Sbeady Interview on Nagamag

Categories: Features, Instrumental Hip Hop Features, Instrumental Hip-hop Interviews, Interviews, The Latest|Tags: , , , , , |


Nagamag:
What are the genres that describe better your music style?

Sbeady:
I never thought about my music in genres or at least subgenres, because it's obviously hip hop, that I make most of the time. Nevertheless, I would never limit myself to a genre. I'm influenced by everything that hits me and gives me emotions in whatever mood. But to be honest, currently I'm all into this lofi hip hop and chillhop thing. I really began to love this sound and I want to dig deeper into it, while keeping and pushing my own unique style and recognition value.


Nagamag:
Few words about your musical background and career?

Sbeady:
I started in the early 2000s after I were exposed to music production through a friend of mine. I was a huge hip hop fan, listening to non Phixion, Necro, Mobb Deep, Nas, Cage, Beatnuts and many others all the time, but also German acts like Kool Savas and Azad were running through my headphones frequently.
Over the time, the love for music got bigger and bigger. I made beats 24/7, skipped school to make music together with my friends which used to rap. We hung out and wrote songs as a crew in our own self made studio. Seriously the best time of my life. From time to time, I worked together with other underground acts. For example Millionadi, Peat38, Favourite and Casper. The last one became a bit more known some years later.
As time went by, the old crew drifted in different directions, people lived their own life. We stopped making music together. I took years off from music.
In 2016, I decided to make a beat album. Some turbulent private stuff came along, I needed a break again, so that I eventually finished it at the beginning of 2020. The kind people at the independent label "Vinyl Digital" gave me a chance, agreed to release it in May and I signed a contract there. To work with them is great and uncomplicated (Shout out to Julius).
Only after all that, I really came in contact with lofi hip hop and now here I am!


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Sbeady:
The first real connection was in my early days as a rug rat. Hardly able to walk, my favourite thing to do at home was putting my dad’s headphones on and listen to his vinyl records. We lived in the former GDR - East Germany - and my dad used to buy his records on East Berlin black markets. He collected music, you normally couldn't get there, because it was forbidden. Blues, Rock and Metal bands were his favourites like Canned Heat, Deep Purple, Genesis, Metallica, Motörhead and Scorpions.
Since I was a small child, I loved to listen to these vinyl treasures and I still do to up until this very day when I dig samples out of the crackling and warm sounding records from the good old days.


Nagamag:
How do you aproach a new Song? Do you start with a beat or do you come with melody first and how do you go on from there?

Sbeady:
I always always start with the melody. Regardless if I start from scratch, have something in mind and begin to write some chords into the piano roll or if I listened to some vinyl records, found a lovely sample, chopped it and played around with the slices on my Maschine MK2. I always start with the melody or chord progression. Then I would add synths or other instruments and the bassline of course. The drums are usually the last thing I write into the song. I know many producers out there that start with the drums, but I never did because I have to feel the vibes the melodic parts give me, before I play the drums. Sometimes I write the whole song arrangement before I even choose the drum sounds.


Nagamag:
Would you ever consider having a feature on one of your tracks?

Sbeady:
As I used to produce beats for rappers and singers for many years and just started with lofi hiphop in 2020, I’m excited to work on my own and don't have to wait till vocals are written and recorded. I can just write the song, finish it on my own, produce the sound design, and release it whenever I want. I enjoy this freedom. But of course, when an artist catches my attention and we have somewhat of a connection, I'm happy to work with him. No matter if it's a rapper, singer, beat producer, pianist or other instrumentalist. If we click, we will rock!


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Sbeady:
Journey "Don't Stop Believin' "


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Sbeady:
Turnawai "honeymilk"

Discover & Listen to Sbeady

Sbeady on Spotify

Sbeady's Signature Track

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Sbeady's Website

Evening Elevator – Higher (Spotify)

Categories: Audio, Features, Hip-Hop, Instrumental Hip Hop Features, The Latest|Tags: , , |

Evening Elevator – Higher
(Spotify)

Evening Elevator takes you on a journey above the clouds in the video for their debut single, HIGHER. The duo, made up of songwriter Tim Segreto (Populus, Boston Sessions) and producer Dub Sonata (Jidenna, Rhymefest, Sage Francis) each released a catalog of their own work before collaborating to form Evening Elevator.

Filmed by Dub Sonata, HIGHER feels like a waking dream, allowing you to take flight over the fog-laden hills of northern California. It opens with a soothing blend of synths and strings, soon evolving into an infectious vocal melody over hard-hitting drums. The song will serve as the intro track on their forthcoming album bearing the same title, which they describe as electro-dreampop with hip-hop tendencies.

Ab The Audicrat – Studio Rapper – Instrumental (Spotify)

Categories: Audio, Features, Hip-Hop, Instrumental Hip Hop Features, The Latest|Tags: , , |

Ab The Audicrat – Studio Rapper – Instrumental
(Spotify)

Albany, New York native Brendan Paulsen has made it his mission to simply create the type of music that he wants to listen to: a soundtrack that is indubitably solid, polished and delectable. Producing under the moniker Ab The Audicrat (previously Abs01ute), Paulsen has spent the last 15 years honing his craft and studying all elements of hip-hop. His body of work includes production for artists such as C-Rayz Walz, Bender, Giant Gorilla Dog Thing, Astronautalis, Xkwisit, Jimmy The Loch, Caucasian, Benn Grim, Timmy Wiggins, Grimace, Climax and Intikana, among others, with his catalog as a solo artist including Absolute Hip-Hop (2005 and 2011) and The Game of Rap: Altered Beats (2011). In 2014, he produced the vast majority of Giant Gorilla Dog Thing's double LP HORSE, which was released via Pig Food Records and heavily represented the innovative rap coming out of the criminally slept-on upstate New York area. In 2017, he and Shyste released their collaborative Lord of the Flys LP. Ab The Audicrat is happily entering the next chapter of his career, set to kick off with Abstrumentals Vol.1 & 2, a 2 part instrumental series releasing in early 2020

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