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Introduction of Neoclassical Music
Neoclassical music is a style of classical music that is characterized by its use of traditional forms and styles, as well as a focus on structure and balance. It is often seen as a reaction against the romantic style of music, which was characterized by emotion and passion, and was influenced by the ideas of the Enlightenment, which valued reason and classical learning.
Some of the key features of neoclassical music include the use of traditional forms such as sonata form, the use of clear and concise melodies, and the incorporation of elements of folk music and popular music. Neoclassical music also often featured a return to tonality, which is the use of a specific key or tonal center in a piece of music.
The neoclassical style has had a lasting influence on classical music, and it continues to be an important part of the classical repertoire
Favorite Neoclassical Music on Spotify
Favorite Neoclassical Videos on Youtube
Recent Neoclassical Interviews
Sam Miller Interview on Nagamag
Nagamag:
What are the genres that describe better your music style?
Sam Miller:
Chamber folk-pop for most of my music with words and Neo-Classical for my instrumental works.
Nagamag:
Few words about your musical background and career?
Sam Miller:
I've been a sideman in rock bands for years and during the COVID lockdown I started recording classical music, which is my current direction. I play bass, guitar and piano.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Sam Miller:
I re-discovered my love of music when I started playing piano after college. During that time I was also immersed in a song-writing community, which had a great effect on my creative sensibilities.
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
Sam Miller:
Hyri "Work of the Devil"
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
Sam Miller:
Laura & Anton "Castles in the Air"
Discover & Listen to Sam Miller
Sam Miller on Spotify
Sam Miller's Signature Track
Sam Miller on Social Media
Sam Miller's Website
In Void Interview on Nagamag
Renault to the left & Peugeot to the right
Nagamag:
What are the genres that describe better your music style?
In Void:
Neo-classical mainly. Also punk rock, opera and anything with accordians.
Nagamag:
Few words about your musical background and career?
In Void:
Renault: I was a modern artist in the truest sense of the word. Some paint with a brush, others with a pallet knife or sponge, I, well...I paint with myself, if you get my drift. I dip my manly member in paint and let my passion be my guide. I dazzled the tourists for years on the streets of Mont Martre, singing opera arias all the while and even playing accordian while painting with my "all natural brush". It would seem that some of my female admirers were a bit too dazzled however, and a jealous husband threw me into the Seine, and when I crawled out, I saw the wretched face of Peugeot. From that moment on, we were inseparable.
Peugeot: I was the lead singer of a French punk band called "The Flaming Maggots" or "Les Asticots Enflammes" for a few years. We had a couple hit songs-maybe you've heard "Merde, merde merde!" or "Ton cul est tros grand! Va t'en, va t'en!". Then, I woke up one morning, hungover in a back alley of Paris and vomited on the person next to me, who turned out to be Renault, et voila, the rest is history.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
In Void:
Renault: I saw Mozart's "Don Giovanni" as a small garcon, and thought, "mon dieu, I want to grow up to be such a man! So many conquests, and set to such lovely music."
Peugeot: My dearly departed mother was a Sex Pistols groupie and so I heard their fine, skillful and passionate music every day in utero. I have sought to emulate them in thought, word and deed ever since. To this day, I wake up at 1pm every day to their masterpiece, "Frigging in the Rigging".
Nagamag:
Favorite book?
In Void:
Renault: Les Miserables, L'Etranger, Lolita, O Calcutta
Peugeot: One Fish, Two Fish, Red Fish, Blue Fish
Nagamag:
Best shag ever?
In Void:
Peugeot: Brigitte Bardot or Queen Elizabeth. Too close to call.
Renault: Lady Gaga, hands down.
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
In Void:
Mozart (This is Renault's pick of the week, from his favorite opera, Don Giovanni. In this aria, the servant, Leporello lists his master Don Giovanni's thousands of other conquests in an effort to "console" a woman whose heart he has just broken. The piece is very near and dear to Renault's heart, for obvious reasons.) Madamina, il Catalogo
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
In Void:
Sex Pistols Anarchy in the UK
Discover & Listen to In Void
In Void on Spotify
In Void's Signature Track
In Void's Website
Neoclassical Features
Fresh Find Review: “Only Then” by Alina Markina | Now that’s a Neoclassical Discovery
Music Review:
“Οι υπέροχες νότες του πιάνου δημιουργούν μια μαγική και συγκινητική ατμόσφαιρα. Η απαλή και γλυκιά μελωδία μας γεμίζει φως και όλα τα καλά μας συναισθήματα βγαίνουν προς τα έξω. Με διακριτικό τρόπο μας διαπερνά και ησυχάζουμε μέσα μας. Ο ήρεμος ρυθμός μας αγκαλιάζει νοσταλγικά αλλά γεμάτος ελπίδα για όσα θα έρθουν.”
