Indie Pop Archives - Page 116 of 121 - Nagamag - International Music Magazine

Maviii, Pete Rango – Time (Spotify)

Categories: Audio, Blogwave, The Latest|Tags: Adult Contemporary, Commercial, Indie Pop, Maviii, Pete Rango, Review (EN)|

Maviii, Pete Rango – Time
(Spotify)

“With a current, meaningful narrative discussing the way our collective & personal perception of time has changed drastically in the past year. This sweet-toned song aptly entitled ‘Time,’ carries us along on a tide of emotion with a strong main melody, surrounded by engaging vocal harmonies and instrumentation.”

-Nagamag.com

Time has a funny way of playing games with our delicate minds. At times it can stand still, or feel like it's slipping away through our fingers. We created it, It's so valuable, and we all have a limited amount. When I was quarantined for 4 months alone time began to move in a way I have never experienced before. I was able to reflect on the parts of myself I wanted to change. This song encompasses what it feels like to navigate your life when time loses all meaning. To take cold showers to try and feel more present, to dance so you don't cry. Just like every challenge we face in this life, we grow through it.

https://twitter.com/maviiimusic
https://www.instagram.com/maviiiwyd/

Sofi Gev – Horrors in the Dark (Spotify)

Categories: Audio, Pop, The Latest|Tags: Bedroom, Indie Folk, Indie Pop, Lo-fi Pop, Review (EN), Sofi Gev|

Sofi Gev – Horrors in the Dark
(Spotify)

“"Horrors in the Dark" is a song that talks about our bad life incidents. Traumatic experiences deeply burried in the mind, but never forgotten. Even if we cannot erase such negative memories, we should find the strength to become unaffected from their influences. Sofi Gev sings to bring hope and somehow soothe our broken hearts. Priceless work from a real artist.”

-Nagamag.com

Artist shared with Nagamag few words behind this inspiration:

"I wrote “Horrors in the Dark” after my mother lost her brother to suicide, which was and remains unbearably hard. My uncle was a towering figure and a gentle soul, wise and compassionate. The third verse is an homage to him, who we lost far too early, and to the power of his life and legacy. His passing and the grief of all the people who loved him made me think about how we all have some kind of trauma inside of us that never fully heals. The kind of pain that is very difficult to even talk about. “Horrors” uses metaphors to convey how we dance around our deepest fears that we sometimes twist into something else entirely in our minds because they’re too painful to face head on. But these dark things in our lives are still always a part of us.

I wrote this song with my producer, Nate Pyfer (Kaskade, The Moth and the Flame, Sego), and co-writer, Chris Scharman. The strings were arranged by Stuart Maxfield (Fictionist, s2_Cool, Mr. Mental)" - Sofi Gev

https://instagram.com/iamcheesyvibes

Abc Dialect – Daydream (Spotify)

Categories: Audio, Pop, The Latest|Tags: Abc Dialect, Bedroom, Indie Pop, Indietronica, Lo-fi Pop, Review (EN-RU)|

Abc Dialect – Daydream
(Spotify)

“A single made from a variety of musical techniques and tricks. Experimental and yet classic sound, thus creating a significant and of particular flavor characteristic we find in many projects in the genre of indie pop.”

“Сингл -Daydream- наполнен разнообразными музыкальными приёмами и фокусами, экспериментальным и в то же время классическим звучанием, тем самым создавая весомый и особый оттенок свойственный многим проектам в жанре indie pop.”

-Nagamag.com

“Daydream” is the third release from the group’s forthcoming debut LP titled ‘Out Here,’ scheduled for release later in 2021. The single comes on the heels of their previous release “You” which was released in March of 2021.

"Daydream" was originally recorded in 2019 alongside co-producer Daniel Nentwig of The Whitest Boy Alive. The song, along with the entire ‘Out Here’ album, was recorded live alongside a full band at Butterama Recording Studios in Berlin. Melodically, “Daydream” features smooth rhythm, soft keys, warm vocals and uplifting strings. The song feels like a sultry fireside dream pop tune with jazz influenced undertones.

Comprised of Argentinian songwriters Luca Oliva Knight and Tomas Susevich, Abc Dialect have quickly emerged as a promising independent musical project. The young beatmakers draw on their diverse musical influences (including 90s house, 70s funk, soulful jazz, R&B, & more) to craft original thought-provoking melodies that evoke a sense of emotions including nostalgia, euphoria, empathy, sorrow and more.

