The Angel – Words Like Daggers feat Jhelisa (Video)

Categories: Hip-Hop, The Latest, Video|Tags: , , , |

“Words Like Daggers” by The Angel featuring Jhelisa

Video directed by Mark Pellington, Sergio Pinheiro and Sweeten

“Words Like Daggers” is the first new artist recording from downtempo iconoclast, The Angel, in nearly a decade. The acclaimed record producer and film/TV composer has been known for pioneering a progressive dubtronic fusion of sounds on her records and in her film and TV score throughout her career.

Recently, The Angel was requested by her cousin, Rain Phoenix, to contribute a song to the LaunchLeft “Launched Artists Digital Singles Series” honoring her brother, River, for what would have been his 50th birthday. The contemplative lush electronic “Words Like Daggers,” written and produced by The Angel is the submission, and features longtime collaborator, vocalist, songwriter and producer Jhelisa (“Friendly Pressure”).

Of this inspired collaboration, Angel reveals,”Jhelisa and I have become close friends over the years.” Explaining how the seeds of collaboration grew holistically, “There’s a lot of sisterly love and mutual respect between us, so Jhelisa already understood the mournful weight of the track
before I asked to feature her. I’m always grateful that she’s willing to experiment with me because it’s not something she does lightly. Jhelisa beautifully channels the essence of whatever emotion needs to come through in the most evocative and visceral way.”

Jhelisa offers this insight about the song, “You wave goodbye from the edge of the shore, wish them the best, and love them forever. The word ‘Goodbye’ is a dagger wound you can eventually heal from through love and compassion.” The Angel continues, “I wanted the song to sound like a memory, like you’ve entered someone else’s dream space…The emotion is contained, very internal, so I juxtaposed a vocal vulnerability against a driving, incessant rhythm, where you can feel the underlying tension at the same time as experiencing the gentle plea, ‘Where’s my shelter…?’”

Rain’s LaunchLeft podcast and label are an alliance and space for eclectic artists and famed creatives. She especially curated a selection of music premieres including this anticipated release from The Angel. All artists selected have a special connection to River. The “Launched Artists Digital Singles Series” conclude on River’s birthday, August 23, with two previously unreleased songs from his band, Aleka’s Attic.

“I’m incredibly proud of my cousin as an activist and artist,” exclaims The Angel on contributing to the LaunchLeft Singles Series and Rain’s vision. She continues, “Rain’s solo album, ‘River’ is a brave and beautiful tribute to her brother and I wanted to be by her side as she took this next step to celebrate River’s 50th via this special singles series. The spirit of LaunchLeft, as an alliance of left-of-center artists who support and uplift each other, is something that River not only lived by, but is exactly the kind of alliance he would have championed. This is something we need more of in our industry and in the world.”

The Angel wrapped a video for “Words Like Daggers” with award-winning director and friend, Mark Pellington (Prolific Film Content), premiering via LaunchLeft’s partnership with Flood Magazine. Directed by Mark Pellington, Sergio Pinheiro and Sweeten, the video is a collaboration between Pellington, his editor and FX artist/director Pinheiro and film collage artist Sweeten. The three joined forces with The Angel, Jhelisa and cinematographers Alfeo

Dixon in Atlanta and Eve M Cohen in L.A. to create this emotional nocturnal collage. Mark acknowledges, “The Angel is a great artist. I loved the track and brought in some colleagues to make it happen. I understood her personal expressionism and intention and felt I could help the creative effort.”

The Angel adds, “Mark and I go way back to his MTV ‘Buzz’ days. He, Jhelisa and I all lived in ’90’s London, forging our individual artistic paths. Bringing us together for this video added some historic synergy to the mix. I’ve always loved Mark’s visual aesthetic. I’m grateful for his
emotional creativity, his artist-to-artist and human-to human approach. He challenged and encouraged me to write an internal dialogue that was separate from the lyrics, to use as the framework for my voiceover. I added newly created music beds, that now make up the intro and outro. After many years of working to picture, it was inspiring to reverse engineer the bookends of the video, and treat them like film in this way.”

