Featured Artists, Songs and Posts
Feautures
Songs, Artists and Music News that has win Nagamag’s attention. Timeless sound harmony and unique pesonalities that are worthing extra attention! With no specific release date or music genre, fine music never expires.
Sbeady Interview on Nagamag
Nagamag:
What are the genres that describe better your music style?
Sbeady:
I never thought about my music in genres or at least subgenres, because it's obviously hip hop, that I make most of the time. Nevertheless, I would never limit myself to a genre. I'm influenced by everything that hits me and gives me emotions in whatever mood. But to be honest, currently I'm all into this lofi hip hop and chillhop thing. I really began to love this sound and I want to dig deeper into it, while keeping and pushing my own unique style and recognition value.
Nagamag:
Few words about your musical background and career?
Sbeady:
I started in the early 2000s after I were exposed to music production through a friend of mine. I was a huge hip hop fan, listening to non Phixion, Necro, Mobb Deep, Nas, Cage, Beatnuts and many others all the time, but also German acts like Kool Savas and Azad were running through my headphones frequently.
Over the time, the love for music got bigger and bigger. I made beats 24/7, skipped school to make music together with my friends which used to rap. We hung out and wrote songs as a crew in our own self made studio. Seriously the best time of my life. From time to time, I worked together with other underground acts. For example Millionadi, Peat38, Favourite and Casper. The last one became a bit more known some years later.
As time went by, the old crew drifted in different directions, people lived their own life. We stopped making music together. I took years off from music.
In 2016, I decided to make a beat album. Some turbulent private stuff came along, I needed a break again, so that I eventually finished it at the beginning of 2020. The kind people at the independent label "Vinyl Digital" gave me a chance, agreed to release it in May and I signed a contract there. To work with them is great and uncomplicated (Shout out to Julius).
Only after all that, I really came in contact with lofi hip hop and now here I am!
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Sbeady:
The first real connection was in my early days as a rug rat. Hardly able to walk, my favourite thing to do at home was putting my dad’s headphones on and listen to his vinyl records. We lived in the former GDR - East Germany - and my dad used to buy his records on East Berlin black markets. He collected music, you normally couldn't get there, because it was forbidden. Blues, Rock and Metal bands were his favourites like Canned Heat, Deep Purple, Genesis, Metallica, Motörhead and Scorpions.
Since I was a small child, I loved to listen to these vinyl treasures and I still do to up until this very day when I dig samples out of the crackling and warm sounding records from the good old days.
Nagamag:
How do you aproach a new Song? Do you start with a beat or do you come with melody first and how do you go on from there?
Sbeady:
I always always start with the melody. Regardless if I start from scratch, have something in mind and begin to write some chords into the piano roll or if I listened to some vinyl records, found a lovely sample, chopped it and played around with the slices on my Maschine MK2. I always start with the melody or chord progression. Then I would add synths or other instruments and the bassline of course. The drums are usually the last thing I write into the song. I know many producers out there that start with the drums, but I never did because I have to feel the vibes the melodic parts give me, before I play the drums. Sometimes I write the whole song arrangement before I even choose the drum sounds.
Nagamag:
Would you ever consider having a feature on one of your tracks?
Sbeady:
As I used to produce beats for rappers and singers for many years and just started with lofi hiphop in 2020, I’m excited to work on my own and don't have to wait till vocals are written and recorded. I can just write the song, finish it on my own, produce the sound design, and release it whenever I want. I enjoy this freedom. But of course, when an artist catches my attention and we have somewhat of a connection, I'm happy to work with him. No matter if it's a rapper, singer, beat producer, pianist or other instrumentalist. If we click, we will rock!
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
Sbeady:
Journey "Don't Stop Believin' "
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
Sbeady:
Turnawai "honeymilk"
Moon Touch Music Johan Famaey Video María Cecilia Alguacil (Video)
“We dont know if John Famaey finally does a “Moon Touch” but certainly this goes far and deep, touching the heart! Starting emotive and soft, pushing you into an emotional diving and when you have set your self free, floating in his key harmonies, then it comes the passion on 01:40 and you explode like the birth of a new star. ”
-Nagamag.com
Belgian composer and pianist Johan Famaey performed and composed countless works with and for different ensembles in Europe and China. He has won the ‘Verdi Keurmerk’ and ‘Cantabile Piano’ composition contests in 2019.
