Music Genre

Angel Sánchez Enríquez x Athens Philharmonia Orchestra – À Laura, Op. 1: II. La mer et les étoiles (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , |

“If music had a soul, it would be enclosed in this classical composition. Its sound flies like a free bird in the clear sky. Deep sound of symphonic instruments for your favourite playlist.”

“Если у музыки есть душа, то она заключена в этой классической композиции и словно огненная птица вырвалась на свободу, чтобы порадовать нас. Глубочайшее благоговение, настоящее наследие симфонической классики в вашем плейлисте.”

-Nagamag.com

Navona Records proudly presents PRISMA VOL. 4, the fourth installment in the acclaimed PRISMA series showcasing the best of American contemporary composition.

Brian Belet's three-movement string orchestra work Stellar Nebulae starts off the album. The multi-layered I. Emergence is aptly contrasted with the calm II. Contemplation, before culminating in the animated finale of III. Expansion. The structure is classical, the tonal language modern, but with influences reminiscent of Baroque concertos. Mara Gibson strives to paint an impression of a small island's ecology in Secret Sky. Completely novel and original in its concept, this work is based on the migratory patterns of birds on Beaver Island MI. A similarly nature-themed inspiration is the background of Rain Worthington's Shadows of the Wind. It graphically evokes the changing silhouettes of leaves and branches cast on walls during a storm, mirroring the workings of the human subconscious.

Next up is Angel Sanchez' symphonic poem À Laura, a three-movement dedication to a beloved woman. I. La petite Princesse is a feisty characterisation of the heroine, II. La mer et les étoiles aptly portrays the beauty of the dedicatee's beloved sea and stars, while III. Feu is an uninhibited declaration of passion. There is an air of martiality to Adrienne Albert's Courage for Winds, its beginning centered around a recurring snare drum beat. Commissioned by the Inland Empire Youth Wind Symphony Commissioning Consortium, it reflects the battle against adversity in a tonal language that is decidedly American. John Franek's Mithridates epically closes the album with a punch of Dvořákian opulence: its unbridled energy remains profoundly reminiscent of the highly dramatic Slavic musical tradition of the late 19th Century.

PRISMA VOL. 4 seamlessly takes up on the quality listeners have come to expect from this series. In its diversity, this apposite cross section has something to satisfy not only every mood, but also every taste.

https://www.angelclassicalmusic.com/

Angel Sánchez Enríquez was born in Mexico City in 1971. He graduated from the Superior School of Music which belongs to the National Institute of Fine Arts in Mexico City, with a Bachelor of Music in Percussion. He also studied piano and orchestral conducting with Yulia Vischnevetskaia and violin with Guela Dubrova. As a conductor, he studied orchestration with composer Héctor Quintanar, Carlos Chavez’s pupil, and conducting with Yuri Simonov in Moscow, Russia.

Sanchez was Associate Conductor since 1997 for several Broadway musicals such as Beauty and the Beast by Disney (1997), The Phantom of the Opera (2000) by Lloyd Weber, and Les Misérables (2005) by Cameron Mackintosh. He was the musical conductor in Fiddler on the Roof (2006) with the brass section of the Mexico City Philharmonic Orchestra under the supervision of Kristen Blodgette. He currently conducts symphonic orchestras in Mexico, Berlin, and Moscow.

In 2019, he recorded his Op. 1 A Laura for orchestra, a work describing the life of his beloved Laura in music. “This music is aimed at understanding without words the most delicate nuances of feelings in a universal language.” His work Op. 2 Vercingétorix was selected to be performed by the Royal Scottish National Orchestra. This work has a strong character, describing in music a historical event with traditional Celtic music. Recently he composed his Op. 3 Jeanne d’Arc which narrates the life of the Maiden of Orléans.

Mark Sutton – Without Boundaries (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , |

“Music has no boundaries, it can set us free from almost every negative influence. Mark Sutton knows well how to create from classical sound, something special, bright and with Cinematic touch. Don't miss this gem.”

-Nagamag.com

A beautiful instrumental piece about freedom, releasing the shackles and expressing yourself.

https://www.instagram.com/pianoman_mark

William Philipson – Sparrow (Video)

Categories: Features, Neoclassical, Neoclassical Features, The Latest, Video|Tags: , , , , , |

“Freedom through motion and delicate valleys of flower petal laced landscapes. Its deep and it seems to be clairvoyant in its own way. Excellent strings carry the soft pulsing rhythm to its own place. ”

-Nagamag.com

Directed by Dominykas B. Ivanauskis

Starring Ieva Labanauskaitė

Shot and Edited by Aurimas Čepelis

Costumes and make up by Miglė Kunickytė

Colour graded by Luke Ross (https://www.lukerosspost.com)

Strings performed by Marta Z (https://www.martazmusic.com)

https://www.williamphilipson.com/

Felipe Malaquias – Momentos (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , |

“Offer yourself a moment of deep harmony and peaceful relaxation with "Momentos". Brand new and shinny Cinematic jewel from a real talent in the scene. This track starts like a faint star in the dark sky and gradually glows like the morning Sun!”

