Music Genre

Nick Syrett – Refuge (Spotify)

Categories: Audio, Features, Neoclassical, Neoclassical Features, The Latest|Tags: , |

Refuge by Nick Syrett in Forerunner Records, is a neo-classical solo piano emotive track which not rush to release its feelings, gently performed in dynamics provides to the listener a relaxing daydreaming experience.

Nick Syrett has been creating beautiful, ambient piano music for over a decade. His albums are a collection of meditative, neo-classical instrumentals featuring the soothing sounds of string ensembles, choirs, and more, all built around his spontaneous piano solos. Hailing from the UK, and now residing in Kansas City, Nick says, “During the recording of 'Refuge'–I often found my mind drawn to refugees in the Middle East, who were being forced from their homes and experiencing terrible suffering. My prayer is that these simple songs would touch hearts, restore souls, and help many to find healing and peace.”

Chiara Dubey Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , , , |


Nagamag:
What are the genres that describe better your music style?

Chiara Dubey:
My music is a crossover between alternative pop, dreamy electronic, and modern classical - a fusion of airy strings textures, electronic beats/ sound design and my voice.


Nagamag:
Few words about your musical background and career?

Chiara Dubey:
I sing since when I was a child and started playing the violin at the age of 5. As I grew up, it became clear to me that I wanted to become a professional musician and I chose to study classical music at the conservatoire, majoring in violin and composition. In parallel, I kept performing as a singer/songwriter on international stages - like the Eurovision national finale. In 2018 I left my homeland and moved to London, where I completed my Master studies in vocal performance. Now I am back in Switzerland where I focus on my project as a solo artist.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Chiara Dubey:
On the weekends, when I was a child, I would have tea (chai tea) with my father in the morning. It was our little ceremony. While he would prepare the tea, I would play an old CD of Céline Dion, always the same one, and I would sing along with all the air that I had in my lungs. I remember it would fill me with an ecstatic feeling, the same one I still have now when I perform. I guess these were the first moments where I fell in love with music and that bond never broke.


Nagamag:
You just released your début album, Constellations. What is the idea behind it?

Chiara Dubey:
As a child, I would spend most of my summers in the mountains. Nights, away from the city lights were so dark and quiet, and the sky was a breathtaking, dusty explosion of stars. Other children and I would lay for hours on the grass, just staring at them - and eventually keeping count of the falling stars. I couldn’t avoid noticing, what an influence that sight would have on my thoughts. It would slowly detach me from my daily reality, my thoughts would drown in that deep universe and I would find myself wondering about life, about death, about time, about dreams. That awareness and wonder accompanied me through the years, as I grew. I wanted to create an album that would carry some of those feelings, which are a beautiful part of our human essence. They accompany us in our choices and habits, but our daily pattern somehow makes it difficult for us just to find that space, that quietness, which allows our mind to wonder and dream. I have the feeling that we often get lost in the fuss of our busy scheduled lives. With Constellations, I wanted to emulate the effect that the deep, starred skies have on me, and create an atmosphere that would invite people to evade their reality, just for a while.


Nagamag:
Your album also contains instrumentals, why this choice?

Chiara Dubey:
Classical music is an important part of my personality and I like to express myself just trough sound sometimes, trough compositions, without using words. In this album I really wanted to include this side of me as well, without fearing what the audience might expect from me. It also gives me the chance to perform with the violin on stage, from time to time!


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Chiara Dubey:
Jon Hopkins "Emerald Rush"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Chiara Dubey:
Aurora "Infections of a different kind"

Discover & Listen to Chiara Dubey

Chiara Dubey on Spotify

Chiara Dubey's Signature Track

Chiara Dubey on Social Media

Chiara Dubey's Website

Lynn Tredeau Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , |


Nagamag:
What are the genres that describe better your music style?

Lynn Tredeau:
Neo-classical, Contemporary Solo Piano, New Age Piano


Nagamag:
Few words about your musical background and career?

