In Love & WAR – Lament For What We’ve Lost (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , , , |

“You have repeatedly heard the expression; the music treats the body and soul. -Lament for What We've Lost- is among those songs, that can make the people happy. If you are in a state of depression or stuck in life problems, such music makes the world brighter. With this charm and bliss you can finally be yourself.”

“Вы неоднократно слышали выражение - музыка лечит душу и тело. -Lament For What We've Lost- в их числе и делает нас, людей самыми счастливыми. Находитесь вы в состояние депрессии или погрязли в жизненных проблемах, подобная музыка делает мир ярче. И какое же очарование и блаженство, когда расправив крылья ты можешь быть самим собой.”

-Nagamag.com

This original instrumental piece is an elegy to mourn all of the people, places, events, and sheer time that we have all lost as a result of the worldwide coronavirus pandemic in 2020. It was meant to be sad and haunting, but still colored by a ray of hope for the return of better, safer times. "Lament For What We've Lost" was initially commissioned by Tosca Rivola for her incredibly beautiful and moving short film about 2020, "2020ism."

Music written by Koi Anunta / In Love & WAR
Violin/piano performed by Koi Anunta / In Love & WAR
Mixed/mastered by Ali Nikou / Blaster Master Productions

http://www.inloveandwarband.com/
http://www.instagram.com/inloveandwarband

Koi Anunta is the founding and sole permanent member of In Love & WAR (#ILAW). She is a Yale graduate and medical doctor who gave up medicine to pursue her love of music full-time in Los Angeles.

Koi was classically trained in piano since the age of 4 and violin since the age of 8, and has perfect pitch. Despite her classical roots, she is heavily influenced by iconic bands such as Nine Inch Nails, Depeche Mode, Garbage, Portishead, Massive Attack, and Tori Amos.

"Lament For What We've Lost" is the newest, all-instrumental release for ILAW (Nov 18, 2020). Koi wrote, played, and produced all the piano and violin on this track. It is a haunting elegy for what we have all suffered and lost in the past year, but with an uplifting ray of hope running throughout for better times to come. The accompanying YouTube music video here (https://youtu.be/u-4Q7-cyyqg) showcases placards of many major 2020 events, including #BLM.

Although Koi has since contributed strings or keys to countless other artists’ recordings as a professional musician, and always continued to write songs for her own personal benefit, she never felt completely comfortable showing anyone her original work or singing solo in public until 2018, when she met a Capitol Records producer in Los Angeles who insisted on hearing one of her private song demos. His unwavering belief in her talent encouraged her to rediscover her voice. Thus, the debut In Love & WAR EP, Tessitura (2019), was born as the result of essentially a lifetime of melodies and lyrics that were always held back in fear—until now. The six songs on Tessitura represent a search for identity, love, meaning and truth in a world full of uncertainty and deception. It is an elaborate, yet desolate soundscape that is part trip-hop and part symphony.

Koi performed all the vocals and played/programmed all the instruments on Tessitura with the exception of the drums (Mike Diggs), and on the track “Tell Me You’ll be There,” guitar (Jake Faun) and flute (Ricky Berger).

Tessitura was produced by Koi Anunta, mixed by Ali Nikou, and mastered by Andrew Balogh.

Counting Chances – Forever in the Trees (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

“Trees are such fragile, so thin, everything is dropped from the foliage at the wet soil. The wind blows in their thick, shaggy hats. Under the barefoot legs flow silent streams of leaves. -Forever in the trees- awakens the love of nature in us, without which you do not feel truly alive and free.”

“Деревья такие робкие, такие худенькие, всё роняют листву у скрипучих ворот. Ветер гуляет в их густых, мохнатых шапках, а под босыми ногами извиваются рукава ручьёв. -Forever in the Trees- пробуждает в нас любовь к природе, без которой не чувствуешь себя по-настоящему живым и свободным.”

