Zachary Bruno – Emunah (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , |

“-Emunah- is pure neo-classical minimalism. With repeated and slightly varied patterns, developing an attitude that is perceived by the ear right away. -Emunah- is a way to express the author's personality and the freedom of being.”

“-Emunah- это чистый неоклассический минимализм, паттерны которой повторяются и незначительно варьируются, создавая нужный настрой и максимально легко воспринимаемой на слух. -Emunah- это способ выразить авторскую индивидуальность и свободу бытия.”

-Nagamag.com

In August 2013, Zachary released his debut album, Before the Rain, which reached #37 on the New Age charts. Kathy Parsons, of MainlyPiano.com called the collection of original solo piano pieces “amazing music and an extraordinary beginning to a very promising career in music.” After being introduced to piano lessons at age 6, music composition almost instantly caught Zachary’s interest. And it wasn’t long before he was attempting to scribble down melodies and riffs onto homemade staff-paper. While composition came naturally to Zach, it took the constant encouragement of family and friends to finally persuade him to record his first album of his original compositions. Finally, after over 4 years of practicing, composing, and putting the final touches on the pieces, Zachary released his debut album of 12 original piano solos out into the world. The album would be titled, Before the Rain (2013). It did not take long before he saw an interest for his music, and a year later, he released his second album, Dawn Light (2014), which was promptly nominated and awarded 2015 Album of the Year by Whisperings Solo Piano Radio (2016). Zachary is currently working on his third solo piano album scheduled for release in late fall of 2018.

https://www.instagram.com/zacharyjbruno/

Steve Luck – Oscillation (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

“Fluctuations of the water surface early in the morning, almost lit up the peaceful landscape. -Steve Luck- created the beautiful, melodic and gentle composition -Oscillation-. An artwork in the world of classical piano music.”

“Колебания водной глади у самого мыса ранним, почти что озаривший утренний пейзаж. -Steve Luck- сотворил красивую, мелодичную, нежную композицию -Oscillation-. Произведение искусства в мире классической, фортепианной музыки.”

-Nagamag.com

Oscillation is defined as a movement back and forth in a regular rhythm. It also refers to a fluctuation between beliefs, opinions and conditions. Emerging from lockdown, this piece reflects the feeling of uncertainty, felt during the Covid 19 pandemic. It has a simple poignancy and as ever amongst the intimate and meditative mood you can detect a little bit of hope.

https://www.instagram.com/steveluckmusic

Sun Rain – Zenith (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , |

“Contemplation of infinity, which is filled around our world. Feel like a bird flying over the water surface. Hear the vibration of the nearest land. Only you, your fantasies and new single -Zenith-, are diluting silence and its magnificence.”

“Созерцание бесконечности, которыми наполнен окружающий наш мир. Почувствуйте себя птицей пролетающей над водной гладью. Услышьте вибрацию ближайших берегов. Только вы, ваши фантазии и новый сингл -Zenith-, разбавляющий воцарившуюся тишину своим великолепием.”

-Nagamag.com

Artist shared with us few words about this song"

"This track was created after a free form recording session with friend and cellist Raphael Weinroth-Browne. I recorded Raphael improvising for a couple hours in several different keys and styles and then compiled the recordings into a sample library. I then chopped and layered sections of the of the recordings to create a rich soundscape of strings and pads that float gently underneath bubbling arpeggios."

https://www.instagram.com/sunrain_music/

Based in Toronto, Ontario the music of Sun Rain is an opportunity for composer/producer Chad Skinner to explore the sounds of modern classical, ambient, and downtempo. The main focus for this project is to create thoughtful music conducive to feelings of contemplative stillness for the calmer moments that life has to offer.

Jaap Mol – Here To Love (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , |

“Ambient and neoclassical; the perfect union of two elements. This is the love of two hearts, sunsets and sunrises. Also the whisper of the morning dawn and the singing of the cicadas during evenings. -Here To Love- gives an unforgettable feeling.”

“Эмбиент и неоклассика - это идеальный союз двух стихий. Это любовь двух сердец, закаты и рассветы, шепот утреннего прибоя и пение цикад прохладными вечерами. -Here To Love- дарит незабываемое ощущение. ”

-Nagamag.com

The fundament for this track was a rather hateful speech by one of our angry world leaders which I sampled an tried to turn into something beautiful. The result is this peaceful piano piece, which is essentially a loop, supplemented by drifitng synths, haunting cello’s and guitar. We can turn hate into beauty. Because we’re all together in this world and we’re here to love.

https://www.instagram.com/jaapmol
https://jaapmol.com/

Night Watcher by Jordi Forniés (Video)

Categories: Neoclassical, The Latest, Video|Tags: , , , , |

“We are convinced that the music always comes from the heart and composer -Jordi Forniés-, in his classical piano work -Night Watcher-, proves that once again, shows how beautiful is music.”

