Brian Crosby – A Strong Tide of Liberty (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

“Chamber sound, like nice wooden hammers hitting the strings of an old piano. The track -A Strong Tide of Liberty- has a touch of tenderness and love in every note.”

“Ламповый, немного камерный звук приятно ударяет деревянными молоточки по струнам старинного фортепиано. -A Strong Tide of Liberty- это поток нежности и любви в каждой ноте.”

-Nagamag.com

Irish composer Brian Crosby makes his debut solo release with a stunning collection of 9 delicate instrumental pieces recorded on a prepared upright piano in his remote treehouse studio at the foot of the Wicklow mountains in Ireland.

“I wanted to write piano music that has a certain restraint and stillness to it. Pieces that lag behind the regular tempo of our routines, and melodies that resist following huge emotive curves. It comes from a place uninterrupted, an escape from the noise and stimuli of daily life”.

Brian’s minimal approach to piano playing and his attention to detail in capturing every sonic detail of the instrument results is a spacious collection of meditative, pared back recordings filled with hypnotic, recurring phrases and textural soundscapes recorded on a beautifully restored August Förster piano from the 1920’s which he brought back to Ireland after his time spent living and recording in Berlin.

https://www.instagram.com/briancrosbymusic/

Maria Grönlund – Aureolin (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

“In -Aureolin- composition each combination of chords is in place and sound really great. The tone and spacing, as well as the accompaniment have a so beautiful affection on the soul, even before you open the door into the world of harmony.”

“Каждый из аккордов и их сочетание в композиции -Aureolin- на своём месте и звучат просто бесподобно. Тональность и интервалы, а так же аккомпанемент так красиво ложатся на душу, что перед вами открываются двери в мир прекрасной и гармоничной музыки.”

-Nagamag.com

You may know Stockholm’s Maria Gronlund from her weekly live stream ‘Meet Me At The Piano’ on Facebook. Or from her debut album ‘Songs of a Sad Sailor’, which was a Spotify Classical Pick. Or even from her short collection last Autumn called ‘Colors of my Mind: Pt. 1’, which was the first of three releases that will go to make up her next LP ‘Colors of my Mind’. Part 2 of the collection is nearly upon us with three pieces of neo-classical imagination due later this month.

The natural reaction when listening to Maria Gronlund is the finest kind of peace. That’s because in a world where everything is jumbled up and confusing, we need quiet spaces where we can just breath under no duress whatsoever. And that is what this new collection bequeaths upon the listener, the tender ebb and flow of Maria’s playing to iron out furrowed brows. Over three tracks we get to bath in a hushed symphony of piano music that is awash with vitality.

Opening track ‘Aureolin’ (March 9) is like a feather blowing in a warm breeze, a creative arpeggio it appears to take off in seemingly random directions before settling. Or was it just that we didn’t easily get with its momentum and suddenly the calm descends? Whatever occurs there is soothing company in store, which is likely to result in reflection rather than navel gazing and hope rather than self-pity. ‘Aureolin’ provokes us into a continuous feelings probe which can only be good for both the mind and soul. Its presence does become more pronounced as it goes on, to add to the sense of letting it all go to the sound of someone else’s tempo for a change. Hands up who’d like to be taken by the hand and driven to somewhere where it all makes sense, all of us – thought so!

‘Vermillion’ (March 19) is the follow-up track and it truly showcases Maria’s inspiration for her new album, writing and recording music while a painter drew what came to mind organically and in tandem – each inspiring the other, a brush stroke followed by a music note until both an aural and visual picture emerged. In this case there are flights of fancy, short bursts and arcs that colour the scene that will likely form in the listener’s mind. This is probably the liveliest track on the EP, a song with hope as its byword and so tenderly dispatched it can be absorbed with the minimum of effort. ‘Vermillion’ becomes one of those rare compositions that tends to linger in the air long after fadeout.

‘Spring Green’ is the closing number on ‘Colors of the Mind: Pt. 2’ and is due to be released on March 29, which coincides nicely with International Piano Day. And there is no denying that artist and instrument have combined elegantly here, as the spiralling keys consistently reach for ways to keep our attention privy to their pretty patterns. Maria makes it all so effortless and like much of her music gives each piece an energy and a narrative. In this case the theme ties in well with the arrival of nature’s annual rebirth. Of course we can’t hear the hedgerows blooming but ‘Spring Green’ sure offers a soundtrack for watching the subtle changes occur over time.

Though ‘Colors of the Mind: Pt. 2’ is only three tracks long it offers plenty of variety, the absence of anything sombre is refreshing and just what we need to offer a glint of life in the still Covid suppressed world we live in. Maria Gronlund proves to be a composer who not only plays the tunes but also weaves a story that stokes the imagination, but an imagination that has us conjuring the good times rather that resigning to life in the turgid ones.