-Nagamag.com

Acoustic Piano and Cello.

https://countingchances.bandcamp.com/
https://www.instagram.com/countingchances

Empty Measures – Unsay (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

“-Unsay- is a kind of composing allusion on our reality. The magnificent, charming Neoclassical sound, which takes the listener out of his oblivion.”

“-Unsay- это своеобразная композиторская аллюзия на нашу реальность. Великолепное, очаровательное звучание неоклассики, которое забирает своего слушателя в свою негу и очаровывает своим забвением.”

-Nagamag.com

https://emptymeasures.bandcamp.com
https://www.instagram.com/emptymeasures

Miles Pascall – Faith over Fear (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , |

“"Miles Pascall" brakes his traditional rule of working for other artists and this time offers something directly to his audience. Made with piano melodies and his expressive voice, "Faith over Fear" can easily be classified among those Neoclassical beauties that stick in the mind and sometimes... stay there for years!”

-Nagamag.com

Rising London-based singer-songwriter Miles Pascall has made an impressive statement with new independently released single “Faith over Fear”. Having toured some of the world’s biggest arenas as a drummer for Cosha/Bonzai and been a session musician for many other artists, Miles’ elite musicianship comes to the forefront on this latest release as he strips everything back to let his powerful songwriting and emotive vocals take centre stage.

“Faith over Fear” encapsulates Miles’ ability to convey his deepest and most honest feelings in song form, with the lyrics doubling as a mantra for both the listener and for Miles himself to strive to put faith over fear in the toughest of situations. The lyrics are amplified further by being purposefully positioned against a minimalistic production led by piano to allow space for the listener’s own rationale and interpretation.

Speaking more on the track, Miles says, “‘Faith over Fear’ is the decision to take back control, regardless of whoever or whatever you choose to believe or not believe in. A few years back I read a quote that said ‘great songs aren’t written, they’re rewritten’, and so I really took my time with this song to get it to where it is now. I initially wrote it back in 2016 from a female’s perspective, and since then it’s changed title twice, been transposed three times to better suit my voice, and the lyric sheet has been rewritten maybe about four or five times.”

With a strong musical foundation built and established over many years, it’s clear Miles is one to watch out for as an artist in his own right if this latest single is any indication. Having already received acclaim from the likes of the BBC and Q Magazine and with more new music planned for 2021, he looks set to continue his impressive rise in the UK and beyond. “Faith over Fear” is available to buy/stream now on all platforms: https://found.ee/bIsHC

https://www.instagram.com/milespascall/
https://twitter.com/milespascall
https://www.facebook.com/milesmilopascall

Gifts From Crows – No Place In This World (N.F.O. Version) (Video)

Categories: Neoclassical, The Latest, Video|Tags: , , , |

“Neoclassical diamond that carries all the striking glow of the piano and violin. Smooth balance of synthesis in a piece starting slowly and finishing a bit faster. Harmonized with the concept of “home” it brings thoughts of the significance of our planet.”

-Nagamag.com

https://soundcloud.com/giftsfromcrows
https://www.instagram.com/giftsfromcrows

Richard Laurence is a composer of neoclassical and ambient piano music with a colourful background in post-rock and electronic studio projects.

In Inertia, Zaman – Hikari (Spotify)

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“A refreshing, multi-layered ambient with light reverbed electric guitar and strings. These elements combine the kindest memories and feelings with a light, unobtrusive shade of post-rock. Peaceful atmosphere of solitude and harmony.”

“Освежающие, многослойные слои ambient и drone и лёгкая реверберация электрогитары и струн. В этих элементах сочетаются самые добрые воспоминания и чувства, с лёгким, ненавязчивым оттенком post-rock. Умиротворение в атмосфере уединения и гармонии.”

