Ten Bulls – Aghori

Categories: Audio, Pop, The Latest|Tags: , |

“The melody of the acoustic guitar can be compared with a leisurely walk on a bicycle around the city. The rhythm Indie Pop is like a light breeze in your back, and the voice tickles the tips of your ears pleasantly. A small, musical miracle in your discography.” (Automatically Translated with Google Translate)

“Мелодия акустической гитары можно сравнить с неспешной прогулкой на велосипеде по любимому городу. Ритм indie pop словно лёгкий ветерок дышит вам в спину, а голос приятно щекочет кончики ваших ушей. Маленькое, музыкальное чудо в вашей дискографии. ”

-Nagamag.com

https://www.instagram.com/ten_bulls/

Freddie Elmberg – The Bouncer

Categories: Audio, Pop, The Latest|Tags: , , , |

“Young and so talented -freddie elmberg-, whose voice is like a sip of a holy elixir in an endless, musical stream. A pleasant melody of accompanying piano perfectly emphasizes the entire beauty of its vocals. This is not just a composition, it is a real magic.” (Automatically Translated with Google Translate)

“Молодой и такой талантливый -Freddie Elmberg-, чей голос как глоток свящённого эликсира в бесконечном, музыкальном потоке. Приятная мелодия аккомпанирующего фортепиано идеально подчёркивает всю красоту его вокала. Это не просто композиция, это — настоящее волшебство.”

-Nagamag.com

Triston James – Night Song

Categories: Audio, Pop, The Latest|Tags: , |

“An ideal melody before going to bed, which will relax, distract from worries, will warm up the upcoming dreams with its warm vibrations and help fall asleep with a calm and deep sleep. The pleasant chamber pop melancholy is perfectly suited as a musical canvas.” (Automatically Translated with Google Translate)

“Идеальная мелодия перед сном, которая расслабит, отвлечёт от забот, согреет своими тёплыми вибрациями предстоящие сны и поможет заснуть спокойным и глубоким сном. Приятная меланхолия chamber pop прекрасно подходит в качестве музыкального полотна.”

-Nagamag.com

https://www.instagram.com/tristonjames__

Robyn Cage – Let Life Happen

Categories: Audio, Features, Pop, Pop Features, The Latest|Tags: , , , |

“An incredibly strong track, the energy of which, like a hurricane, blows roofs from houses and pulls trees with roots, and the voice -Robyn Cage, as if a bird rushes over your heads. You will remember this hypnotizing melody and rhythm Dream POP for a long time!” (Automatically Translated with Google Translate)

“Невероятно сильный трек, энергия которого словно ураган сносит крыши с домов и вырывает деревья с корнями, а голос -Robyn Cage- словно птица проносится над вашими головами. Эту гипнотизирующую мелодию и ритм dream pop вы запомните на долго!”

-Nagamag.com

http://www.facebook.com/robyncagemusic

Lévie – Echo

Categories: Audio, Pop, The Latest|Tags: , |

“So many emotions, their real and endless stream and just a few lines of this Alt Pop track. It's just incredible! And everything seems to be extremely simple, there is nothing intricate, but it is so nice to listen to every sung -lévie -word.” (Automatically Translated with Google Translate)

“Столько эмоций, их настоящий и нескончаемый поток и всего в нескольких строках этого alt pop трека. Это просто невероятно! И вроде бы всё предельно просто, нет ничего замысловатого, но так приятно вслушиваться в каждое спетое -Lévie- слово.”

-Nagamag.com

Echo is upbeat song about having to tell the person you love what you mean to them even when it feels repetitive, and like you're stuck in a loop. The hook plays with the idea that sometimes saying I love you might feel "corny" or "too much," and the verses play into that motif.

https://www.instagram.com/itslevie/

Goldie Vargas – Moving in Reverse

Categories: Audio, Pop, The Latest|Tags: , , , |

“The information and mastering are made at a very high level and over all this splendor, as at the peak of the high mountain, the original voice rises -goldie Vargas-, the vocal data of which cannot be explained, you just need to hear it at least once and fall in love forever!” (Automatically Translated with Google Translate)

“Сведение и мастеринг выполнены на очень высоком уровне и над всем этим великолепием, как на пике высокой горы возвышается оригинальный голос -Goldie Vargas-, вокальные данные которой не поддаются объяснению, его надо просто услышать хотя бы один раз и влюбиться навсегда!”

-Nagamag.com

Los Angeles-based singer and songwriter Goldie Vargas has released her new single, “Moving in Reverse."

“Moving in Reverse” is Goldie’s second single and follows her debut release, “Strawberry Kisses.” Both songs will be included on her upcoming EP, due out this Summer.