There will be a ‘Colors of the Mind: Pt. 3’ towards the summer, the jigsaw of pastoral delights finally complete and with it the opportunity to engage with positivity and light when opportunities for doing so have been few and far between so far in 2021. For now these three tracks can be our constant companion, an entity that asks for nothing more than to let it wash all over us and come out the other side feeling renewed.

https://www.instagram.com/maria_gronlund
https://www.mariagronlund.com/
https://www.facebook.com/MariaGronlundmusic

Joe Kenney – Reflection No. 3 – Connection (Video)

Categories: Neoclassical, The Latest, Video|Tags: , , , |

“Sophisticated solo piano effort from the hands of Joe Kenney. Are you looking for the beauty of simplicity? Do you feel the need for a curing natural sound? “Reflection No.3” could be the answer. Sit comfortably at your sofa and say goodbye to every stressful situation.”

-Nagamag.com

From a set of improvisations, recorded at Morningstar Studios in Norristown, PA. The upcoming collection of piano pieces weaves together genres of ambient, jazz, and classical; and are products of meditations on points of growth and healing.

This effort follows Joe Kenney’s full band/collaborative album “Forth”, released in October 2020, and hearkens back to and expands on the vibe of Kenney’s debut album –also a solo piano album — called “Afflictions and Remedies” (2015). The idea for this newest collection started several years ago, and is the culmination of creating and workshopping “meditations” and other short improvisatory motives, which Kenney has collated on his instagram highlights. This project has been evolving concurrently with the release of Kenney’s collaborative album Forth, which released in October 2020, and is completely different in that if features vocalists and touches on genres of hip hop and funk and more, with a full band.

https://www.instagram.com/joekenneypiano/?__a=1

Joe Kenney is a recording artist, songwriter, and pianist from Philadelphia. The music on Kenney’s four albums and various collaborations span multiple genres, and are reflective of a cohesive blending of classical music theory, jazz fusion, rock, soul, and hip-hop idioms. Joe has garnered praise for both his original compositions and cover arrangements.

​His debut album, Afflictions and Remedies (2015), a solo piano album, received local airplay in Philadelphia and was also praised as a “painting of a piano at work” by Meredith Hairston, who put the album in rotation at WJSU in Jackson, MS.

In early 2016, Kenney went to work on an album of jazz and classical inspired arrangements of alternative rock and top 40 hits. Released in February 2016, the sophomore album 1.5 was recognized on broadcast radio 104.5 Philadelphia and featured on iHeartRadio. DJ Wendy Rollins characterized Joe’s cover of the Twenty One Pilots song Stressed Out as “perfection” and went on to applaud him for “re-imagining songs in a completely different format.”

Following the success of the first two solo piano albums, Joe expanded into different formats, working with a full band and honing in on a jazz fusion sound, while retaining the classically informed harmonies from his first two albums. An EP of three singles would be released in 2017, which would be the foundation and inspiration for the forthcoming 2020 album.

In March 2018, Kenney released 2.5, his third full studio album in as many years. Showcasing multiple styles and varying instrumentation, 2.5 features distinctively energized reinterpretations of eight alternative rock hits. The first half of the album features two full group instrumental tracks and two vocal arrangements, while the second half of the album features solo piano re-imaginings of four others.

In August 2018, Joe made waves with his debut orchestral performance with the Chester County Pops, where Kenney’s arrangement of his own original work Zera was premiered, alongside a performance of Chopin’s Andante Spianato et Grande Polonaise Brillante.

Amidst an active performing and recording schedule with several bands and collaborators, Kenney’s latest undertaking has been the recording and unveiling of his fourth album, which features six highly decorated vocal artists from the Philadelphia area, on a ten-track original album that has music geared towards markets that cross multiple musical styles. The first single, Another Side (Ft. Joy Ike), released on May 8th, 2020, and was premiered by Neon Music (UK) with a glowing review. It was also featured on The Key/WXPN and selected as the Philly Local pick by highly popular radio personality Helen Leicht. The next two releases, All’s Not Lost (Ft. Laura Lizcano) and Gone (Ft Aaron Parnell Brown) were also met with spectacular reviews.

On October 23rd, the full album, Forth, was released to all platforms. It won a Bronze Medal in the Global Music Awards and has been featured on over 85 Radio Stations in U.S. and Canada.

https://www.facebook.com/joekenneypiano

David Josephson – Stockholm är en bra plats att leva på när man är död (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

“David Josephson makes a big step forward to deliver this beyond the basics song. Pure Indie Electronic mix with leading piano chords and the artist's passionate voice, is ready to entertain every listener.”

