Chiara Dubey Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , , , |


Nagamag:
What are the genres that describe better your music style?

Chiara Dubey:
My music is a crossover between alternative pop, dreamy electronic, and modern classical - a fusion of airy strings textures, electronic beats/ sound design and my voice.


Nagamag:
Few words about your musical background and career?

Chiara Dubey:
I sing since when I was a child and started playing the violin at the age of 5. As I grew up, it became clear to me that I wanted to become a professional musician and I chose to study classical music at the conservatoire, majoring in violin and composition. In parallel, I kept performing as a singer/songwriter on international stages - like the Eurovision national finale. In 2018 I left my homeland and moved to London, where I completed my Master studies in vocal performance. Now I am back in Switzerland where I focus on my project as a solo artist.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Chiara Dubey:
On the weekends, when I was a child, I would have tea (chai tea) with my father in the morning. It was our little ceremony. While he would prepare the tea, I would play an old CD of Céline Dion, always the same one, and I would sing along with all the air that I had in my lungs. I remember it would fill me with an ecstatic feeling, the same one I still have now when I perform. I guess these were the first moments where I fell in love with music and that bond never broke.


Nagamag:
You just released your début album, Constellations. What is the idea behind it?

Chiara Dubey:
As a child, I would spend most of my summers in the mountains. Nights, away from the city lights were so dark and quiet, and the sky was a breathtaking, dusty explosion of stars. Other children and I would lay for hours on the grass, just staring at them - and eventually keeping count of the falling stars. I couldn’t avoid noticing, what an influence that sight would have on my thoughts. It would slowly detach me from my daily reality, my thoughts would drown in that deep universe and I would find myself wondering about life, about death, about time, about dreams. That awareness and wonder accompanied me through the years, as I grew. I wanted to create an album that would carry some of those feelings, which are a beautiful part of our human essence. They accompany us in our choices and habits, but our daily pattern somehow makes it difficult for us just to find that space, that quietness, which allows our mind to wonder and dream. I have the feeling that we often get lost in the fuss of our busy scheduled lives. With Constellations, I wanted to emulate the effect that the deep, starred skies have on me, and create an atmosphere that would invite people to evade their reality, just for a while.


Nagamag:
Your album also contains instrumentals, why this choice?

Chiara Dubey:
Classical music is an important part of my personality and I like to express myself just trough sound sometimes, trough compositions, without using words. In this album I really wanted to include this side of me as well, without fearing what the audience might expect from me. It also gives me the chance to perform with the violin on stage, from time to time!


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Chiara Dubey:
Jon Hopkins "Emerald Rush"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Chiara Dubey:
Aurora "Infections of a different kind"

Discover & Listen to Chiara Dubey

Chiara Dubey on Spotify

Chiara Dubey's Signature Track

Chiara Dubey on Social Media

Chiara Dubey's Website

Lynn Tredeau Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , |


Nagamag:
What are the genres that describe better your music style?

Lynn Tredeau:
Neo-classical, Contemporary Solo Piano, New Age Piano


Nagamag:
Few words about your musical background and career?

Lynn Tredeau:
I began piano lessons at 5 years of age and that opened a doorway to learning many other instruments including flute, clarinet, saxophone, guitar & pipe organ. After many years of teaching piano, I retired to pursue a life long dream to create original music. My debut album Echoes of Life was released in 2015 followed later that same year by a Christmas album Snowlight (A Christmas Memory), which was awarded Best Holiday Album at Enlightened Piano Radio. Over the next 4 years I released 4 additional albums and 12 single releases. My music has been featured on about 6 compilation albums and received many nominations. Two albums were awarded Best Solo Piano Album at Zone Music Reporter, Fellowship of Solitude in 2018 and All the Pieces in 2019. A track (Photos Without a Memory) from my sixth album was also chosen as Track of the Year by One World Music Radio. My single releases have allowed me to collaborate with other musicians and try my hand at other styles of music.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Lynn Tredeau:
My father loved the music of Nat King Cole and Frank Sinatra. Every Sunday, he would cook breakfast for the family and sing along to his favorite records. My other childhood memory was practicing on my old piano in the basement and my mother would call down the stairs to "play her favorite" which was Clair De Lune. To this day I can hear her voice when I play that song.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Lynn Tredeau:
John Denver "Annie's Song"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Lynn Tredeau:
Michele McLaughlin "A Beautiful Distraction"

