Music Genre

Matan Gilboa – Red Eyed Orange (Spotify)

Categories: Audio, Jazz, The Latest|Tags: , , , |

“Feel good Jazz-Fusion instrumental by multi-instrumentalist Matan Gilboa. This track from the new album Doy, displays both virtuosity & a sound knowledge of composition. Full of selective emotional delights, the performance has a joyful playfulness that will make you smile.”

-Nagamag.com

An instrumental piece that makes you dance and sing along. It is part of the album ‘Dov’.

https://www.youtube.com/channel/UCFplgNmHbOoR2nTNnPl0lrg

Matan Gilboa is an Israeli Jazz composer and multi-instrumentalist. He started composing at the age of 17, when he recorded his first solo album. Years later Matan formed ‘Atara’ Jazz Fusion band, where he was composer and drummer, with which he recorded the album ‘Figure It Out’. Following that, he continued his solo career with his new album ‘Dov’, an experimental and daring instrumental album, in which he plays 5 different instruments, alongside many other musicians.

Connie Brannock – Carry (Spotify)

Categories: Audio, Jazz, The Latest|Tags: , , , , |

“Laced with elements of R&B, Funk & Jazz & reminding me at times of Steely Dan with the added bonus of the finely tailored vocals of Connie Brannock. If this exceedingly well produced, beautifully performed song is anything to go by, the album is a must have.”

-Nagamag.com

A song about leaving Salt Lake City.

https://www.instagram.com/conniebrannockmusic

Connie Brannock is an R&B Force of Nature! She took the Tucson music scene by storm after she retired from the Army National Guard as Command Sergeant Major, and in 2009 re-upped as a hot-ticket bandleader and patented R&B artist with enticing authenticity.

https://conniebrannock.bandcamp.com/releases

Sally Rushbrook & The Soothsayers – Haunts (Spotify)

Categories: Audio, Jazz, The Latest|Tags: , , , , , |

“A delightful timeless, barroom bluesy, honky-tonk type piano lead tune that is the perfect vehicle for Sally’s wonderful, charming vocals. A song that recounts the way it feels to revisit a special place from your past to find everything, including yourself has changed. I could listen to this song again and again.”

-Nagamag.com

This song is about the feeling we get when retreading old ground, when the places we have grown up in or spent time in seem to change around us but then again perhaps it is us who is changing? It is about that sense of displacement and reflection brought about by that uncanny feeling of revisiting a place and finding it or yourself changed.

https://www.instagram.com/sallyandthesoothsayers

Sally Rushbrook's is a music that has forgotten its own age.

Distinctly old in style, these songs draw influence from folk, gypsy jazz and barroom blues. Yet, this music seems as contemporary as ever it might have done when Sally uses these influences to craft narrative songs around characters with unmistakably modern preoccupations.

Roman Wróblewski – Big Hug (Video)

Categories: Neoclassical, The Latest, Video|Tags: , , , , , |

“The pronounced expression and collection of the artist’s intention and classical performance -Roman Wróblewski-. Emotions that can not be hidden. -Big Hug- is the expressive power of feelings and thoughts.”

“Ярко выраженная экспрессия и совокупность авторского замысла и классического исполнения -Roman Wróblewski-. Эмоции, которые невозможно скрыть. -Big Hug- это сила проявления чувств и переживаний.”

-Nagamag.com

Longing for closeness intimacy during the pandemic – a new music video by Roman
Wróblewski.

The video was produced in the post-industrial setting of the Companhia União
Fabril (CUF) industrial park in Barreiro, Portugal. The preparation process, including shooting, took
more than a year and was interrupted twice by restrictions caused by the prevailing Covid_19
pandemic.

Lucília Raimundo, a Mozambican-born dancer and choreographer who has worked with many
theatres in Portugal and Europe for over 15 years, is responsible for the choreography. The second
dancer in the video is Carolina Carloto, a talented Portuguese artist of the young generation.
Initially, the movements and gestures were meant to tell a story about love and the fear of losing
someone close. However, with the proliferation of Covid_19, and the resulting increasing
restrictions on social distance and uncertainty, the idea for the choreography naturally evolved into
a story about the uniqueness of the times in which we live.