Written during the first week of the pandemic, "Moving in Reverse" is a cathartic emotional release. Over dreamy, atmospheric production, Goldie’s honeyed vocals unfurl as she poignantly describes the fear, isolation and uncertainty she was feeling: “Days go by and I’m still trying to find the way to get out alive / Days go by and I’m still trying to get towards the other side.”

After writing and recording "Moving in Reverse," Goldie didn't touch it again for an entire year. She explains what drew her back to the song: "It took a really mentally challenging period of my life to take me back to the final recording of the song where I discovered an entire new meaning in it. Everything I was going through with brain fog, anxiety and depression was being said through the song and communicated in such a clear way."

https://www.instagram.com/goldie.vargas/

I Used to Be Sam – Grateful

Categories: Features, Pop, Pop Features, The Latest, Video|Tags: , , , |

“This track can be compared with a research mission on the subconscious of the author. Deeply personal and very fragile, like our hearts of a song, the mood in which is shrouded in as if fog after cold, autumn rain. Chic arthouse with the taste of alt pop sound, with an outstanding vocal.” (Automatically Translated with Google Translate)

“Этот трек можно сравнить с исследовательской миссией по подсознанию автора. Глубоко личная и очень хрупкая, как наши сердца песня, настроение в которой окутано словно туманом после холодного, осеннего дождя. Шикарный артхаус со вкусом alt pop звучания, с выдающимся вокалом.”

-Nagamag.com

Internationally acclaimed singer, songwriter and musical artist I Used To Be Sam (aka Annie Goodchild) announces their self-titled EP, set for release on 16 September. I Used To Be Sam also shares their last single, ‘Grateful’, before the release of the EP out on 16 June.

With their latest single ‘Seamstress’ championed by COLORSxSTUDIOS and Notion, and their track ‘Gentle,’ landing a premiere on Wonderland, I Used To Be Sam steps into a complex journey of transracial adoption and self-discovery on their new EP ‘I Used to Be Sam’ – an explorative new collection of deeply personal, cinematic, left-field pop, all wrapped up in the singer’s distinctively illustrious voice.

Originally written on piano, I Used To Be Sam continued work on the track with producer Novaa, adding further layers and movement. Something about it’s droney playfulness just felt right – “This whole experience of coming into my adoptee identity, DNA tests, and heartbreaking rejections have been a real journey and I wanted the song to have a fairytale wandering through the woods kind of vibe.”

An apt final single before the release of the full record, ‘Grateful’ is a song of reflection; for the work that she has done to get here, and also a thank you to the people in her life who have helped her get to this point.

They continue, “my chosen family has really stood by me throughout this process, both artistically and personally. So I needed to have a song that was a ‘thank you’ to them and that part of myself. The other aspect of this song is about being ready to walk away from my own damaging cycles, and other’s toxicity. I feel like I have enough perspective now to start seeing how some of my trauma responses attract toxic and manipulative people and thought patterns. And that’s something I not only want to change, but also need to change to keep evolving.”

Previously known for her work as Annie Goodchild and as a featured singer in the musical collective Postmodern Jukebox, the new project sees a shift in musical direction for the multi-faceted artist, as well as a deeply personal exploration of their identity and adoption journey. The devastation and passion pours out of every track on this complex and enchanting record.

On a gruelling songwriting trip to Berlin in 2020, I Used To Be Sam had a life changing experience working with a queer, female, POC producer. Up until this point, they had primarily only worked with white men, given the lack of diversity within the music industry. However, after meeting this new producer, who they more closely identified with, I Used To Be Sam felt comfortable enough to open up about their adoption story, speaking candidly about meeting her birth father for the first time, and the agony of trying to reconnect with her biological mother which was met with hostility and rejection. As the artist recounted their experiences, she confirmed her birth name had been Samantha, “After telling my story, I looked up at the producer and she was crying. In that moment, the name I Used to Be Sam came to me. I decided I couldn’t make Annie Goodchild music anymore, because Annie was who I had to be to get to this point. This new project was something I needed to create so I can continue to grow and evolve.”

Following this life-altering moment, I Used To Be Sam became impassioned to use their music as a vessel to bring people with shared experiences together, and to open up the narrative around transracial adoption from the perspective of the adoptee, which is very rarely heard and explored. She has created a community with other transracial adoptees (TRAs), many of whom she has interviewed for this project. Fragments of their stories can be heard throughout this new record.

