Jimmi-Woods Interview on Nagamag

Categories: Features, Interviews, The Latest|Tags: , , , |


Nagamag:
What are the genres that describe better your music style?

Jimmi-Woods:
Slightly left field progressive techno with tribal influences. When I'm writing music I try not to pigeonhole my productions too much, I have never stuck to a specific genre. It may sound a bit whacky but my creations appear to take on a life of their own. Its as if they guide me and I take them in the direction they want to go.


Nagamag:
Few words about your musical background and career?

Jimmi-Woods:
I grew up in England with parents that love music from the late 60's. There was always music from the Beatles, Rolling Stones, The Kinks and plenty more playing as the backdrop to my childhood. When I was 9, I gravitated towards the drums and was a drummer in many bands over the years. I mostly had success with funky alternative style acts. Drum knowlege was certainly an important step to becoming an electronic music producer. Now I have the freedom to create and release music with a fantasic crew and label under Slice records. Just recently I co-produced my favourite track Earthling with the boys from Arcane Trickster. In this game its all about what you can learn and what you can give to each project, so It was a real pleasure to work with them as they most certainly know their way around a synthesiser and I'm fairly certain I reciprocated with my approach to the production process. The result says it all for me.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Jimmi-Woods:
I believe it was the cross over of alternative music into dance music in Australia in the late 90's. I had been playing drums for some time and now there was to my ears new sounds seeping in. Instead of moshing to bands consuming dollar pots we were in the side rooms listening to live sets or Dj sets and checking out big name artists like the Chemical Brothers, Underworld and Fatboy Slim in the Boiler room of the Big Day Out. It wasn't until the mid naughties that I decided that creating music on a DAW was something I felt I was capable of achieving after going to outdoor trance festivals and meeting many like minded individuals all persuing a similar path.


Nagamag:
How are you coping musically during the Covid19 Pandemic?

Jimmi-Woods:
Its been a really mixed bag honestly. Just before Covid we had bush fires here in Australia and I had just released my ep Biolume which ironically is environmentally themed like most of my music. Most proceeds went towards WIRES to help injured animals.
Then we launched into Covid and it took some time to come to grips with creating under such circumstances. I decided to take my studio apart and reconfigure my whole set up. Since then I have co-produced the ep "US" with Arcane Trickster, enjoyed exploring my backlog of tracks, immersed myself in the music of others and started to teach my kids the art and enjoyment of making music.


Nagamag:
Whats coming up for you in the months ahead?

Jimmi-Woods:
Well, I've submitted some tracks from various projects to my home label Slice Records for a compilation to celebrate their 40th release. They have been an amazing support to many artists like myself seeking to release music as the artist intends it to be. Then in September I will be re-releasing my album "Into the Outside" from 2018 which I have had re-mastered. At the time of first release I was climbing back from mental illness and addiction and I don't feel that the timing was right for the release back then. Now I have fought my way back, with the support from others, to be more well again. So this album re-release will go out to all those who have suffered and are suffering in this harsh time. Its not an easy road and my heart goes out to you.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Jimmi-Woods:
Alexander Ebert "Truth"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Jimmi-Woods
Lish "Seaside Hills"

Discover & Listen to Jimmi-Woods

Jimmi-Woods on Spotify

Jimmi-Woods' Signature Track

Jimmi-Woods on Social Media

Jimmi-Woods' Website

Nick Syrett – Refuge (Spotify)

Categories: Audio, Features, Neoclassical, Neoclassical Features, The Latest|Tags: , |

Refuge by Nick Syrett in Forerunner Records, is a neo-classical solo piano emotive track which not rush to release its feelings, gently performed in dynamics provides to the listener a relaxing daydreaming experience.

Nick Syrett has been creating beautiful, ambient piano music for over a decade. His albums are a collection of meditative, neo-classical instrumentals featuring the soothing sounds of string ensembles, choirs, and more, all built around his spontaneous piano solos. Hailing from the UK, and now residing in Kansas City, Nick says, “During the recording of 'Refuge'–I often found my mind drawn to refugees in the Middle East, who were being forced from their homes and experiencing terrible suffering. My prayer is that these simple songs would touch hearts, restore souls, and help many to find healing and peace.”

Dax – I Need A Break (Video)

Categories: Hip-Hop, The Latest, Video|Tags: , , , |

“I Need A Break” from Dax, is a heartbreak song about things he has been through off the second EP “I’ll Say It For You”.