“Мы убеждены, что музыка всегда идёт от самого сердца и композитор -Jordi Forniés-, в своём классическом, фортепианном произведение -Night Watcher-, в очередной раз доказывает, как прекрасна она – Музыка.”

-Nagamag.com

Jordi Forniés is a Spanish musician, composer, and visual artist based in Singapore. His works are characterised by a continuum between tender overarching refrains and defined sequences with increasing momentum.

Always contemplative and expansive in nature, his compositions draw on neoclassical and ambient electronic music. Forniés composes for piano, strings, and small ensembles, working with studio recordings alongside electronic elements.

His first album Loudly Quiet will be released in 2021 together with his forthcoming solo exhibition under the same name. The album is a hopeful and poignant collection of compositions for piano and strings which each focus around an individual story or transient moment.

He has often worked in collaboration with others including Bouvaque with photographer and filmmaker Han Sungpil for which Forniés’ created a piano and string quartet score. He has composed for films including Caroline Fink’s epic documentary about the receding of the largest glacier in Switzerland, Aletsch: Of Ice and Men, 2016, and made music for documentaries and video installations with Gitta Gsell. He also worked on Yan Wang Preston’s major project Mother River, which was exhibited at the Venice Biennale in 2015.

A classically trained pianist since childhood, educated at Conservatorio Profesional de Música de Vila-seca in Spain, Forniés returned to music study in 2017 gaining an MFA in Music Composition and Orchestration at Chichester University in the UK. He is a member of the Composers Society of Singapore.

To check Jordi’s visual work please visit www.jordifornies.net

https://www.instagram.com/jordifornies/

Anne Vanschothorst, Jeroen Van Vliet, Maarten Vos – Beyond the Horizon (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , |

“When three artists create together, the result is more than just good. "Beyond the Horizon" is a sample of piano perfection for all the (Neo) Classical lovers. In a life full of madness... it opens the exit door to a peaceful land!”

-Nagamag.com

Anne Vanschothorst is a pioneer in the field of original minimal harp music and is one of the view international critically acclaimed landscape music composers in the world who produces applied music with the harp as basis material. She advocates that harp-based-audio-productions should be heard more often in film, multi-media and art-projects, because the pure sound of this string-instrument has the unique quality to blend naturally with spoken word, visuals and nature/ambient-sounds, even more so than the traditional orchestral music. She founded the Harp and Soul Production House in 2007 to give her multi-media projects a home. Some visual art is co-produced with photographer and cameraman Pjotr van Schothorst ; multiple video-concepts (landscape music videos and selfportraits) are broadcasted at the Stingray tv channels. Audio productions are placed e.g. in the cinema-movie and national television nature-doc. “Living River” directed by the award-winning film maker Ruben Smit, Discovery Communications (Animal Planet, Discovery Channel, TLC ao), the award winning short film ‘Innocent Creep’ featured at Tropfest New York, a Studio Drift promotion video and a GUCCI infomercial. Boijmans van Beuningen museum asked to Anne to make a sound-sculpture for the 'Unseen and Unheard' project, that is now part of the permanent collection. Anne is the first European composer that is member of the US LandscapeMusic.org. The world famous singer-songwriter Lori Lieberman ('Killing me softly a.o.) describes the Dutch music maker : 'Anne is such an amazing and passionate artist who makes beautiful and very impressive music indeed !'

https://annevanschothorst.bandcamp.com/music

Brian Crosby – A Strong Tide of Liberty (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

“Chamber sound, like nice wooden hammers hitting the strings of an old piano. The track -A Strong Tide of Liberty- has a touch of tenderness and love in every note.”

“Ламповый, немного камерный звук приятно ударяет деревянными молоточки по струнам старинного фортепиано. -A Strong Tide of Liberty- это поток нежности и любви в каждой ноте.”

-Nagamag.com

Irish composer Brian Crosby makes his debut solo release with a stunning collection of 9 delicate instrumental pieces recorded on a prepared upright piano in his remote treehouse studio at the foot of the Wicklow mountains in Ireland.

“I wanted to write piano music that has a certain restraint and stillness to it. Pieces that lag behind the regular tempo of our routines, and melodies that resist following huge emotive curves. It comes from a place uninterrupted, an escape from the noise and stimuli of daily life”.