Discover & Listen to Lynn Tredeau

Lynn Tredeau on Spotify

Lynn Tredeau's Signature Track

Lynn Tredeau on Social Media

Lynn Tredeau's Website

Sbeady – Vincent & Carlo (Spotify)

Categories: Audio, Chillout Features, Electronica, Features, The Latest|Tags: , , , |

Sbeady is an absolute family man and dedicates his new song to Vincent and Carlo, the two little boys on the cover. The producer from Krefeld has produced a very hopeful lofi beat, perfectly reflecting the innocence of the children with its loving piano melody and letting you always look positively into the future despite the difficult times

Pulsar R82 – Keepers of the Earth Peace Music Revolution (Video)

Categories: Ambient Features, Features, Psychill, The Latest, Video|Tags: , , , |

Pulsar R82 is a pulsating synth beat intertwined with piano, part of the “Mystic Dreams” album from “Keepers of the Earth Peace Music Revolution”,
a track that express the glory of ambient synth electronica through harmonics that offering a space travel through sounds.

Keepers of the Earth Peace Music Revolution is an art rock collective. The music explores the conditions of humanity and encourages perceptive emotions/thoughts on world issues. At the same time, KEPMR explores the imaginative and emotionally powerful aspect of music.
https://www.facebook.com/keeperssoftheearthpeacemusicrevolution/

Code Elektro Interview on Nagamag

Categories: Features, Interviews, Synthwave Interviews, The Latest|Tags: , , , |

Photocredit: Rolf Meldgaard


Nagamag:
What are the genres that describe better your music style?

Code Elektro:
Synthwave. Dystopian Science Fiction Atmospheres, Neon Skylines and eternal Cyberpunk Nights with Acid Rain. That’s Code Elektro. And now it’s live with a real band. Code Elektro is characterized by the use of analog synthesizers and sound design. It sounds similar to the soundtracks of movies like Blade Runner, Stranger Things and TRON: Legacy. However, it also takes a step forward to create something new via sound design, visuals and storytelling.


Nagamag:
Few words about your musical background and career?

Code Elektro:
I'm an artist, composer, sound designer and musician. I have always been playing in bands as a bass player. For 10 years I was writing music for commercials and TV - and I built my own studio and got into sound design and synthesizers. After some time I wanted to write my OWN music, and that's when I started Code Elektro.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Code Elektro:
Absolutely. Iron Maiden - "The Number of the Beast". That changed my life. I was 10 years when I heard it and it just sounded so awesome. And I have always been inspired by Iron Maidens cover art. Today I try to reach the same level of excitement in music.


Nagamag:
Can you tell us a little about your live show?

Code Elektro:
I played a live show earlier this year at a live venue in Denmark (Radar). The place was packed and it was an awesome night! I recorded the show and it sounded so good that I wanted to share it...so now there's a new single out (N30n). It was important to me to have a live band. I didn't want to be another artist standing on stage with just a laptop playing tracks. So I invited a drummer and guitarist. And it really adds to the groove and gives it an awesome live feel.


Nagamag:
Favourite Sci-Fi book?