The video was directed and shot by Andre Abrantini, a Portuguese director who is also the author
of the second video clip to Roman Wróblewski’s music, “Jump”. While working on “Big Hug”, Andre
decided to use black and white imagery, emphasising the opposition of the main characters. This
apt artistic move also highlighted the contrasts and shapes of the unique post-industrial setting and
works wonderfully with the poignant melody played in the low register of the piano.

The location of the video also plays an extremely important role in the image. With the help of the
Pada Studios residency centre and courtesy of Baia do Tejo company, the artists had the unique
grounds of an industrial park in Barreiro at their disposal. This park, closed after the 1974
revolution, was one of the largest complexes of its kind in early 20th century Europe, employing
nearly 10,000 people in its heyday. The dilapidated buildings and vast areas of factory waste,
together with Lucília Raimundo’s emotive choreography, complement Roman Wróblewski’s music
to create a moving work that tells a story, full of longing for a simple hug.

https://romanwroblewski.com
https://www.instagram.com/roman_the_pianist
https://www.facebook.com/romanthepianist

Jop, Ben Thomas – Overload – Instrumental (Spotify)

Categories: Audio, Jazz, The Latest|Tags: , , , , , |

“-Overload- can be likened to an early morning flower. As soon as the time passes, it opens the petals and stretches to the Sun. Amazing magic of improvisation, connecting jazz elements with electronic music.”

“-Mood Genesis- можно сравнить с цветком рано по утру. Как только восходит солнце, он раскрывает свои лепестки и тянется к солнцу. Удивительная магия импровизации соединяющая джазовые элементы с электронной музыкой.”

-Nagamag.com

Written with live instruments (trumpet, piano, drums & percussion) and multiple synths including mellotron, prophet, farfissa swell as Rhodes and other plug ins. influenced by Jazz, Groove, Electronics, Soundscape and Pop music, with muted trumpet playing the lead melody, and a trumpet choir added at the peak.

Paul Jordanous on trumpet, piano and synths
Ben Thomas (drums & percussion)

https://www.instagram.com/thisisjopofficial/

Joseph Shabason – So Long (Spotify)

Categories: Audio, Jazz, The Latest|Tags: , , |

“Wind instruments, saxophone magic and some light percussion. From its first seconds -So Long- opens the door to a parallel world where everything is possible and a little bit more.”

“Деревянные духовые инструменты, магия саксофона и лёгкой перкуссии. -So Long- завораживает с первых секунд, параллельный мир, в котором возможно всё и немного больше.”

-Nagamag.com

Today Joseph Shabason shares "So Long", the exhaling album closer that showcases his deft touch in creating a mood of memories, while pulling in subtle electronics in the second half of the song to anchor the soothing instrumentation. Using mournful brass and glassy keys, the aptly titled track represents the slow walking away that Shabason had to do mentally and emotionally, even long after the illusion had been cracked open.

“It took me at least another twelve to fifteen years to fully deprogram myself from all the guilt and shame that was bred into me by religion, but I think that I’m finally free from it,” says Shabason of his present-day outlook. “This song is a final goodbye to that life… an exhale and deep inhale before I start a new chapter.”

The Toronto-based Destroyer-collaborator’s empathetic style manifests itself in a unique stylistic blend of ambient electronics and new-age driven jazz. His new album The Fellowship out April 30th on Western Vinyl/Telephone Explosion Records meshes mesh spacious, jazz-laced composition with fourth-world and adult-contemporary tonality. As a listening experience, it's an autobiography about his dual-fait upbringing and in the form of instrumental music.

https://josephshabason.com/
https://www.facebook.com/josephshabasonmusic
https://www.instagram.com/josephshabason/
https://twitter.com/josephshabason
https://josephshabason.bandcamp.com/album/the-fellowship

Jazzy Chill Collective- Come To Me (Spotify)

Categories: Audio, Jazz, The Latest|Tags: , , , , , |

“The charming performer of -Come To Me- has no limits. Jazz in its full splendor, vocal expression, improvisation and blues mood.”

