Lachlan Bryan And The Wildes – Ok to Love (Spotify)

Categories: Audio, Rock, The Latest|Tags: , , , , |

“"Ok to Love" has so soulful and soft rhythm, as if in old and good times. It connects two genres; Country and Acoustic. This is characteristic of a good and open to the heart music. Striking harmony is felt by the entire track too. Also the memorable singer's voice keeps you active until the last second.”

“Мягкий и такой душевный ритм, словно как в старые и добрые времена, соединяет 2 направления - Country и Acoustic. Это невероятно приятная, по хорошему добрая и открытая сердцу музыка. Поразительное спокойствие и гармония, которая ощущается на протяжение всего трека. Запоминающийся голос вокалиста не даёт заскучать ни на секунду!”

-Nagamag.com

This is the opening track to Lachlan Bryan and The Wildes' new album As Long as it's Not Us, which debuted this week at #5 on the Official Australian ARIA charts.

https://www.instagram.com/lachlanbryan/

Alex Dunn – Southern Star (Spotify)

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“The night comes and it's time to relax. Sit back and choose "Southern Star" for a joyful trip among some softly vibrating guitar chords. Follow the singer's expressive voice and say goodbye to your everyday stressful situations!”

-Nagamag.com

Before returning to Seattle to pursue music, rising Americana folk artist Alex Dunn spent much of the past 15 years working and living on boats as a commercial salmon fisherman in Southeast Alaska. Now back in Seattle and coming up on the release of his sophomore LP Southern Star, Dunn has encapsulated his experiences at sea in the album’s title track out via Color Red on September 17, 2021.

“Southern Star” is an oceanic folk song that carries the rhythms of the sea while detailing the arduous yet dreamy nature of living aboard a small wooden fishing vessel. Much of Dunn’s life was often ebbing and flowing, dictated by the seasonal nature of the fish themselves—it was only natural for him to compose an Americana homage that reflects this uniquely aquatic existence. Dunn enlisted Bryant Moore (True Loves) as his co-producer and the two captured the reminiscence of long, hard days toiling upon the sea and nights spent below deck, lulled by the water slapping against the hull, the creaking wood expanding and contracting as the boat heaved up and down.

Dunn collaborated with his good friend and renowned multimedia artist Elena Stonaker on a music video to accompany the track and re-create imagery of a dream-like reality where one floats through rugged waterscapes filled with wild creatures and the experiences of a particular, untamed solitude.

“The video for ‘Southern Star’ showcases Elena’s signature style of creating soft and beautiful, almost child-like worlds, while at the same time evoking the darkness that often lies beneath the surface,” says Dunn. “I wrote many songs while living and working aboard commercial fishing vessels and the video details the numerous creatures and seascapes that filled this wild existence while focusing on the power of dreams—for they are the connections to a promising future. In this case, a future symbolized by the guiding light of a ‘Southern Star.’”

Southern Star is set for release in fall 2021 on Color Red, a music discovery platform founded by Eddie Roberts of The New Mastersounds that is also home of fellow Seattle artists Polyrhythmics, True Loves, West Seattle Soul/The Pulsations, and more. The record was tracked and mixed by Robb Davidson of Avast Recording Co. and mastered by Greg Calbi of Sterling Sound.

For more information and to learn more, visit http://www.alexdunnmusic.com and http://www.color-red.com

http://instagram.com/_alex.dunn_
http://instagram.com/colorredmusic

Scott Fisher – The Right Way (Spotify)

Categories: Audio, Rock, The Latest|Tags: , , , , |

“In a world of much electronic noise its refreshing to hear the natural sounds of instruments powered by creative humans. Lyrics are very poetic and stitched by the beat of the drum to perfection. ”

-Nagamag.com

Los Angeles-based producer and singer-songwriter Scott Fisher has shared “The Right Way,” the first single to be released from his forthcoming album 93 Million Miles, out October 26th via 1 A.M. Music. The groove-filled, slow burning jam features Enrique Gonzalez (Los Lobos) on the drums, and marks the first music Fisher has released since his 2019 album Songs of Jerry Garcia and Others. Speaking on the origins of the song, Fisher writes “...[“The Right Way”] was born out of the isolation of the pandemic and a little too much wine. Ultimately, it has a hopeful message of self-confidence and staying true to one’s first principles.”

https://www.instagram.com/modphonic

Clifford – Love is Real (Spotify)

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“This song is very emotional due to its sensual vocals, beautiful instrumental touch and Indie Folk atmosphere. All these sound soft, fragile and well smoothing. Is there love? Definitely yes! Listen and enjoy!”

