Lee Hazard – All It Takes (Spotify)

Categories: Audio, Features, House, House Features, The Latest|Tags: , , |

“"All it takes" has a dose of hidden energy, which gradually flows from the speakers. Original electronic sounds with catchy delay effects and ghostly lyrics. Lo-fi House, made for the most selective listeners out there.”

-Nagamag.com

Lee Hazard - All It Takes [CLIPP200]

clipp.art - : "Our 200th release is a dual occasion. First a huge landmark for us and secondly the welcome return of Lee Hazard, a fav 2021 newcomer who creates sublime & transcendent modern electronica. "All It Takes" completes his triptych of releases on clipp.art and is a deep expedition into borderless dub techno, as reimagined via romantic lo-fi house banger. Swirling delays, a propulsive synth stab and Lee’s own haunting vocals, underpinned by a relentlessly driving groove give All It Takes its own cinematic sheen, which in a landscape fixated on minimising, reductive thought and constraint, music that projects large is an ever welcome addition in our house. It sounds better as you go deeper and louder. Which is why we felt it fit so well here for our 200th. Lee’s lyric “It takes some time to love, but I'm loving you” also spoke to our humble little imprint of our own journey and hopefully that of our beautiful supporters - after all we are locked together like the two fish of Pisces, eternally swimming away from one another in an ongoing mesmerizing dance - like the needle and the groove. And we couldn’t be more proud of the work thus far and the immersive sonic tapestry contained in our discography - one that has introduced a galaxy of bright new stars along the way and perhaps cemented an aesthetic that will ever be connected to raw electronica & dance tunes in this moment. What started with exponential energy and barely containable weekly release schedule has admittingly slowed with age (more accurately gliding to a semi-halt in 2021 while we worked hard on our sister-label), but like most good things has gotten better with age. A bit sharper. A more complex taste. Fruity aromas. Or maybe we’ve just been staring too long at the half-finished bottle of vino sitting here while thinking of something creative to say. Either way, we’re far from half-finished (with the concept that is, not the wine), and as long as the groove is alive we know you’ll hear from us for many more moons. Always on the edge of something new. As we continue to develop the ever important VIBE! All it ever takes is some time."

Chris Gerber – CU (Spotify)

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“We really like the funky breaks intro before the house kicks in. This is one very danceable track with plenty of old school elements integrated. Something about those single phrase repetitive house tracks that works its way deep into one’s psyche. ”

-Nagamag.com

https://www.instagram.com/iamchrisgerber/

ENGLISH:

New Release: Chris Gerber heralds a post-pandemic rave age.

“CU at the Venue” a phrase we haven’t been able to say for a too long time was packed by Chris Gerber into a 2 track maxi single to herald the walk into the clubs post corona disaster. After a long break from releasing, Chris tweaked his synths and tried his hand at various versions of “CU at the Venue”. The file Final_version_85_finafinal then embodied the two tracks “CU” and “At the Venue”. Alongside tender vocals from Fabian Baumert, a close friend of Chris’, the release reels out as an ode to pioneering UK clubs that played a major role in shaping electronic music.

The record kicks off pretty busy as different worlds collide in “CU”. In the intro you are greeted by a breakbeat, which develops into a straight four on the floor rhythm with iconic 909 drums. Vocal chops, bongos and recorded leads straight from a 1984 Casio synth take you back to an age when the internet still made dial-up noises before you could access colourful websites through Netscape. A breakdown in the center of the track presents the soft and almost eerie vocals in their full splendour. With renewed breakbeats and an aggressive synth bass, you find yourself in a call and response thunderstorm in combination with the vocal line.

“At the Venue” takes over the second half of the maxi single introducing a dry breakbeat from second 1 which meets hard 808 basses. With a nod to “CU”, hazy Trance pads then take you on a journey through a jungle of vocal chops and before you realise it, you end up back at the starting point of the track – a self-contained cycle.

“CU at the Venue” embodies the debut of Chris Gerber’s newly established label “Computer Toys”and can be heard worldwide starting 5th November 2021. Who knows, maybe we will see each other on the dance floor soon.

