Leonardo the Space Pianist Interview on Nagamag



What are the genres that describe better your music style?

Leonardo the Space Pianist:
My music style’s roots are a crossover of different experiences, the seed is in my background as classical pianist and metal keyboardist. I describe my music as Contemporary Space Music, where there are influences of cinematic, experimental, neo-classical, progressive metal and wave genres.

Few words about your musical background and career?

Leonardo the Space Pianist:
I was born in Venice, Italy, and discovered the piano at the age of 6 and astronomy at 9. At the age of 12, by reading Isaac Asimov, playing Beethoven and Bach, listening to Queen, Steve Vai and Robert Miles, I decided I would travel the Space and play my music outside planet Earth. So I became a professional pianist AND an aerospace engineer.
As a pianist I graduated at the Music Conservatory in Italy, studying composition and developing my passion for synths and electronic music. I was mentored by Jordan Rudess, Dream Theater's keyboardist. In the meanwhile I graduated with a PhD in Aerospace Engineering at the University of Padova, researching on hypervelocity impacts and space safety. During those years I did a concert at the ESRANGE Space Center in cold Sweden while taking part in his first space mission with the SCRAT Project, a very important milestones of my Journey.
In 2006 I created the Music House to develop my View - the project 'Nullo Die Sine Nota’. The Latin sentence means 'Not A Day Without a Note'. I recorded four studio albums and two EPs, with always new music in the flow. I played in several countries like Italy, Germany, UK, Netherlands, and Turkey. I teamed up with many artists during the years, like Yossi Sassi, Aliki Chrysochou and Anna Utopia Giordano. In the last nine years, I have worked with several dancers too; the latest chapter of this experience is 'BlackShip', an innovative show for contemporary music, contemporary fusion dance and visual art.
In 2016 I moved to Malta. I wanted to deeper discover myself, islands are the perfect metaphor of our planet, and an excellent place for freediving…and it is actually working!
Currently I am developing further my space music and researching and lecturing at University in aerospace.
Nearly forgetting, I am also passionate about martial arts and photography.

Do you remember your first connection of love to music that was the right impact to be a music artist now?

Leonardo the Space Pianist:
The very first memory I have is of myself at 3 years old with a yellow toy-piano. I liked to improvise (clearly!) with it and sometimes to disassemble (maybe an early sign of engineering). Besides this I realized that I wanted to become a pianist when I was 6 years old, I remember there was another kid playing an old upright piano at school, seeing the other school mates around happy and smiling. When he finished I have vivid in my mind that I played my first real piano key, thinking: Wow! I want to play it and share music with people!
So a few months later, I started my musical journey.

How did the Covid19 pandemic influence your artistic activity?

Leonardo the Space Pianist:
I am seeing it as an opportunity of growth, despite the difficult moment that everyone is facing. I increased considerably my online activity, publishing every week vlog episodes on my YouTube channel, starting to stream regularly my music performances on Twitch and releasing with a higher frequency new music on the main music distribution platforms, like Spotify. The effects of the pandemic will take quite a lot in my opinion to be completely managed and society and music industry will be quite different in the near future. 2 new EPs and 4 singles are in the workflow for the upcoming months.

Who is the Space Pianist?

Leonardo the Space Pianist:
I am a Dreamer that step by step is designing his way to perform the first piano concert on Mars.

Music has no borders and many of us we may listen to more genres that we are mainly involved. So share with Nagamag which track comes first in your mind from music but is NOT similar to your genre?

Leonardo the Space Pianist:
IGORRR "Downgrade Desert"

Of Course Nagamag would love to listen also which track from a similar artist you admire?

Leonardo the Space Pianist:
Infected Mushroom "Heavyweight"

Discover & Listen to Leonardo the Space Pianist

Leonardo the Space Pianist on Spotify

Leonardo the Space Pianist's Signature Track

Leonardo the Space Pianist on Social Media


Leonardo the Space Pianist's Website


Jonny Southard – Until Then (Spotify)

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This is a collaboration between UK composer Jonny Southard and Memphis based ambient artist Kirk Smith (We Dream of Eden). Its a neo-classical piano track with ambient, cinematic textures. This short but moving piece creates feelings of longing and hopefulness for what is yet to come.