-Nagamag.com

Hikari is the collaboration between instrumental duo In Inertia with neo-classical composer Zaman. This song is released under Angular//Momentum Records. In HIKARI is a Japanese term for light. In Inertia and Zaman write this song as their gratitude expression while seeing sunlight that passes through the trees in the morning.

https://www.instagram.com/in.inertia/
https://open.spotify.com/artist/6tKvVxNctQcr1Er8f1Z3dL
https://open.spotify.com/artist/3MX16NmW4sAb3qxfGQTvlt

Theodosius Bates, Scholler – Danshari (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , |

“It happens that the beauty of the world around us comes up with a lump in the throat and does not allow us to take another sip. It's all because of such beautiful, sensual neoclassical pieces like -Danshari-. A lonely sounding cello and piano accompaniment. The perfect union that conjures up fabulous images.”

“Бывает, что красота окружающего нас мира подступает комом в горле и не даёт сделать очередной глоток. Всему виной такие прекрасные, чувственные неоклассические произведения, как -Danshari-. Одиноко звучащая виолончель и аккомпанемент пиано. Идеальный союз, который рисует в воображение сказочные образы. ”

-Nagamag.com

https://www.instagram.com/guscholler/

The Paper Sea – The Eyelid Cinema (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , , , , , |

“An amazing and wonderful combination of ambient music elements and the most delicate piano melody. -The Eyelid Cinema- is easy to compare with the cooling ball of the sun leaving at night. A veil of fog descends on the ground, the sky is covered with feathers from clouds and a dream begins ...”

“Удивительное и прекрасное сочетание элементов ambient музыки и нежнейшей мелодии пиано. -The Eyelid Cinema- легко сравнить с уходящим в ночь остывающим шаром солнца. На землю опускается пелена тумана, небо застилают перья из облаков и начинается сон...”

-Nagamag.com

Calming piano melodies on a bed of synth pad and organ

https://thepapersea.bandcamp.com/
https://facebook.com/thepapersea
https://instagram.com/the_paper_sea

THE PAPER SEA is the solo project of Jared Matt Greenberg, cornet player and keyboardist for the post-rock quintet Whale Fall. Greenberg was a founding member of 1990s San Francisco shoegaze band The Rosemarys and teamed with Charles Wyatt to form Charles Atlas in the early 2000s, as well as playing with John Vanderslice, Dart, Sutro, An American Starlet, Carta, and others. After experiences touring the world and placing music in film and television, Greenberg comes home with THE PAPER SEA: intimate instrumental music recorded in Los Angeles, grounded in piano, laced with synths and organs, strings, and horns, and resonant with childhood memories, wistful moments, and lasting love.

Johan Hugosson, Brett Deubner, Allison Brewster Franzett – Samarthana (Version for Viola & Piano) – song by Johan Hugosson, Brett Deubner, Allison Brewster Franzetti | Spotify (Spotify)

Categories: Audio, Features, Neoclassical, Neoclassical Features, The Latest|Tags: , , , , , , |

“100% Classic creation carefully made for selective listeners. Cooperative work with variety in progress and dynamic changes. Discover the vibrating Viola chords as they match with those piano keys in order to approach perfection.”

-Nagamag.com

MOTHER EARTH, the new album from celebrated violist Brett Deubner with PARMA Recordings, reflects humanity’s search for meaning in the midst of loss and mortal frailty. Born out of the strife of 2020, MOTHER EARTH expresses the angst and hope of this deeply challenging period through the language of music. Chant-like meditations, cathartic outpourings, and even a call to arms for environmental justice are only a few of the themes explored in MOTHER EARTH. Deubner, whose solo debut with the Grammy award-winning New Jersey Symphony Orchestra resulted in numerous subsequent engagements throughout the United States and abroad, partners with pianist Allison Brewster-Franzetti for this deeply moving collection.

https://www.brettdeubner.com/
https://www.facebook.com/bdeubner

Peace, baby. – I Would Fall for You (Video)

Categories: Neoclassical, The Latest, Video|Tags: , , , |

“Peaceful blend of classic instrumental sounds, which reveal an incredible balance and can wake up hidden memories of our lives. This is the ultimate artistic creation of “Peace baby” just made for those who estimate the value of perfection.”

-Nagamag.com

https://www.facebook.com/peacebabysongs
https://www.instagram.com/peaceebabyyy

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