Kola Hak – JUNQ (Video)
Kola Hak’s debut instrumental collection out now via Company Businesses Incorporated. A Dreamy chill instrumental which will hypnotize you unde his sweet atmosphere and soft groove.
Kola Hak’s debut instrumental collection out now via Company Businesses Incorporated. A Dreamy chill instrumental which will hypnotize you unde his sweet atmosphere and soft groove.
Pulsar R82 is a pulsating synth beat intertwined with piano, part of the “Mystic Dreams” album from “Keepers of the Earth Peace Music Revolution”,
a track that express the glory of ambient synth electronica through harmonics that offering a space travel through sounds.
Keepers of the Earth Peace Music Revolution is an art rock collective. The music explores the conditions of humanity and encourages perceptive emotions/thoughts on world issues. At the same time, KEPMR explores the imaginative and emotionally powerful aspect of music.
https://www.facebook.com/keeperssoftheearthpeacemusicrevolution/
This single has a big industrial beat with a droning bass throughout. There are layers spun layers of harmonies and backing vocals, as well as a catchy melody. This song is about someone who is coming out of a dark time of their life. The metaphor is a “machine coming back to life”, like the gears start spinning again.
Few words about Sierra Bohnet:
American singer/songwriter/producer Sierra Bohnet performs progressive pop music, emphasizing lush, layered vocal harmonies, heavy synth melodies, and a wide mix of percussions/world beats. In many of her songs, she strives for an epic feel; where her high vocals carry an emotional, electronic symphony. Her inspirations include Aurora, Grimes, Banks, Scott, Allie X, Two Feet, and Cautious Clay.
Sierra Bohnet started writing music as the age of 9, in Truckee California, and has been developing original music ever since. She was fortunate to train for years with a vocal coach who fed her passion for writing and recording music. She launched her first single “Reflection” at the age of 16 and followed that up with new singles each year. She continued to develop her sound, and found a passion for producing her own music while studying at Berklee College of music. In May 2020, Sierra launched her debut EP, Eradøn, with six songs, each of which she wrote, performed, and produced. Ëradøn is the combination of two words – “era” and “done” to signify the end of an era in her life; a sort of rebirth.
While she considers voice to be her primary instrument, Sierra is also a classically trained flautist and a jazz saxophonist. She is self-taught on the piano and ukulele, which she often uses when writing music.
When not making music, Sierra loves goofing off, not taking the world too seriously, and being just crazy enough to help make this world more sane.
https://www.instagram.com/sierra__b__/
“Words Like Daggers” by The Angel featuring Jhelisa
Video directed by Mark Pellington, Sergio Pinheiro and Sweeten
“Words Like Daggers” is the first new artist recording from downtempo iconoclast, The Angel, in nearly a decade. The acclaimed record producer and film/TV composer has been known for pioneering a progressive dubtronic fusion of sounds on her records and in her film and TV score throughout her career.
Recently, The Angel was requested by her cousin, Rain Phoenix, to contribute a song to the LaunchLeft “Launched Artists Digital Singles Series” honoring her brother, River, for what would have been his 50th birthday. The contemplative lush electronic “Words Like Daggers,” written and produced by The Angel is the submission, and features longtime collaborator, vocalist, songwriter and producer Jhelisa (“Friendly Pressure”).
Of this inspired collaboration, Angel reveals,”Jhelisa and I have become close friends over the years.” Explaining how the seeds of collaboration grew holistically, “There’s a lot of sisterly love and mutual respect between us, so Jhelisa already understood the mournful weight of the track
before I asked to feature her. I’m always grateful that she’s willing to experiment with me because it’s not something she does lightly. Jhelisa beautifully channels the essence of whatever emotion needs to come through in the most evocative and visceral way.”
Jhelisa offers this insight about the song, “You wave goodbye from the edge of the shore, wish them the best, and love them forever. The word ‘Goodbye’ is a dagger wound you can eventually heal from through love and compassion.” The Angel continues, “I wanted the song to sound like a memory, like you’ve entered someone else’s dream space…The emotion is contained, very internal, so I juxtaposed a vocal vulnerability against a driving, incessant rhythm, where you can feel the underlying tension at the same time as experiencing the gentle plea, ‘Where’s my shelter…?’”
Rain’s LaunchLeft podcast and label are an alliance and space for eclectic artists and famed creatives. She especially curated a selection of music premieres including this anticipated release from The Angel. All artists selected have a special connection to River. The “Launched Artists Digital Singles Series” conclude on River’s birthday, August 23, with two previously unreleased songs from his band, Aleka’s Attic.
