Satin Puppets – Sulky Eyed Creatures – Nxghtshade Remix

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“Hidden in the shadows, this collaborative Witch House/Alt Pop release may unexpectedly appear to spread fear. Its mysterious slow paced sound, matches perfectly with the hunting vocals that will make you look behind if you listen alone!”

-Nagamag.com

In this haunting alt pop masterpiece, viral vocal sensations Satin Puppets (1.7M followers on tiktok) team up with buzzing "Hey Bunny" singer Baby Bugs and LA alt pop producer NXGHTSHADE

https://www.instagram.com/satin.puppets/

Anne Marie Almedal Interview on Nagamag

Categories: Features, Interviews, Pop Features, Pop Interviews, The Latest|Tags: , , , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Anne Marie Almedal:
Dream pop, cinematic, indie, female vocal, scandinavian!


Nagamag:
Few words about your musical background and career?

Anne Marie Almedal:
Former lead singer of Norwegian art-pop indie band "Velvet Belly" since the mid90's Anne Marie Almedal has beguiled listeners in her near 30 year music career. Each of her five solo albums are all landmark dream-pop releases, from "female Nick Drake" nordic noir folk-pop to the more stirring electronic comeback album "We Dance Alone". Her music has been described as "sweetness multiplied, sadness tripled, her music brings you one step closer to heaven. As fantastic as sharing the last cigarette with the one you love".


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Anne Marie Almedal:
Growing up in the lonely (but beautiful) suburban, southern coast of Norway, music was an essential escape and soul food. For a melancholic teenager, the voice and songs of other dreamy female artists had a huge impact on my own journey into songwriting and vocal delivery. Liz Fraser/Cocteau Twins, and of course, who else but Kate Bush...first time round:-)


Nagamag:
What are your favourite tracks for the new album?

Anne Marie Almedal:
There are naturally so many songs on my new album that mean such a lot to me, written and produced during the best-forgotten lockdown, where we were all faced with ”dancing alone”, and of my private experience of coping with, and recovering from, breast cancer. Yes, I know it’s a cliché, but music can really give us the magic to breathe, heal, smile, in dark times, and despite the tough background behind the songs, I´m proud to say that they are thankfully like little angels, moments of light. So happy to share to all who want to listen! As far as fave tracks, right now I´d say ”Freeze The Moment”...
A song for those inner moments, walking in the forest, lost in the now. I wanted to capture something both dream-poppy and vaguely post-industrial....something healing, magical, happy/sad to cope with some pretty cold, heavy feelings. Somewhere where my lonely scandi-noir could feel equally at home in some imaginary futuristic misty factory landscapes. Nothing beats the pure joy of expressing loneliness in a warm haze of drum machines, broken synths and shoegaze guitars!
and also the track ”Runaway Turnaround”

Coming to terms with distant memories of youth, distant love affairs,.. ” Runaway Turnaround” is like a burnt-out polaroid snapshot of all my favourite mystical 80’s melancholy synth-pop moments, wrapped with the (thankfully) wiser know-how of who I am today... Again, this song went against my insticts of seeking solace in the ”folksy”, when feeling low, and rather choosing to being energized and reinvorgated by some life-enhancing, larger-than-life synth soundscapes, and some direct, honest feelings.


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Anne Marie Almedal:
Edda Dell'Orso "Ennio Morricone Poesia Di Una Donna"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Anne Marie Almedal:
Cocteau Twins Heaven Or Las Vegas

Discover & Listen to Anne Marie Almedal

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Luca Vasta – La Mia Storia

Categories: Features, Pop, Pop Features, The Latest, Video|Tags: , , , |

“The text of this song provides for this – warm and tube sound. The beautiful melodic elements of Indie Folk, the atmosphere of the all -consuming Chamber pop and sweet vocals -luca vasta-. A very colorful track, obeyed in one breath.” (Automatically Translated with Google Translate)

“Текст этой песни предусматривает именно такое — тёплое и ламповое звучание. Прекрасные мелодические элементы indie folk, атмосфера всепоглощающего chamber pop и сладкий вокал -Luca Vasta-. Очень колоритный трек, слушается на одном дыхании.”