-Nagamag.com

https://felipemalaquias.com/

https://felipemalaquias.bandcamp.com/

https://www.instagram.com/felipemalaquias5/

Yan Springett – Awakening (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , , |

“This new cinematic release comes like a missing piece in your music collection. Peaceful enough to calm down your tired mind, but also "Awakening". Seems like creating anticipation for the unexpected, in a world where anything is possible!”

-Nagamag.com

https://www.instagram.com/yanspringett/

Wahab Moses – Last Dance (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , |

“A stunning sample of the upcomming "Someofw" album is just available for all fans of Cinematic music. This piece is characteristic of its heartwarming properties. Touching melodies, smoothly unfolding and creating emotional waves with distinct melancholic impact.”

-Nagamag.com

https://twitter.com/someofw
https://www.instagram.com/someofw/

Minorarc Interview on Nagamag

Categories: Features, Interviews, Rock Features, Rock Interviews, The Latest|Tags: , , , , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Minorarc:
Minorarc is by no means strictly "Progressive Metal". The project had its origins (under a different name "Mystral Tide") as darkwave with strong classical piano influences. These orchestral and cinematic flavours co-exist with a mixture of Prog, Djent and experimental electronica.


Nagamag:
Few words about your musical background and career?

Minorarc:
Since the early 2000s I have been an active multi-instrumentalist and community-founder for underground and experimental music. A classically trained violinist, my modern musical journey began in Tokyo. The first project “Mystral Tide” performed at numerous industrial and darkwave events, including as a guest artist for Japan’s “Seij minus aC” at Leipzig’s Wave-Gotik-Treffen in 2002. Returning to Australia in 2003, I helped establish a decade-long series of concerts (Enzyme), including events for the Melbourne Fringe Festival, all to showcase and expose dozens of independent Australian experimental musicians.

Over two decades, I've periodically recorded and performed as “Minorarc”. The music shifted from synth-heavy dark electronica, into a new world of progressive metal and post-rock. An expression of despair and regret, crafted through piano-driven melodies, non-traditional song structures, and a wide variety of stringed instruments.

Now in 2022, Minorarc has released its second full-length album, “Untold”. A largely instrumental work summoning elements of modern metal and djent to portray emotive unease, offset through the reverberant and powerful effects of classical piano, the warmth of cinematic synth pads, and delicate touches of acoustic mandolin and guitar. “Untold” is accompanied by the release of “Blind Remixes”, featuring a variety of fellow Australian independent artists, and “Overburden”, a sonic side-dish and reflective continuation of “Untold’s” themes.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Minorarc:
My first connection to a love of music came from my first purchases (and rentals) of music albums on CD and Cassette, in my early teens. There was a whole world of music to explore, and without preconceptions I was able to simply find albums that struck a chord with me personally. Artists that made my love of music grow, including Fields of the Nephilim, Pink Floyd, Ministry, Alice In Chains, Nocturnus, Solitude Aeternus, Bathory and more.


Nagamag:
What was the concept behind your release, "Untold"?

Minorarc:
Originally I'd wanted the album to be completely instrumental, and tell a story and convey emotions purely through the "feel" of the sounds. Along the way though, during the two years of recording that took place, a very limited selection of the tracks began to just sit better, with some vocals. "Victim of That Before" features vocals by a Melbourne artist and friend, Trayce of Neverembers. Her poetry sets the scene for the album, with a seaside vision and references to drowning and loss.
The album was designed to feel quite claustrophobic, yet also shed occasional moments of light and positivity. Ultimately though, my hope was to convey a story about an innocent soul's final moments, as they drown (either literally, or metaphorically), and suffer strange visions and recollections as the dark waters slowly close. Hope, in hopelessness.


Nagamag:
There is rumor of a companion release for "Untold", can you tell us more about that?

Minorarc:
During the months immediately after "Untold" was completed, we kept recording works in the same vein, and of a similar theme. They now form a release titled "Overburden" which will come out in March/April 2022. Stylistically, they have greater contrast between ambient sections and metal components. Heavier, yet also lighter. We like to think of it as a "side dish" to accompany "Untold".


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Minorarc:
Bliss "Quiet Letter"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Minorarc:
Sithu Aye "A Future With No Colour"

Discover & Listen to Minorarc

Minorarc on Spotify

Minorarc's Signature Track

Minorarc on Social Media

Minorarc's Website

Avalon Skies – Skógr (Revisited) (Spotify)

Categories: Audio, Electronica, The Latest|Tags: , , , , |

“Antti Pihlajaniemi unfolds his artistry and delivers his magic soundscapes for a real music experience. Focusing on Cinematic style, he keeps bpm at lower level and gradually builds a complex masterpiece via addition of multiple electronic layers. "Skogr" really exceeded our expectations!”

-Nagamag.com

It's mysterious and powerful track. Feels like a ritual. Cinematic tribal-style drums and organic instruments gives the track very earthly vibe yet the electronic sounds gives an interesting twist. One listener said that this could be straight from the Christopher Nolan's movie.

https://ampl.ink/wkz8J

https://www.instagram.com/avalonskies/

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