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Just 4 Tonight – Awkward

Categories: Rock, The Latest, Video|Tags: , , , |

“Real cultural shock and euphoria. It is such associations that occur when you include a new track group -Just 4 Tonight-. A song that really clings to absolutely everyone: wonderful music, interesting text and emotional vocals. (Automatically Translated with Google Translate)

“Настоящий культурный шок и эйфория. Именно такие ассоциации возникают, когда включаешь новый трек группы -Just 4 Tonight-. Песня, которая реально цепляют абсолютно всем: замечательной музыкой, интересным текстом и эмоциональным вокалом.”

-Nagamag.com

https://linktr.ee/Just4Tonight

5urati – kömak bashi

Categories: Audio, Pop, The Latest|Tags: , , , |

“When the sound pierces through when you want to listen to music exclusively in the cozy atmosphere and when the soul wants to shout from the endless flow of emotions. Turn off your phones and turn on this track and immerse yourself in rhythms and melody Lounge music along with -5urati-. (Automatically Translated with Google Translate)

“Когда звук пробирает насквозь, когда хочется слушать музыку исключительно в уютной атмосфере и когда душа хочет кричать от нескончаемого потока эмоций. Выключайте ваши телефоны и включайте этот трек и погрузитесь в ритмы и мелодию Lounge музыки вместе с -5urati-.”

-Nagamag.com

Timothy LaRoque – Strangers

Categories: Audio, Jazz, The Latest|Tags: , , , , |

“How often do you have in the rays of spotlights, whose diffused light breaks through smoke clubs in the night, jazz bar? You have a unique opportunity to get into this wonderful world, in which the acoustic melody and vocals -timothy Laroque are for the aircraft with a real revelation. (Automatically Translated with Google Translate)

“Как часто вы бываете в лучах прожекторов, чей рассеянный свет прорывается сквозь клубы дыма в ночном, джазовом баре? У вас есть уникальная возможность попасть в этот чудный мир, в котором акустическая мелодия и вокал -Timothy LaRoque- станут для вс настоящим откровением.”

-Nagamag.com

Close your eyes listening to "Strangers" by Timothy LaRoque and you might picture yourself in a French Cafe right out of a film like Hugo or The French Dispatch. Inspired by Django Reinhardt and the soul of gypsy jazz, this ballad tells a tale as old as time: the deterioration of a relationship (of any kind) and the aftermath, mourning a love that's no longer there. I will be releasing a music video for this song on Vevo, YouTube, Tidal & Facebook on April 29th so I would love to build some hype around this song!

https://distrokid.com/hyperfollow/timothylaroque/stuck-in-the-past

Free Radicals – Frozen Power Outage

Categories: Audio, Jazz, The Latest|Tags: , |

“If you like the action rich tool tool, rich in the sound palette and jazz - then this composition for you! The music for which God is not ashamed to give his soul, if only she was always next to you. (Automatically Translated with Google Translate)

“Если вы любите насыщенную действием инструментальную музыку, богатую звуковую палитру и джаз — то эта композиция для вас! Музыка, за которую не стыдно отдать свою душу самому Богу, лишь бы она всегда была рядом с вами.”

-Nagamag.com

Free Radicals, a musical, political, and cultural force in Houston for over two decades, announce highly anticipated new album White Power Outage Volume 2. The 25-track project is the follow up to volume 1, named “Local Album of the Year” in the Houston Chronicle, and continues their quest to put an end to white supremacy.

Free Radicals’ White Power Outage Volume 1 (2020) made waves with the press, radio, and fans through its diverse sound and beautiful mix of vocalists and musicians representing shades of Black, LatinX, white, Asian, mixed, and indigenous people that make the up the culture of Houston Texas. They came together to make revolutionary music, and to demand an end to the white supremacy in the arts, culture, politics, the economy, and in their personal lives. The album received critical praise from the Houston Press, Black Grooves, and Bandcamp Daily, which called it, “…a defiant soundtrack to our turbulent times, penned in solidarity with the victims of state-sponsored violence and systemic oppression."

Free Radicals have been working on beats for the White Power Outage series for many years before COVID hit. Nick Cooper of the band explains, “As we were wrapping up volume 1, Black Lives Matter was in the streets, and we were collaborating with rappers, singers, and poets of color around the world, all experiencing the pandemic, recording, and white supremacy differently. By the time volume 1 was named “Local Album of the Year” in the Houston Chronicle, we were already in the middle of producing volume 2. The band has been rehearsing and recording on each other’s lawns, or in parks. We started recording every rehearsal and quickly cut up and looped, and sent to our collaborators to start writing for it.” The result for Volume 2 is another batch of 20 plus songs featuring a revolutionary spirit and performed on real acoustic instruments. Every Free Radicals album includes a rich mix of sax, trumpet, trombone, bass, guitar, percussion, and tuba without ever using MIDI.

The genre-bending compilation is packed full of highlights. Leading up to the album, Free Radicals released their single “Bipartisan Baby Jail” featuring Michele Thibeaux, Henry Alvarez and Karina Nistal. The single also includes 4 year old kids from Peace Camp Houston and combines singing, rap, and poetry over funk. Mutiny On The Bayou features one of Houston’s longest standing and best rappers, D-Ology, and rips open the suppressed history of Houston's 1917 massacre of Black soldiers. Checkpoint / Dompass / Hajiz sees Lindi Yeni expressing her lifetime of experience with human rights and South African apartheid to this track. Yeni is joined by Jitsvinger, EQuality, and Prince Alfarra. On Killer Bee Honey, the Next Generation, Cherria Rattler enlists her daughter Marium to re-record and expand on the track originally recorded by Cherria 22 years ago, protesting the destruction of the planet by shortsighted and greedy men. Other highlights include the Karina Nistal led “El Ritmo Contra Gitmo,” “Pokke Koebês” by Jitsvinger who nails white conquest of South Africa in Afrikaans, Karega Ani’s poem “Crystal Stare,” and instrumental track “Manifestación En El Centro Hoy.” These are just a few examples from their thought provoking politically charged album!