Igor Longhi – Rapsodia – The Shape Of Piano To Come Vol. I (Spotify)

“Igor Longhi a neoclassical pianist and composer having wondered in many different genres throughout his career and collaborated with significantly important artists is bringing with his Rapsodia a new minimalistic approach to classical music ”


About Igor Longhi:Pianist and composer Igor Longhi started his piano classical studies as a five-year-old kid.During his musical life, he explored many different genres, from hard rock to reggae and in 2002, contributes forming the international reggae band Makakojump. From 2002 to 2012, the band released 4 full albums, 2 EPs and toured among all EU sharing the stage with a lot of international artists as Ky-Mani Marley, Manu Chao, Skatalites and much more.During this years, he capitalizes on his musical influences, resulting from great masters such as Einaudi, Yiruma, Tiersen, evolving into an intimate, expressive music, making of classicism and minimalism his flag.In 2015 he started writing soundtracks for documentaries, commercials and video clips.http://www.igorlonghi.com/

Dimun (Original Mix) (Video)

“Coming from an isolated and mostly unknown place like the Faroe islands producer Kristan Blak introduce us to his Yggrdrasil project with Dimun a neoclassical solo sonata of high expertise that creates deep emotions to the listener”


NuNorthern Soul proudly presents Dimun, an overlooked neo-classical / ambient fusion track by Faroe Islands-based producer Kristan Blak’s Yggdrasil project. Label boss ‘Phat’ Phil Cooper was playing G! festival on the Faroe Islands in 2019 and as part of the experience the delegates, artists and DJs where invited to see and experience some of the cultural spots and institutions of the Faroe Islands. One of those was Tutl records owned by Kristian Blak. Tutl records is a wonderful record store and label representing the wealth of amazing Faroese recording talent and has been around for years.

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Aysedeniz Gokcin – Prologue of Promises (Spotify)

“Prologue of promises the second out of a fourteen track album from classical/rock crossover pianist Aysedeniz Gokcin, is a mastefully performed solo piece with an eclectic yet elegant aura that ask from listeners to contemplate on reshaping the future and how we want things to be fixed through pure musical notes”


Prologue of Promises is a track that hosts all our wishes and hopes for the future in musical notes. It is a reflection of how we would reshape our future and how we would like to fix things...

AyseDeniz is a classical/rock crossover pianist currently splitting her time between Los Angeles, London, and Istanbul. She started playing piano at age five and was considered a child prodigy in her native home of Turkey. She completed her Bachelor's in Piano Performance at Eastman School of Music in New York and her Masters in Piano Performance at the Royal Academy of Music in London.

AyseDeniz is recognized internationally for her ability to unite the classical genre with classic rock and creating original rock arrangements and compositions, which she now performs for fans worldwide to sold-out shows. She has appeared on BBC News, Vogue, Classic FM, Prog Rock Magazine, and more. The Arts Council England endorses her under the Exceptional Talent Visa.


Mouth Water – Winter Days (Spotify)

“The fruitful collaboration between DJ Elle Vegas and producer/songwriterLawrence Fancelli gave us their first self-titled album where we found winter days, a dance pop track with elements of synthesis froma wide range of genres”



At the core of Mouth Water are DJ Elle Vegas and producer/songwriter Lawrence Fancelli. Elle cut her teeth DJing in Milan, unleashing a dance floor-oriented blend of house, pop, funk, and techno onto her loyal pack of sweaty fans. Meanwhile, Lawrence could be found playing bass in various stinky basements in Brooklyn for a string of dead-end bands while honing his production skills behind the scenes. Elle and Lawrence met at a piano concert in a hotel in Milan at the end of 2017 and soon began an unusual collaboration leading to Mouth Water’s first self-titled album, out on October 25th 2019 and featuring salivating collaborations with Sabina Sciubba from Brazilian Girls, French producers Head On Television and Italian dance floor legend Gianni Bini.

Mouth Water’s dance pop incorporates elements of lounge, rock, funk and is devised to ignite your taste buds by means of synesthesia.

Goldmund – “The One Who Stands By” (Video)

“A magnificently dark ambient piece of cinematic value has just been released from Goldmund which imparts an equal amount of dread and relief depending on the mood of the listener”


Rolling in like the autumn fog, Goldmund’s latest single “The One Who Stands By” is the perfect soundtrack to the exquisite gloom of the season.

