a piece of music.
The neoclassical style has had a lasting influence on classical music, and it continues to be an important part of the classical repertoire
Favorite Neoclassical Music on Spotify
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Recent Neoclassical Interviews
Gregory Paul Mineeff Interview on Nagamag.com
Gregory Paul Mineeff
Interview
Nagamag:
What are the genres that describe better your music style?
Gregory Paul Mineeff:
Ambient, Modern-classical, Electronic, Downtempo, Chillout, analog textures, analog and acoustic instruments, alternative.
Nagamag:
Few words about your musical background and career?
Gregory Paul Mineeff:
I am a composer, multi-instrumentalist from Wollongong, Australia. I began my life as a musician beginning with piano but stopped to pursue the guitar and rock music. As a teenager I was obsessed with the electric guitar, fixated on the music of Jimi Hendrix, Nirvana, Foo Fighters, ACDC and Pink Floyd. Jimi Hendrix's music and the way he constructed melodies and harmonies, as well as his improvising, has always fascinated me. Along the way I became interested in music for film and classical music and began collecting and playing as many acoustic instruments as I could. Piano became a fixture in my life and I began composing simple minimal piano pieces, collecting many over the years. No matter what instrument it is, my fascination with music is always around the act of creating something new, composing and constructing a new piece of wonder. I composed my album GRIND in response to the beautiful natural surroundings of my home in Wollongong and since releasing this album have enjoyed collaborating with many artists around the world. My second full length album After Today was released in January and I am looking forward to seeing how it goes about finding its place in the world.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Gregory Paul Mineeff:
I have always loved music and it has always been something that just felt right to me. From the first time experiencing music from my grandmother's organ to the music classroom at school I knew it was for me. I was always into music of the 60's, 70's, 80's and early 90's with it playing constantly in my home whether it be Pink Floyd or Dire Straits. The music that really connected with me at that time was Nirvana. I loved the rawness of the music, the edginess to it, the minimalistic and simple nature of each song really resonated with me. The minimal aesthetic of those compositions influences me to this day. Music was the way I identified my place in the world as a teenager and the place I sought refuge. I made many cassette tape recordings of instrumental guitar pieces and experiments throughout this time. Following from this I loved the improvisation style of Jimi Hendrix, particularly pieces like Little Wing. His edginess and always being on the edge makes his style particularly appealing. I love the work of Nick Cave, the simplicity of the compositions and the rawness are always an inspiration. As time went on I became interested in music for film, particularly the work of Danny Elfman, and I absolutely adore Neil Young's score for the Jim Jarmusch film Dead man. I was always seeking out rawness in music and artists I felt were risking a little, pushing boundaries, which led me to the work of Bjork. Her music is always a beautiful departure from the ordinary. It also connected me to the world of electronic music and the infinite possibilities available for modern composers and musicians. Another artist I respect enormously is Radiohead and the solo work of Thom Yorke. I am endlessly fascinated by their boundless creativeness and the unique music and place they have created. Boards of Canada and the world they have created for themselves to exist is an endless source of inspiration as are the minimal piano compositions of Philip Glass. All of these artists have influenced my current music in various ways. The artist who has perhaps inspired me the most though, is Yann Tiersen. I adore his solo piano work and everything he has done, the album Skyline being my favourite with the track The Gutter a particular favourite. Ultimately, my love of music is in the act of creation and the immediacy of this construction. I absolutely love and am influenced by literature, art and music and my response to this and my own creation of art is an integral part of the process.
Nagamag:
What Are you working on at the moment (Jan. 2020)?
Gregory Paul Mineeff:
I am fascinated by vintage analog instruments, analog synthesisers, electric pianos, tape effects and acoustic pianos. and I am working on composing more solo piano pieces. My goal is to be as simple as can be while conveying a sense of melody. I am also working on performing my new album After Today live with film projection and look forward to developing this project. I always look forward to more collaborative projects too.
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
Gregory Paul Mineeff:
Foo Fighters "Exhausted"
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
Gregory Paul Mineeff:
Yann Tiersen "Penn ar Lann"
Thomas Lemmer Interview on Nagamag.com
Thomas Lemmer
Interview
Nagamag:
What are the genres that describe better your music style?
Thomas Lemmer:
Electronic, Ambient, Downtempo, Chillout, Trip Hop, Deep House
Nagamag:
Few words about your musical background and career?