“I’m incredibly proud of my cousin as an activist and artist,” exclaims The Angel on contributing to the LaunchLeft Singles Series and Rain’s vision. She continues, “Rain’s solo album, ‘River’ is a brave and beautiful tribute to her brother and I wanted to be by her side as she took this next step to celebrate River’s 50th via this special singles series. The spirit of LaunchLeft, as an alliance of left-of-center artists who support and uplift each other, is something that River not only lived by, but is exactly the kind of alliance he would have championed. This is something we need more of in our industry and in the world.”
The Angel wrapped a video for “Words Like Daggers” with award-winning director and friend, Mark Pellington (Prolific Film Content), premiering via LaunchLeft’s partnership with Flood Magazine. Directed by Mark Pellington, Sergio Pinheiro and Sweeten, the video is a collaboration between Pellington, his editor and FX artist/director Pinheiro and film collage artist Sweeten. The three joined forces with The Angel, Jhelisa and cinematographers Alfeo
Dixon in Atlanta and Eve M Cohen in L.A. to create this emotional nocturnal collage. Mark acknowledges, “The Angel is a great artist. I loved the track and brought in some colleagues to make it happen. I understood her personal expressionism and intention and felt I could help the creative effort.”
The Angel adds, “Mark and I go way back to his MTV ‘Buzz’ days. He, Jhelisa and I all lived in ’90’s London, forging our individual artistic paths. Bringing us together for this video added some historic synergy to the mix. I’ve always loved Mark’s visual aesthetic. I’m grateful for his
emotional creativity, his artist-to-artist and human-to human approach. He challenged and encouraged me to write an internal dialogue that was separate from the lyrics, to use as the framework for my voiceover. I added newly created music beds, that now make up the intro and outro. After many years of working to picture, it was inspiring to reverse engineer the bookends of the video, and treat them like film in this way.”
The Angel and Pellington pulled the vision and team together fast, with Pellington overseeing the live action shooting, then Pinheiro and Sweeten adding their layers of image and visual FX. Angel adds, “Mark has an innate ability to tap into the underlying meaning of a song, then translate that into a poignant visual feast.”
Describing the feeling, Angel says, “The ‘Words Like Daggers’ video is centered on Jhelisa, the evocative messenger who draws us into self reflection, unleashing demons, showing us what it feels like to maintain both power and empathy in the face of adversity.”
Being able to celebrate River in 2020 with a new song and production makes this release even more meaningful to The Angel. “’Words Like Daggers’ is an exploration of loss… the agonizing breakdown of a deep connection, merged with other poignant losses, like the loss of my bass player and spiritual brother, Robert Russell, who plays on the record… all life experiences I would have shared with River.” The Angel adds, “Thanks to Rain, celebrating River in 2020 has become an unexpected and important part of my healing process…a touching reminder that the process is ongoing. I Ioved River dearly.”
The Angel hails from Brooklyn and is based in Los Angeles via an extended, inspired stay in the U.K. She has produced and released many acclaimed
works since the 90s under additional monikers, 60 Channels and Jaz Klash. She is also one of a handful of women film/TV composers, having scored
features including, Boiler Room, Gridlock’d and KiDULTHOOD as well as Ava DuVernay’s pilot “For Justice” for CBS among others. The Angel has
produced, remixed, and collaborated with Monday Michiru, The Brand New Heavies, Bay Area rapper/singer, Mystic, The Pharcyde’s Tre “SLIMKID3”
Hardson, Delicious Vinyl Records, Spearhead, Ninja Tune, London jungle o.g., MC Navigator, and Bristol’s More Rockers/Smith & Mighty.
Jhelisa launched her career out of the UK Acid Jazz music revolution of the 90s. She has produced numerous solo albums including the revered classic,Galactica Rush. Jhelisa is a musical maverick whose many collaborations have included work with Bjork, Massive Attack, Soul Family Sensation, Bryan Ferry and Chaka Khan.
Queer alt-pop artist Ian Abel sings about getting over his ex in a tender, uplifting, and powerfully driving ballad “Mirror Mirror,” released Aug 11. The confessional, pining track came from an experience Abel had years after his first big breakup while sifting through old emails.
“I was honestly still totally hung up on it,” says Ian. “I thought my ex and I were meant for each other. But reading old emails it suddenly dawned on me that we weren’t perfect after all… I realized that the version of us I had in my head wasn’t really how it was, and it was like a huge weight was lifted.”