Lyrics:
Intro:
Love is a drug that I can’t quit
It’s destroying me

I sit and cry my room
my hearts been broken
suffocating feels like I’m choking
I don’t know what to do
I’m just praying that this pain goes away drinking taking shots to the face
how you love me if you’re always playing games
want to leave but I feel trapped inside a cage I just think I need a break
I

How’d you do this
we were supposed to live in perfect Harmony
I got half of you you got all of me
Miscommunication girl just talk to me
how you let it get to this
how you let my friend hit
if there’s no loyalty girl there’s no relationship
yeah
so I think I’m going to have to take a break
So I think I’m gonna have to take a break

I sit and cry my room
my hearts been broken
suffocating feels like I’m choking
I don’t know what to do
I’m just praying that this pain goes away drinking taking shots to the face
how you love me if you’re always playing games
want to leave but I feel trapped inside a cage I just think I need a break
I

This is stupid
don’t start crying now after you lose him had my heart then you went an abused it all my scary dreams have become Lucid my heart is scattered in many pieces broken I think it’s bleeding
numb I have no feeling

I sit and cry my room
my hearts been broken
suffocating feels like I’m choking
I don’t know what to do
I’m just praying that this pain goes away drinking taking shots to the face
how you love me if you’re always playing games
want to leave but I feel trapped inside a cage I just think I need a break
I
I just think I need a break I
I just think I need a break I
I just think I need a break I
I just think I need a break

I sit and cry my room
my hearts been broken
suffocating feels like I’m choking
I don’t know what to do
I’m just praying that this pain goes away
Pain goes away

It’s Dax

Chiara Dubey Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , , , |


Nagamag:
What are the genres that describe better your music style?

Chiara Dubey:
My music is a crossover between alternative pop, dreamy electronic, and modern classical - a fusion of airy strings textures, electronic beats/ sound design and my voice.


Nagamag:
Few words about your musical background and career?

Chiara Dubey:
I sing since when I was a child and started playing the violin at the age of 5. As I grew up, it became clear to me that I wanted to become a professional musician and I chose to study classical music at the conservatoire, majoring in violin and composition. In parallel, I kept performing as a singer/songwriter on international stages - like the Eurovision national finale. In 2018 I left my homeland and moved to London, where I completed my Master studies in vocal performance. Now I am back in Switzerland where I focus on my project as a solo artist.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Chiara Dubey:
On the weekends, when I was a child, I would have tea (chai tea) with my father in the morning. It was our little ceremony. While he would prepare the tea, I would play an old CD of Céline Dion, always the same one, and I would sing along with all the air that I had in my lungs. I remember it would fill me with an ecstatic feeling, the same one I still have now when I perform. I guess these were the first moments where I fell in love with music and that bond never broke.


Nagamag:
You just released your début album, Constellations. What is the idea behind it?

Chiara Dubey:
As a child, I would spend most of my summers in the mountains. Nights, away from the city lights were so dark and quiet, and the sky was a breathtaking, dusty explosion of stars. Other children and I would lay for hours on the grass, just staring at them - and eventually keeping count of the falling stars. I couldn’t avoid noticing, what an influence that sight would have on my thoughts. It would slowly detach me from my daily reality, my thoughts would drown in that deep universe and I would find myself wondering about life, about death, about time, about dreams. That awareness and wonder accompanied me through the years, as I grew. I wanted to create an album that would carry some of those feelings, which are a beautiful part of our human essence. They accompany us in our choices and habits, but our daily pattern somehow makes it difficult for us just to find that space, that quietness, which allows our mind to wonder and dream. I have the feeling that we often get lost in the fuss of our busy scheduled lives. With Constellations, I wanted to emulate the effect that the deep, starred skies have on me, and create an atmosphere that would invite people to evade their reality, just for a while.


Nagamag:
Your album also contains instrumentals, why this choice?

Chiara Dubey:
Classical music is an important part of my personality and I like to express myself just trough sound sometimes, trough compositions, without using words. In this album I really wanted to include this side of me as well, without fearing what the audience might expect from me. It also gives me the chance to perform with the violin on stage, from time to time!