Towards the end of 2019, Abc Dialect travelled to Berlin to record their debut album “Out Here” co-produced by Daniel Nentwig of The Whitest Boy Alive and Kings of Convenience. The LP is slated for release later this year on Casablanca Sunset Records. Prior releases from the duo have received a variety of support online from music outlets like Delicieuse Musique, Indie Shuffle, Sidekick Music, Noon Pacific, Acid Stag, Tensnake, Disco Naïveté, Bristol Funk and more. In December of 2019, the group also shared LEFTI’s nu-disco remix of their single “Magic,” on Casablanca Sunset which climbed to #1 on the Hype Machine popular charts.

https://www.instagram.com/abcdialect
https://www.facebook.com/abcdialect

Kaeley Jade – Painless (Video)

Categories: Pop, The Latest, Video|Tags: Commercial, Indie Pop, Kaeley Jade, Review (EN)|

Kaeley Jade – Painless
(Video)

“The perfect combination of some deeply emotional vocals and groovy riff sounds, can be found in this recent release from “Kaeley Jade”. “Painless” is one of those songs that can be used to express ourselves when we feel affected by negative behaviours.”

-Nagamag.com

Canadian indie pop artist Kaeley Jade is excited to announce the release of her new single ‘Painless’ on all digital platforms.

Produced by the Juno-nominated team at Velveteen Music https://www.velveteenaudio.com/, ‘Painless’, dances through the nuclear fallout of a relationship gone awry. Inspired by artists like Vance Joy and Maggie Rogers, ‘Painless’ is filled to the brim with shimmering hooks, velvety vocals and groovy riffs. Both cynical and celebratory, the Métis artist disguises a deep emotional rawness in a crisp and vibrant package of indie pop.

“In a lot of ways, ‘Painless’ is a continuation of the story I had told in my debut single, ‘Years Ago’,” says Kaeley. “All of my songs are sparked from my own personal experiences, and in this case, I had more to say on that particular chapter of my life. Where ‘Years Ago’ looks wistfully into the past at what could have been, ‘Painless’ is a seer’s look into a dystopian future. I wrote it as a reminder to myself to always trust my instincts, because some things just aren’t worth the pain that comes with pursuing them, as tempting as they might be.”

Also released is the colourful and creatively shot video for ‘Painless’. Kaeley explains: “The pandemic really forced us to get creative with how we shot the video. While I had always envisioned a project that combined my skills as a multidisciplinary artist, figuring out how to achieve that while being forced to work with a lot of limitations proved to be an exciting challenge. We shot the entire video in a mock studio we built in my dad’s shop, and we had a very small crew on set, with my cohort doing most of the helping out.”

Since dropping her debut single in January 2020, Kaeley has been making waves in the Canadian music scene. After a strong community response, ‘Years Ago’ was added to the regular rotation on 102.3 NOW! in Edmonton and her music has been featured on Spotify editorial playlists including: New Music Friday, New Music Friday Canada and Fresh Finds. Kaeley’s music has also been played on Indigenous radio stations across North America, and her single, ‘Highway 16’, broke the Indigenous Music Countdown Top 10.

Kaeley Jade’s new single ‘Painless’ is available now on Spotify, Apple Music/iTunes, and other digital retailers and streaming services worldwide. For more info, please visit https://kaeleyjade.com/

https://www.instagram.com/ukulele_kaeley

metty – Outdated (Spotify)

Categories: Audio, Pop, The Latest|Tags: Adult Contemporary, Indie Pop, metty, Review (EN-RU)|

metty – Outdated
(Spotify)

“Some kind of pure poetry in its exclusive apogee. There is a burning desire to go somewhere away from the city bustle, escape from the shackles and eventually spend a couple of nights on your favorite beach.”