-Nagamag.com

https://bfan.link/la-mia-storia

Luca Vasta releases the first new song of her upcoming album and takes us with her on a journey to the beauty of Sicily.

The Italian/German Songwriter composed together with award-winning producer and songwriter Philipp Steinke (boy, Bosse, Tina Dico) an upbeat melancholy soundtrack for the beginning of the summer season.

„La Mia Storia” shines with cosmic suave and sonic adventure, telling a story about sharing the secret of an unfulfilled love. „Sei la Mia Storia, maledetta“. You’re my story, damn it!

Luca’s deep and delicate vocals take us into her internal world that we can all relate to. The song with its catchy melody and timeless Italo guitar shows us once again that Luca has created her own musical style and we can’t wait for more „Spaghetti Pop“ coming in 2022.

The video to her new single was shot in her hometown Ragusa, Sicily. It is produced and edited by herself and reveals more of her creative mind as she independently built her career without having a big label to back her.

https://www.instagram.com/lucavasta_official

MIMRA – No man’s land

Categories: Audio, Features, Pop, Pop Features, The Latest|Tags: , , , |

“In the context of perception and understanding of the invested meaning into this composition in the Electro Pop genre, the vocals -Mimra- sounds very unusual! There is something otherworldly, extraterrestrial in it, but at the same time it has softness, tenderness and executed with great love.” (Automatically Translated with Google Translate)

“В контексте восприятия и понимания вложенного смысла в эту композицию в жанре electro pop, вокал -MIMRA- звучит очень необычно! Есть в нём нечто потустороннее, внеземное, но при этом он обладает мягкостью, нежностью и исполнен с большой любовью.”

-Nagamag.com

Icelandic art pop artist, producer and songwriter, MIMRA, independently released EP “Finding Place” earlier this year. Comprising six tracks, Finding Place weaves together a wide range of influences that MIMRA has explored throughout her musical career. Never one to neatly settle within one genre, the release is yet another example of her vast musical abilities, skillfully combining art pop, electronic music, jazz and folk.

Finding Place begins with “No Man’s Land,” which sets the stage for the themes MIMRA explores throughout the EP. The lyrics introduce the driftlessness MIMRA encountered after moving countries and the emotional experience of feeling like one doesn’t belong to a city, a home, or another person.

https://www.instagram.com/mimramusic/

Robyn Cage – Let Life Happen

Categories: Audio, Features, Pop, Pop Features, The Latest|Tags: , , , |

“An incredibly strong track, the energy of which, like a hurricane, blows roofs from houses and pulls trees with roots, and the voice -Robyn Cage, as if a bird rushes over your heads. You will remember this hypnotizing melody and rhythm Dream POP for a long time!” (Automatically Translated with Google Translate)

“Невероятно сильный трек, энергия которого словно ураган сносит крыши с домов и вырывает деревья с корнями, а голос -Robyn Cage- словно птица проносится над вашими головами. Эту гипнотизирующую мелодию и ритм dream pop вы запомните на долго!”

-Nagamag.com

http://www.facebook.com/robyncagemusic

I Used to Be Sam – Grateful

Categories: Features, Pop, Pop Features, The Latest, Video|Tags: , , , |

“This track can be compared with a research mission on the subconscious of the author. Deeply personal and very fragile, like our hearts of a song, the mood in which is shrouded in as if fog after cold, autumn rain. Chic arthouse with the taste of alt pop sound, with an outstanding vocal.” (Automatically Translated with Google Translate)

“Этот трек можно сравнить с исследовательской миссией по подсознанию автора. Глубоко личная и очень хрупкая, как наши сердца песня, настроение в которой окутано словно туманом после холодного, осеннего дождя. Шикарный артхаус со вкусом alt pop звучания, с выдающимся вокалом.”

-Nagamag.com

Internationally acclaimed singer, songwriter and musical artist I Used To Be Sam (aka Annie Goodchild) announces their self-titled EP, set for release on 16 September. I Used To Be Sam also shares their last single, ‘Grateful’, before the release of the EP out on 16 June.

With their latest single ‘Seamstress’ championed by COLORSxSTUDIOS and Notion, and their track ‘Gentle,’ landing a premiere on Wonderland, I Used To Be Sam steps into a complex journey of transracial adoption and self-discovery on their new EP ‘I Used to Be Sam’ – an explorative new collection of deeply personal, cinematic, left-field pop, all wrapped up in the singer’s distinctively illustrious voice.

