The Mossley Hillbillies – Can You See Me Falling? (For You)

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“The music in the track as a whole turned out to be a fairly bright, relatively soft melody that relaxes Folk Rock with an americana taste. There is a slight energy, and pleasant vocals helps this composition to open up to its listeners at all 100. (Automatically Translated with Google Translate)

“Музыка в треке в целом получилась достаточно светлой, относительно мягкая мелодичность, расслабляющий Folk rock со вкусом Americana. Присутствует лёгкая энергичность, а приятный вокал помогает этой композиции раскрыться перед своими слушателями на все 100.”

-Nagamag.com

Furnished in fringe suede jackets, snakeskin boots and scorpion bolo ties, the Mossley Hillbillies have been busy of late.

After a string of outings across the Wild (North) West that has seen them share the bill with the likes of Gruff Rhys, Samurai Kip and Opus Kink, this ace-high posse are now ready to share their first single.

‘Can You See Me Falling? (For You)’ is a fervent first introduction. The consistent and contagious country melody married to winsome lyrics and harmonies gives the Mossley Hillbillies an instant indelible identity.

The 6 piece Country Freakoutfit brew a melting pot of traditional and modern Country, Rock'n'Roll and Psych that takes you on a journey through a century of music in and out of the abstract and this single epitomises what they have in the pipeline.

https://www.mossleyhillbillies.com/

Filiah – In Between

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“The beautiful instrumental guitar composition with the atmosphere Chamber Pop. Vocal -filiah is like a paper boat that floats with the flow in the duct of the narrow river. The same light, almost weightless and just as slowly dissolves behind the horizon. A gentle work for your fragile soul. (Automatically Translated with Google Translate)

“Красивейшая инструментальная гитарная композиция с атмосферой Chamber Pop. Вокал -Filiah- словно бумажный кораблик, который плывёт по течению в протоке узкой реки. Такой же лёгкий, почти невесомый и так же медленно растворяется за линией горизонта. Нежное произведение для вашей хрупкой души.”

-Nagamag.com

In Between is the fourth song on Filiah's first self- produced concept album For Someone and actually sits right in between it’s 7 tracks. All the songs on her upcoming record are lyrically intertwined, telling the songwriter's honest and very personal story of pain, distorted perception, finding strength and choosing herself again after the ending of a very toxic relationship with someone who now merely remains a ghostly presence. In Between takes us further down that rabbit hole, shining a light on intimacy and misguided melancholy while subtly commenting on the way we sometimes try to process things in a manner of self-loathing instead of giving ourselves the love we actually deserve. The song, as well as the album is set to release on March 18th.

"I found myself in this weird "In between“ state, still wishing this "someone" to miraculously come back but also knowing that I can’t run after a ghost forever. Deep down, I was probably ready to allow myself to move on but couldn’t find the strength to accept that yet. Instead I lost myself in other people, trying to find something that, by then, was long gone- which is obviously never fair to anyone in the process. When I finally ripped the bandaid off and dealt with myself, there were a lot of things to explain. However, I also found so much strength in owning my vulnerability, which ultimately allowed me to take the first step in moving on.

This song was one of the first I produced for this album and actually one of the first that made me believe that I could pull off producing a record all by myself in my living room. So it holds a very dear place in my heart. When I listen back to it now, it feels really far away and also incredibly close to me at the same time. Still an "In Between“- state I guess, just a very different one.“

For Someone is Filiah's very personal exploration of love, grief, pain, nostalgia and all feelings in between. It's not an album polished to perfection, it’s all her heart, with all its imperfections and insecurities, all communicated through her music and words.

https://www.facebook.com/officialfiliah/

MARK NEVIN – SOMETHING IN HER SONG FOR ME

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“Music created for dialogue with yourself, when you are walking through the flooded light after the rain of the pavement. Classic Indie Folk with an admixture of American, with a light rustle of percussion against the background and vocals -mark nevin-. The best combination of the correct wyba and mood. (Automatically Translated with Google Translate)

“Музыка созданная для диалога с самим собой, когда вы прогуливаетесь по залитой светом после дождя мостовой. Классический Indie Folk с примесью Americana, с лёгким шелестом перкуссии на фоне и вокалом -MARK NEVIN-. Лучшее сочетание правильного вайба и настроения.”