Thomas Lemmer:
Thomas Lemmer is known as an Electronic/Ambient music producer. With 9 albums, 7 EPs and 17 singles and multiple appearances on top-class Chillout/Electronic compilations, Thomas Lemmer is considered one of the most active and established artists of his genre. His two albums STILL and ZERO GRAVITY reached the iTunes Electronic Top 10 in Germany. His album PURE reached the Top 10 of the iTunes Electronic Charts in Switzerland and #2 of the Album Top 10 in the official German Chill Out Charts (Deutsche Chill Out Charts). His album AMBITRONIC was a considerable success and held a position in the official German Chill Out Charts – Album Top 10 for 36 weeks. His music is played worldwide on established radio stations focusing on Chillout, Ambient and Electronic music. Thomas Lemmer loves collaborations. Together with Christoph Sebastian Pabst, he produced the album MEERBLICK (sea view). A concept album with a focus on the sea. The album was a great success for both of them and they are already working on a follow-up. With Andreas Bach, he produced the album NIGHT TRAVELLERS. A very organic instrumental album that is highly regarded in the scene. Currently, Thomas Lemmer has focused on the piano. He fulfilled a long heart wish with the EP “In Silence”. Ambient piano music at the highest level.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Thomas Lemmer:
I grew up in a very musical family. My parents bought me a piano when I was 5 years old. I remember smaller audition afternoons as a child and I was always allowed to attend the rehearsals of my father's band. That really affected me. Then, fast forward, I think I started composing at the age of 16. At that time, I had a pop duo and we started writing our own songs. So my first writing experience was together with a singer. As we now had our own songs, I played them for my piano teacher at that time. He then asked me when I would like to record these songs in a studio as he was a producer as well. So that was my first experience with producing music. After that, I started with two cassette players to record my own demos at home. Musically I was influenced mainly by pop music at that time. I loved and still love for instance Phil Collins, Genesis, The Beatles or Michael Jackson. That was the music I listened to. I still remember listening with the headphones to all the musical details a Michael Jackson production has or how Phil Collins's "In the air tonight" fascinated me. But I was also influenced by playing a lot of classical music on the piano which helps me a lot today when writing music. I think what really drew me to music production was that I was simply fascinated by music production. I bought so many records at that time and listened to every little detail of each production and dreamt of doing that myself.
Nagamag:
You seem to love collaborations. Tell us about it.
Thomas Lemmer:
Absolutely! I love collaborations and enjoy working, writing and producing with other artists. I have worked with various singers on my albums and recently released two full-length instrumental albums. With Andreas Bach, I worked on Night Travellers. With Christoph Sebastian Pabst, I worked on Meerblick which is German and means "sea view".
Nagamag:
What are you working on at the moment (Jan. 2020)?
Thomas Lemmer:
Since I have just released a Neo Classical / Ambient EP called "In Silence", I wanted to focus a little more on the piano. So I decided to work on my own interpretation of Erik Satie's Gymnopédies.
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
Thomas Lemmer:
Phil Collins "In the air tonight"
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
Thomas Lemmer:
Boards of Canada "Reach for the dead"
Neoclassical Features
Samuel Subrt – Leaf | Neoclassical music review
“Melancholic and very emotional atmosphere, perfectly capturing its title. Beautiful and playful dynamic of the composition is accompanied with perfect arrangement that fully evoke this piano piece and the imagination it is creating so vividly while listening. ”
-Nagamag.com
Expand to read review translations *
“Μελαγχολική και πολύ συναισθηματική ατμόσφαιρα, αποτυπώνοντας τέλεια τον τίτλο του. Η όμορφη και παιχνιδιάρικη δυναμική της σύνθεσης συνοδεύεται από τέλεια διασκευή που ξυπνούν πλήρως αυτό το κομμάτι για πιάνο και τη φαντασία που δημιουργεί τόσο έντονα ακούγοντας.”
-Nagamag.com
“Ambiente melancólico y muy emotivo, captando a la perfección su título. La hermosa y divertida dinámica de la composición se acompaña de un arreglo perfecto que evoca plenamente esta pieza para piano y la imaginación que crea tan vívidamente mientras se escucha.”
-Nagamag.com
The original review of “Samuel Subrt – Leaf” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Neoclassical reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Samuel Subrt” (Czechia) and the other one is translated to a different language than original review and the country of origin of the artist.
* Automatically Translated
Nagamag unveils the mesmerizing composition “Leaf”, an extraordinary creation of harmony and creativity that “Samuel Subrt” offered to all of us. A Neoclassical song, which evoked an emotional voyage to our curator that desired to write down a unique review for “Samuel Subrt – Leaf”. What also sets this song among the featured choices of Nagamag is the way that “Leaf” is enriched with Piano characteristics. “Samuel Subrt – Leaf” is a rich music creation that deserves to be listened to again and again. Nagamag is honored to share this detailed music review by one of our experienced reviewers for Neoclassical music compositions. As always, Nagamag keeps up evaluating Neoclassical songs from across the globe, ensuring that all Neoclassical enthusiasts around the world have access to these auditory treasures .