“Песня очень эмоциональная благодаря чувственному вокалу, красивой инструментальной составляющей и атмосфере Indie Folk. Всё это звучит мягко и красиво, хорошо сглаживая и дополняя друг друга. Существует ли любовь? Да. Однозначно! Слушайте и наслаждайтесь!”

-Nagamag.com

What motivated you to write this song?

I wanted to write an acoustic song. One that would be intimate and personal. Which of course brought me to the topic of love.

How is this song personal?

The lyrics describe my biggest hopes in a relationship.

Why did you write this song?

I wanted to express my frustrations about the difficulties of dating during a pandemic. But I also wanted to write a song that was a bit ambiguous so that anyone in a relationship would relate to the song as well.

How is it ambiguous?

The line “I need to help myself to find you”…which could be taken literally or metaphorically.

Favorite lines in the song:

“I just want to grow old with you

and tell you every day,

I love you…”

Any particular anecdotes while making this song?

I unexpectedly found myself tearing up during my favorite lines, which are the actual takes I used for the song.

What did you learn from making this song?

It’s really tough to sing softly, on key and with emotion.

What instruments did you use in this song?

Acoustic guitar, Dunun, a Bell, String Orchestra, and Vocals.

With all the love songs out there, what do you think makes “Love is Real” stand out?

Reality vs Dreaming: There are double meanings throughout the song about someone’s want for love vs the truth about love. The want for love is about the self while the truth for love is about reality.

A loving relationship is a two way street in that you can’t have a strong relationship with someone without having a strong relationship with yourself.

In a love relationship both play an important part because reality is now and dreaming is the future.

https://cliffordmusic.bandcamp.com/releases
https://twitter.com/clifford_music
https://www.tiktok.com/@clifford.music

Constant Follower – Weave of the World (Spotify)

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“Inspiration in ethnic motives and legends, where guitar strings echo one after another. A real treasure for folk music lovers. Lingering, sometimes melancholic, a little brooding and nostalgic. Promotes reflection, frenzy and complete harmony with the world.”

“Вдохновение в этнических мотивах и легендах, где одна за другой перекликаются гитарные струны. Настоящая кладезь для ценителей фолк музыки. Тягучий, местами меланхоличный, немного задумчивый и патетичный. Способствует размышлению, исступлению и полной гармонии с миром.”

-Nagamag.com

https://twitter.com/constantfollowr
https://www.facebook.com/theconstantfollower
https://www.instagram.com/constantfollower

As a teenager, frontman McAll survived an attack by a gang that left him with a catastrophic head injury and every memory of his childhood gone. The next decade was spent in a cabin on Scotland’s western coastline, where he eventually began composing again.

The result is a childhood imagined against a backdrop that, like the sea, is as serene as it is wild; ever-changing, yet resolute.

Championed by DJ Alex of KEXP, Gideon Coe of BBC Radio 6 Music and Vic Galloway and Roddie Hart of BBC Radio Scotland, Constant Follower releases the second single from his album ‘Neither Is, Nor Ever Was’ on the legendary NY imprint Shimmy Disc/Joyful Noise.

The first single premiered on Brooklyn Vegan and Glide Magazine and has garnered praise from the likes of:

DJ Alex, KEXP “Beautifully introspective vocal-led Folk. Loving the sound of Constant Follower.”

Clash Magazine “Hopelessly beautiful. A staggering piece of songwriting, with its simple poignancy carrying with it the wisdom only experience can offer.”

A Pessimist Is Never Disappointed "The Merry Dancers on TV" is gently affecting. A haunting ramble pitched at the place occupied by both Arab Strap and Bon Iver, this elegantly mellow song is something special indeed. It also helps that the video for the composition is just as memorable.”

CHILLFILTR “Like a heartbroken cry echoing through an empty cathedral, we are engulfed in equal parts sadness, wonder, and unspeakable beauty. Stephen McAll and his band Constant Follower are back with another poignant triumph of resonant chamber pop.”

Brooklyn Vegan “a lovely piece of delicate folk”

Folk Radio “Instantly compelling, memorable and moving”

Today, Constant Follower shares a brand new single entitled "Weave Of The World," the second release off their upcoming debut record ‘Neither Is, Nor Ever Was’ (due October 1 via Shimmy-Disc/Joyful Noise Recordings).

