Featured Artists, Songs and Posts

MOTHER EARTH, the new album from celebrated violist Brett Deubner with PARMA Recordings, reflects humanity’s search for meaning in the midst of loss and mortal frailty. Born out of the strife of 2020, MOTHER EARTH expresses the angst and hope of this deeply challenging period through the language of music. Chant-like meditations, cathartic outpourings, and even a call to arms for environmental justice are only a few of the themes explored in MOTHER EARTH. Deubner, whose solo debut with the Grammy award-winning New Jersey Symphony Orchestra resulted in numerous subsequent engagements throughout the United States and abroad, partners with pianist Allison Brewster-Franzetti for this deeply moving collection.

https://www.brettdeubner.com/
https://www.facebook.com/bdeubner

Composer Dutch Falconi’s sophomore solo album, Curious Fabrications, out on Aurore Records July 23rd, is a sonic sleight of hand. It’s a film noir-ish adventure set in the big, cold, naked city, with the songs functioning as a roadmap for the intrepid listener to follow. Each track is a puzzle piece in the unfolding of the listener’s personalized narrative, one motivated by the fruitful ambiguity of the music. Is it a crime you’re solving? Probably. Are there clues? Everywhere. Are there dangerous and sexy characters to encounter? You bet. Hang onto your seats.

https://www.facebook.com/DutchFalconiMusician/

“I hope the pieces themselves lead to narratives conjured up in the mind of the listener. I prefer an unfixed perspective with music where the listener participates by bringing their own imagination to the pieces, and that contributes to their perception of the album. They’re part of the ensemble that way,” the Sacramento, California-based artist shares.

In the heyday of the 1990’s swing revival movement, Dutch led The Dutch Falconi Orchestra, a 27-piece swing orchestra juggernaut, replete with go-go dancers. From 1989-2000, he was the band’s benevolent dictator and composer, conductor, mechanic, bank and therapist. The small city of a group made 3 three records and shared stages with the big cats of the day like Cherry Poppin’ Daddies and the Royal Crown Revue. Dutch retired from the bandstand to pursue other creative ventures outside of music, but in 2020 resurfaced with a clutch of singles and a wildly eclectic solo debut, Bloom & Brimstone.

http://instagram.com/dutchfalconi

Curious Fabrications builds upon the success of his first solo bow, and like that album Dutch is the sole writer, player/performer, and producer. The similarities stop there. In keeping with the overarching theme of fruitful ambiguity, Dutch has created a swing album where nearly everything is synthetic and virtual with a tiny tidbit of Dutch’s actual playing. This album is a showcase for Dutch’s original swing era compositions, his flamboyant musicality, and his fearless imagination.

The single, La Amante Del Inquisidor, slinks forth with theatrical flair. The song exudes a hard-to-pin-down ethnic quality, and instead of being an appropriation, it is a melting pot of sounds. The tune boasts a vaguely klezmer melody set into a mildly Spanish flamenco framework performed with 40’s Latin dance band instrumentation. It’s an intriguing mélange of cultures and sounds that could possibly only come to fruition while twiddling one’s thumbs during pandemic downtime. “For me, the lockdown brought the delicious opportunity to stretch out,” Dutch shares. “I had the luxury of time to experiment. I frequently set out to reorder and recombine elements from tangentially related styles. The intention was to hit on some crooked math, like, 1+1+1=4, where the sum of the parts might make something surprising and unexpected. Something beautiful, wild and curious while being charged with passion and mystery.”

http://dutchfalconi.com/

After picking up his first guitar at the age of 10, Joey Arena knew there was no “Plan B,” music is his purpose. Making friends with the road at the age of 17 and living one night at a time, the stages grew bigger as did the fans along the way. Arena grew up in a city of arts, Rochester, NY. The home to household names such as Lou Gramm and Steve Gadd; a geographical foundation in which he’d build a music career.

https://www.facebook.com/arenawave
https://twitter.com/ultra_cobra

Tibe D’Oro is the place of desire the Viennese Duo, Fabian Sialia and Leonard Cuscoleca, creates the sound for. In their music and composition process, they try to create a world as they feel it could or ought to be. The compositions draw from recordings from an artist mansion in North London that became a shrine for the local music scene. Singer-songwriter Amy Yon (vocals), and trumpeters Ludwig Ascher (Drahthaus) and Johnny Woodham (Alfa Mist), play with utmost freedom to a singular tempo and tune. A treasure trove of recordings allowing endless assembling emerged. The result are the three pieces X+X=1 closely interlinked through repeating and transforming elements.

Together with the work of the Vienesse Painter, Philip Mueller (Artwork, Vision of Tobe D’Oro), the compositions merge with the painter's image world depicting scenes from Tibe D’Oro.

Released on Fox Lane Music 2020

Sweedish born, Melbourne based Neo-Soul singer-songwriter LHĒON has unveiled her brand new track, “I Hate The Way That I Love You”. Fiercely powerful, LHĒON is reaching new heights with her latest funk-tinged offering.

In striking contrast to her previous releases, the electrifying “I Hate The Way That I Love You” is jam packed with a stylish Motown inspired soundscape, topped off by the endlessly powerful and distinctive vocals of LHĒON. Written and produced by Lee Bradshaw, LHĒON brings her commanding presence to the expertly written track. Led by the constant drum beat, sassy hooks and a groove fuelled organ instrumentation, the vibrant anthemic nature of this offering has culminates in a punchy and exhilarating listen.

When asked about her new release LHĒON shared:

“IHTWILY is about the conflicting feelings of knowing someone is bad for you but still being unable to let go.”

Often compared to Adele, LHĒON’s unrelenting talent for conveying the most delicate of emotions in the most relatable yet aspirational way is what has helped her stand out. After the warm welcome to her debut EP, Full Disclosure Pt. I, and the release of the unforgettable “elique” and “pretend”, “I Hate The Way That I Love You” marks the beginning of a new sound with a new EP, Full Disclosure Pt. II.

https://www.facebook.com/iam.lheon
https://www.instagram.com/iam.lheon/
https://twitter.com/iamlheon