Music Genre

Minorarc Interview on Nagamag

Categories: Features, Interviews, Rock Features, Rock Interviews, The Latest|Tags: , , , , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Minorarc:
Minorarc is by no means strictly "Progressive Metal". The project had its origins (under a different name "Mystral Tide") as darkwave with strong classical piano influences. These orchestral and cinematic flavours co-exist with a mixture of Prog, Djent and experimental electronica.


Nagamag:
Few words about your musical background and career?

Minorarc:
Since the early 2000s I have been an active multi-instrumentalist and community-founder for underground and experimental music. A classically trained violinist, my modern musical journey began in Tokyo. The first project “Mystral Tide” performed at numerous industrial and darkwave events, including as a guest artist for Japan’s “Seij minus aC” at Leipzig’s Wave-Gotik-Treffen in 2002. Returning to Australia in 2003, I helped establish a decade-long series of concerts (Enzyme), including events for the Melbourne Fringe Festival, all to showcase and expose dozens of independent Australian experimental musicians.

Over two decades, I've periodically recorded and performed as “Minorarc”. The music shifted from synth-heavy dark electronica, into a new world of progressive metal and post-rock. An expression of despair and regret, crafted through piano-driven melodies, non-traditional song structures, and a wide variety of stringed instruments.

Now in 2022, Minorarc has released its second full-length album, “Untold”. A largely instrumental work summoning elements of modern metal and djent to portray emotive unease, offset through the reverberant and powerful effects of classical piano, the warmth of cinematic synth pads, and delicate touches of acoustic mandolin and guitar. “Untold” is accompanied by the release of “Blind Remixes”, featuring a variety of fellow Australian independent artists, and “Overburden”, a sonic side-dish and reflective continuation of “Untold’s” themes.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Minorarc:
My first connection to a love of music came from my first purchases (and rentals) of music albums on CD and Cassette, in my early teens. There was a whole world of music to explore, and without preconceptions I was able to simply find albums that struck a chord with me personally. Artists that made my love of music grow, including Fields of the Nephilim, Pink Floyd, Ministry, Alice In Chains, Nocturnus, Solitude Aeternus, Bathory and more.


Nagamag:
What was the concept behind your release, "Untold"?

Minorarc:
Originally I'd wanted the album to be completely instrumental, and tell a story and convey emotions purely through the "feel" of the sounds. Along the way though, during the two years of recording that took place, a very limited selection of the tracks began to just sit better, with some vocals. "Victim of That Before" features vocals by a Melbourne artist and friend, Trayce of Neverembers. Her poetry sets the scene for the album, with a seaside vision and references to drowning and loss.
The album was designed to feel quite claustrophobic, yet also shed occasional moments of light and positivity. Ultimately though, my hope was to convey a story about an innocent soul's final moments, as they drown (either literally, or metaphorically), and suffer strange visions and recollections as the dark waters slowly close. Hope, in hopelessness.


Nagamag:
There is rumor of a companion release for "Untold", can you tell us more about that?

Minorarc:
During the months immediately after "Untold" was completed, we kept recording works in the same vein, and of a similar theme. They now form a release titled "Overburden" which will come out in March/April 2022. Stylistically, they have greater contrast between ambient sections and metal components. Heavier, yet also lighter. We like to think of it as a "side dish" to accompany "Untold".


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Minorarc:
Bliss "Quiet Letter"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Minorarc:
Sithu Aye "A Future With No Colour"

Discover & Listen to Minorarc

Minorarc on Spotify

Minorarc's Signature Track

Minorarc on Social Media

Minorarc's Website

Son of Zev Interview on Nagamag

Categories: Features, Interviews, The Latest|Tags: , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Son of Zev:
Techno, Breakbeat, Electro, Experimental Electronica. I'm a very wide listener of all styles of music. There are many influences that get pulled into my production.


Nagamag:
Few words about your musical background and career?