Neoclassical home page where “Samuel Subrt – Leaf” is hosted on Nagamag Music Magazine
Nagamag takes pride in supporting Neoclassical artists like “Samuel Subrt”, providing music reviews and music discoveries like “Leaf”.
This music post about song “Leaf” by “Samuel Subrt” is hosted in Neoclassical page on Nagamag.
There you can find similar Neoclassical artists to “Samuel Subrt” and more Neoclassical, Piano songs like “Leaf” that have been carefully selected by Nagamag’s Neoclassical experienced curators and reviewed by Nagamag’s Neoclassical dedicated reviewers.
Learn everything about Neoclassical on Wikipedia
If you enjoyed “Samuel Subrt – Leaf” but you have never listened before to any other Neoclassical song or you are interested in learning more about Neoclassical music gerne then click here to visit Neoclassical music page on Wikipedia.
Neoclassical music refers to a distinct style with common characteristics. Each genre carries its unique sound, instruments, and cultural influences. For a deeper understanding of Neoclassical music, Wikipedia provides comprehensive insights into its history, notable artists, and iconic works. Delve into the diverse and dynamic world of Neoclassical music through this valuable resource, broadening your knowledge around Neoclassical genre.
yannick Fortin – Longue Marche entre les dunes | Neoclassical music review
“Χιλιάδες συναισθήματα ζωντανεύουν και παίρνουν μορφή μέσα από αυτή την εκπληκτική μελωδία. Με μια νοσταλγική θλίψη μας παρασύρει η επιβλητική της όψη και σαν να ζούμε κάτι δραματικό απεγκλωβιζόμαστε από την πραγματικότητα μας. Ο ρυθμός επιδέξια και σταδιακά μας βάζει στο παιχνίδι και γινόμαστε οι ήρωες αυτού του απρόσμενου δράματος.”
-Nagamag.com
Expand to read review translations *
“Thousands of emotions come to life and take shape through this amazing melody. With a nostalgic sadness we are seduced by its imposing appearance and as if we are experiencing something dramatic we are released from our reality. The rhythm skillfully and gradually puts us in the game and we become the heroes of this unexpected drama.”
-Nagamag.com
“Des milliers d’émotions prennent vie et prennent forme à travers cette mélodie étonnante. Avec une tristesse nostalgique nous sommes séduits par son aspect imposant et comme si nous vivions quelque chose de dramatique nous sommes libérés de notre réalité. Le rythme nous met habilement et progressivement dans le jeu et nous devenons les héros de ce drame inattendu.”
-Nagamag.com
The original review of “yannick Fortin – Longue Marche entre les dunes” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Neoclassical reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “yannick Fortin” (France) and the other one is translated to a different language than original review and the country of origin of the artist.
* Automatically Translated
Nagamag unveils the mesmerizing composition “Longue Marche entre les dunes”, an extraordinary creation of harmony and creativity that “yannick Fortin” offered to all of us. A Neoclassical song, which evoked an emotional voyage to our curator that desired to write down a unique review for “yannick Fortin – Longue Marche entre les dunes”. What also sets this song among the featured choices of Nagamag is the way that “Longue Marche entre les dunes” is enriched with Cinematic characteristics. “yannick Fortin – Longue Marche entre les dunes” is a rich music creation that deserves to be listened to again and again. Nagamag is honored to share this detailed music review by one of our experienced reviewers for Neoclassical music compositions. As always, Nagamag keeps up evaluating Neoclassical songs from across the globe, ensuring that all Neoclassical enthusiasts around the world have access to these auditory treasures .
Neoclassical home page where “yannick Fortin – Longue Marche entre les dunes” is hosted on Nagamag Music Magazine
Nagamag takes pride in supporting Neoclassical artists like “yannick Fortin”, providing music reviews and music discoveries like “Longue Marche entre les dunes”.
This music post about song “Longue Marche entre les dunes” by “yannick Fortin” is hosted in Neoclassical page on Nagamag.
There you can find similar Neoclassical artists to “yannick Fortin” and more Neoclassical, Cinematic songs like “Longue Marche entre les dunes” that have been carefully selected by Nagamag’s Neoclassical experienced curators and reviewed by Nagamag’s Neoclassical dedicated reviewers.
Learn everything about Neoclassical on Wikipedia
If you enjoyed “yannick Fortin – Longue Marche entre les dunes” but you have never listened before to any other Neoclassical song or you are interested in learning more about Neoclassical music gerne then click here to visit Neoclassical music page on Wikipedia.
