Music Genre

Portals – We Have Arrived (Spotify)

Categories: Audio, Blogwave, The Latest|Tags: , , |

We Have Arrived by Portals is an epic cinematic synthwave endless emotive euphoria, intelligest designed and wonderful performed, a track to remember which been synced under major brands recently. No doubt the reason for the pick. Amazing music!

Few words about PORTALS:

Heather Miley, a Certified Multi-Platinum Singer Songwriter, has taken the leap into a new dimension and project far outside her typical realm in PORTALS. Miley teamed up with producer/songwriter Kris Kovacs on their debut track “Vengeance” and the results were out-of-this-world.

With “Vengeance”, PORTALS blurs the line between contemporary alt-pop music, haunting tones, electronic rock, and cinematic music. A dizzying stew of genres is blended together via Miley’s breath-taking vocals and Kovac’s emotional and dramatic tones.

According to the duo, there is a wide-range of influences for PORTALS—from Mozart to The Prodigy, with dashes of Hans Zimmer and Tom Holkenborg mixed in for good measure. Breaking out of their more traditional artist projects has been enjoyable for the uber-creative Los Angeles-Based musician.

“[PORTALS] offers a chance to blend elements of an orchestra with synths and heavy guitars,” Miley says. “I like that we can be very weird and try something that normally you wouldn't try in writing for a different artist or genre.”

Kovacs adds: “There is an element of artistic freedom in PORTALS, I find myself looking for weirder samples as starting points. An idea could come out of a single piano note trapped in reverb or an uncomfortable low drone and figuring out how can you turn that into a piece of music, and that music a song.”

Fans and film studios are quickly being drawn to the new creative lanes that Miley and Kovacs are exploring together. Disney Studios recently licensed “Vengeance” as the main song for their official Maleficent: Mistress of Evil trailer—a perfect sonic fit given that Maleficent is a powerful fairy tale with mysterious and magical energy abound.

Like a crafty witch brewing up a special potion, PORTALS looks forward to continue mixing different genres of music together.

“We want to close the gap between the experimental and the traditional with PORTALS. How far can we take the unusual? How do we shape that into something that is listenable and enjoyable?”

Emil Smith – Desert Secrets (Spotify)

Categories: Audio, Neoclassical, Post|Tags: , , |

The melody is introduced by the baglama (Turkish Saz). Along with the ethnic kamancheh strings the composition is driven forward by a self-customized domestic drum kit consisting of pots, pans, a singing bowl and a water jug. In an odd-time minimalistic arrangement Desert Secrets rises into a dramatic crescendo.

'Desert Secrets' is made for a scene in the animated show 'Aetherreach' (currently in development), where our two protagonists travel through drought desert villages and toxic wastelands searching a cure for the plagued lands.

It's partly inspired by the soundtrack for Jim Jarmusch's movie 'Only Lovers Left Alive'.

Leena Hertz Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , , , , |


Nagamag:
What are the genres that describe better your music style?

Leena Hertz:
Neo-classics, new age, instrumental, spiritual, piano, cinematic


Nagamag:
Few words about your musical background and career?

Leena Hertz:
I am playing piano since the time I remember myself. My mom is a music teacher and my dad is a big music lover. So piano, guitars, vinyl, music players were normal things in our family. My study background is 16 years: 9 year of classical piano school, 6 years of jazz piano in Moscow College of Improvising Music and 1 year of film composer study in Moscow Film School. Before 2018 I worked mostly as a pianist. I worked at exhibitions and events in Russia and abroad, I played covers and my own music. And I noticed that the public's reaction to my music was very positive. People told me that while listening to my music they had been wrapped in memories, different images, they cried. In 2016 I initiated a movement Piano Maniacs with the idea to connect those who are crazy about piano. But in 2017 I decided to be a professional film composer. In 2018 I started to work as a film composer. Also I've been playing sacred music for Gurdjieff's sacred dances since 2009. In June 2019 I started to record my first studio album Az Esm. It was released on 30/06/2020.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Leena Hertz:
From the beginning of my life I felt myself as a real musician. I always played piano, sang songs, composed music. I played with rattled glass bottles that they are participants of some orchestra. I always made different noises with different things and heard music in them. Now I think that profession of sound designer could be good for me.


Nagamag:
What does the name of your album mean?

Leena Hertz:
My album is called Az Esm. It means I Am. But my music is not about myself. It's about you. You will learn something more about yourself, maybe you will recall something forgotten or maybe you'll discover something new in yourself. You will watch your own movie.


Nagamag:
Where can we listen to your album?

Leena Hertz:
Here is the link to the album: https://sl.onerpm.com/1393422220


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Leena Hertz:
Shpongle "Around The World In A Tea Daze"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Leena Hertz:
Shpongle "Dorset Perception"

Discover & Listen to Leena Hertz

Leena Hertz on Spotify

Leena Hertz's Signature Track

Leena Hertz on Social Media

Leena Hertz's Website

Emil Smith – Aetherreach (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

This song serves as an intro for an animated series 'Aetherreach', which is currently in development.

It encapsulates the ethnic middle eastern setting in a science-fantasy universe with advanced robotic technology.

With organic drums and ethnic instruments such as kamancheh and duduk, the song progresses in odd time ostinatos into a crescendo of a cinematic action-packed climax.

Cover-art by the director Lakstein Fernandes.

Markus Wormstorm – To Your Scattered Bodies Go (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

"To Your Scattered Bodies Go" from "Markus Wormstorm" recently album "Figure In Field" is a string quartet dark cinematic theme with experimental sound design, deep, hypnotic, including also 4/4 beats that can easily capture to his hypno atmosphere. Dont miss to check out also the video of this beautiful theme: https://youtu.be/cD525x3jsgc

dezabel – Tatooed – Instrumental (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , |

dezabel – Tatooed – Instrumental
(Spotify)

The instrumental version of Tattooed, a piano based film score like music with a soft laid back chill out atmosphere offers to listener a positive outlook.

Songwriter and producer Bilgi gained his musical background back in the '90s at the ACM (The Academy of Contemporary Music). He continued to build up his knowledge in Songwriting and Music Production at Berklee College of Music. The influence of Pop, Jazz, Film Music, and Contemporary R&B can not be overheard. With his lyrics, he tells stories in the course of which the listeners find themselves.

Spotify: https://open.spotify.com/artist/02qYPfeUvEdhSqLG8ercxJ
Youtube: https://www.youtube.com/channel/UCuG0V0148NjQcOioX5ViQYw
Soundcloud: https://soundcloud.com/user-677872079

Thomas Hewitt Jones, Matthew Denton – Nuvole Cinesi (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , |

Thomas Hewitt Jones, Matthew Denton – Nuvole Cinesi
(Spotify)

The title of this song means literally 'Chinese clouds'. It depicts a misty morning by a Chinese river, with a beautiful princess by the water in the evocative morning light.
More about the composer:
http://nagamag.com/interviews/thomas-hewitt-jones-interview-on-nagamag-com/

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