I Used To Be Sam’s self-titled debut EP is set for release this Autumn, and marks a pivotal moment for the artist making the bravest, freest and most confronting music of their career.

https://linktr.ee/iusedtobesam

DRAMAS – Fame

Categories: Audio, Pop, The Latest|Tags: , |

“The immersion effect is achieved by a beautiful and melodic sound of synthesizers and a hypnotic voice. Very positive music echoes the dramatic text, but between the lines you can catch the light intonation of self -irony. It's nice to listen, the melodic wib is just great!” (Automatically Translated with Google Translate)

“Эффект погружения достигается красивым и мелодичным звучанием синтезаторов и гипнотическим голосом. Очень позитивная музыка перекликается с драматическим текстом, но между строк можно уловить лёгкую интонацию самоиронии. Приятно слушать, мелодический вайб просто великолепен! ”

-Nagamag.com

Already the previous single successes are impressive and DRAMAS reinvent themselves once again, surprising with a great throw and hypnotic melodies. Reduced to the essentials, DRAMAS again indulge in the matter close to their heart on their new single "Fame" – the fascination with opposites.

This time, the focus is on a bipolar personality and the associated oscillation between the extremes. It’s also the opening single of the artpop duo’s new album, due out in spring 2023.

"Fame" is about a bipolar personality: the melancholic "dreamer in the school yard" and the exalted "unborn star". Even though the two can’t live with or without each other, they are lost without each other. For us, the song is also a love song to our own selves."

http://www.dramasmusic.com/

Anne Marie Almedal – We Dance Alone

Categories: Pop, The Latest, Video|Tags: , , |

“The experienced Anne Marie Almedal delivers magic through Pop and Shoegaze patterns, all mixed with her smooth, calm voice. A wonderful production consisting on electronic melodies and vivid percussive outbrakes, which will surely stick in your head.”

-Nagamag.com

The Norwegian vocalist drops a stirring comeback album following the teaser single ‘Breathing in Breathing Out’ released earlier this year. She channels the very best of her near 30 year music career in this latest release, with stunning vocals and rolling melodies reminiscent of her earliest ‘art-pop’ era.

Former lead-singer of indie band Velvet Belly, Almedal delivers delicately crafted song-writing and soothing lyrics all wrapped in a newly-found (distinctly dancey) electronic sound. Orchestrated by chill-step producer EvenS – armed with the piano musings and shoegaze electric guitars of Almedal’s partner and film composer Nicholas Sillitoe – the 10-track album adds saturated beats and synths to atmospheric soundscapes.

It harks back to her dream-pop days – certainly distinct from previous ‘female Nick Drake’ folk-pop releases. Through captivatingly emotional lyric delivery, the project treads the line between happy and sad, effortlessly flitting between both. Recording for ‘We Dance Alone’ began with Almedal’s shocking diagnosis of breast cancer – it’s this devastating news that informed the rousing, up-lifting and brilliantly inspiring song-writing heard in full voice on the album.

“The songs are about survival, never giving up, dreams and hopes,” Almedal says. She adds that the harrowing experiences of breast-cancer treatment and recovery render the messages “unmistakably female.” The album is a perfect score to the movie that has been her recent life; while she went on to write a collection of songs that could very well have been her last, she was mercifully greeted with the ‘all clear’ from doctors upon the project’s completion.

Flagship track ‘We Dance Alone’ is a solemn nod to the “best-forgotten lockdown where we were all faced with dancing alone.” So too is the hazy, post-industrial ‘Freeze The Moment’ – a song that speaks to feelings of despondent isolation. “I wanted to capture something where my lonely scandi-noir could feel equally at home in some imaginary futuristic factory landscapes,” the Norwegian says. “It’s a song for those inner moments.”

‘Runaway Turnaround’ stays true to the album’s philosophy of raw emotion; its heavenly electronic textures lay the foundations for melancholy memories of Almedal’s youth: “It’s like a burnt-out polaroid of all my favourite mystical 80s synth-pop moments – distant memories of youth, love affairs… wrapped with the (thankfully) wiser know-how of who I am today.” She notes that the track contravenes her instincts of seeking solace in “folksy” sounds, instead opting to create a powerful, energising synth-driven mood.

‘We Dance Alone’ is a beautifully conceived comeback album from an accomplished musician aiming to match the heights of previous music successes. The Norweigan’s fifth solo album was mixed by British producer Tim Bran, and is out now on all major platforms with a vinyl release also available in the UK.

https://www.instagram.com/anne_marie_almedal

Buddha’s Sister – Walls of Sand (You Should Know Me)

Categories: Audio, Pop, The Latest|Tags: , , , |

“It is simply necessary to focus on how this track is harmoniously drawn up. The ideal dynamics and structure of the narrative, the unity and balance of the vocals and rhythm of Alt Pop is felt and, for this reason, the melody is perceived as the course of water in the stream. Gorgeous work!” (Automatically Translated with Google Translate)

“Просто необходимо сделать акцент на том, как гармонично составлен этот трек. Идеальная динамика и структура повествования, ощущается единство и баланс вокала и ритма alt pop и по этой причине мелодия воспринимается как течение воды в ручье. Шикарная работа!”

-Nagamag.com

Single on upcoming 5th album "Chemical Crash" that is slated to come out Fall 2022

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