Music Genre

Christoph Sebastian Pabst Interview on Nagamag.com

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , |

Christoph Sebastian Pabst
Interview

Nagamag:
What are the genres that describe better your music style?

Christoph Sebastian Pabst:
Chillout, Ambient, Electronic, Deephouse

Nagamag:
Few words about your musical background and career?

Christoph Sebastian Pabst:
I started in 1992 with an Amiga 500, the 4-track music program Octamed and an 8-bit sequencer! Bit by bit new elements were added, a Korg 01w / FD, an Atari computer was needed for the first Cubase, later a PC, in 1998 I had a real studio with many analog synthesizers, one of the first digital mixing consoles, Akai samplers and so on. Back then, I had done a lot of music with a friend and later a DJ from Bremen, house and techno. When I first moved to Heidelberg 2001, I no longer had the space for a studio and gradually sold everything and only had a PC, a master keyboard and speakers. Because of my medical studies I had less and less time for music, that was in Marburg, where I also met my current colleague Thomas Lemmer. Many years later I sent him a few tracks and our first song Pastelstrand was released on his album pure! After that we released our first EPs and album together. We also got great remixes for the EPs. We are currently working on our second album and I am really looking forward to the next release! stay tuned, it's worth it!

Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Christoph Sebastian Pabst:
I first love to electronic music was like written bevor the Amiga 500! Before that I had no real music style and I mostly heard charts. It was great to experiment and to experience electronic music in every detail. Jean michel jarre was my role idol.

Nagamag:
Did you make money with music?

Christoph Sebastian Pabst:
Yes, of course, a fraction of a cent per stream. Last year I earned almost a few euros! :-) still nothing to live on. But music should primarily make people happy, when money is added it is nice but not important.

Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Christoph Sebastian Pabst:
Vangelis "Conquest of Paradise"

Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Christoph Sebastian Pabst:
Thomas Newman "Any other Name"

Discover & Listen to Christoph Sebastian Pabst

Christoph Sebastian Pabst on Spotify

Christoph Sebastian Pabst's Signature Track

Christoph Sebastian Pabst on Social Media

Andarctica – Held (Spotify)

Categories: Audio, Electronica, The Latest|Tags: , , |

Andarctica – Held
(Spotify)

“held | pur” is the fourth release of the ambient music project, andarctica. Two live improvisations on guitar and pedals, “held | pur” begins with a bright, open-armed invitation before turning inward with the persistent pulse of “pur”. Composed as a meditation, focus or sleep aid, the simplicity and duration of the second piece lays a landscape for creative expression and losing yourself in thought.

Manon – Streams (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

Manon – Streams
(Spotify)

Manon paints landscapes for your ears. The palette of the singer-songwriter is full of contrasting tone colors: light and shadow collide in a universe that is as alien as it is earthbound.
Her pictures captivate with filigree lines, wide surfaces and powerful accents. Composed by Manon, the music unites infinity and intimacy and pulls away from classical structures. Sometimes the work floats slightly, the next moment it erupts like a volcano. Delicate melodies flow into menacing abysses. The result though, is always both organic and authentic.
The new songs were recorded by Manon at Greenhouse Studios in Reykjavik and produced with Francesco Fabris.

Kirsten Agresta Copely – Winter’s Bone (Spotify)

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Kirsten Agresta Copely – Winter’s Bone
(Spotify)

”Winter’s Bone” is an atmospheric meditation on the stark days of a year’s last season. It was inspired by life in a tiny NYC apartment during a bitter and bone chilling winter. The darker ambiences are offset with glimmers of hope from the purposeful harp melody. It is the final song on ’Around The Sun,’ a compelling nine song cycle designed to take the listener on a unique 365-day journey.

Thomas Jackson – Den inre skogen (Spotify)

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Thomas Jackson – Den inre skogen
(Spotify)

Thomas Jackson has directed and made the music for the documentary ”Den inre Skogen” (Inner woods) which is now showing on Swedish national television and selected cinemas. The soundtrack will be released on Flora & Fauna in February 2020.
It is a film about our relationship to nature and about how our preconceptions shape how we see everything around us. The documentary features Swedish artists and activists such as Lars Lerin, Britta Marakatt-Labba, Helena Granström, Eirik Havnes, Helene Schmitz and Pella Thiel.

Thomas Jackson’s acclaimed films have been shown around the world at Berlin Film Festival, Toronto Hot Docs and San Sebastian Film Festival amongst others, and at art institutions such as MOMA Tokyo and Bonnier konsthall.

Kirsten Agresta Copely Interview on Nagamag.com

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , |

Kirsten Agresta Copely
Interview

Nagamag:
What are the genres that describe better your music style?

Kirsten Agresta Copely:
New Age, Ambient, Neoclassical

Nagamag:
Few words about your musical background and career?

Kirsten Agresta Copely:
KIRSTEN AGRESTA COPELY is a harpist, composer, and arranger that has made music in four continents for heads of state, in blockbuster movie soundtracks, alongside Billboard 100 artists, on late night television, with the most recognized symphony orchestras in the world. Her first album as composer, Around the Sun, will be released in January 2020. Steeped in rigorous classical training, Copely’s performance career began at an early age: by fourteen, she performed a full solo tour of the British Isles, and continued to gain attention in the classical world by winning Bronze Medal in the 1st USA International Harp Competition, debuting as concerto soloist at Carnegie Hall and Lincoln Center soon after. While she maintains a heavy classical schedule—she serves as Principal Harpist with the Mostly Mozart Festival Orchestra at Lincoln Center —Copely has also garnered a reputation as the pop industry’s go-to harpist, culminating with a performance alongside Beyoncé at the second official White House State Dinner for President Barack Obama. Other live engagements include appearances on Saturday Night Live, Tonight Show with Jimmy Fallon and the MET Gala; in studio, she has recorded with greats like Lionel Richie and has performed in numerous video game, television, and movie soundtracks.

Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Kirsten Agresta Copely:
Music has been an integral part of my life since I was a child; I began playing the harp when I was five years old. I have always made my living as a musician which is something I'm very proud of.

Nagamag:
How did you get started playing with so many iconic pop artists?

Kirsten Agresta Copely:
I was hand picked to play with Kanye West at Live 8 which led to many more performances with Jay Z, John Legend, Enya, Evanescence and more. Ultimately the performances grew increasingly illustrious, and culminated in a performance with Beyoncé at the second official White House State Dinner for President Barack Obama, First Lady Michelle Obama, and Mexican President Felipe Calderón - a true "gig of life."

Nagamag:
'Around the Sun' is billed as an album of new age and ambient music. What was your inspiration for wanting to write and record music in this genre?

Kirsten Agresta Copely:
A lot of the compositions I was writing were naturally minimalistic in style and led easily into being more defined by ambient soundscapes. It was a perfect opportunity to collaborate with my husband, Marc, who has lots of experience playing ambient guitar on TV/film soundtracks. We both love the work of Brian Eno and Harold Budd (pioneers of the ambient genre) so he creatively designed the supporting complimentary layers. There isn’t a single keyboard effect on the album; just solo harp recorded in a classical style with sonic treatments.

Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Kirsten Agresta Copely:
Queen "Hammer to Fall"

Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Kirsten Agresta Copely:
Brian Eno & Harold Budd "Late October"

Discover & Listen to Kirsten Agresta Copely

Kirsten Agresta Copely on Spotify

Kirsten Agresta Copely's Signature Track

Kirsten Agresta Copely on Social Media

Kirsten Agresta Copely's Website

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