Son of Zev:
I've been involved with music since I was about 8. I struggled to settle on an instrument till I was 11 which was piano/keyboards. My school actually had synthesizer lessons and my classes were on an Alpha Juno.. That was in about 1987. I had no idea that I was playing on one of the original machines that could make the classic "hoover" rave sound..
My first experience trying to program my own synth (a DX27) was trying to make Hammond and Rhodes sounds out of it.. I was jamming blues with mates at the time as a teenager.
In 1994, after being self professed "anti sequencer" I found myself in the rave scene and loving some of the more underground sounds I was hearing (Melbourne was/is very Detroit influenced). By 1995 I was playing around with synths for synths sake, and occasionally playing as a regular guest of Melbourne clan analog band "Signal To Noise"
In early 1998 I played my first gig as Son of Zev at the iconic Punters Club, a venue I'd literally seen hundreds of bands and a handful of electronic acts. I played for half an hour, slotted into the very start of the gig. I was home. Andrez Bergen of IF? Records was apologetic for the early start and short time slot and low fee... I didn't care.
I went on to play at least 100 more shows (I lost count somewhere along the way) between 1998 and 2001, many of them with If? Records. I kept playing semi-regularly through till 1998.
Although I could put together a great live set, I was never very good at finishing tunes. Something I've since learned is most likely a product of my (very) late diagnosed ADHD..
After some big life changes, in about 2016 I set up a new studio and have released a couple of EP's and the odd single... WIth my recent diagnosis and some therapy on the horizon, I'm hoping I can channel my energies better and release a lot more music.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Son of Zev:
While not my first connection, I can remember 2 very pivotal moments..
Somewhere around 1994 I saw Jammin' Unit play a live set at Club Filter in Melbourne. It's where I truly understood that electronic music could have be very live and organic. Seeing someone working their gear like that, clearly arranging and manipulating what was going on broke my perception of a person pressing play on a computer sequencer with nothing to do.
The second pivotal moment was dancing front and centre to Thomas P Heckmann playing live and changing what he was doing according to the crowd reactions and realising I really wanted to be on the other side playing my music and being at one with the crowd like that.


Nagamag:
Do you have any new music coming out?

Son of Zev:
I have 2 releases coming in the near future. Both 2 track singles.
The first "Escaped From the Vault" is a couple of tracks I found while digging through some old boxes. Backups of a demo that really hold up today. They are of a more strictly Techno sound, dark and hard, but with a lot of rhythmic exploration. It's due out on the 27th of August on Slice Records.
The second is a collaboration with Arcane Trickster. We've remixed each other's work, these should also be out later this year on Slice Records.
Aside from those, I've been in the studio a lot, and I expect that by next year there should be some more music ready for release.


Nagamag:
You mentioned that you used to play a lot of live sets, do you still do that, and are there any gigs coming up?

Son of Zev:
Absolutely, I love playing live and still like to perform a few times a year.
Lockdowns permitting I am playing at Red Betty in Brunswick on the 14th of August for a Live Electronic Musicians of Melbourne Showcase gig.
I'm also playing on the 3rd of September at Acid Slice Presents 303 909 .. At Bar 303, Northcote.. (expect Acid)


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Son of Zev:
Jimmy Smith "Root Down"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Son of Zev:
Joey Beltram Forklift (Luke Slater's remix)

Discover & Listen to Son of Zev

Son of Zev on Spotify

Son of Zev's Signature Track

Son of Zev on Social Media

Epokhé – Everything at Once (Spotify)

Categories: Audio, Best of 2020, Electronica, The Latest|Tags: , , , |

“-Everything at Once- is an ambient chill electronica theme with anything at all. Epokhé brilliantly layers an emotive story which manages to dive you into an ocean of feelings.”

-Nagamag.com

Artist shared with us few words about this song:

"I started writing this song in my analog synth studio after reading the Ancient Greek philosopher Parmenides who believed that time and change were an illusion and everything exists all together at once. I wanted to express what it might feel like to experience the whole universe and all of time as one single thing happening in the same moment."