Originally written on piano, I Used To Be Sam continued work on the track with producer Novaa, adding further layers and movement. Something about it’s droney playfulness just felt right – “This whole experience of coming into my adoptee identity, DNA tests, and heartbreaking rejections have been a real journey and I wanted the song to have a fairytale wandering through the woods kind of vibe.”

An apt final single before the release of the full record, ‘Grateful’ is a song of reflection; for the work that she has done to get here, and also a thank you to the people in her life who have helped her get to this point.

They continue, “my chosen family has really stood by me throughout this process, both artistically and personally. So I needed to have a song that was a ‘thank you’ to them and that part of myself. The other aspect of this song is about being ready to walk away from my own damaging cycles, and other’s toxicity. I feel like I have enough perspective now to start seeing how some of my trauma responses attract toxic and manipulative people and thought patterns. And that’s something I not only want to change, but also need to change to keep evolving.”

Previously known for her work as Annie Goodchild and as a featured singer in the musical collective Postmodern Jukebox, the new project sees a shift in musical direction for the multi-faceted artist, as well as a deeply personal exploration of their identity and adoption journey. The devastation and passion pours out of every track on this complex and enchanting record.

On a gruelling songwriting trip to Berlin in 2020, I Used To Be Sam had a life changing experience working with a queer, female, POC producer. Up until this point, they had primarily only worked with white men, given the lack of diversity within the music industry. However, after meeting this new producer, who they more closely identified with, I Used To Be Sam felt comfortable enough to open up about their adoption story, speaking candidly about meeting her birth father for the first time, and the agony of trying to reconnect with her biological mother which was met with hostility and rejection. As the artist recounted their experiences, she confirmed her birth name had been Samantha, “After telling my story, I looked up at the producer and she was crying. In that moment, the name I Used to Be Sam came to me. I decided I couldn’t make Annie Goodchild music anymore, because Annie was who I had to be to get to this point. This new project was something I needed to create so I can continue to grow and evolve.”

Following this life-altering moment, I Used To Be Sam became impassioned to use their music as a vessel to bring people with shared experiences together, and to open up the narrative around transracial adoption from the perspective of the adoptee, which is very rarely heard and explored. She has created a community with other transracial adoptees (TRAs), many of whom she has interviewed for this project. Fragments of their stories can be heard throughout this new record.

I Used To Be Sam’s self-titled debut EP is set for release this Autumn, and marks a pivotal moment for the artist making the bravest, freest and most confronting music of their career.

https://linktr.ee/iusedtobesam

Natalie Lane – Hey Girl

Categories: Audio, Features, Pop, Pop Features, The Latest|Tags: , , |

“The new song -Natalie Lane- I want to listen again and again, delving into the text and enjoying her in a gentle voice. From the Alt Pop melody you will receive incredible pleasure, it is so harmoniously built into the general thread of the narrative.” (Automatically Translated with Google Translate)

“Новую песню -Natalie Lane- хочется слушать снова и снова, вникая в текст и наслаждаясь её нежным голосом. От мелодии alt pop вы получите неимоверное удовольствие, настолько она гармонично встроена в общую нить повествования.”

-Nagamag.com

https://www.instagram.com/swerveitslane

Dillon – <3core

Categories: Features, Pop, Pop Features, The Latest, Video|Tags: , , , |

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“”Dillon” returns after a long pause and she’s influenced from intense emotions. Sadness, despair and bittersweet thoughts can be traced in this remarkable Downtempo single, which covers everything like a dark cloud. Dare to listen!”

-Nagamag.com

Brazilian-born artist Dillon is back after five years – On her fourth album, 6abotage, produced by Greek-German producer Alexis Troy, Dillon has created a powerful sound sphere one can hardly restrain from. The first single, “<3core,” is available for streaming from June 10th.

With her first single, “<3core”, the Berlin-based artist has created an oscillating tension field – giving the first insight into her fourth album, 6abotage. Written and produced with Alexis Troy, Dillon describes the album as “a love letter, a cry for help and a consequence all in one”, with the hypnotically painful first single, “<3core”, tying up reluctant impulses and emotions, attracting and repelling like rotating magnets.