About Chris Gerber

Complex, cohesive, rough and atmospheric at the same time – to get to the bottom of Electronica producer Chris Gerber’s sound, these terms only scratch the surface. As a teenager, the Hanover native couldn’t find any bands in his scene, that he fit into, so he decided to take his musical visions into his own hands with his guitar and a loop pedal. With the discovery of Ableton Live, the wonderful world of electronic music was revealed to him. So Chris dove further into the playground of synths and drum machines, forgetting more and more about his guitar. With inspirations and role models like Jamie XX, Bicep and Denis Sulta, he creates his version of contemporary Electronica, with strong influences from the 1990s and early 2000s. Breakbeats, 909 hits and hard 808 basses, that are combined with warm synth pads and almost cheesy Casio-synth leads are part of Chris Gerber’s agenda. His productions are physically thrilling but emotively driven, while his approach is rather playful than serious. Despite Gerber’s musical complexity, you always intuitively know where the journey is going. The new maxi single “CU at the Venue” embodies the debut of his newly established label “Computer Toys” – satisfaction guaranteed.

DEUTSCH:

Produzent Chris Gerber feiert Label-Kick-Off mit Maxi-Single

“CU at the Venue” – Einen Satz, den wir schon zu lange nicht mehr sagen konnten, verpackte Chris Gerber in eine 2-Track Maxi Single, um den Gang in die Clubs Post-Corona-Disaster einzuläuten. Nach einer längeren Veröffentlichungspause, schraubte Chris an den verschiedensten Versionen von “CU at the Venue” bis die Datei “Final_version_85_finafinal” schlussendlich die beiden Nummern “CU” und “At the Venue”enthielt. Neben Vocals von Fabian Baumert, einem engen Freund von Chris, ist das Release eine Ode an die UK Clubs, die für die Entwicklung der Rave-Szene entscheidend waren.

Zu Beginn der Maxi-Single treffen in “CU” verschiedene Welten aufeinander. Das Intro wird durch einen Breakbeat getragen, welcher sich dann zu einem straffen Four on the Floor Beat mit ikonischen 909 Drums entwickelt. Vocal Chops, Bongos und eingespielte Leads, direkt von einem 1984 Casio Synth, versetzen einen in das Zeitalter, als das Internet noch Dial-Up Geräusche von sich gab, bevor man über Netscape bunte Webseiten besuchen konnte. Ein Breakdown in der Mitte des Tracks präsentiert die sanften und schon fast gespenstischen Vocals in ihrer vollen Pracht. Ohne Vorwarnung befindet man sich in einem spannungsgeladenen Call and Response Gewitter zwischen den zarten Vocals und einem aggressivem Synth-Bass.

“At the Venue” übernimmt die zweite Hälfte der Maxi-Single mit einem trockenen Breakbeat und harten 808 Bässen. Mit einer Referenz zu “CU”, begleiten einen trancy Flächen auf einer Reise durch einen Dschungel von Vocal Chops und bevor man es realisiert, endet man wieder am Beginn des Tracks – ein in sich geschlossener Kreis.

“CU at the Venue” ist das Debut von Chris Gerbers neuen Labels “Computer Toys” und kann ab dem 5. November 2021 weltweit gehört werden. Und wer weiß, vielleicht sieht man sich ja bald auf der Tanzfläche.

Über Chris Gerber

Komplex, rau und zugleich atmosphärisch – so könnte man Sound des Electronica Produzenten Chris Gerber umreißen. Als Jugendlicher fand der Hannoveraner keine passenden Bands in seiner Szene, weshalb er sich entschied seine musikalischen Visionen mit der Gitarre und einem Loop-Pedal selbst in die Hand zu nehmen. Durch die Entdeckung von Ableton Live offenbarte sich ihm die wundervolle Welt der elektronischen Musik. So tauchte Chris immer tiefer in den Spielplatz von Synthesizern und Drum Machines ein, wodurch seine Gitarre immer weiter in den Hintergrund rückte. Mit Inspirationen und Vorbildern wie Jamie XX, Bicep und Denis Sulta kreiert er seine Variante zeitgenössischer Electronica-Musik mit starken Einflüssen aus den 90ern und frühen 2000ern. Breakbeats, 909 Hits und harte 808 Bässe, kombiniert mit warmen Synth-Pads und schon beinahe kitschigen Synth-Leads vom Casio Keyboard, sind bei Chris Gerber Programm. Seine Produktionen sind mitreißend und emotional zugleich. Seine neue Maxi-Single “CU at the Venue” ist das Debüt seines brandneuen Labels “Computer Toys” – satisfaction guaranteed

Saxongroove – Can You Hear It (Spotify)

Categories: Audio, Features, House, House Features, The Latest|Tags: , , , |

“"Saxongroove" new delivery in Deep house style. The old masters always know how to keep us active and ...awake! The track has a strong kick and a huge variety of sound FX, pretty enough to start the dance. Can you hear it?”