Brian’s minimal approach to piano playing and his attention to detail in capturing every sonic detail of the instrument results is a spacious collection of meditative, pared back recordings filled with hypnotic, recurring phrases and textural soundscapes recorded on a beautifully restored August Förster piano from the 1920’s which he brought back to Ireland after his time spent living and recording in Berlin.

https://www.instagram.com/briancrosbymusic/

Maria Grönlund – Aureolin (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

“In -Aureolin- composition each combination of chords is in place and sound really great. The tone and spacing, as well as the accompaniment have a so beautiful affection on the soul, even before you open the door into the world of harmony.”

“Каждый из аккордов и их сочетание в композиции -Aureolin- на своём месте и звучат просто бесподобно. Тональность и интервалы, а так же аккомпанемент так красиво ложатся на душу, что перед вами открываются двери в мир прекрасной и гармоничной музыки.”

-Nagamag.com

You may know Stockholm’s Maria Gronlund from her weekly live stream ‘Meet Me At The Piano’ on Facebook. Or from her debut album ‘Songs of a Sad Sailor’, which was a Spotify Classical Pick. Or even from her short collection last Autumn called ‘Colors of my Mind: Pt. 1’, which was the first of three releases that will go to make up her next LP ‘Colors of my Mind’. Part 2 of the collection is nearly upon us with three pieces of neo-classical imagination due later this month.

The natural reaction when listening to Maria Gronlund is the finest kind of peace. That’s because in a world where everything is jumbled up and confusing, we need quiet spaces where we can just breath under no duress whatsoever. And that is what this new collection bequeaths upon the listener, the tender ebb and flow of Maria’s playing to iron out furrowed brows. Over three tracks we get to bath in a hushed symphony of piano music that is awash with vitality.

Opening track ‘Aureolin’ (March 9) is like a feather blowing in a warm breeze, a creative arpeggio it appears to take off in seemingly random directions before settling. Or was it just that we didn’t easily get with its momentum and suddenly the calm descends? Whatever occurs there is soothing company in store, which is likely to result in reflection rather than navel gazing and hope rather than self-pity. ‘Aureolin’ provokes us into a continuous feelings probe which can only be good for both the mind and soul. Its presence does become more pronounced as it goes on, to add to the sense of letting it all go to the sound of someone else’s tempo for a change. Hands up who’d like to be taken by the hand and driven to somewhere where it all makes sense, all of us – thought so!

‘Vermillion’ (March 19) is the follow-up track and it truly showcases Maria’s inspiration for her new album, writing and recording music while a painter drew what came to mind organically and in tandem – each inspiring the other, a brush stroke followed by a music note until both an aural and visual picture emerged. In this case there are flights of fancy, short bursts and arcs that colour the scene that will likely form in the listener’s mind. This is probably the liveliest track on the EP, a song with hope as its byword and so tenderly dispatched it can be absorbed with the minimum of effort. ‘Vermillion’ becomes one of those rare compositions that tends to linger in the air long after fadeout.

‘Spring Green’ is the closing number on ‘Colors of the Mind: Pt. 2’ and is due to be released on March 29, which coincides nicely with International Piano Day. And there is no denying that artist and instrument have combined elegantly here, as the spiralling keys consistently reach for ways to keep our attention privy to their pretty patterns. Maria makes it all so effortless and like much of her music gives each piece an energy and a narrative. In this case the theme ties in well with the arrival of nature’s annual rebirth. Of course we can’t hear the hedgerows blooming but ‘Spring Green’ sure offers a soundtrack for watching the subtle changes occur over time.

Though ‘Colors of the Mind: Pt. 2’ is only three tracks long it offers plenty of variety, the absence of anything sombre is refreshing and just what we need to offer a glint of life in the still Covid suppressed world we live in. Maria Gronlund proves to be a composer who not only plays the tunes but also weaves a story that stokes the imagination, but an imagination that has us conjuring the good times rather that resigning to life in the turgid ones.

There will be a ‘Colors of the Mind: Pt. 3’ towards the summer, the jigsaw of pastoral delights finally complete and with it the opportunity to engage with positivity and light when opportunities for doing so have been few and far between so far in 2021. For now these three tracks can be our constant companion, an entity that asks for nothing more than to let it wash all over us and come out the other side feeling renewed.

https://www.instagram.com/maria_gronlund
https://www.mariagronlund.com/
https://www.facebook.com/MariaGronlundmusic

Woulds – Cure (Spotify)

Categories: Audio, Electronica, The Latest|Tags: , , , , , , |

“-Cure- can be called a model of cinematic ambient and drone. A thick, white mist like atmosphere, a strong, complex melody within the genre. Light touch of despair and wandering alone.”