Lynn Tredeau:
I began piano lessons at 5 years of age and that opened a doorway to learning many other instruments including flute, clarinet, saxophone, guitar & pipe organ. After many years of teaching piano, I retired to pursue a life long dream to create original music. My debut album Echoes of Life was released in 2015 followed later that same year by a Christmas album Snowlight (A Christmas Memory), which was awarded Best Holiday Album at Enlightened Piano Radio. Over the next 4 years I released 4 additional albums and 12 single releases. My music has been featured on about 6 compilation albums and received many nominations. Two albums were awarded Best Solo Piano Album at Zone Music Reporter, Fellowship of Solitude in 2018 and All the Pieces in 2019. A track (Photos Without a Memory) from my sixth album was also chosen as Track of the Year by One World Music Radio. My single releases have allowed me to collaborate with other musicians and try my hand at other styles of music.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Lynn Tredeau:
My father loved the music of Nat King Cole and Frank Sinatra. Every Sunday, he would cook breakfast for the family and sing along to his favorite records. My other childhood memory was practicing on my old piano in the basement and my mother would call down the stairs to "play her favorite" which was Clair De Lune. To this day I can hear her voice when I play that song.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Lynn Tredeau:
John Denver "Annie's Song"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Lynn Tredeau:
Michele McLaughlin "A Beautiful Distraction"

Discover & Listen to Lynn Tredeau

Lynn Tredeau on Spotify

Lynn Tredeau's Signature Track

Lynn Tredeau on Social Media

Lynn Tredeau's Website

MDJ Matthias De Jaeger, Matthias De Jaeger – Safe Sound (Spotify)

Categories: Audio, Neoclassical, Post|Tags: , , |

MDJ Matthias De Jaeger, through this easy listening piano song, which performed gently but with passion, telling a tender touching story about peaceful reflections and hope. The emotional travel goes across various feelings such as hope, nostalgia and bliss. A poetic piano with harmonic turns and lush dynamics to keep the listeners interest to the end.

Dan Michaelson – Colourfield III (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

Opening with deep tonal rumbles flooded with cavernous French Horn, 'Colourfield III' is the last track to be taken from Dan Michaelson's acclaimed new album. At just over 3 minutes, it is by far the most compact of his tracks, condensing many of the album's core ideals into one simple message. Featuring a full orchestral compliment, heavy swells of piano envelop strings in waves of bass before they reemerge in one of Colourfield's most optimistic and uplifting moments.

Dan Michaelson's new album 'Colourfield' is out now on Village Green Recordings. Drawing inspiration from all corners of his record collection, including John Luther Adams, Spiritualized, Laurie Anderson, Brian Eno, Mogwai and Gavin Bryers, 'Colourfield' is Dan Michaelson's first full-length release as an instrumental artist as well as his debut for the contemporary music label.

On making the decision to step back from singing and lyric writing, the thinking was simple, “everyone gets tired of the sound of their own voice sometimes...”.

Though better known for his solo albums of dark, Americana tinged reflection, Dan is no stranger to instrumental music, having spent the past few years creating score for film (Blowin'Up 2018) and television (Detectorists Series 1,2 &3. 2016-2018), and gradually building confidence with orchestra through his trilogy of albums 'Distance', 'Memory' and 'First Light', his 2017 album for voice and strings.

“Whilst working on the tone of those records, I fell in love with the likes of John Adams, Steve Reich, Anna Thorvaldsdottir and Caroline Shaw with the same force that I had fallen for The Velvet Underground, Leonard Cohen and Jonathan Richman many years before, and with the same outcome.. the inspiration to investigate a new direction”.

The result is a vast field of sound, as informed by texture and human intervention as it is by melody. “The hope is to be lost in it, to get to the other side with no memory of where you set out from ”

Working closely with violist and conductor Robert Ames and violinist Galya Bisengalieva to complete the record, Dan found their way of working to be “very similar to being in a band, just with less wrong notes”.

BUY/STREAM 'COLOURFIELD' HERE
www.danmichaelson.bandcamp.com
www.twitter.com/danmumbleson
www.instagram.com/danmichaelson
www.soundcloud.com/danmichaelson
www.facebook.com/danmichaelsonmusic

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