Kepa Lehtinen – Nowhere (Spotify)

Categories: Audio, Features, Neoclassical, Neoclassical Features, The Latest|Tags: , , , , |

“Let yourself and your thoughts flow out of the endless stream of daily worries. The wounds will be healed, the heartbeat slows down, let the river of life take you on its waves. Kepa Lehtinen knows how to sound design a cinematic story, where the emotions fly around on all sides, to nowhere, like feathers in the wind and the bond of piano keys and theremin seems like a couple of angels who dance in the rhythm of wind.”

“Отпусти себя и свои мысли в бесконечном потоке наших повседневных забот. Раны затягиваются, биение сердца замедляется, пусть река жизни уносит вас на своих волнах.”

-Nagamag.com

The Maestro of the Theramin is out with a brand new song “NOwhere”... there is more to the instrument made famous by Scifi films from 50's.

The theremin, comes to life under the direction of the rising Finnish composer, Kepa Lehtinen on his new dark andante Nowhere.“The way i use theremin is quite unique. Together with double bass the theremin completes the piano like cello and violin does in classical piano trio.” The theremin is a electronic instrument which produces sound when your hands interact with the electro-magnetic field it emits without actually touching the device itself. It was invented in the labs of KGB by Russian engineer Leon Theremin in the early 1920s.

Strumming through the invisible electronic waves the Tonality play is unnoticeable. While harmonies are modern and complex; the overall feel seems to be nonetheless easily approachable and primitively hypnotic.

Insight to the world of the Theremin from Kepa….On the sound ”Retro but ultra hifi sound has been my goal at studio. Sound of sadness and past.” “Everybody wonders at my instrument,” ”but after all it is the most organic musical instrument there is. The sound is in direct contact with my breathing and the slightest movements of my body. I played the theremin part with a sore hand that I had hurt in a small skate accident i can feel the pain in my hand every time i listen to this track - lol”

https://www.facebook.com/kepalehtinenartist

Selsom – Eiter (Spotify)

Categories: Audio, Features, Neoclassical, Neoclassical Features, The Latest|Tags: , , , |

“Imagine flying into a new untouched land as a free bird, seeing the beauty of pure nature, the clean cool air tickling your skin, your eyes hypnotized into this majestic view. Selsom with Eiter through his wonderful harmonies manage to provide us a daydreaming of hope.”

-Nagamag.com

Eiter, meaning "small hail stones" in Norwegian, is part of a one-track-a-month ode to snow concept. It is an electronic neo-classical single with a piano solo B-side. The A-side is lead by an intimate pacy piano rhythm, covered by ambient strings, arpeggiator synths and vocal chops reminiscent of Ólafur Arnalds.

https://www.selsommusic.com/

Selsom is the composer alias of songwriter and producer Stian Vedøy. Hailing from a windswept west coast island in Norway, with not much else to do other than playing music, Vedøy started having piano lessons as a 6 year old. Having given most of his adult years too his indie folk pop project, Firewoodisland, he has now decided that it is time create an outlet for his piano lead compositions. With hints of misty and organic sounding synths and other sonic nuances, Selsom takes you to an atmospheric and cinematic state of deep focus.

https://www.instagram.com/selsommusic

Energise | Julia Thomsen (Video)

Categories: Features, Neoclassical, Neoclassical Features, The Latest, Video|Tags: , , |

“Julia Thomsen with a nimble, infinitely melodic flow, a gently performance and a sound clarity in the recording, with her music -Energise- recharge our emotional batteries in a way to achieve more, daydream and see the bright side of life. ”

-Nagamag.com

Sea Energise a beautiful blend of emotive minimalist piano mixed in with rich magical strings, which takes the listener on a blissful cinematic journey pointing towards the healing power of the sea and miracles of Nature. Special guest on the track is German Composer Orchestrator and Arranger Robin Hoffmann.

Julia says ‘Forces of Nature and the power of music – May the force be with you.

Through these difficult times I have been more inspired than ever to compose never ending music tracks and I hope that my music will help people to relax, reflect and refocus.

https://youtu.be/lf7NXnuAwV4

Julia Thomsen is a neo-classical composer who takes inspiration from nature and everything around her. Julia’s music has been used in art exhibitions, documentaries and films, most notably ‘Looking Out For George’ (2002) which was shortlisted for the Jury’s Prize at the Raindance Film Festival 2003 . In February 2020 Julia was signed up by international Sync agency, Deli Music.