“Чистая лирика в своём исключительном апогее. Возникает жгучее желание уехать от суеты городских оков куда-нибудь подальше, где будет возможность провести пару ночей на любимом берегу. ”

-Nagamag.com

https://nektarium.de/epk/metty
https://www.instagram.com/metty.xoxo/

Boo Seeka, Golding – Don’t Waste Your Love (Spotify)

Categories: Audio, Pop, The Latest|Tags: Boo Seeka, Commercial, Golding, Indie Pop, Indietronica, Review (EN-RU)|

Boo Seeka, Golding – Don’t Waste Your Love
(Spotify)

“Very sturdy material and monolithic design. From its quality sound it's proved that this single is very professional and comes from the heart. Despite the simplicity of the lyrics, the artist can easily produce some strings, which is a huge plus.”

“Весьма крепкий материал и монолитное исполнение. По качественному звуку сразу слышно, что этот совместный сингл сработал от души и крайне профессионально. При кажущейся простоте текста можно с лёгкостью некоторые строки домыслить самому, что является огромным плюсом. ”

-Nagamag.com

A combination of pulsating sounds that bed down layered textures of electronic bass and percussive beats. Boo Seeka’s smooth synths and rolling beats keep the energy sizzling like a neon sign on the Miami strip.

https://www.instagram.com/booseeka/

Golding’s meticulously composed sound and intoxicating melodies truly secures the duo as one to watch, with plans for an EP release late 2021, the future holds bright things for this perfect pairing.

https://www.instagram.com/golding_music/

Kreem – That Guy (Spotify)

Categories: Audio, Pop, The Latest|Tags: Adult Contemporary, Commercial, Indie Pop, Kreem, Review (EN-RU)|

Kreem – That Guy
(Spotify)

“The single -That Guy- collected the best tones of indie pop, forming its own spatial universe. This is a hypnotic odyssey that accompanies its listener to all the nooks and crannies of his own mind. Stunning sound palette.”

“Сингл -That Guy- собрал в себе лучшие тона indie pop, сформировав собственную пространственную Вселенную. Это гипнотическая одиссея, которая сопровождает своего слушателя по всем закоулкам собственного разума. Потрясающая звуковая палитра.”

-Nagamag.com

About the song "That Guy" Kreem says: "This song describes the transition into a new phase of my personal life where I was first headed nowhere while being petrified. Through honest introspection I had an epiphany which helped me to start flourishing towards a better version of myself. At the same time, this song moves me as a new musical chapter in which I have found my own true sound without making any concessions for the first time in my life. ” His EP is expected in late 2021.

https://www.instagram.com/kreemmusic/

Songwriter Kreem, Karim ter Veer was 17 when he taught himself to play guitar. For some time, he dedicated his time to composing and producing music for others. During a tough period in his personal life he decided to shift focus on expressing what he was going through by composing his own songs.

One of the projects he worked on earlier was the song “Part of Me” by LittleKings. He wrote this originally for a lemonade brand which quickly generated a viral status with over 16 million streams worldwide.

This autumn, Kreem will be launching his debut EP. With melodic, warm and vibrant songs with a poppy feel, he takes you on a trip through his thoughts and feelings. The tracks are packed with passion and enthusiasm and convey genuine emotional resonance. They are personal and emotional yet filled with vitality and joy of life, making the songs true pick-me-ups.

Inspired by artists such as Gotye, Emily King and Post Malone, his music dynamically blends elements of introverted singer/songwriterand alternative pop with today’s modern in-your-face pop sound. His love for analogue, which he shares with producer Mark van Bruggen, can be heard throughout his music: with the sound of 80’s synthesizers, vintage drum computers and even a ‘singing saw’ Kreem managed to craft his own unique sound.

Rudyb – Into the wild (Video)

Categories: Rock, The Latest, Video|Tags: Acoustic, Commercial, Indie Pop, Review (EN), Rudyb|

Rudyb – Into the wild
(Video)

“The opening interplay between acoustic & electric guitar continues throughout the song to provide a background for the engaging solo male vocals in the early verses & the sweet harmony female vocals that accompany in later verses. The rest of the band joins in during the pre-chorus builds & throughout each chorus to lift the song even more. Extremely listenable.”

-Nagamag.com

It’s a song about going into the unknown. Acoustic vibes with a deep and sad message as undertone. Going ‘into the wild’ is actually not what most people would think from first listen.

https://www.instagram.com/Rudyb.official/

The Remaining Part – Misery – Piano Diaries Session (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: Adult Contemporary, Indie Pop, Review (EN), Singer Songwriter, The Remaining Part|

The Remaining Part – Misery – Piano Diaries Session
(Spotify)

“Taken out from "The Remaining Part" debut album, this piece unites the classical acoustic beauty with inspirational singing. Starting like a fairytale it uncovers a hidden epic power, which travels way back in some mythical era, full of adventure!”