-Nagamag.com
Press Release – About Song:
This solo piano piece captivates with its elegant simplicity and emotional depth. A heartfelt melody unfolds with graceful dynamics and subtle nuance, creating a peaceful, reflective atmosphere. Perfect for moments of relaxation or introspection, this track offers a timeless blend of beauty and tranquility.
Maria Karakusheva – The Wild Iris | Neoclassical Spotlight Review
Music Review:
“Η ωραία μελωδία με το απαλό άγγιγμα της ζωντανεύει τις σκέψεις σου και οι εικόνες διαδέχονται η μία την άλλη. Νοσταλγικά συναισθήματα σε κατακλύζουν και η καρδιά σου χτυπά δυνατά. Όσα έζησες και όσα θα έρθουν στήνουν ένα χορό και ο ήρεμος αλλά παθιασμένος ρυθμός σε συγκινούν και κάνουν την φαντασία σου να ταξιδεύει στο δικό σου όμορφο κόσμο.”
-Nagamag.com
Press Release – About Song:
The Wild Iris is a deeply evocative piece from the new album Forget Me Not by Maria Karakusheva. Inspired by the wild iris—a flower that flourishes even in the harshest conditions—this composition delves into themes of femininity, resilience, and inner strength. Through delicate yet expressive piano work, the piece invites listeners on a journey of self-discovery, embracing vulnerability as a source of power.
Currently based in the Netherlands, Maria Karakusheva is actively seeking new collaborations with labels, filmmakers, artists, and musicians—both locally and internationally. Open to creative synergies across genres and disciplines, she is eager to connect and craft new musical experiences with like-minded creatives.
Latest Neoclassical discoveries
Song Review: “Frozen Longing” by Jürgen Reimann | Neoclassical Essential
Οι νότες του Frozen Longing κυλούν αργά, σαν πάγος που λιώνει μεθοδικά, χωρίς βιασύνη για κάθαρση. Το πιάνο του Jürgen Reiman... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #solopiano #jürgenreimann #germany #nagamag #musicmagazine #musicreview #review
Single Review: Søme – Nocturnal Spirits | Review
Το Nocturnal Spirits ανασύρει τον έρωτα και το πάθος μέσα από μια μελωδία που κινείται υπόγεια, σχεδόν υπνωτιστικά. Δεν πρόκε... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #solopiano #søme #germany #nagamag #musicmagazine #musicreview #review
Release Critique: “What Remains” by Chris Thaler | Neoclassical Review
Στο What Remains, ο Chris Thaler επιλέγει τη διακριτική συναισθηματική αποφόρτιση αντί για τη δραματική κορύφωση. Η μελωδία α... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #christhaler #switzerland #nagamag #musicmagazine #musicreview #review
Composition Critique: “Opaline” by Sharon Lynn Makarenko | Neoclassical Review
Το Opaline της Sharon Lynn Makarenko απλώνεται στον χώρο με την απαλότητα μιας στιγμής που δεν θέλει να διακοπεί. Οι γλυκές, ... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #solopiano #sharonlynnmakarenko #canada #nagamag #musicmagazine #musicreview #review
Song Critique Magnus John Anderson – Halide Grain | Review
Το απαλό χάδι αυτής της υπέροχης μελωδίας ζεσταίνει την ψυχή σου, ενώ η θλίψη της αγγίζει βαθιά την καρδιά σου. Οι σκέψεις δι... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #ambient #magnusjohnanderson #sweden #nagamag #musicmagazine #musicreview #review
“She Was Here (feat. Elaine)” by Hwang Sang Jun | A Neoclassical Breakdown Review
Η συγκινητική και μελαγχολική μελωδία μιλά με τόση ειλικρίνεια μέσα σου και αγγίζει τις πιο ευαίσθητες χορδές σου. Τα αιθέρια... >>> Read full review & listen to the song on Nagamag #cinematic #epicmusic #hwangsangjun #southkorea #nagamag #musicmagazine #musicreview #review
Mikhail Gurbo – Quietly Riding on the Waves” Review | Neoclassical Discovery
Αυτό το υπέροχο κομμάτι έχει τόσα πολλά να μας πει και το κατορθώνει μέσα από τη γεμάτη συναίσθημα πλοκή του. Η ήρεμη δύναμη ... >>> Read full review & listen to the song on Nagamag #neo #modernclassical #solopiano #mikhailgurbo #russia #nagamag #musicmagazine #musicreview #review
ORKA – Beyond Love | Essential Pop by Nagamag.com, Neoclassical Review
Τα ρομαντικά και απαλά φωνητικά δημιουργούν μια παρεΐστικη ατμόσφαιρα και, με την ειλικρινή τους ερμηνεία, έρχονται πιο κοντά... >>> Read full review & listen to the song on Nagamag #acousticfolk #singersongwriter #orka #israel #nagamag #musicmagazine #musicreview #review
Momentum Review: Waltz for Emi – Frédéric Renaudin | Neoclassical
Μέσα στην ησυχία της νύχτας, σαν απαλό χάδι, μας αγγίζει αυτή η μελωδία και επιδρά τόσο ευεργετικά στον ψυχισμό μας. Ήρεμα κα... >>> Read full review & listen to the song on Nagamag #piano #nagamag #musicmagazine #musicreview #review
Difference between Classical and Neoclassical Music
Classical music refers to a broad range of music written in the classical tradition, which encompasses a wide range of styles and forms. It is generally characterized by its formal structure and its use of traditional instruments and ensemble configurations.