‘Sea Energise’ EP follows the release of her previous single ‘Snowscape Remastered’, remastered at Abbey Road Studios by Grammy Award Winning engineer Andy Walter (Harry Potter).

Julia’s new EP, is a beautiful blend of emotive minimalist piano tracks mixed in with rich magical strings, which yet again takes the listener on a blissful cinematic journey pointing towards the power and miracles of Nature. Special guests on the record are Dani Howard who orchestrated ‘Evoque’, ‘Nature Interlude’ and ‘Starlight’; and German Composer Orchestrator and Arranger Robin Hoffmann who orchestrated and arranged ‘Sea Energise’, ‘Beauty Inside and Out’ and ‘Blended’. All tracks were mixed and mastered by Nick Harding.

Julia says on the EP: “Forces of Nature and the power of music – May the force be with you. Through these difficult times I have been more inspired than ever to compose never ending music tracks and I hope that my music will help people to relax reflect and re focus.”

“Julia’s wonderful score beautifully encapsulated the empathy and drama within our story.”

Chris Dodds Director on ‘ Looking Out For George’ (Raindance Film Festival Nominee 2002)

“ Her music is very distant, evocative and leads the listener to still waters, one of the hardest things music should do. Julia does with ease in her amazing style, creating an atmosphere that one would want to listen to forever. “

William Camilleri, Composer and Cannes Film Festival Judge

Sam Miller Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , |


Nagamag:
What are the genres that describe better your music style?

Sam Miller:
Chamber folk-pop for most of my music with words and Neo-Classical for my instrumental works.


Nagamag:
Few words about your musical background and career?

Sam Miller:
I've been a sideman in rock bands for years and during the COVID lockdown I started recording classical music, which is my current direction. I play bass, guitar and piano.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Sam Miller:
I re-discovered my love of music when I started playing piano after college. During that time I was also immersed in a song-writing community, which had a great effect on my creative sensibilities.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Sam Miller:
Hyri "Work of the Devil"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Sam Miller:
Laura & Anton "Castles in the Air"

Discover & Listen to Sam Miller

Sam Miller on Spotify

Sam Miller's Signature Track

Sam Miller on Social Media

Sam Miller's Website

Daniel Rosenholm – November (Video)

Categories: Features, Neoclassical, Neoclassical Features, The Latest, Video|Tags: , , , |

“This kind of music is as a medicine against the fast forward way of life and information we live nowadays. Instantly it invites you to stop now, not waste your time only in your out-self experiences, devote bit of time for your inner self. Think, listen, feel. Daniel Rosenholm with November , soundtracks that with his gently performance full of emotive harmonies. ”

-Nagamag.com

https://www.instagram.com/danielrosenholm_music/

In Void Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , , |

Renault to the left & Peugeot to the right


Nagamag:
What are the genres that describe better your music style?

In Void:
Neo-classical mainly. Also punk rock, opera and anything with accordians.


Nagamag:
Few words about your musical background and career?

In Void:
Renault: I was a modern artist in the truest sense of the word. Some paint with a brush, others with a pallet knife or sponge, I, well...I paint with myself, if you get my drift. I dip my manly member in paint and let my passion be my guide. I dazzled the tourists for years on the streets of Mont Martre, singing opera arias all the while and even playing accordian while painting with my "all natural brush". It would seem that some of my female admirers were a bit too dazzled however, and a jealous husband threw me into the Seine, and when I crawled out, I saw the wretched face of Peugeot. From that moment on, we were inseparable.
Peugeot: I was the lead singer of a French punk band called "The Flaming Maggots" or "Les Asticots Enflammes" for a few years. We had a couple hit songs-maybe you've heard "Merde, merde merde!" or "Ton cul est tros grand! Va t'en, va t'en!". Then, I woke up one morning, hungover in a back alley of Paris and vomited on the person next to me, who turned out to be Renault, et voila, the rest is history.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

In Void:
Renault: I saw Mozart's "Don Giovanni" as a small garcon, and thought, "mon dieu, I want to grow up to be such a man! So many conquests, and set to such lovely music."
Peugeot: My dearly departed mother was a Sex Pistols groupie and so I heard their fine, skillful and passionate music every day in utero. I have sought to emulate them in thought, word and deed ever since. To this day, I wake up at 1pm every day to their masterpiece, "Frigging in the Rigging".


Nagamag:
Favorite book?