-Nagamag.com

https://beacons.page/theremainingpart

"Misery" is a dreamy, melancholic song about a girls standing on the railway tracks waiting for the train. It’s an attempt to unite something tragic and something beautiful.

Despite the Corona pandemic and the bad situation for the music industry, the Danish/German songwriting trio stayed creative and screwed in their Berlin studio on the perfect piano and vocal sound. With "Piano Diaries" the three songwriters have written a musical diary in pandemic times, in which intimacy and emotion hit the right note.

https://www.instagram.com/the_remaining_part/

About The Remaining Part

"Piano Diaries" is the name of the new album by the band THE REMAINING PART. It will be released on March 29, 2021 as a follow-up LP to the orchestral debut album "Northern Tales" on Edition B+.

Despite the Corona pandemic and the bad situation for the music industry, the Danish/German songwriting trio stayed creative and retreated to their small Berlin studio to rearrange the songs of their debut album. The result is the counterpart to "Northern Tales": instead of opulent instrumentation, they prefer to play one note less and hold one chord longer in their piano versions. You can hear simple, cleverly composed piano arrangements and the solo voices of Sharyhan Osman and Line Bøgh, which sensitively merge with the choir voice of Maxi Menot. Thus, it is mainly quiet melodies, the balanced and nuanced sound of the piano and the spherical choir passages that make the album a melancholic dreamy one.

https://www.facebook.com/theremainingpart/

SMWN – Do Over (Spotify)

Categories: Audio, Pop, The Latest|Tags: Commercial, Electro Pop, Indie Pop, Review (EN), SMWN|

SMWN – Do Over
(Spotify)

“Nobody is perfect, but we can choose to try hard. Who hasn't thought to go back in time and fix some mistakes? The key for improvement is the knowledge that comes from self-evaluation and (why not) the right song to push you in the right direction!”

-Nagamag.com

Meet SMWN (pronounced 'someone') the new creative project of viral artist Prince Fox, known for working alongside household names like Hailee Steinfeld, Bella Thorne, Quinn XCII, YG, Ella Vos and more. From Rick Rubin tweeting his remix of Florence and the Machine, to being the number one artist on Billboard's Emerging Artists list, Prince Fox has seen quite a remarkable few years. Now SMWN has rebranded and branched out of the 'dance drops' he's known for in his past releases to release music with a message.

https://www.instagram.com/smwnsongs/

The upcoming "Do Over" is a contagious pop track which follows the release of SMWN's successful debut track "Somebody Else," which set the tone for the new project.

In "Do Over" a viral bass-line ushers you in, complimented by flawless electronic production and SMWN's distinct pop vocals. On the narrative front, SMWN reflects on all the times he wishes he could get a 'do over.' The relatable "I wanna be someone better, can I go back in time," rings loud and clear and is an ode to existence and the inevitable mistakes we make. It's one thing to say we'll do better but action is where the truth lies.

https://twitter.com/smwnsongs

On the single SMWN adds "When I wrote "Do Over" I was thinking about how even if I told my younger self what I know now, I would have made the same mistakes. I wouldn't be the person I am today without those road bumps, so those road bumps HAD to happen. The writing became this very circular idea of a self-fulfilling prophecy–every time I messed up and wanted a do over, the same thing would happen again. All this to say, all we can really change is our future, based on our past actions, we can not change the past itself."

The New York-born and bred Sam Lassner first picked up a guitar at the age of seven but quickly gave it up for life on the ice rink. "It wasn't until I was 13 that I picked it back up and caught the bug," he shares. Lassner went on to study music at NYU where his Prince Fox project was born in his dorm room at Lafayette Hall. The Prince Fox project opened several doors for Lassner and led to collaborations with several notable artists shaping the type of artist he strives to emulate.

SMWN is a culmination of those experiences, lessons, and growth as an artist. Lassner puts his best foot forward with his SMWN project which is teed up to quickly eclipse that of Prince Fox in the years to come.

https://www.twitch.tv/smwnsongs