-Nagamag.com

This is a song about entering into the mystery of the soul, taking a break from the material world and coming back transformed

https://twitter.com/MarkENevin

The Pinkerton Raid – Sometimes, Brothers

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“A simple and easy to understand the composition in the genre of Indie Folk, containing a deep, philosophical meaning. It helps to think about important things in our lives and, perhaps, change something in it for the better. (Automatically Translated with Google Translate)

“Простая и лёгкая для понимания композиция в жанре Indie Folk, содержащая в себе глубокий, философский смысл. Помогает задуматься о важных вещах в нашей жизни и, возможно, что-то изменить в ней в лучшую сторону.”

-Nagamag.com

"Sometimes, Brothers" comes from that experience where someone you love is suffering, and there's a lot of miles between you, and the distance means that you can't fully understand the pain they're in, much less do anything about it. It's that feeling of big empathy and big helplessness. -- Jesse James DeConto, acoustic guitar + lead vocals

Scott McFarlane - drumkit

Jonathan DePue - bass

David Wimbish - audio production + piano + organ

Charlie Humphrey - trumpet

Caroline DeConto, Steven DeConto, Katie DeConto, Sarah Shearin, Tori Elliott-Gingerich, Derek Skeen, Fleming Talton - additional vocals

Kevin Williams- additional production

Adam Gonsalves/Telegraph - mastering

https://pinkertonraid.com/

Callen – Love Myself Alone

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“"Callen" sings with full confidence under the soft chords of his guitar and airy hihat samples. A fresh Folk production that starts smoothly and gradually evolves into a bright star, emiting its pure energy to every listener.”

-Nagamag.com

Artist said about this release:

“Ghost Reflections” are known as an optical issue that is generally caused by internal light reflections within a camera and lens but only occurs under

specific conditions. Ghost reflections are the common theme across this whole album because of the cyclical themes that have carried me through life;

self-deprecation, coping, introspection, growth, retrospect, self-love, self-improvement, burn-out, Repetition. The songs are in order from my early days

to now. In short, it's a retrospective comment on all the times I thought I hit rock bottom, and my eyes opened up a little differently. My ghost reflections

are the changes I went through every time a burn out, or a deep pit in my life led me into over-introspection. The changes I made were sometimes

reactive in the wrong way, and just noticing that makes life feel all a little messier. I’m being vague right now, but the songs are specific. Bottom line is

after so much pain growing up you start to feel like things go right through you, so in a way this is my metamorphosis of a kid into a ghost.

https://listen.callensounds.com/t/callen-ghostreflections

https://linktr.ee/callensounds

Callen (he/him) is an American singer-songwriter and producer based in Nashville, TN. Originally from Dallas, and growing up in the

bay area of California, Callen’s formative years as an artist consisted of playing drums and writing songs with various alternative

rock, and indie projects regionally and nationally. It wasn’t until breaking a tour with an indie rock group he was drumming for at the

time, that he decided to stay in Nashville where he began releasing music independently under “Callen.”

In 2018, he established himself as a producer with his independent release of “By My Side” getting featured on Trap Nation and

passing one million streams across platforms. The next year, Callen established his voice, becoming a Splice community event

winner for Music Tech Fest with his original song and debut as a vocalist, “Silver & Gold.” Not long after signing a co-publishing

agreement with Bailer Music in Nashville, he had his first major label release pass one million streams as a songwriter and producer

with “Lion’s in the Sky (feat. Bryar) by Vion Konger.” Gaining a new platform with international collaboration curated by Bailer Music,

Callen then released “Critical” in partnership with Vion Konger and Sony Music in the beginning of 2021, which was added to

multiple Spotify editorial playlists the first week of its release. Previously, with the releases of “Grew Up In My Head,” and “What

Could I Do” both getting featured on Sirius XM and several other noteworthy outlets, Callen is finally releasing his first album. The

first of many.

Bad Hat – Howl

Categories: Rock, The Latest, Video|Tags: , , |

“Charming Indie Pop! Its semantic promise can be easily compared with a fairy tale, which everyone has read for the night. Good, such a bright and childish, naive text, which is easy to catch the most important idea that you live in each of us. (Automatically Translated with Google Translate)

“Очаровательный Indie Pop! Его смысловой посыл можно легко сравнить со сказкой, которую каждому из нас читали на ночь. Добрый, такой светлый и по-детски наивный текст, в котором легко уловить самую главную мысль, что в каждом из нас живёт дитя. ”

-Nagamag.com

https://distrokid.com/hyperfollow/badhat/howl-3

Terry Emm – Wish You Were Here

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“Sometimes I just want to be where the cool breeze blows, heard the singing of the murmur streams and the cry of soaring birds, whose wings dissect white clouds. A composition that will serve for you a kind of teleport in a fabulous, fantasy world. (Automatically Translated with Google Translate)

“Иногда просто хочется быть там, где дует прохладный ветерок, слышно пение журчащих ручейков и крик парящих в поднебесье птиц, чьи крылья рассекают белые облака. Композиция, которая послужит для вас своеобразным телепортом в сказочный, фентезийный мир.”