Neoclassicism is a style of music that refers to the revival and use of classical forms and styles in music, particularly in the 18th and early 19th centuries. It is characterized by its use of clear, concise forms and a focus on structure and balance. Neoclassicism was a reaction against the romantic style of music, which was characterized by emotion and passion, and was influenced by the ideas of the Enlightenment, which valued reason and classical learning.
Some of the key differences between classical and neoclassical music include:
Time period: Classical music refers to music written during the classical period (1730-1820), while neoclassicism refers to music written after the classical period that incorporates elements of classical forms and styles.
Emphasis on structure: Classical music is known for its formal structure and the use of traditional forms such as the sonata and the symphony. Neoclassical music also places a strong emphasis on structure, but may also incorporate elements of popular music and folk music.
Emphasis on emotion: Classical music is often more reserved and formal in its emotional expression, while neoclassicism tends to be more emotional and expressive.
Use of tonality: Both classical and neoclassical music use tonality, but neoclassicism often incorporates a wider range of tonal structures and may experiment with atonality.
Use of traditional instruments: Both classical and neoclassical music use traditional classical instruments such as strings, woodwinds, brass, and percussion. However, neoclassicism may also incorporate elements of popular music and folk music, and may use a wider range of instruments.
Overall, the main difference between classical and neoclassical music is the time period in which the music was written, and the specific techniques and styles used by the composer. Classical music is generally more formal and reserved in its expression, while neoclassicism tends to be more expressive and may incorporate elements of popular music and folk music.
The most used instruments in Neoclassical Music
In neoclassical music, the most common instruments used are those found in the classical orchestra, including:
Strings: Violin, viola, cello, double bass
Woodwinds: Flute, oboe, clarinet, bassoon
Brass: Trumpet, French horn, trombone, tuba
Percussion: Timpani, snare drum, bass drum, cymbals, xylophone, marimba, triangle
Keyboard: Piano, harpsichord
These instruments are often used to create a wide range of textures and sounds, and are featured in many different types of classical music, including neoclassical music. In addition to these instruments, many composers also incorporate elements of popular music and folk music into their compositions, and may use a variety of other instruments such as guitars, bass, drums, and synthesizers.
It’s also worth noting that many composers and performers of neoclassical music are skilled in a variety of different instruments, and may switch between different instruments in order to achieve the desired sound and texture.
Vocals are sometimes used in neoclassical music, although they are not as common as instrumental music. When vocals are used in neoclassical music, they are typically performed by trained classical singers who have the ability to sing with precise pitch and control.
One common use of vocals in neoclassical music is in operatic compositions, where singers perform arias and recitatives in a style that is similar to traditional opera. Neoclassical opera is a subgenre of classical music that combines elements of traditional opera with elements of neoclassicism, and often incorporates elements of popular music and folk music.
In addition to operatic vocals, vocals may also be used in other forms of neoclassical music, such as choral music or vocal chamber music. Some composers may also incorporate elements of popular music or folk music into their compositions, and may use vocals in a more modern or experimental style.
It’s worth noting that the use of vocals in neoclassical music is highly dependent on the individual composer and the specific piece of music, and not all neoclassical compositions will feature vocals.