The Angel and Pellington pulled the vision and team together fast, with Pellington overseeing the live action shooting, then Pinheiro and Sweeten adding their layers of image and visual FX. Angel adds, “Mark has an innate ability to tap into the underlying meaning of a song, then translate that into a poignant visual feast.”

Describing the feeling, Angel says, “The ‘Words Like Daggers’ video is centered on Jhelisa, the evocative messenger who draws us into self reflection, unleashing demons, showing us what it feels like to maintain both power and empathy in the face of adversity.”

Being able to celebrate River in 2020 with a new song and production makes this release even more meaningful to The Angel. “’Words Like Daggers’ is an exploration of loss… the agonizing breakdown of a deep connection, merged with other poignant losses, like the loss of my bass player and spiritual brother, Robert Russell, who plays on the record… all life experiences I would have shared with River.” The Angel adds, “Thanks to Rain, celebrating River in 2020 has become an unexpected and important part of my healing process…a touching reminder that the process is ongoing. I Ioved River dearly.”

The Angel hails from Brooklyn and is based in Los Angeles via an extended, inspired stay in the U.K. She has produced and released many acclaimed
works since the 90s under additional monikers, 60 Channels and Jaz Klash. She is also one of a handful of women film/TV composers, having scored
features including, Boiler Room, Gridlock’d and KiDULTHOOD as well as Ava DuVernay’s pilot “For Justice” for CBS among others. The Angel has
produced, remixed, and collaborated with Monday Michiru, The Brand New Heavies, Bay Area rapper/singer, Mystic, The Pharcyde’s Tre “SLIMKID3”
Hardson, Delicious Vinyl Records, Spearhead, Ninja Tune, London jungle o.g., MC Navigator, and Bristol’s More Rockers/Smith & Mighty.

Jhelisa launched her career out of the UK Acid Jazz music revolution of the 90s. She has produced numerous solo albums including the revered classic,Galactica Rush. Jhelisa is a musical maverick whose many collaborations have included work with Bjork, Massive Attack, Soul Family Sensation, Bryan Ferry and Chaka Khan.

Align, Jenni Potts – Reflections (Spotify)

Categories: Audio, Blogwave, The Latest|Tags: , , , , |

Chicago-based producer ALIGN has prepared a shimmering new single called “Reflections”, out now via Lowly. Grounded in atmospheric, emotional production stylings, the track features a dreamy vocal performance from ODESZA-collaborator Jenni Potts to match.

ALIGN explains, “I wrote ‘Reflections’ on an airplane ride. I was kind of forced to sit there and just keep expanding the idea. It became kind of a delicate airy beat and melody. I could tell there was room for more, so I reached out to Jenni, and she really tied things together with a relatable story. Her vocals are what the song needed. I think ‘Reflections’ walks through ups and downs that we’ve all felt before.”

ALIGN (born James Fisher) prides himself on thought-provoking music for the everyday listener. Throughout the beginning of his promising career, ALIGN has already appeared alongside the likes of Louis The Child, Illenium, Autograf, Hayden James, Thomas Jack, SNBRN, and GTA among a host of others. Additionally, both his remix for Win and Woo's “Constellation” and original collaboration “All in Our Eyes” with fellow Chicago artist Mielo reached #1 on the HypeM popular charts.

Ian Abel – Mirror Mirror (Video)

Categories: Pop, The Latest, Video|Tags: , , |

Queer alt-pop artist Ian Abel sings about getting over his ex in a tender, uplifting, and powerfully driving ballad “Mirror Mirror,” released Aug 11. The confessional, pining track came from an experience Abel had years after his first big breakup while sifting through old emails.

“I was honestly still totally hung up on it,” says Ian. “I thought my ex and I were meant for each other. But reading old emails it suddenly dawned on me that we weren’t perfect after all… I realized that the version of us I had in my head wasn’t really how it was, and it was like a huge weight was lifted.”

“Mirror Mirror” is Abel’s second single of 2020. His first single “Taste” was released in May and received praise from numerous blogs and playlisters, including a glowing review from American Pancake’s Rob Donker Curtius, who called it a “deeply engaging blend of genres and art pop tones.”