-Nagamag.com

‘Wish You Were Here’, the new single from Hertfordshire singer-songwriter Terry Emm is both a trip down memory lane and the start of a new era for the artist.

His first release since 2018’s ‘Ornate’ EP, the poignant single sees Emm revisit a song from his second album from over ten years ago, with new collaborator Lukas Drinkwater on production duties and adding new instruments. The track is now taken in a stunning new direction with a carefully crafted velveteen 70s vintage sound that tugs on the heart strings with its wide-eyed sentiments of love and loss.

“The song is a reworking of a track called ‘Here’ from my 2012 ‘Petals Fallen Off The Sun’ album”, says Emm. “That album was my ‘difficult second album’ in many ways and I always felt like ‘Here’ was one of my best songs that hadn’t quite been realized yet and one day I’d revisit it. The idea stuck with me for some time, niggling away, so I felt like it must be done. So now, in a way to introduce myself back into the world of music, I thought why not touch on the past but also bring things up to date at the same time.”

Like all of his previous works, the single draws lyrically on Emm’s unique take on the world and again exhibits his non-routine way of structuring and composing songs. Now wrapped in a classic Americana singer-songwriter coat, with Lukas Drinkwater’s superb Fender Rhodes & double bass flourishes, ‘Wish You Were Here’ has been enriched.

“Every recording is subjective and captures a creative moment in time as it is and that’s what can make re-visiting songs years later in a new production setting really fun. When demoing material, I always end up with so many versions of songs and you almost want to release all of them with all their variations.” Emm explains. “Lately, I have also been relating to this particular song’s themes again and it has been cathartic to open up to it again. It felt like the song maybe had more to say or do somehow in the world at this time”, he adds.

Emm’s three album releases to date have received praise from the likes of BBC Radio 2’s Bob Harris, BBC 6 Music’s Chris Hawkins, Gideon Coe & Tom Robinson, MOJO Magazine, Uncut Magazine, The Guardian and many more, but despite the critical acclaim, somehow Emm’s music has still remained very much under the radar.

However, in 2021, Emm’s song ‘Gently’ was featured at a key moment in the narrative of award-winning Toronto based author Jacquelyn Middleton’s Amazon #1 best-selling novel ‘The Certainty Of Chance’, proving the ability of his music to travel around the globe and perhaps hinting at a change in the tide for his career.

Visit Terry Emm on social media:

http://www.terryemm.co.uk

http://www.facebook.com/terryemmmusic.

http://www.instagram.com/terryemmmusic

http://www.twitter.com/terryemmmusic

Just 4 Tonight – Awkward

Categories: Rock, The Latest, Video|Tags: , , , |

“Real cultural shock and euphoria. It is such associations that occur when you include a new track group -Just 4 Tonight-. A song that really clings to absolutely everyone: wonderful music, interesting text and emotional vocals. (Automatically Translated with Google Translate)

“Настоящий культурный шок и эйфория. Именно такие ассоциации возникают, когда включаешь новый трек группы -Just 4 Tonight-. Песня, которая реально цепляют абсолютно всем: замечательной музыкой, интересным текстом и эмоциональным вокалом.”

-Nagamag.com

https://linktr.ee/Just4Tonight

Daniel Versman – The Record

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“Charisma -Daniel VersMan- make this track one of the best in the Pop Rock genre. Acoustic guitar in combination with soft vocals sounds very appetizing. The composition is capable of hooking the soul of simple music love and remain in his musical collection forever. (Automatically Translated with Google Translate)

“Харизма -Daniel Versman- делают этот трек одним из лучших в жанре Pop Rock. Акустическая гитара в сочетании с мягким вокалом звучит очень аппетитно. Композиция способная зацепить душу простого меломана и навсегда остаться в его музыкальной коллекции.”