-Nagamag.com

March 5th saw the release of Swedish artist David Josephson melancholic single “Stockholm är en bra plats att leva på när man är död” (translated as: Stockholm is a good place to live in when you are dead). A jeremiad with a melodic piano and heavy synthesizers about coming back to a place that once was your home. The people, places and dreams that you were ready to give up as you plunged into the unknown just to return again one day with your tail between your legs.

Erica Bramham – Pelicans // Enamel (Video)

Categories: Neoclassical, The Latest, Video|Tags: , , , , , |

“Elements of folk music, with the addition of acoustic, string instruments. Unusual, but extremely memorable vocal parties lead into a trance state. -Enamel- is an amazing, hypnotic beauty.”

“Элементы народной музыки, с вкраплением акустических, струнных инструментов. Необычные, но крайне запоминающиеся вокальные партии вводят в состояние транса. -Enamel- невероятная, гипнотическая красота.”

-Nagamag.com

The first single from my forthcoming album, Enamel (out April 2021). A product of Melbourne’s long 2020 Covid-19 lockdown, written in April 2020 when a year’s worth of gigs had just been cancelled, and featuring samples recorded during lockdown-walks of a broken piano that was left to decay on a suburban street near my home.

Pre-order Enamel on Bandcamp: https://ericabramham.bandcamp.com/album/enamel

Erica Bramham – voice, double bass, guitar, broken piano, samples, production

Isaac Barter – mixing & mastering

https://ericabramham.com/

Erica Bramham is a critically acclaimed vocalist, multi-instrumentalist and composer from Melbourne, Australia. Poetic, inventive and uniquely personal, her work crosses the boundaries between pop, folk, jazz and experimental art music, showcasing her finesse as a lyricist and a captivating performance style that blends song with spoken word and improvisation.

https://instagram.com/ericabramham

Joshua Carlton – Dark Waters (Video)

Categories: Neoclassical, The Latest, Video|Tags: , , , , |

“-Dark Waters- delivers melancholy out of your soul. Loneliness and hopelessness as the main moo and connecting thread in this beautiful cinematic work of the composer -Joshua Carlton-.”

“-Dark Waters- это меланхолия вашей души. Одиночество и безысходность как главная и связующая нить в этой кинематографической работе композитора -Joshua Carlton-.”

-Nagamag.com

This song is part of an album that was written while I was going through the emotions of being diagnosed with esophageal cancer. Although sad and melancholic, The music also conveys a sense of hopefulness. I hope you enjoy listening to it as much as I enjoyed creating it.

https://www.instagram.com/Joshuacarltonofficial

Oregon instrumentalist Joshua Carlton toured the world with post rock band This Patch of Sky for the last decade. This lead him to compose music for television and film such as ‘Brand, a Second Coming’ (a documentary film on actor Russell Brand and his battle with drug addiction), and the Vice channel. He has also been featured in the McDonald’s Ramadan commercial, as well as large brands such as Petco. Joshua’s excited to share his new solo project. “This is an album that I absolutely had to write” he says of 2021 debut ‘Moonlight Under the Black Flag’. Joshua was diagnosed with esophageal cancer in February of 2020 and found solace in purging his emotions through the music he was composing. “This music is truly my heart, and I hope you enjoy listening to it as much as I enjoyed creating it”.

https://www.facebook.com/JoshuaCarltonMusic

Remy Styrk – The Smell of Burning (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , |

“The single -The Smell of Burning is poetry wrapped in a classic piece. Minimalistic orchestral structure, expanding layers of strings and piano.”

“Сингл -The Smell of Burning- это поэзия в обёртке классического произведения. Минималистичная оркестровая структура, расширяющиеся слои струн, сюиты и фортепиано.”

-Nagamag.com

Artist shared with us few words behind his project and source of inspiration about this beautiful track:

"...This is my score to my short film "The Smell of Burning" about finally learning to process my mom's death over a decade later.

ABOUT THE FILM:

“i see my mom everywhere i go, in everything i do, and in everything i want to accomplish, but she is always just out of reach. i am entangled in her memory, and the memories of those she inspired.

my memory of my mom is more of a protective energy than a face. the feeling of her arms, her voice, and her security.”

https://www.instagram.com/remystyrk/

I’m Remy Styrk and I’m a composer and creator. I was born to a homeless heroin addict in Newark, New Jersey in 1999. At the age of 14 months, I was adopted by a couple, the husband, a fashion photographer and wife, a creative director. My parents’ love of the arts helped deepen my curiosity in music and the creation of it. In 2004, we moved to Leawood, KS from our colonial house in Accord, New York. Within months of settling into the new house and state, my mom suddenly passed away due to a brain aneurysm. She was my guiding light.