Reduced to the core, it sounds abyssal and sobering when Dillon outlines an entangled situation, where, perhaps only leaving may help, with the escalating line “if you hurt, till you hurt me, till I hurt you, till you want me, till you love me <3core… “. Troy’s skilfully consummate production embraces Dillon and her struggle with this emotional chaos, which momentarily shifts into spoken word, in sombre warmth, and simultaneously, in stifling coldness. “<3core” reveals Dillon’s unsparing openness, a relentless inner conflict, and the powerful combination of pain/despair and relief/conciliation.

Bolivard – Psychopathe

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“With a strong dose of creativity and personal style, “Bolivard” presents his mind-blowing single. Indie Pop atmosphere, cool beat and plenty of sarcastic lyrics about our modern way of life. Music for anxious minds and restless spirits.”

-Nagamag.com

After being a bizarre psychiatrist in his first EP and his interviews on YouTube (among his patients: Jacques, Myd, L’impératrice and Dombrance). The multifaceted artist embodies a new character now: a psychopath perfectly integrated into a sick society. Recalling the funky instrumentals of French icons IAM and the laid-back flow of MC Solaar, the new single “Psychoptahe” will be released with a music video directed by Bolivard.

https://www.instagram.com/bolivardmusic/

Tim Freitag – Brick By Brick

Categories: Audio, Features, Pop, Pop Features, The Latest|Tags: , , |

“-Tim freitag-still continues to delight us with its new works, each of which has already become a hit from the first days after the release. His new track in the Indie Pop genre is an Idel example how to love what you do and surrender to your work completely and completely. (Automatically Translated with Google Translate)

“-Tim Freitag- по-прежнему продолжает радовать нас своими новыми работами, каждая из которых уже с первых дней после релиза становится хитом. Его новый трек в жанре Indie Pop идельный пример как нужно любить то, чем занимаешься и отдаваться своему делу целиком и полностью. ”

-Nagamag.com

Release of their captivating debut album «Monsters Forever» and then the «SRF 3 Best Talent» hype - March 2020 turned out to be a huge steppingstone for Tim Freitag! But, instead of the anticipated chance to take off and fly, the past two years have given the Zurich band – as to most of us – a lot of involuntary time to ponder, brood, ... and social distance. And yet, while musing, «Brick by Brick» was born!

This haunting indie-pop number deals with the difficult but absolutely necessary process of detaching from one's parents - without ever really completely breaking away and cleanly severing the umbilical cord binding us to them. Then, in an ancient recurring subliminal dance, inevitably passing on to the future what they taught us - so much so that the "old" homestead is gradually, almost blindly replaced by a "new" one: grain-by-grain, stone-by-stone, «Brick by Brick».

While the lyrics mirror what is in all of us, front-man, Janick Pfenninger, nevertheless, slips in a few very, very personal lines: with «I've fought the stars and found the moon / I'm riding high, waving goodbye, to You» he alludes to the classic lullaby «Bajuschki, baju» that his mother would sing to him as a wee small lad, still surrounded in the lulling dreamy, cottony aura of maternal love. And this soothing children’s bedtime song should actually be the outro of EVERY Tim Freitag gig – with immediate effect -- from now on: But this particular issue is still being hotly debated by the band.

What makes this debate even MORE drawn-out? Three YES- and three NO-votes are now possible because the Quintet has grown into a Sextet: longtime band best-buddy and live helper, Martin Künzle, has become the sixth permanent member, alongside Janick, Nicolas Rüttimann, Severin Graf, Lorenzo Demenga, and Daniel Gisler. The Timmies are growing, «Brick by Brick».

Achille Lietha and Laura Gerster now, too, have taken their places amongst the cornerstones of the rock-solid Tim Freitag foundation, becoming integral members who magically transform the group's music videos into veritable minor works of art; whether it be from Achille’s Director's chair or from Laura’s studio. This visual conjuring, this sartorial legerdemain applies so strongly to «Brick by Brick» that the Zurich-Six should actually replace their existing kimono-look stage-style with this clip’s awesome, aeolian, enchanted, ethereal costumes. But that is yet ANOTHER hotly debated issue.

http://www.timfreitag.com/

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