“Mirror Mirror” is Abel’s second single of 2020. His first single “Taste” was released in May and received praise from numerous blogs and playlisters, including a glowing review from American Pancake’s Rob Donker Curtius, who called it a “deeply engaging blend of genres and art pop tones.”
Streaming & Purchase: fanlink.to/ianabelmirror
Website: ianabelmusic.com
Socials: @ianabelmusic
Nighttime from Lucy Burke is an ambient electronic pop song to laid back and engage good thoughts during night.
A wonderful chill atmosphere under etheral warm vocals.
Few words about Lucy Burke:
Lucy Burke has been recognised as a leading singer-songwriter in the contemporary Australia music scene. She was awarded third place in the Open category of the 2019 Australian Songwriters Awards for her single “Calm Before the Storm,” and was featured in 2017 when she performed her single “Leaving on a Lie.”
Lucy and her band are a mainstay at many iconic Sydney venues, including LazyBones, Venue 505, The Basement, Foundry 616, and The Vanguard. Merging acoustic instrumentation with ambient electronic pop, Lucy offers a modern take on the timeless tradition of song.
https://www.lucyburkemusic.com/
The mysterious phenomenon SOLON is back with a solid melancholic piece in the form of ‘Ready For The Night’. Following up his latest release ‘Together All’, he showcases once again how he masters the progressive sound impeccably.
Inspired by the future of humanity regarding cosmos and cloning technologies, the compelling track takes you on a journey around SOLON’s vision. The release is accompanied by a stellar video, bringing tribute to space exploration after the launch of NASA’s Mars 2020 rover to the Red Planet
Shadow’s Jungle from 2 Dialogue is a minimal melodic techno track with beautiful mix and right selection of sounds.
Through his hypnotic groove but with a laid back chill direction, listener will enjoy to the end under daydreaming mood.
A bright, full of positive vibes and wonderful mix is “Kids of Summer” by Monotronic.
Monotronic share few words about this song with us
“The music and beat of Kids of Summer was inspired by some of the electronic music I have been listening to these days. It’s got an upbeat vibe that feels right for summer, but also speaks to the times, in terms of all the youth energy we are seeing out in the streets, which I think is leading to real change”
Monotronic is a collection of musicians based in New York City that blend a wide array of genres and styles to produce a unique sound of their own. The band was founded in 2016 by guitarist/producer Ramsey Elkholy, who is also the band’s leader and primary song writer. The band’s sound can best be described as a mix of indie and electronic music with strong world music influences. Monotronic has been featured in several music publications, and has performed at many prestigious venues and festivals.
https://www.instagram.com/monotronicband/
Multi-instrumentalist Peter Zirbs with his new single ‘Wasted’. Taken from the On A Beautiful Day EP, released August 28, ‘Wasted’ features outstanding singer and songwriter Loretta Who.
Providing one of the two big emotional highlights on the On A Beautiful Day EP ‘Wasted’ sees bombastic, electronic arrangements meet with the fragile, soft voice of Loretta Who – rarely has human alienation been more charmingly packed into a song.
On A Beautiful Day seems to almost prophesise current events – what seemed unthinkable a year ago has become everyday life. With the charismatic former Archive frontman Craig Walker, Zirbs has invited an international guest to the studio for the single ‘Locked In’. Inspired by an old interview with the legendary singer Nico, Zirbs wrote the lyrics to the song last autumn. Today these lyrics read frighteningly up-to-date.
With the hypnotic track ‘The Grand Blackout’ and the energetic track ‘Intensive Care Unit’, Zirbs again proves his class and ability to playfully switch between minimal music and his early musical roots.
As part of the Viennese techno scene of the 1990s, multi-instrumentalist and electronic producer Peter Zirbs released music under several pseudonyms and on various labels. He has broken down genre boundaries over the years, experimenting with analog synthesizers in the scene’s infancy, and finding success with his energetic and raw productions. His electronic music collective konsorten™ earned considerable airplay across the German-speaking world, he also produced for other artists and was responsible for the score of three highly praised art films.
In 2018, Peter Zirbs stepped into the spotlight as a solo artist, with his internationally-acclaimed album debut What If We Don’t Exist?. This debut release found Zirbs’ mixture of futuristic synth-pop, graceful ambient and minimal music being compared to Bowie.
“The closest and most apt sonic comparison for “What If We Don’t Exist?” would be David Bowie’s Low, with its mixture of futurist Synth-Pop and graceful ambient music” (Forestpunk / USA)