“Очарованию исполнительницы обворожительной песни -Come To Me- нет предела. Jazz во всём его великолепие, вокальная экспрессия, импровизация и блюзовое настроение.”

-Nagamag.com

Jazzy Chill Collective is a progressive jazz global music collective, led by American based singer Sofeeya. Their style fuses chill hop, funk, lounge, and modern jazz idioms to primarily explore lush soundscapes of love songs, breakup songs, sad songs, and songs about self-empowerment. Additionally, the quasi-band creates laid-back instrumental grooves, perfect for study or relaxation.

New singles "Come To Me" and "Never Break Your Heart" are out now on select digital platforms.

Visit JazzyChill.com and sign up for premium access to exclusives and more.

April And The Drift – Souls Of Music (Spotify)

Categories: Audio, Jazz, The Latest|Tags: , , , , |

“There are legends that music has a mind and soul. If so, we can surely believe that the new track -Souls Of Music- is one of those, which can be called spiritual.”

“Ходят легенды, что музыка обладает разумом и душой. Если это и так, во что мы искренне веруем, то новый трек -Souls Of Music- один из тех, который смело можно назвать душевным.”

-Nagamag.com

Driving with impeccable delicacy and soul, Copenhagen’s April And The Drift is a singer and songwriter with a life-long dedication to the art-form.

Guiding listeners through ambient soundscapes, April’s voice offers expressive and breathy qualities that unite with deeply thoughtful, emotive lyrics. Her catalogue touches on indie pop as well as jazzy blues and reggae. The songwriter lays out her truth and vulnerabilities in profoundly poetic and boldly observational ways, with soundscapes that follow primarily organic routes, utilizing natural instruments and the sound of her voice as much so as possible.

https://www.instagram.com/aprilandthedrift

Adam Tsarouchis – Esthimata mou (Spotify)

Categories: Audio, Features, Jazz, Jazz Features, The Latest|Tags: , , , , |

“Our breath holds from the captivating voice of -Adam Tsarouchis- pouring an endless stream of his soul in our souls. His song -Esthimata mou- lays between Brazilian bossa nova and classical jazz. Exotic jewel of an exquisite compilation.”

“Дыхание перехватывает, когда пленительный голос -Adam Tsarouchis- льётся нескончаемым потоком из души в душу. Его песня -Esthimata mou- это танец жанров бразильского bossa nova и классического джаза. Диковинный бриллиант в изысканном ассортименте.”

-Nagamag.com

a Greek Latin bossa nova song

https://www.instagram.com/adamtsarouchis
https://www.youtube.com/channel/UC5cfNAD7gcHnxquTrdLQTPg
https://www.facebook.com/AdamtsarouchisOfficial

Kristine Bratlie Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , , |

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Nagamag:
What are the genres that describe better your music style?

Kristine Bratlie:
I like to call my music style a cross over between classical piano music, film, musical and jazz. It stretches in multiple directions, often even inside one song.


Nagamag:
Few words about your musical background and career?

Kristine Bratlie:
I am a norwegian classical pianist that developed into a composer, curios about HOW I could reach peoples heart with my music.
My musical education is from academies in Oslo, Norway and Salzburg, Austria (the birthplace of Mozart).
After turning back home, doing concerts and teaching with classical piano literature, I eventually started publishing music, both piano, chamber music and singing.
Now I live in Sweden, in a small town called Aneby.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Kristine Bratlie:
I started to play piano at the age of 9, and had many fine years developing. But what I think gave me that boost, that feeling of joy and meaning was when I began singing (and playing) in a gospel choir at 13. I felt this inspiration from the harmonies, the rhythm, the joy. It became really a manifestation of music in my soul.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Kristine Bratlie:
Tiziano Ferro "Lo Stadio"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Kristine Bratlie:
Ludovico Einaudi "Una Mattina"

Discover & Listen to Kristine Bratlie

Kristine Bratlie on Spotify

Kristine Bratlie's Signature Track

Kristine Bratlie on Social Media

Kristine Bratlie's Website

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