Streaming & Purchase: fanlink.to/ianabelmirror
Website: ianabelmusic.com
Socials: @ianabelmusic

Code Elektro Interview on Nagamag

Categories: Features, Interviews, Synthwave Interviews, The Latest|Tags: , , , |

Photocredit: Rolf Meldgaard


Nagamag:
What are the genres that describe better your music style?

Code Elektro:
Synthwave. Dystopian Science Fiction Atmospheres, Neon Skylines and eternal Cyberpunk Nights with Acid Rain. That’s Code Elektro. And now it’s live with a real band. Code Elektro is characterized by the use of analog synthesizers and sound design. It sounds similar to the soundtracks of movies like Blade Runner, Stranger Things and TRON: Legacy. However, it also takes a step forward to create something new via sound design, visuals and storytelling.


Nagamag:
Few words about your musical background and career?

Code Elektro:
I'm an artist, composer, sound designer and musician. I have always been playing in bands as a bass player. For 10 years I was writing music for commercials and TV - and I built my own studio and got into sound design and synthesizers. After some time I wanted to write my OWN music, and that's when I started Code Elektro.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Code Elektro:
Absolutely. Iron Maiden - "The Number of the Beast". That changed my life. I was 10 years when I heard it and it just sounded so awesome. And I have always been inspired by Iron Maidens cover art. Today I try to reach the same level of excitement in music.


Nagamag:
Can you tell us a little about your live show?

Code Elektro:
I played a live show earlier this year at a live venue in Denmark (Radar). The place was packed and it was an awesome night! I recorded the show and it sounded so good that I wanted to share it...so now there's a new single out (N30n). It was important to me to have a live band. I didn't want to be another artist standing on stage with just a laptop playing tracks. So I invited a drummer and guitarist. And it really adds to the groove and gives it an awesome live feel.


Nagamag:
Favourite Sci-Fi book?

Code Elektro:
DUNE by Frank Herbert. I'm really looking forward to the upcoming DUNE movie by Denis Villeneuve. Fingers crossed that it will be awesome.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Code Elektro:
Rammstein "Deutschland"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Code Elektro:
Daft Punk Tron Legacy

Discover & Listen to Code Elektro

Code Elektro on Spotify

Code Elektro's Signature Track

Code Elektro on Social Media

Code Elektro's Website

SOLON – Ready For The Night (Video)

Categories: Techno, The Latest, Video|Tags: , , , |

The mysterious phenomenon SOLON is back with a solid melancholic piece in the form of ‘Ready For The Night’. Following up his latest release ‘Together All’, he showcases once again how he masters the progressive sound impeccably.

Inspired by the future of humanity regarding cosmos and cloning technologies, the compelling track takes you on a journey around SOLON’s vision. The release is accompanied by a stellar video, bringing tribute to space exploration after the launch of NASA’s Mars 2020 rover to the Red Planet

Dov1, Hooves – Deep Shish (Spotify)

Categories: Audio, Electronica, The Latest|Tags: , , , |

Deep Shish, is the second time Dov1 & Hooves have collaborated on a tune. This one features a rolling groove, riding on a deep sub bass and some cheeky arpeggiation helps carry the rolling feel throughout. Chopped vocal stabs, field recordings of birds and short quotes help bring us back to earth as this tune makes it easy to drift away to some far off mental landscapes.

In his role as founder & owner of Muti Music, and the other labels he does / has played roles in, Dov1 has helped define the sounds coming out of the US west coast, often serving a as bridge for cross continental influences and collaborations to happen. His collaborations with An-ten-nae, under the name DnA have been widely acclaimed and he continues to push the envelope with futuristic bass music productions.

Hooves, has carved himself a name in the international beats scene as a producer, live percussionist and DJ. Hooves has worked with some of the worlds best as a drummer, including one of the most recognized live D&B acts, Shapeshifter and, more recently, meteoric glitchhop star Opiuo in the Opiuo Live Band. He has entertained thousands in some of the worlds best arenas, frequented the iconic Shepherds Bush Empire and rocked along side greats at Glastonbury.