Code Elektro:
DUNE by Frank Herbert. I'm really looking forward to the upcoming DUNE movie by Denis Villeneuve. Fingers crossed that it will be awesome.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Code Elektro:
Rammstein "Deutschland"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Code Elektro:
Daft Punk Tron Legacy

Discover & Listen to Code Elektro

Code Elektro on Spotify

Code Elektro's Signature Track

Code Elektro on Social Media

Code Elektro's Website

Hugh Klein – Quand C’est Mou (Spotify)

Categories: Audio, Chillout Features, Features, Jazz, The Latest|Tags: , , , , , |

Melbourne artist Hugh Klein eases into the world on a cloud of delicate piano chords with debut single "Quand C’est Mou" (out via Lekker Collective). Directly translated to "When It's Soft", the track is a delicate, piano-led offering on the borderline of jazz and classical - offering a wonderful simplicity of melody and mood.

"Rebirth & intimacy: the "Quand C’est Mou" theme intends to shine light and sink into the moments of awakening, rebirth and the ignition of genuine intimacy.

Rebuilding, redefining and coming alive into one’s self with ease & delicacy.

Almost certainly all of us will encounter points during our lifetime where we must take steps away or outward, and redesign how we place ourselves in this world. Whilst living in Paris, France, this movement was drenched in passion, excitement and what felt like eyes seeing the world and the souls in it as if they were meeting for the first time. Finding intimacy in more than surface encounters... desire, words, conversation, romance, sounds, environment, expression.. - Hugh Klein

https://soundcloud.com/hughklein
https://instagram.com/hughkleinn
https://fb.com/hughkleinn
https://twitter.com/hughkleinn
https://open.spotify.com/artist/7GrUnrSJqyJ82E2q8S1u8c

Who Is Hugh Klein?Raised in Melbourne Australia, following his ongoing career in film composition, Klein found himself living in the city of Paris, and soon giving birth to his loveliest and most realised project yet…

Sourcing inspiration from romance, warm evenings, chilled red wine, floral scents, clothes waving and wrapping the curves of your body, gold and tobacco, "You go your way, I go your way too", low light amongst white flowers, fingertips and of course... the look of love. Hugh directs his musical exploration to his deliberate fascination with intimacy and romance.

With wide-spanning influence from pockets of Blue Note jazz & neo-soul to feature film scores, Hugh Klein is much more than his recorded ideas - rather, an ongoing story to be swept into and carried along.

Upcoming record ‘No Plans, No Rules’ moves through themes of intimacy, adoration, the rebirth of desire and genuine romance, engaging each mood with floating vocals and guitar, brushed percussion, lush string arrangements and rich Rhodes & Wurlitzer’s.

Buy/Stream: https://ffm.to/quandcestmou

Chris Hyson – Spoons (Spotify)

Categories: Ambient Features, Audio, Features, Neoclassical, The Latest|Tags: , , , |

A deep, atmospheric and lush ambient track of analogu synth textures spiced with field recordings. A track from the due to be released soundtrack 'Castle in the Ground'. Starring Alex Wolff, Neve Campbell, Imogen Poots, Keir Gilchrist and Tom Cullen.

The story: "After the untimely death of his mother, a teenager befriends his charismatic but troubled next-door neighbor and becomes embroiled in a world of addiction and violence just as the opioid epidemic takes hold of their small town. "

Few words about Chris Hyson:
Chris Hyson is a London based multi-instrumentalist, producer and composer. He studied at the RWCMD and the Royal Academy of Music in London, where he developed his keen sensitivity and creative flair for composition, indulging an appetite for writing that has since led to a professional portfolio spanning performance, composition, and production.

As a performer, Chris has shared the stage with various acclaimed artists across genres, including English singer/songwriter Mara Carlyle (EMI), renowned Drummer/Producer Richard Spaven (José James and Jameszoo), Mercury Prize nominated Folk artist Sam Lee, Mercury Prize nominated British Rapper TY, three-time Grammy Award winning artist Bill Laurance, project of Australian-born London-based Singer/songwriter Jamie Doe ‘The Magic Lantern’, Rough Trade Records artists Josienne Clarke and Ben Walker, and Sony artist & Texan Jazz Singer Hailey Tuck, with whom Hyson appeared live on Jools Holland in 2018.