So here I am, grieving the loss of my mom and growing up in suburban Kansas as predominantly the only black kid in the neighborhood. I played into a character not my own, often choosing isolation. My mom was learning to play the piano in her adulthood and had a Roland Keyboard. I knew as long as I had the keyboard, I was safe. Starting to make melodies on it allowed me to express honest energy.

I've studied at the Grammy Museum, learning from artists such as Matchbox Twenty, Fallout Boy, and Sevendust. I've worked on sound design and music for films, tv shows, and commercials from HBO/Showtime.

I make short films to tell personal stories. These films also double a way to continue to process trauma, learn and educate, and continue to my mom’s memory..."

https://soundcloud.com/remystyk/sets/film-score-compositions

Sun Rain – Moonwalk (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , |

“The sound of a mechanical piano can be compared to the breathing of a person, and the vibration of string as the heartbeat. -Sun Rain- made his composition -Moonwalk- with warm layers of ambience, music that sounds alive! ”

“Звук механического пиано можно сравнить с дыханием человека, а вибрацию его струн за сердцебиение. -Sun Rain- разбавил свою композицию -Moonwalk- тёплыми слоями эмбиента, тем самым сделал её практический живой.”

-Nagamag.com

This song is inspired by an astronauts trip to space. It opens with a slow rise that signifies the anticipation before take off and grows into a wall of sound catapulting the listener gently through the earths atmosphere and into the weightlessness of space. The song is atmospheric and calming with gentle piano at its forefront. 'Moonwalk' is the lead single from the upcoming EP entitled 'Ma'.

https://www.instagram.com/sunrain_music/

Based in Toronto, Ontario the music of Sun Rain is an opportunity for composer/producer Chad Skinner to explore the sounds of modern classical, ambient, and downtempo. The main focus for this project is to create thoughtful music conducive to feelings of contemplative stillness for the calmer moments that life has to offer.

HRDY – Brother (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

“-Brother- is an exciting classical music piece, which the artist -HRDY- dedicated to his brother. Personal song filled with warmth and love, which will not leave you indifferent.”

“-Brother- это захватывающее, классическое музыкальное произведение, которое автор -HRDY- посвятил своему брату. Личная, наполненная теплотой и любовью композиция, которая не оставит вас равнодушными. ”

-Nagamag.com

HRDY, also known as Wouter Hardy, is a Dutch composer, producer and musician. Hardy discovered the piano and played his way onto the stage with the artist Kovacs where he inhabited the role of musical director and pianist for some time.

Hardy made his 2019 global debut as a producer on the record 'Arcade’ by Duncan Laurence. The song led the Netherlands to victory at the Eurovision Song Contest.

Over the last months, Hardy has been working on his solo project HRDY, composing music to be released on his own studio album. Influenced by music pioneers such as Ólafur Arnalds, Nils Frahm, Max Richter and Joep Beving, his compositions blend the styles of the neo-classical era with ambient, electronic sounds, resulting in multi-leveled, immersive and cinematic music pieces. For the first song of the album, to be released in the first week of February 2021, HRDY utilized a string section alongside his beloved 1870 pianola, 2019 Zimmermann and multiple analog synths from the 70’s and 80’s to create a floating, enticing and intimate piece. HRDY will be complementing his full-length debut album in the course of the coming year by releasing a new song each month, enjoy!

https://www.instagram.com/hrdy.music/

Chafa – Solitude (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

“This work of -Chafa- combines elements of neo-classical and instrumental postminimalism. His single -Solitude- reveals to the audience a whole ocean of emotions, because of his cool and undisturbed endless expansion. Save the heat in the shower, and listen -Solitude- to calm down.”

“Работы композитора -Chafa- сочетают в себе элементы инструментальной неоклассики и постминимализма. Сингл -Solitude- раскрывает перед слушателями целый океан эмоций, ведь его холодные, бесконечные просторы так одиноки и безмятежны. Сохрани тепло в душе, послушай -Solitude- и успокойся.”

-Nagamag.com

Artist share with us few words behind his inspiration of this beautiful track:

"...I began writing 'Solitude' at the beginning of our lockdown state - each phase of the song represents a new obstacle to overcome. During the final buildup, we see the light at the end of the tunnel. This piece took several months to write - it echoes the isolation, despair, and hope we have been experiencing lately..."

https://instagram.com/shaynechafa

Chafa is an emerging pianist, producer, and composer based out of Los Angeles. He is currently preparing to launch onto the global music scene with his first two singles ready to drop imminently.

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