Of the track, frontman Stephen McAll recalled, “I wrote it during a period of anxiety or maybe mild paranoia. You can hear that in the words. But it’s taken on a new meaning for me, since what I must have thought might happen, didn’t. There’s still a lot of darkness in there, but the song reminds me that feelings are real but they aren’t facts. Even when you think things are going very wrong, there’s always a way to turn it around.”

The band’s debut album ‘Neither Is, Nor Ever Was’ was borne out of a respect for change, and the inevitable passing of time that frightens, comforts and humbles every one of us. It is a haunting testimonial to the temporary joys and fleeting moments that define the human experience.

Co-produced by Scottish singer-songwriter Stephen McAll and renowned producer and Shimmy-Disc founder Kramer (Low, Galaxie 500, Will Oldham), the recording for Neither Is, Nor Ever Was began in early 2020 at La Chunky studios in Glasgow with engineer Johnny Smillie

This was interrupted by the birth of McAll’s daughter (if you listen closely, her cries are just audible during some of Kessi’s backing vocals on ‘Little Marble’), and shortly afterwards by Covid 19 restrictions. McAll began recording the rest at his own CFFC studio in Stirling. The resulting recordings were then mixed and mastered by Kramer at his Noise Miami Studio, to breath-taking effect.

Each album track is accompanied by its own short film. McAll sought-out the most exciting new talents in Scottish film and animation and invited them to be part of the album project. Each video, the artist’s personal response to the song, with no direction or interference from the band, resulting in incredibly moving and enchanting short ‘films’ in their own right (with multiple film festival considerations including Edinburgh International Film Festival and Manchester Film Festival in process).

"One of the most beautiful records I have ever been privileged to be a part of, filled to the very brim with moment after moment of poetic clarity, and not a moment too late...an interior force to be reckoned with. I've never experienced anything quite like it. It weaves elements of the past around a future I was wholly unaware of before hearing these breath-taking songs, each one a kind of memorial to a memory that may or may not have merely been imagined or hoped into existence." - Kramer (Shimmy-Disc Founder)

Filiah – In a Haunted House (Spotify)

Categories: Audio, Rock, The Latest|Tags: , , , |

“At a low tempo, you can feel the melodic guitar, soft drums and the fabulous atmosphere of Indie Folk. Nice intro, magical vocal line, smooth transitions and solid outro. It looks like an ancient lyric poem, which has been endowed with a peculiar twist.”

“В низком темпе чувствуются мелодичная гитара, мягкие барабанные партии и сказочная атмосфера Indie Folk. Приятное интро, магическая вокальная линия, плавные переходы и не менее добротное аутро. Похоже на древнюю лирическую поэму, которую наделили своеобразной изюминкой.”

-Nagamag.com

In a Haunted House is the third single of Filiah’s upcoming concept album For Someone and also the last song of the album, reflecting one more time on everything she processes in the previous songs but ending on a much lighter note.

She talks about letting go of old patterns, people and ghosts once and for all and opening herself up to new possibilities again.

Filiah in her own words:

"For me, this song feels like a trip through my diary entries. Seeing this whole past toxic relationship of mine pass by me again just made me realize that fighting for this one person had me ending up really tired. I'm saying one final „Goodbye“ and making peace with a ghost I’ve held on to for a long time. It's the last song on my upcoming album and ends on a much lighter note than the rest, reminding me that trusting in people again is the hardest yet bravest thing you can do after trauma."

It is the third and last single before the release of her upcoming concept album For someone- a raw and honest exploration of love, grief, nostalgia and all feelings in between. All the songs on her upcoming album are lyrically intertwined, telling the songwriter's honest and very personal story of pain, distorted perception, finding strength and choosing herself again after the ending of a very toxic past relationship with someone.

In a Haunted House, as well as the whole album were recorded and produced by Filiah herself in her living room.

https://www.facebook.com/officialfiliah/
https://www.instagram.com/thisisfiliah/

Isabelle Fries – Just a Dreamer (Spotify)

Categories: Audio, Rock, The Latest|Tags: , , , |

“The vocalist managed to create so charming and beautiful sound world that is so strong. The musical background is similar to the carousel - one by the other is replaced by instrumental parties, the melody is very calm and relaxing.”