Chris’ talent and creativity truly take center stage however in his steadily growing collection of self-produced solo instrumental music, now spanning a notable 5 EP’s; ‘Little Moon Man’, ‘Alive With Closed Eyes’, ‘Paradise’, ‘Human Error’ & ‘Still Life’. This impressive body of work has not gone unnoticed, collectively reaching over 1 million streams online, and gaining recognition and radio play across major UK stations, including BBC Radio 2, BBC Radio 3, Jazz FM and Classical FM.

Chris is the composer and producer behind ‘Snowpoet’, a hugely successful collaboration with Jazz FM's Vocalist of the Year (2016) Lauren Kinsella. Tracks from the band’s self-titled debut album, ‘Snowpoet’, were championed by BBC 6 Music and Snowpoet’s stunning second album, ‘Thought You Knew’, a unique & fresh offering that was dubbed by Clash Music as ‘a multi-faceted jewel’ drawing influence deeply from jazz yet imaginatively and ‘wonderfully retrained’.

Chris has recently branched out into the world of film composition, a landscape beautifully suited to his effortlessly enigmatic and emotive composition style.

He has composed several noteworthy film scores; Richard Raymond’s ‘A Million Eyes’, ‘Pink Wall’, starring Tatiana Maslany & Jay Duplass - which premiered at SXSW Festival 2019,‘Castle in the Ground’, starring Neve Campbell, Alex Wolff & Imogen Poots which premiered at TIFF in September 2019 and ‘Hailey Alien’, directed by Hannah Arterton, starring Gemma Arterton & Karla Crome.

Chris has also worked as a producer, lending his sensitivity, imagination & dynamism to the music of contemporary Jazz Vocalist and composer Emilia Martensson, Alternative Folk Singer/Songwriter Laura Fell and, most recently, Ninja Tunes emerging talent Jordan Rakei; holding true to Clash Music’s celebration of Hyson’s ‘ability to stretch towards virtually any style placed in front of him’. Indeed, it seems clear that there is no creative field in which Chris fails to excel, impress, delight and surprise.

‘an exceptional musician’ TIME OUT

‘His music exhibits a remarkable self-assurance’ - New York Times
https://www.instagram.com/chrishyson

Daniel[i] & Purl – Tesseract (Bandcamp)

Categories: Ambient Features, Audio, Electronica, Features, The Latest|Tags: , , , |

The long days of summer are well upon us, and along with them comes Tesseract, a beautifully expansive and immersive dub techno odyssey from Daniel[i] and Purl. Shimmering figures echo into infinity and vaporous plumes of texture dissipate into clouds of warm mist, while vapour trails of melody gently emerge from sunlit pools of radiant dawn.

Join us and swim in the unexplored depths of consciousness and through the rippling undercurrents of the universe.

Aftrlyfe, Rider Shafique, Silke – Dive Deep (Spotify)

Categories: Audio, Features, Hip-Hop, The Latest|Tags: , , , , , , |

With a powerhouse collaboration with UK-based artist Silke, blending in perfectly with a post-rock production and Rider’s rootsy vocals, this EP is nothing short of hip and groovy. The three heavily synth-based tracks seem to be telling a series of chronological stories, starting with the contemplative and atmospheric ‘Dive Deep’. The second track ‘Babylon a Burn’ furthers the theme with a more upbeat cinematic music, leading to climactic crescendos in its penultimate track ‘Rise from the Ashes’.

Aftrlyfe’s music is reminiscent of the trip hop vibes of Massive Attack, and his influences also include FKA Twigs, Run the Jewels, and 6Lack, among others. When asked for a defining album that influenced him, he answered Radiohead’s ‘In Rainbows’, which was a sonic illustration of emotions that made him feel beyond what was known before.

Load More Posts
Go to Top