Lumiere Interview on Nagamag
Photocredits: George Tatakis
Nagamag:
What are the genres that describe better your music style?
Lumiere:
I believe that my music style moves constantly inside a square the 4 tips of which are a) Modern classical b) Minimalism c) Indie d) Electronic
Nagamag:
Few words about your musical background and career?
Lumiere:
Apart from 3 years of piano lessons when I was in elementary school and some lessons of sax some years ago, I am basically a self-taught multi-instrumentalist and composer. I formed an indie rock band ("Serpentine") when I was studying Physics in the University of Patras in the early 00s and later I released a couple of dream pop albums through 2 independent Greek labels. Since 2016, I am focused on composing instrumental music, releasing my debut album as Lumiere in 2017 and now looking forward to the release of my second album, "Phases" on the 18th September 2020.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Lumiere:
I think the first album that I really loved in its entirety was "Morning Glory" by Oasis, being also one of the first albums that I bought, in my teens. Listening to that album tens of times made me want to write my own songs.
Nagamag:
How does the new album display your growth as Lumiere?
Lumiere:
In my new album, for the first time, I have used extensively percussion and generally rhythmic structures along with the melodic elements for which I have used strings and brass. Apart from that, in almost half the tracks, there are drums and electric bass, creating a music combo of orchestral and indie elements, which is something I have never tried in the past.
Nagamag:
Was there an inspiration behind the rhythmic nature of “Doppler”?
Lumiere:
The Doppler effect in Physics is the change in the frequency of a wave in relation to a moving observer. My inspiration for the music of the song came from this natural effect and as a result came the pulsating drums, marimbas, and the beating of the horns (representing the waves) and the bending notes of the strings (representing the change in frequency).
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
Lumiere:
Piero Piccioni "Right or Wrong"
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
Lumiere:
Per Störby Jutbring "The Thief Bunny Society"
Lil Seyi – Tambourine (Spotify)
“Tambourine from Lil Seyi is a sweet catchy afrobeat theme with sexy vibes and a blend of many r&b influences most of us love. The perfect vibes for a great pool party with good friends.”
-Nagamag.com
From Maryland to the world, artist, producer and Cheverly born Lil Seyi is becoming one of the most resounding and authentic young voices in the cutting edge of hip-hop. His debut release which boasts both title track Deciduous and Evergreen (co-signed to Kitsune Music), draws similarities to the likes of Tyler, The Creator, Kendrick Lamar and Anderson Paak. Seyi, a 19 yo Stanford Scholar, began producing music from an early age and had worked across several projects as a producer before taking the leap into his own solo career. Rather than churning out throwaway projects, he opts for a more timeless route, crafting projects layered with creativity and positive messages that encapsulate his distinct personality and background. Check out Tambourine the latest single from Lil Seyi.
Mark Sutton Interview on Nagamag
Nagamag:
What are the genres that describe better your music style?
Mark Sutton:
Spiritual
Orchestral
Easy Listening
Cinematic
Nostalgic
Nagamag:
Few words about your musical background and career?
Mark Sutton:
My family are mainly all musicians and music and theatre were encouraged growing up. I've not played live too many times, but one of my highlights was accompanying a ukulele player for the Cheltenham Jazz Festival a few years back.
My main aim is to get my music distributed to as many ears as possible. The positive feedback I receive about my tunes always spurs me on to do more.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Mark Sutton:
When I was around 10 years old I remember starting to play the piano. I started creating some small tunes and my parents decided they would send me to have some piano lessons but after 6 months the teacher decided she could not teach me as I played by ear and once I had the tune in my head all the fingering was wrong.
Elton John, Scott Joplin and James P. Johnson were all great inspirers for me growing up.
Nagamag:
How has your music progressed over the years?