Sleepwoka – How I Was Wrong (Spotify)

Categories: Audio, Pop, The Latest|Tags: , , |

Whereas for many 2020 has been the year that stood still, for Sleepwoka he has been busy songwriting, recording, filming music videos and broadcasting live stream gigs. Sleepwoka’s music is produced in his bedroom in North London. The strong use of analog synthesizers brings a nostalgic 80s vibe and the dream-like atmospheric visuals add a surreal tone to the whole project.

Sleepwoka’s lyrics often reflect on the human condition and he is fascinated by how we change over time as human beings. Particularly poignant to the times we find ourselves currently living in, "How I Was Wrong" explores the notion we often believe in our youth that our best years are yet to come. The song challenges what we think is important and whether that is actually true, especially when we come to reflect on simpler times that may have been harder but were somehow freer.

Sleepwoka explains, “When we were younger, we always felt that the best times were always ahead of us and that we would be the kings of this life! As the years go by, and we begin to achieve our life goals, we realise that those carefree times were actually the years where we felt most free and alive. Although we had nothing, somehow life felt more Authentic.”

It’s an interesting challenge to the common trajectory of life to achieve success by working hard and often sacrificing the things that are truly important in the process. "How I Was Wrong" is a timely reminder to perhaps return to simpler yet fulfilling lives – an awakening many are pondering in 2020.

https://www.instagram.com/sleep_woka
https://www.facebook.com/sleepwoka
https://twitter.com/sleep_woka

MONOTRONIC | Kids of Summer (Video)

Categories: Pop, The Latest, Video|Tags: , , , |

A bright, full of positive vibes and wonderful mix is “Kids of Summer” by Monotronic.

Monotronic share few words about this song with us
“The music and beat of Kids of Summer was inspired by some of the electronic music I have been listening to these days. It’s got an upbeat vibe that feels right for summer, but also speaks to the times, in terms of all the youth energy we are seeing out in the streets, which I think is leading to real change”

Monotronic is a collection of musicians based in New York City that blend a wide array of genres and styles to produce a unique sound of their own. The band was founded in 2016 by guitarist/producer Ramsey Elkholy, who is also the band’s leader and primary song writer. The band’s sound can best be described as a mix of indie and electronic music with strong world music influences. Monotronic has been featured in several music publications, and has performed at many prestigious venues and festivals.
https://www.instagram.com/monotronicband/

Code Elektro – N30n Live 2020 (Spotify)

Categories: Audio, Blogwave, The Latest|Tags: , |

A Live Synthwave/Retrowave recorded at a full venue February 2020. Code Elektro performed with a live band (drums and guitars).
By listen this you revive the live moments of pure synth pleasure and rich in emotions. A wonderful emotive performance.

Few words about Code Elektro:
Dystopian Science Fiction Atmospheres, Neon Skylines and eternal Cyberpunk Nights with Acid Rain. That’s Code Elektro.

The music is characterized by the use of analog synthesizers and sound design. It sounds similar to the soundtracks of movies like Blade Runner and TRON: Legacy. However, it also takes a step forward to create something new.

Code Elektro is one of the most critically acclaimed synthwave / retrowave bands out there with thousands of listeners and placements on the big playlists - fx Spotify's RetroWave / Outrun editorial playlist.

Code Elektro was founded by the Danish artist, Martin Ahm, as an artistic platform for Martin. The main focus was the creation of mental images in the listener’s mind - from drama to excitement to beautiful atmospheres – and to create the music that he likes.

Martin Ahm has also been working professionally in music and sound design for almost 10 years. Collaborators include big commercial brands all over the world.

The previous records were very well received by critics and synthwave fans worldwide and all were nominated for a GAFFA AWARD for Best Danish Electronic Release (2015, 2016, 2017 and 2019). The Danish Music magazine, GAFFA, gave TRIADS 5 out of 6 stars and called it: “World Class Synthwave from Denmark”. Code Elektro is music from one sci-fi fan to other sci-fi fans.

http://www.codeelektro.com/

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