“-Cure- можно смело назвать образцом кинематографического ambient и drone. Густая, словно белые слои тумана атмосфера, сильная, комплексная мелодия в рамках жанра. Лёгкий налёт отчаяния и блуждающего одиночества.”

-Nagamag.com

Capture what it feels like to have peace even when outer circumstances seem chaotic and uncertain.

https://www.instagram.com/wouldsmusic/

Joe Kenney – Reflection No. 3 – Connection (Video)

Categories: Neoclassical, The Latest, Video|Tags: , , , |

“Sophisticated solo piano effort from the hands of Joe Kenney. Are you looking for the beauty of simplicity? Do you feel the need for a curing natural sound? “Reflection No.3” could be the answer. Sit comfortably at your sofa and say goodbye to every stressful situation.”

-Nagamag.com

From a set of improvisations, recorded at Morningstar Studios in Norristown, PA. The upcoming collection of piano pieces weaves together genres of ambient, jazz, and classical; and are products of meditations on points of growth and healing.

This effort follows Joe Kenney’s full band/collaborative album “Forth”, released in October 2020, and hearkens back to and expands on the vibe of Kenney’s debut album –also a solo piano album — called “Afflictions and Remedies” (2015). The idea for this newest collection started several years ago, and is the culmination of creating and workshopping “meditations” and other short improvisatory motives, which Kenney has collated on his instagram highlights. This project has been evolving concurrently with the release of Kenney’s collaborative album Forth, which released in October 2020, and is completely different in that if features vocalists and touches on genres of hip hop and funk and more, with a full band.

https://www.instagram.com/joekenneypiano/?__a=1

Joe Kenney is a recording artist, songwriter, and pianist from Philadelphia. The music on Kenney’s four albums and various collaborations span multiple genres, and are reflective of a cohesive blending of classical music theory, jazz fusion, rock, soul, and hip-hop idioms. Joe has garnered praise for both his original compositions and cover arrangements.

​His debut album, Afflictions and Remedies (2015), a solo piano album, received local airplay in Philadelphia and was also praised as a “painting of a piano at work” by Meredith Hairston, who put the album in rotation at WJSU in Jackson, MS.

In early 2016, Kenney went to work on an album of jazz and classical inspired arrangements of alternative rock and top 40 hits. Released in February 2016, the sophomore album 1.5 was recognized on broadcast radio 104.5 Philadelphia and featured on iHeartRadio. DJ Wendy Rollins characterized Joe’s cover of the Twenty One Pilots song Stressed Out as “perfection” and went on to applaud him for “re-imagining songs in a completely different format.”

Following the success of the first two solo piano albums, Joe expanded into different formats, working with a full band and honing in on a jazz fusion sound, while retaining the classically informed harmonies from his first two albums. An EP of three singles would be released in 2017, which would be the foundation and inspiration for the forthcoming 2020 album.

In March 2018, Kenney released 2.5, his third full studio album in as many years. Showcasing multiple styles and varying instrumentation, 2.5 features distinctively energized reinterpretations of eight alternative rock hits. The first half of the album features two full group instrumental tracks and two vocal arrangements, while the second half of the album features solo piano re-imaginings of four others.

In August 2018, Joe made waves with his debut orchestral performance with the Chester County Pops, where Kenney’s arrangement of his own original work Zera was premiered, alongside a performance of Chopin’s Andante Spianato et Grande Polonaise Brillante.

Amidst an active performing and recording schedule with several bands and collaborators, Kenney’s latest undertaking has been the recording and unveiling of his fourth album, which features six highly decorated vocal artists from the Philadelphia area, on a ten-track original album that has music geared towards markets that cross multiple musical styles. The first single, Another Side (Ft. Joy Ike), released on May 8th, 2020, and was premiered by Neon Music (UK) with a glowing review. It was also featured on The Key/WXPN and selected as the Philly Local pick by highly popular radio personality Helen Leicht. The next two releases, All’s Not Lost (Ft. Laura Lizcano) and Gone (Ft Aaron Parnell Brown) were also met with spectacular reviews.

On October 23rd, the full album, Forth, was released to all platforms. It won a Bronze Medal in the Global Music Awards and has been featured on over 85 Radio Stations in U.S. and Canada.

https://www.facebook.com/joekenneypiano

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