Also known for his work as Helios and as one part of Mint Julep, Keith Kenniff’s recordings as Goldmund tread sincerely along paths laden with dusty timbres, diffuse synthesizer, and soaring string textures tinted by the muted glow of a cloudy analog sky above.

His output as Goldmund has established him alongside peers like Hauschka, Nils Frahm, and even his past collaborator Ryuichi Sakamoto, who himself once described Kenniff’s work as “so, so, so beautiful”.

New album The Time it Takes is out now via Western Vinyl.



Pennsylvania native Keith Kenniff’s output as Goldmund has established him as one of the preeminent composers of minimal piano-based ambient music alongside peers like Hauschka, Dustin O’Halloran, and even Ryuichi Sakamoto, who himself once described Kenniff’s work as “so, so, so beautiful”.

His recordings tread sincerely along paths laden with dusty timbres, diffuse synthesizer, and soaring string textures tinted by the muted glow of a cloudy analog sky above. On The Time it Takes, his newest book of aural polaroids out October 16th via Western Vinyl, Kenniff somehow manages to deepen the emotionality of his already affecting project, creating a space in which to unfold the sorrows of a troubling age and revel in the hope and beauty that follow thereafter. In this sense, The Time it Takes tackles grief head-on, unadorned by themes of escapism or pastorality, and marks another entry in an impressively consistent body of work.

From the first murmurs of this track, The Time it Takes calls to mind the cascading nature of mourning. There’s the first tragedy, the loss itself, then the second one, the dissipation of the memory of the thing lost. We start out grieving for a loss directly; years later, sorrow reappears not only for that loss, but for the idea that its meaning is slipping away with each turn of the calendar page. An aged piano thumps gently just beyond an impassable moat of time, its operator’s presence is evidenced by the shuffling of pedals and the shifting of mechanisms, and seraphic choirs seep in from places unseen. It’s a miniature diagram of how the outer world transitions to the inner, and vice versa. “Memory Itself” follows suit with earthy textures that become slowly buried by celestial ones as the seconds pass. Kenniff’s kindling of piano is gradually set ablaze with synth, choir, and trilling strings provided by his equally emotive label-mate Christopher Tignor. The track is a crescendo that imparts an equal amount of dread and relief depending on the mood of the listener.

As if we needed convincing, Kenniff further proves his skill of crafting sound-design vignettes that are personal, private, and hushed, yet simultaneously grand, colossal, and profound. Nostalgia sometimes suffers the role of low hanging fruit for the marketing world, or worse, a symptom of the stunted development of a generation facing backward in a world that moves unrelentingly forward. But instead of engaging in reductive and culpable pastiche, Kenniff dispels any notions of nostalgia’s counter-productivity by using our collective memory as just another brush to paint with, thereby wresting his music from any linear cultural timeline.

To that end there are few artistic voices as distinct as Goldmund’s. Magically conjuring grandeur from only a few simple ingredients (piano, synthesizer, reverb, and a little more) Kenniff’s sound has become so universal that you’d be forgiven for not knowing who it belongs to. Knock offs be damned, every Goldmund recording is cut from an inimitable fabric woven out of emotional realism, honesty, vivid imagination, and skillful restraint.

Dario Forzato – Water Circles (Spotify)

“Starting with an ambient cinematic mood and floating gently into emotional harmonies, Dario Forzato creates a soft music fog with his new music WATER CIRCLES that which hug you into her beautiful light as feather world.”


"Water Circles" is the second single off of "Aerial Circles (Circle Three)", the third and final release of the Aerial Circles series by composer and music producer Dario Forzato. The composition is a mix of ambient guitar soundscapes, warm plucked cello, and moving piano accompanied by a modern minimalist production.

Read also our Nagamag interview with Dario Forzato

Sun Rain – Oils (Spotify)

“In order to explore his expansive sonic ideas, multi-instrumentalist, DJ and producer Chad Skinner launched the Sun rain project fusing his vesatile compositional talents into a delicate emotive acoustic solo – piano melody”


Sun Rain is the solo alias of Toronto-based multi-instrumentalist, DJ, and electronic producer Chad Skinner. His debut solo album Sheets was released in May 2019, yet he's been active since 2014, releasing two albums as one-half of electronic production duo Snowday. In 2017 he conceptually launched the Sun Rain project, fusing his versatile compositional talents to explore his own expansive sonic ideas.

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