About the Artist

Epokhé is a composer and electronic music producer born in Canada and based in New York City. He spent his college years studying philosophy, music technology and sound recording.

The influence of both his acoustic and electronic background is evident in the complex sonic textures he creates and the innovative music production and recording techniques he uses to create them. His compositions are often emotionally impactful and can range from subtle and relaxing to tense and grandiose.

In 2017, he launched his solo electronic project and began DJ’ing in the Montréal club scene. In 2019 he began his mark in the film industry by working with academy award winning composer Howard Shore, where he has served as a musical sound designer and programmer to create unique electronic and acoustic elements to accompany Shore’s music.

In addition to his music, Epokhé has been building interactive immersive sound instillations which allow users to interact with music in ways never before seen.

“Ancient Dialogue” – Narducci [Official Music Video] (Video)

Categories: Neoclassical, The Latest, Video|Tags: , , , |

“Through a stunning visual form of art and a hypnotic groove and shamanic world music vocals, Narducci brilliant blends together a story which turns into a break-beat electronica during and flirting partly with experimental electronica. Ancient Dialogue is a story line with depth!”

-Nagamag.com

Time is an illusion. The past is memory, the future, imagination. From dark, dungeonous laboratories with hand-drawn sci-fi animation to bright desert landscapes and deserted towns, the visual language of “Ancient Dialogue” is rich and symbolic. “The title and the atmosphere of the sounds from the music inspired the visuals,” says director Chmiel.

From the opening notes, mixing percussion and acoustic guitar with haunting vocal samples of Inuit women, the music creates a new world, speaking with the ancestors. Airy flute pads alternate with bombing horn hits as a pulsating Drum ’n’ Bass groove gradually takes over, transporting the listener from the old to the new. Rich Baroque synths ebb and flow while the relentless drums and ancient tongues lift the listener into ecstasy. As the song ends, the echoes of children playing fade out in reverberated glory.

Produced by Narducci, who has worked with Miguel, Bilal, Daron Malakian, and Warren Cuccurullo among many others, “Ancient Dialogue” creates a rich sonic landscape that beautifully pushes director Chmiel’s vivid scenery.

“I wanted to relate to present day and beyond by bending the presence of time altogether. Our character is a cog used by beings from one part of our universe sending him through different parts of our known existence. He gets cut from his creators along the way and trapped in a place where he finds dialogue. We wanted this dialogue to transcend even death as our cog stumbles upon his own spiritual connection…”

Chmiel, who as a writer, director, and editor has worked with musicians STS, Khari Mateen, The Vivian Girls, and Sean Forbes in addition to writer Jerry Stahl and Fast & Furious films 6-8 in his capacity working in feature development at Universal Pictures, had a vision for creating “Ancient Dialogue.” Working alongside him to sculpt this vision was Corey Ulrich, the Los Angeles based Director of Photography who has shot music videos for artists such as Miley Cyrus and Mary J. Blige, directed commercials for clients including Volkswagen and Coca-Cola, and was the show runner for the nationally broadcasted automotive television series Head 2 Head.

What if we could fold the time-space continuum visually and sonically? That is what Narducci and director R.J. Chmiel and have acheived in the new music video “Ancient Dialogue.”

fanlink.to/ancientdialogue

Skycabin – Secrets (Video)

Categories: Best of 2020, Hip-Hop, The Latest, Video|Tags: , , , |

“For all those music lovers who seek a fresh perspective on experimental electronica, Secrets is the newest release of the genre that will move them deeply. Influenced by great music bands of the ’90s scene the band manages to deliver a piece of extraordinary music quality ”

-Nagamag.com

This song is about the inner conflict inside you when you are stuck in a toxic relationship. The obsessed heart wants to stay, the alarmist brain wants out.

Skycabin is a musical and visual project by Farbod and Sepand, two California based longtime musical partners. With major influences from Massive Attack and Nine Inch Nails, Skycabin aims to provide a new era of music influenced by the dark tones of the 90s under a commercial appeal.
www.instagram.com/skycabin/

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