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Chiara Dubey:
Jon Hopkins "Emerald Rush"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Chiara Dubey:
Aurora "Infections of a different kind"

Discover & Listen to Chiara Dubey

Chiara Dubey on Spotify

Chiara Dubey's Signature Track

Chiara Dubey on Social Media

Chiara Dubey's Website

TYSHER – I Want You (Video)

Categories: House, The Latest, Video|Tags: , , |

The right house summer hit is here, all the sound groove ingrediends for endless dance.
Tysher, based in the region of Nuremberg the DJ & producer presented his debut single „run with you“ on his own imprint/label called TYSHER RECORDS now the second track “I want You” is out.
The track is defined as a very catchy mixture of: summer, sunset and dancefloor. Tyhser impressively shows that you can combine the genres of mainstream vocals with cool and independent beats. Since 2010 he has his own weekly show on 54house.fm where his single will have its first public spin.

Sly (with Emily Warren) – Cotton Candy (Video)

Categories: Pop, The Latest, Video|Tags: , , |

Enticing alt-pop newcomer Sly joins the Village with his riveting debut single “Cotton Candy,” featuring the talented Emily Warren (multi-billion-stream driving force behind hits for Dua Lipa, Khalid, Sigrid, Rita Ora and Charli XCX) on vocals.

Sly, aka Sylvester Sivertsen, has racked up esteemed credits over the past few years, having collaborated and produced for notable artists including The Chainsmokers, Liam Payne, Cheat Codes, the Jonas Brothers and many more. Now he returns to the forefront of emerging artists as a songwriter, producer, and multi-instrumentalist with his debut release.

Having grown up to parents involved in the arts, music runs deep in Sly’s bloodline. His father is renowned producer and drummer Jan Sivertsen and his mother, perhaps his greatest inspiration, is the legendary Danish singer and songwriter Lis Sørensen. The Copenhagen-based artist grew up watching his parents work with analogue equipment which led him to begin teaching himself how to produce in Logic, drawing inspiration from Daft Punk and Justice but continuing to experiment with his personal sound.

By his late teens Sly had perfected his skill for mixing live instrumentation and synthesized beats, landing him an early cut with Liam Payne. His success soon spiraled into bigger cuts like “Side Effects” which went on to hit hundreds of millions of streams for The Chainsmokers. “When I started making the music I wanted to hear, I hit a vein,” he says. In turn, inspired by his work with major artists and noticing that he was building a catalogue of idiosyncratic, compelling and human pop, Sly really did start making music for himself.

2020 is here and Sly has begun to emerge as a dynamic artist in his own right. In his scintillating debut release “Cotton Candy,” Sly shares his own music with the world: combining state-of-the-art pop production, emotion, and humanity.

“Human emotion is what music is about,” proclaims Sly. “I’m very particular about whether music makes me feel something – in its lyric, its melody, its sound, or all three at once,” he explains.

New single “Cotton Candy” hits the mark. Sly captures a dark, moody, and sexy energy in this new track and Warren’s luxurious vocals were just what the song needed. He explains that the single is about not giving up on love. “Emily was going through a breakup and we were talking about how difficult love can be, and how to know when you should let go or keep fighting.

‘Cotton Candy’ is a song about not being ready to give up and Emily got back with her boyfriend the next day.”

Sly effortlessly blends pop-forward production with a passion for analogue synths and real drums and guitars, making for a sonic palate that feels both fresh and familiar. Sly seamlessly introduces new elements to the pop lane and “Cotton Candy” is his first official offering.

https://www.instagram.com/sly/

Andrew Roman – Abnormality (Video)

Categories: Pop, The Latest, Video|Tags: , , |

Andrew Roman makes his much-anticipated debut on Gemstone Records with ‘Abnormality.’ A refreshing modern house production, this release signals new sounds for the California-based producer as he divulges into grandiose basslines and mesmerizing arpeggios.

‘Abnormality’ jumps straight into an alluring breakdown characterized by spacy synth pads and delicate vocals. Warm arpeggiated plucks and soothing vocal harmonies conjure throbbing tension before the track drops into a dramatic bassline and punchy drums. Roman builds further tension in the second drop with manipulated vocal fills and ethereal ambiance effects.

Despite recently joining the Revealed family, Andrew Roman is no new name to the dance music scene. Hailing from San Francisco, his artist project is the culmination of former aliases and ghost producing for other acts in the US and EU. Roman’s past tracks have been featured by Spotify’s editorial team on New Music Fridays and top EDM playlists. He’s also received support from legends like Hardwell, The Chainsmokers, Jauz, and more.

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