“У вокалистки получилось создать настолько обаятельный и красивый звуковой мир, что только диву даёшься. Музыкальный фон подобен карусели - одна за другой сменяются инструментальные партии, мелодия очень спокойная и расслабляющая. ”

-Nagamag.com

https://twitter.com/Isabelle_Fries
https://www.facebook.com/isabellefriesmusic/about/
https://www.instagram.com/isabellefries.music/

Lyrics:

All I all I see is a dreamer
So alive so alive deep in the mirror
I’m casting my doubts away
I’m running the race to bring

A new life new life
I’m getting closer
I’ll fly I’ll fly
Higher and higher
And I’ll sail toward the stars never looking back
Cause I know I know I’m just a dreamer
I’m just a dreamer

My eyes my eyes looking for the answer
Tonight tonight taking what I want
I’m throwing my fears away
I’m hoping to break the chain to

A new life new life
I’m getting closer
I’ll fly I’ll fly
Higher and higher
And I’ll sail toward the stars never looking back
I know I know I’m just a dreamer

It’s taking my breath away
And I’ll take the leap and I won’t hold back with

A new life new life
I’m getting closer
I’ll fly I’ll fly
Higher and higher
I’ll sail toward the stars never looking back
Cause I know I know I’m just a dreamer
I know I know I’m just a dreamer
I know I know I’m just a dreamer
I know I know I’m just a dreamer
I’m just I’m just a dreamer

The Kid – Fish And Scale (Video)

Categories: Rock, The Latest, Video|Tags: , , |

“Style -Fish And Scale- can be described as the perfect acoustic ballad, with deep, measured and very soulful vocals. A strong song from which goosebumps appear on the body. Music that is satisfying to listen to and leaves a lasting mark on the memory.”

“Стиль -Fish And Scale- можно охарактеризовать как идеальную акустическую балладу, с глубоким, размеренным и очень душевным вокалом. Сильная песня от которой по телу проступают мурашки. Музыка, которая приносит удовлетворение при прослушивании и оставляет весомый след в памяти.”

-Nagamag.com

https://smarturl.it/iwkcwp

The song „The Kid“ is the third video release from the current studio album “ You Can Call Me LOVE“.
„The Kid“ tells the story of a child caught in an undefined pain. We all have this child inside us. From a young age, we unconsciously adopt the belief patterns and thought patterns of family and society and thus lose contact with ourselves. If this early separation from our true personality core is not dissolved, we often take the wrong paths later in life. We stumble and feel like a lone wolf wandering in the depths of the woods, longing for the moon and an unknown home.
The video for the song shows the initially futile search for one’s own identity and the long road back to freedom.

Follow Fish And Scale:
https://www.instagram.com/fishandscale
https://www.facebook.com/fishandscale
https://www.FishAndScale.com

Filmed by Sylvie Castioni

Philipp Makolies – Can You Bring Me Back Home (Spotify)

Categories: Audio, Rock, The Latest|Tags: , , , |

“Stunning chorus, soft guitar with a deep sadness mood as comes from a tragedy story, solid rhythm section. -Can You Bring Me Back Home- has an amazing atmosphere of striving for privacy, been the perfect travel saoundtrack! Leaves an extremely good impression, top notch quality song!”

“Потрясающий припев, трагически звучащая гитара и тихая, уместная ритм-секция. -Can You Bring Me Back Home- несёт в себе удивительную атмосферу стремления к уединению и станет идеальным саундтреком для путешествия! Оставляет чрезвычайно хорошее впечатление, её хочется переслушивать, а это главный показатель качества. ”

-Nagamag.com

https://backl.ink/147958958

„Can You Bring Me Back Home“ ist die erste Single von Philipp Makolies bald erscheinenden Debüt-Soloalbum. Eigentlich als Gitarrist von Woods of Birnam und für Enno Bunger unterwegs hat sich der Dresdner Musiker in den letzten Monaten für sein Solodebüt im Homestudio eigeschlossen und ein vielseitiges aber dennoch eingängiges Folktronica / Indie-Folk / Folk-Pop Album geschrieben und produziert. Sanfte Vocals à la Sufjan Stevens treffen hier auf fein zurückhaltende produzierte Beats, jede Menge filigrane Gitarren und flirrende Synths.

https://www.philippmakolies.com/

"Can You Bring Me Back Home" is the first single from Philipp Makolie's upcoming debut solo album. Actually as a guitarist for Woods of Birnam and on the road for Enno Bunger, the Dresden musician has signed up for his solo debut in the home studio over the past few months and has written and produced a versatile but still catchy Folktronica / Indie-Folk / Folk-Pop album. Soft vocals à la Sufjan Stevens meet finely restrained beats, lots of filigree guitars and shimmering synths.

https://www.instagram.com/philippmakolies/

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