In Void:
Renault: Les Miserables, L'Etranger, Lolita, O Calcutta
Peugeot: One Fish, Two Fish, Red Fish, Blue Fish


Nagamag:
Best shag ever?

In Void:
Peugeot: Brigitte Bardot or Queen Elizabeth. Too close to call.
Renault: Lady Gaga, hands down.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

In Void:
Mozart (This is Renault's pick of the week, from his favorite opera, Don Giovanni. In this aria, the servant, Leporello lists his master Don Giovanni's thousands of other conquests in an effort to "console" a woman whose heart he has just broken. The piece is very near and dear to Renault's heart, for obvious reasons.) Madamina, il Catalogo


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

In Void:
Sex Pistols Anarchy in the UK

Discover & Listen to In Void

In Void on Spotify

In Void's Signature Track

In Void's Website

Mario Verandi – Small Wings Behind (Video)

Categories: Features, Neoclassical, Neoclassical Features, The Latest, Video|Tags: , , |

“Mario Verandi composed a truly rich in harmonies story. Notes gently shimmer in the air, as if the raindrops play on the railing of a balcony. Yet somewhere far away, where clouds on sky are travelling quick you listen a lighting. ”

“Mario Verandi создал поистине пространственную музыку. Ноты мягко переливаются в воздухе, будто капли дождя играют на перилах веранды. И где то вдали, там где плывут по небу тучи слышится легкая тревога.”

-Nagamag.com

This track features delicate impressionistic piano melodies that flow over distinct electronic/ambient textures.

Mario Verandi is an Argentinean-born composer, performer and sound artist living in Berlin. With a career spanning more than 20 years, Mario Verandis works are wide-ranging and include electro-acoustic compositions, sound installations, music for dance and radio as well as collaborations with several musicians and artists. He has performed in several prestigious European festivals including Märzmusik (Berlin), Multiphonies GRM (Paris) and Donaueschinger Musiktage. His works have been awarded in the Prix Ars Electronica Awards (Linz), European Bell Days Composition Prize (ZKM, Karlsruhe), Bourges Electroacoustic Music Competition (France), Stockholm Electronic Art Awards (Sweden), Musica Nova (Prague), CIEJ Electronic Music Awards (Barcelona) and is included in the Essex Collection of Latin American Art. His most recent ambient/electronic music project culminated with the release “Remansum”. The album features musicians Sebastian Selke (Ceeys) and Dina Bolshakova, both active in ambient and classic music genres. Mario Verandi´s music has been released by labels such as TimeReleasedSound (USA), EMF Media (New York) and Edition RZ (Berlin) and appear also on several compilation records.

www.marioverandi.de

About photo/video:
Copyright 2020© Corinna Rosteck, Urheber-Nummer bei VG Bild-Kunst 759746
https://vimeo.com/445231434
Camera and Editing: Corinna Rosteck
Dance: Iris de Boor
Music/Composition: Mario Verandi

Matthew Avery Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , , |


Nagamag:
What are the genres that describe better your music style?

Matthew Avery:
Classical, minimalism, ambient, melancholy.


Nagamag:
Few words about your musical background and career?

Matthew Avery:
I used to play guitar in several punk/hardcore bands from age 15-23 and then slowly began composing on piano over the next years. I find the sounds of the piano soothing and more conducive towards composing songs that inspire strong emotions. Guitar is still an amazing instrument that I enjoy playing, but the piano has taken over as my instrument of choice over the past few years.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Matthew Avery:
My first real love of music came when I heard AFI's album "Sing the Sorrow". The guitar tones, song structures, lyrics, melodies and production quality were all so perfect in capturing a sort of romantic feeling of sadness. I would say my biggest inspiration for composing instrumental music came later from listening to movie soundtracks done by Nick Cave and Warren Ellis as well as Clint Mansell. They were able to inspire so much emotion with minimalistic piano-based songs.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Matthew Avery:
Caravels "Hanging Off"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Matthew Avery:
Nil Ciuró "Inner"

Discover & Listen to Matthew Avery

Matthew Avery on Spotify

Matthew Avery's Signature Track

Matthew Avery on Social Media

Matthew Avery's Website

Thomas Hewitt Jones – Rising Again (Spotify)

Categories: Audio, Features, Neoclassical, Neoclassical Features, The Latest|Tags: , , |

“Thomas Hewitt Jones with Rising Again under Vivum Music imprint, showcases his unique cinematic skills on how to sound design emotions, how well manages harmonies and layer them brilliant, creating unique atmospheres which could sync perfect on romantic films. ”

-Nagamag.com

Artist shered with us few notes about the source of inspiration "I wanted to write a song about hope in difficult times, and triumph over adversity. This song's quiet poetry offers hope, consolation, and promise of good times to come. "

About The Artist
Thomas Hewitt Jones is an award-winning composer of contemporary classical and commercial music. Winner of the 2003 BBC Young Composer Competition, his music has been published by Boosey & Hawkes, Oxford University Press, Banks Music, the RSCM, Encore Publications, Universal Music, and is frequently heard on radio, TV and the cinema in the UK and abroad.