-Nagamag.com

2nd track on the 'No Need To Sleep' EP

https://www.instagram.com/saxongroove
https://www.facebook.com/saxongroove

The Mayans – Not A Doctor (Spotify)

Categories: Audio, Features, House (Old-school), House Features, Lo-fi House, The Latest|Tags: , |

“The rhythm in "Not A Doctor" is unlikely to keep you from the desire to make a few energetic movements ahead. You immediately feel in your breast all the power of sound, fall in love with the mix quality and amazed by its variety of sound elements and the vocal approach!”

“Ритм этого трека вряд ли удержит вас от желания сделать несколько энергичных движений головой. Сразу чувствуешь в груди всю монолитность звучания, влюбляешься в качество сведения и поражаешься разнообразием звуковых решений и подходу к семплированию вокала!”

-Nagamag.com

This is the second release for us (we have just signed another 6 tracks to three different labels, including some quite exciting ones) and the first on our own new label. We plan to release one new release on our own label every 6-8 weeks. The next is scheduled for release in November. Our production ethos is simple - combine the best of old and new technology to make music that is inspired by - but not a copy of - classic late 80s and early 90s house music. To do this we combine genuine 12-bit samplers (modern and original 80s models) and analog synths with modern production and mixing tools (Live and Pro-Tools), topped off with some not-so-secret 90s production weapons, like our beloved 90s Alesis 3630 compressor, the machine that gave Alan Braxe and Daft Punk that distinctive pump.

https://www.instagram.com/themayansmusic/

Anton Kling Interview on Nagamag

Categories: Features, House Features, House Interviews, Interviews, The Latest|Tags: , , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Anton Kling:
Melodic, Organic, Progressive, Minimal with a lofi touch


Nagamag:
Few words about your musical background and career?

Anton Kling:
I started in a music program called E-jay when I was 8 years old, then when I was 12 I started making music in fl-studio and when I was 16 I started in Ableton live where I create music these days. I have been making music since I was very young but I started to take it more seriously in the last 6 years.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Anton Kling:
I don't remember the first connection with music because there has always been music played at my house when I was young. I remember when my dad showed me Kraftwerk for the first time and I was in awe. But the biggest thing has to be when I discovered Daft Punk at a very you age. I sat on our computer in the early days of the internet and found their music and that just changed everything. I just couldn't stop listening to them, all they did was so new and interesting for my ears. I guess that was when I truly fell in love with electronic music.


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Anton Kling:
Red Hot Chilipeppers "Californication"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Anton Kling:
Extrawelt Zu Fuss

Discover & Listen to Anton Kling

Anton Kling on Spotify

Anton Kling's Signature Track

Anton Kling on Social Media

PINEO & LOEB, FUEG, Ellie Sax – Good Vibe Feeling (Spotify)

Categories: Audio, Features, House, House Features, The Latest|Tags: , , , , , , , |

“High energy from the start with a good tempo sprinkled with a talented lyricists rhyme. Evidently created to make you feel good and so groovy. Jazzy house with quality sax solos. ”

-Nagamag.com

https://pineoandloeb.fanlink.to/GVF

PINEO & LOEB team up with NY-based hip-hop artist FUEG and UK saxophonist Ellie Sax for their newest release, "Good Vibe Feeling," a genre-bending track that is sure to be the star of any night out. With an infectious sax top-line, smooth hip-hop vocals, and a groovy instrumental, these talented artists bring the elements that create a literal good vibe no matter the occasion. Sampling Canadian disco artist Estiban, PINEO & LOEB reach into the past to find the future which creates appeal for a wide variety of listeners, setting the stage for "Good Vibe Feeling" to become this fall's party time anthem. If there were any doubt as to its danceability, check out the video of 70-year-old dancing queen Andrea Bolley, aka the 6Mom jamming to the track in the streets of LA. The track perfectly represents the sound of PINEO & LOEB's earlier releases, which got support from BBC Radio 1, and Virgin Radio and led them to remixing for the likes of Grouplove and Olivia O'Brien.

If it weren't for a schedule mix-up, Canadian duo PINEO & LOEB might never have joined forces. The two artists were booked for the same show, but both were left to play with only 1 time slot available. Instead of duking it out for the single slot, they decided to do a back-to-back set and haven't looked back since. Some of their most popular original releases include "Daydreaming," "Circles," and "Body Right." Hip hop extraordinaire FUEG makes up one-half of the duo 4AM and has been diligently honing his craft since 2015. His most recent release "The Vibe" with Fresh Mode via Sony Music has clocked over 5M streams on Spotify to date. On the other hand we have Hed Kandi artist and Nikki Beach resident Ellie Sax, who has been captivating clubs and festivals around the world with her saxophone performances. Her 2020 hit single "Scatman" which samples the 1995 dance hit of the same name, has amassed over 7M streams and she has played alongside and worked with artists such as Artful Dodger, Stonebridge, Karen Harding, and more.