-Nagamag.com

https://www.instagram.com/danversman/

Francisco Martin – “Nobody Listens To Me!”

Categories: Rock, The Latest, Video|Tags: , , , |

“The track that fully copes with its task is to immerse the listener into the emotional POP Rock atmosphere. Incredibly juicy sound and powerful vocals -Francisco Martin-! Immediately realize that you are extremely high quality work of your genre! (Automatically Translated with Google Translate)

“Трек, который полностью справляется со своей задачей – погрузить слушателя в атмосферу эмоционального Pop Rock. Невероятно сочный звук и мощный вокал -Francisco Martin-! Сразу осознаёшь, что перед тобой чрезвычайно качественная работа своего жанра!”

-Nagamag.com

Today, the LA-based singer-songwriter and producer Francisco Martin has released the music video for “Nobody Listens To Me,” the lead single from his debut EP ‘Manic,’ out July 22nd. An exhilarating anthem, brimming with dreamy electro-pop ambience, angry and angular guitars, pounding beats, and get-it-off-your-chest songwriting, the video finds Martin railing against a suffocating environment, using his music to break free from outside pressures and constraints. The video was directed by Alexey Figurov.

“’Nobody Listens To Me!’ is an anthem for people who feel like they’re lesser than,” Francisco says. “Validation and acceptance is something our generation struggles with, and I wanted to showcase that in the new music video.”

After his first-ever tour, and a clutch of well-received singles, Francisco realized he had an all-consuming yearning to be his authentic self in his music. To that end, he worked feverishly in his apartment at all hours of the night while facing complaints from the neighbors. He now emerges with his first true artistic statement, the 6-song ‘Manic’ EP, a bold collection of emotionally-raw pop-rock.

Francisco’s dreamy falsetto, and robust belting are present throughout ‘Manic,’ but the songs themselves represent a new era of liberated creativity. The release bursts with dynamic musicality – stately balladry, cathartic, grungy aggression, catchy EDM, and moments of soulful serenity. Throughout the EP, Francisco bravely shares personal reflections on mental health, relationships, angst, and human disconnection in the age of connection. “This EP is close to my heart. I know it’s a risky move, but this is my truth. As long as I am an artist, I will continue to push the limits,” he says.

“I am not afraid to share what is in my heart with brash honesty,” Francisco says. “I want to push boundaries. People see one version of me, and I want them to see all of me. I am ready to come out of my shell as an artist and show who I really am as a person.”

Before the recording session for “Nobody Listens To Me,” Francisco was feeling down about his music, and even considered canceling. His co-producer, Nick, rallied him into being creative, and the pair channeled his emotions into song. “It’s easy to feel like what you do doesn’t matter and people don’t take you seriously, but making this song helped me get out of a bad headspace. I hope when people hear it, it does the same for them,” he says.

Francisco first shot to fame with American Idol season 18 in 2020 where he placed Top 5. From there, he quickly released a few singles before embarking on a fall coast-to-coast tour. His heart-on-sleeve soulful pop has garnered favorable comparisons to songwriter artists such as James Bay, John Mayer, Maggie Rogers, and Ed Sheeran. To date, Francisco has released several hit singles, including “Swollen,” which has amassed close to 8 million streams across all DSPS (6 million on Spotify). Francisco’s previous single “IF U NEED ME,” premiered on PopMatters.

Francisco was born and raised in the Bay Area into a musically fertile household. His father was a fan of rock bands, his mother favored singer-songwriters, and his brother loved soul music. At the age of 9, Francisco started singing and playing drums before going onto master guitar, piano, and several additional instruments. In high school, Francisco became enamored with self-producing renditions of his favorite songs, and posting those on SoundCloud where he became a buzzed-about local artist.

‘Manic’ was made during a three-month pause after he was thrust in the public eye, and he finally had a chance to gather his thoughts as an artist. It was created by Francisco and his co-producer/good friend Nick Sarpa in Francisco’s apartment studio setup. The sleekly sensual EP is lavished with electro-textures, rugged beats, crystalline piano, ultra-catchy pop hooks, sexy pop, and moments of yell-in-the-deep-valley catharsis.

It’s been a transformative journey of reclamation for Francisco as he unapologetically shares his true artistic self with the milestone release ‘Manic.’ The EP is raw, relatable, and, most importantly, real. Francisco says: “This EP is something I cherish—I found my path with this one.”

https://www.instagram.com/franciscomartinmusic

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