Mark Sutton:
Over the last 15 years in particular, my music has more or less been channeled. I sit at the piano and literally tune into my higher self and the tunes seem to flow from my fingers. I've also dabbled with orchestrating my tracks using Logic Pro and these seem to have been widely well received, although my first love and inspiration is from the piano.
Nagamag:
Do you favour a particular type of piano?
Mark Sutton:
At the moment I play a baby grand K.Kawai GL-30. I love the tone and speed of the notes from the way the keys are weighted, they seem to encourage me to play. I've had quite a few pianos over the years, Yamaha, Kaps and a Kemble/Mozart limited edition. All of which have played their part in helping me do mine.
Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?
Mark Sutton:
Supertramp "Logical Song"
Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?
Mark Sutton:
Randy Newman "God's Song"
Steve Aoki & KREAM – LIES (Official Audio) (Video)
“Greeks still remember the notorious vibes of Steve Aoki on his performance at Bolivar with FSI Events. In this collab with Norwegian producer duo KREAM we revive these moments. A solid production of deep/electro house where both artists signature “fight together”, until explode its dance energy, released on Big Beat Records.”
-Nagamag.com
Norway’s notorious production duo KREAM has steadily been churning out hit after hit since 2016, but today sees the release of the brothers biggest single to date – in the form of a superstar collaboration called “LIES,” with the 2x GRAMMY-nominated DJ/producer luminary Steve Aoki! The single is out today through Big Beat Records and embodies the sound of both artists. You can hear KREAM’s signature soulful, forward-thinking production style set against the electro-house/trap style (and massive drops!) of Steve Aoki, making for a major collaboration all around – LISTEN HERE!
“Vibes!” says Aoki, “That’s how it all starts for me. Working with KREAM started with a great vocal vibe, and then we built out the song the way it was intended. This one leaves you in a special groove and won’t let you go. Enjoy the ride.”
KREAM shares their excitement for the release: “It’s wild to finally see LIES out in the light! The goal for all three of us was to make something to bang out in the clubs. Although nightlife has changed this year, we are still just as excited for everyone to finally hear LIES. It’s a harder, darker House track all about that moment when you realize someone isn’t who you thought they were.”
Hailing from Bergen, Norway and comprised of brothers Daniel and Markus Slettebakken, KREAM got an early jump on honing their technique, having started producing at a young age and never slowing down. KREAM stands out from the pack due to the true songwriting and musicianship behind their craft, putting an emphasis on using real instruments – their use of pianos, elastic basslines and live percussion are a hallmark of their sound. Originally discovered through their popular remixes, the duo has now eclipsed 400+ million career streams of their own, and their single “Taped Up Heart” reached #21 on Billboard’s Hot/Dance Electronic Chart.
Steve Aoki needs no introduction. The GRAMMY-Nominated DJ/producer has billions of streams and 250+ tour dates per year to his name, with Billboard calling him “one of the most in-demand entertainers in the world.” Aoki has taken on the role of renaissance man over the years; he’s also a fashion designer, author and entrepreneur, not to mention one of the most successful cross-genre artists. Over his career, Aoki has solidified his reputation through dozens of multi-platinum releases, multiple awards, billions of music and video streams and innovative cross-platform projects. At the core of it all, Aoki is a visionary, a road he’s traveled since the humble beginnings of Dim Mak Records, the trendsetting record label, events/lifestyle company and apparel brand he founded in 1996. For over two decades, Dim Mak Records has remained one of the leading independent record labels in modern music, having served as the launch pad for global acts like The Chainsmokers, Bloc Party, The Bloody Beetroots, The Gossip and The Kills, among many others. Just last month, Aoki announced the launch of his new Latin music imprint, Dim Mak En Fuego, with the support of Christian Herrera, co-founder of California reggaeton party Gasolina. The first signed act is Monterrey-based pop-R&B group AQUIHAYAQUIHAY.
With star power like Steve Aoki and KREAM coming together on one massive, hook-laden single – we can’t help but look forward to the day we can hit the clubs again and dance to this. Until then, we’ll be grooving in our living rooms.
CONNECT WITH KREAM:
https://www.instagram.com/wearekream/
CONNECT WITH STEVE AOKI:
https://www.instagram.com/steveaoki/