More info on PINEO & LOEB / Ellie Sax / Casual Jam Records:

PINEO & LOEB: https://www.instagram.com/pineoandloeb/

Ellie Sax: https://www.instagram.com/ellie.sax/

Casual Jam Records: https://www.instagram.com/casualjamrecords/

Boogie Hill Faders – Be Happy (Spotify)

Categories: Audio, Features, House, House Features, The Latest|Tags: , , , , |

“Comprehensive work with sound that interacts with the listener. The vocals in -Be Happy- along with its construction and transitions, form a combination of Electro Pop and Nu-Disco. It draws a bright and very positive picture to which you want to return again and again.”

“Комплексная работа со звуком в целом, которая производит взаимодействие инструментов друг с другом. Вокал в -Be Happy-, построение композиции, переходов, сочетание Electro Pop и Nu-disco и многих других элементов, рисует яркую и очень позитивную картину, к которой хочется возвращаться вновь и вновь. ”

-Nagamag.com

Following the success of “In A Minute” with Disco Fries & Big Nab, and “The Spot”, the new Boogie Hill Faders single “Be Happy” is the 3rd release from the upcoming debut studio album “The Formula” from Liftoff Recordings.

A crossover feel good dance track with that trademark Boogie Hill Faders bounce & groove. Deep basslines, flipped sample magic, and polished studio production.

Absolutely dripping with positive Summer vibes; put your shades on, crank up “Be Happy” and head to the beach.

Thank you so much for any and all support you can provide. For more on Boogie Hill Faders check out the official website at http://www.boogiehillfaders.com

https://www.facebook.com/boogiehillfaders
https://www.instagram.com/boogiehillfaders

Demuja – Take Me Away From Here (Video)

Categories: Features, House, House Features, The Latest, Video|Tags: , , |

“New House tune with Old-school style and uplifting mood. Released in the “Period Of Time” album is ready to take you away in a full dancing trip. “Demuja” knows how to attract our interest and this can be proved from the first listening of this work.”

-Nagamag.com

Austrian DJ/producer Demuja drops his new Single “Take Me Away From Here” from the forthcoming album “Period of Time” out on August 20.

https://www.facebook.com/iamdemuja

https://www.instagram.com/iamdemuja

Doppe & Kokke Interview on Nagamag

Categories: Features, House Features, House Interviews, Interviews, The Latest|Tags: , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Doppe & Kokke:
We are definitely in the area of house music, in particular tropical house, and EDM. But we don't want to limit ourselves. We have a couple of chillstep tracks on the way also. We love a good melody that you can go and whistle on for a long time after hearing the track.


Nagamag:
Few words about your musical background and career?

Doppe & Kokke:
We have always been interested in music but never taken the step to produce our own. Our original careers are in a very different area. At least once per year we go on a road trip around Europe and we prepare for weeks before to have the right playlists to set the mood in the car. The last year we have not been able to go on a trip, but we missed it and the good music, so we decided it was time to produce some of our own beats that we can listen to when the lockdown is over.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Doppe & Kokke:
The last years from maybe where Avicii, Kygo and similar DJs started to breakthrough I think we found a genre that was more appealing for both of us. We have always liked electronic music, but adding a great singer and making awesome melodies talks to us.


Nagamag:
What is your next project?

Doppe & Kokke:
We have a few new tracks in the making, but we are not stressing them. Without revealing too much one of them we are especially fond of which is a kind of mix of tropical house and RNB beats. We are currently working with a great singer and when she is ready I believe we have the next hit song ready.


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Doppe & Kokke:
Doppe: Jan Hammer Kokke: Gary Moore Doppe: "Miami Vice Theme" Kokke: "The Loner"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Doppe & Kokke:
Ehrling "Sthlm Sunset"

Discover & Listen to Doppe & Kokke

Doppe & Kokke on Spotify

Doppe & Kokke's Signature Track

Doppe & Kokke on Social Media

ANZU – I Need Your Love (Spotify)

Categories: Audio, Features, House, House Features, The Latest|Tags: , , , |

“ANZU with their new single I NEED YOUR LOVE through Louder Recordings, set the time back back into your best moments of House Music glory, a theme that is the cherry into any related set and can bright easy the mood into positive vibes. Beautiful melodic lines which can set this into a classic.”

-Nagamag.com

https://www.facebook.com/anzumuzic/

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