Thomas has written three ballets which toured the UK in 2008–2011 with Ballet Cymru, most notably a dance setting of Dylan Thomas’ masterpiece Under Milk Wood. His choral and instrumental music is frequently performed worldwide. He has also written numerous Christmas carols, including What Child is This? (OUP, 2012). Recent large-scale works include Wildflower Meadows, a song cycle commemorating the First World War, and the Christmas cantata Incarnation, released on Regent Records, both with words by regular collaborator Paul Williamson.

Commercial commissions have included work in America and scores for films in the UK, as well as music for the London 2012 Olympics Mascots animated films, with stories by Michael Morpurgo and narration by Stephen Fry. Thomas has also composed the music for a new musical version of Rumpelstiltskin which premiered at The Egg, Bath in December 2014. Recent performances include the premiere of a new set of songs charting the history of Bath with words by Paul Williamson (Bath Abbey, 2015), and the UK premiere of choral and orchestral work Panathenaia at the British Museum, commissioned by Hugo Ticciati.

Martèn LeGrand – Fields Of Fallen Leaves (Spotify)

Categories: Audio, Features, Neoclassical, Neoclassical Features, The Latest|Tags: , |

“-Martèn LeGrand- with his new solo piano -Fields Of Fallen Leaves- on PM Recordings invites us into a romantic confession with a hidden melancholic touch giving a wonderful sense of freedom like when you walk on through the falen leaves. ”

-Nagamag.com

Martèn LeGrand is the stage name of Dutch musician and pianist Maarten de Groot, born January 4, 1963.

After Martèn completed his degree at the Rotterdam Conservatory as a Hammond organist and music performance major in 1983, he began his career as a record producer for well-known international artists and bands such as Samantha Fox and Susan Snyder. Best known for her role in the soap opera As The World Turns, Martèn produced Snyder’s solo singles, also used in the popular serial drama as background music. By the same token, Martèn produced the Socaboy's hit song Follow The Leader, which became a number-one single in the Netherlands, topped the charts in the United States, South America and other European countries, and continues to be well played around the world today. Around this same period, Martèn also worked as a demonstrator and pioneer in the field of synthesizers at Roland Japan, based in Belgium.

In the decade to follow Martèn LeGrand composed and produced music for television and the film industry. He worked, among others, for the Dutch Broadcast Foundation (NOS) and the Dutch Evangelical Broadcasting association (EO), for whom he produced and composed a large range of music, including intros and performances for live television events. Martèn also played piano in a variety of bands, including East Coast, Time and Beethoven, and collaborated on various theatrical productions with singers Liesbeth List and Sandra van Megen – the last of which went on to accompany him at the Alliance Concours Française where they were awarded first place.

Around the turn of the century Martèn founded his own music studio, where he continues to work to this day. Free to determine his own schedule, Martèn’s newfound self-employment allowed him to finally integrate his other life passion: world travel. Filled with new insights and inspiration from his journeys abroad, Martèn reinvented himself as “the traveling pianist” and has since gone on to compose a wide variety of new work.

Saskatchewan, his recent solo debut album, is the first in a range of several released and upcoming piano albums. Inspired by his surroundings, Martèn named his debut album after the Canadian region of Saskatchewan, where he found himself enchanted by, among others, a small-town cathedral and the incredible natural world. A number of the tracks on his new album, songs such as Nipawin, Pinehouse and Beauval, are named after places where Martèn played while traveling. Martèn LeGrand strives to take his listeners on a journey, transporting them to beautiful and serene locations by way of his melodic compositions. Martèn LeGrand’s second piano album is released last year and is called Those Moments In Life. Currently, he’s releasing new piano pieces of his upcoming EP ‘The Fields’. With his piece Whitehaven, he’s made his music video debut recently.
https://www.instagram.com/martenlegrandofficiel/

Load More Posts
Go to Top