Neoclassical music refers to a distinct style with common characteristics. Each genre carries its unique sound, instruments, and cultural influences. For a deeper understanding of Neoclassical music, Wikipedia provides comprehensive insights into its history, notable artists, and iconic works. Delve into the diverse and dynamic world of Neoclassical music through this valuable resource, broadening your knowledge around Neoclassical genre.
Latest Neoclassical discoveries
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With Silence (Mvt. 3) – Pt. 4 ”and sunwards turn” – Erland Cooper
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Dreamy atmosphere and amazing layering of sounds, that creates very melancholic vibe within the songs. Beautiful violin theme... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #crossoverclassical #simonbächinger #switzerland #nagamag #musicmagazine #musicreview #review
Ókunnar leiðir (Uncharted Paths) – Ferðalag
Исполнение на пиано выделяет всю нежность и утонченность мелодии, создавая атмосферу уюта и погружения в размышления. -Ókunna... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #ferðalag #iceland #nagamag #musicmagazine #musicreview #review
Desonata – Masayoshi Fujita
Μέσα στην ησυχία της φύσης λίγο πριν το ξημέρωμα μια υπέροχη μελωδία έρχεται για να σε ξυπνήσει και να σε γεμίσει αισιοδοξία.... >>> Read full review & listen to the song on Nagamag #cinematic #epicmusic #ambient #masayoshifujita #japan #nagamag #musicmagazine #musicreview #review
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St. Mary’s Bay – Sharon Lynn Makarenko
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Difference between Classical and Neoclassical Music
Classical music refers to a broad range of music written in the classical tradition, which encompasses a wide range of styles and forms. It is generally characterized by its formal structure and its use of traditional instruments and ensemble configurations.
Neoclassicism is a style of music that refers to the revival and use of classical forms and styles in music, particularly in the 18th and early 19th centuries. It is characterized by its use of clear, concise forms and a focus on structure and balance. Neoclassicism was a reaction against the romantic style of music, which was characterized by emotion and passion, and was influenced by the ideas of the Enlightenment, which valued reason and classical learning.
Some of the key differences between classical and neoclassical music include:
Time period: Classical music refers to music written during the classical period (1730-1820), while neoclassicism refers to music written after the classical period that incorporates elements of classical forms and styles.
Emphasis on structure: Classical music is known for its formal structure and the use of traditional forms such as the sonata and the symphony. Neoclassical music also places a strong emphasis on structure, but may also incorporate elements of popular music and folk music.
Emphasis on emotion: Classical music is often more reserved and formal in its emotional expression, while neoclassicism tends to be more emotional and expressive.
Use of tonality: Both classical and neoclassical music use tonality, but neoclassicism often incorporates a wider range of tonal structures and may experiment with atonality.
Use of traditional instruments: Both classical and neoclassical music use traditional classical instruments such as strings, woodwinds, brass, and percussion. However, neoclassicism may also incorporate elements of popular music and folk music, and may use a wider range of instruments.
Overall, the main difference between classical and neoclassical music is the time period in which the music was written, and the specific techniques and styles used by the composer. Classical music is generally more formal and reserved in its expression, while neoclassicism tends to be more expressive and may incorporate elements of popular music and folk music.
The most used instruments in Neoclassical Music
In neoclassical music, the most common instruments used are those found in the classical orchestra, including:
Strings: Violin, viola, cello, double bass
Woodwinds: Flute, oboe, clarinet, bassoon
Brass: Trumpet, French horn, trombone, tuba
Percussion: Timpani, snare drum, bass drum, cymbals, xylophone, marimba, triangle
Keyboard: Piano, harpsichord
These instruments are often used to create a wide range of textures and sounds, and are featured in many different types of classical music, including neoclassical music. In addition to these instruments, many composers also incorporate elements of popular music and folk music into their compositions, and may use a variety of other instruments such as guitars, bass, drums, and synthesizers.
It’s also worth noting that many composers and performers of neoclassical music are skilled in a variety of different instruments, and may switch between different instruments in order to achieve the desired sound and texture.
Vocals are sometimes used in neoclassical music, although they are not as common as instrumental music. When vocals are used in neoclassical music, they are typically performed by trained classical singers who have the ability to sing with precise pitch and control.
One common use of vocals in neoclassical music is in operatic compositions, where singers perform arias and recitatives in a style that is similar to traditional opera. Neoclassical opera is a subgenre of classical music that combines elements of traditional opera with elements of neoclassicism, and often incorporates elements of popular music and folk music.
In addition to operatic vocals, vocals may also be used in other forms of neoclassical music, such as choral music or vocal chamber music. Some composers may also incorporate elements of popular music or folk music into their compositions, and may use vocals in a more modern or experimental style.
It’s worth noting that the use of vocals in neoclassical music is highly dependent on the individual composer and the specific piece of music, and not all neoclassical compositions will feature vocals.