Free Radicals are proud to release their new album White Power Outage Volume 2 on April 8th. Come celebrate with the Free Radicals on April 30th at the Continental Club in Houston, TX. More info at https://continentalclub.com/houston#event=70661390;instance=20220430190000.

ONLINE:

· Website: freerads.com

· Instagram: Instagram.com/freeradicalsband

· Facebook: facebook.com/freerads

· Youtube: https://youtube.com/user/freeradsmusic

I Used to Be Sam – Seamstress

Categories: Pop, The Latest, Video|Tags: , , , |

“A very faithful find to insert a human speech into such a beautiful, lyrical composition. Here there are instrumental notes of the solar east, Synthpop rhythms and deep leading vocals. The track that is remembered with its absolutely unique atmosphere. (Automatically Translated with Google Translate)

“Очень верная находка вставить разговорную речь человека в столь красивую, лирическую композицию. Здесь присутствуют инструментальные нотки солнечного востока, ритмы Synthpop и глубокий лидирующий вокал. Трек, который запоминается своей абсолютно уникальной атмосферой.”

-Nagamag.com

Internationally acclaimed singer, songwriter and musical artist I Used To Be Sam (aka Annie Goodchild) shares their most poignant single to date – ‘Seamstress’, out on 20 April. The track is taken from the artist’s upcoming self-titled debut EP under their new creative moniker, set for release on 14 June.

(pronouns: she / they)

Growing up, I Used To Be Sam always knew that they had been transracially adopted (the term for when a child is adopted by parents of a different race). “I remember fighting with my mom and saying how could you name me Annie after the most famous orphan of all time?!”, referencing the infamous Broadway musical. Looking back on aspects of their childhood, “I was trying to figure out why so much of what made me different from my family was erased.” Since they can remember, they have always wanted to track down their birth family. After taking a DNA test the artist finally matched with a first cousin who helped Goodchild to track down her biological father. Before being adopted, she learned, she used to be named Samantha.

Usually a guarded person, I Used To Be Sam opened up to a producer on a gruelling five-day run of writing sessions in Berlin – she spoke candidly about connecting with her birth father for the first time, and the agony of trying to reunite with her biological mother. Her attempts to reconnect with her birth mother were met by repudiation, leaving her feeling as if she was her “dirty secret and a mark of shame”. Thus, the song ‘Seamstress’ was born; written for and about Goodchild’s biological mother.

Speaking of the track, I Used To Be Sam says, “I knew going into this process that one of the songs on this initial EP would be about my birth mother. Although there is so much more I want to say to her, and so much more I need to explore for myself, this is the song that needed to come first. Like the rest of the EP, I wrote Seamstress in the small bedroom studio of Novaa, the producer I’ve collaborated with for this whole project. We sat on the floor and talked and laughed, and slowly and naturally I began to talk about this very specific hurt that has been my companion throughout life – the rejection and re-rejection of my birth mother.

I’ve spent my life wondering about so much. Does she think about me? Can she remember my face? Do I look like her? Does she want to see me and meet me as much as I want to meet her? I got my answer and although it’s not what I wanted, “at least now I know”. As I said those words out loud the lyrics to the chorus were born. Our friend Andres Vey was in town and I had written with him before so we invited him to come hang out and just see what came about. Everything else happened really organically and by the end of the day the three of us were singing around a microphone together in unison. Writing the song felt sad, but it also felt right.”

At the beginning of the sprawling and folk-influenced track (which also references Nathaniel Hawthorne’s story of shame and redemption The Scarlet Letter) the voice that opens the song is Goodchild’s own daughter. “I wanted to physically put my body in the music, almost as proof of my existence that was being denied,” they say. “I wanted to have proof that I’m not repeating the pattern. It felt healing in some ways.”

Previously known for her work as Annie Goodchild and as a featured singer in the musical collective Postmodern Jukebox, I Used To Be Sam steps into a complex journey of transracial adoption and self-discovery on their new EP ‘I Used to Be Sam’ – an explorative new collection of deeply personal, cinematic, left-field pop, all wrapped up in the singers distinctively illustrious voice. The first of many chapters for I Used To Be Sam, it’s the mark of the artist making the bravest, freest and most confronting music of their prolific career.

https://www.facebook.com/iusedtobesam

https://www.lavichirecords.com/i-used-to-be-sam

MAYN – Onda

Categories: Audio, Electronica, The Latest|Tags: , , , , |

“The prickly rhythm section of the UK Garage and the atmospheric melody of DownTEMPO set up the meditative state by calling to relax and do not rush to absorb all its content. This music needs to drink small sips and feel how she slowly enters your body of a drop behind the drop. (Automatically Translated with Google Translate)

“Колючая ритм-секция UK Garage и атмосферная мелодия Downtempo настраивают на медитативное состояние, призывая расслабиться и не торопясь впитать всё её содержание. Эту музыку нужно пить небольшими глотками и чувствовать, как она медленно входит в ваше тело капля за каплей.”

-Nagamag.com

artist said about this song:

"I wrote this song while on a retreat to Mexico City spurred by losing my home in Los Angeles during the pandemic. I was feeling really inspired by the vibrance of the people, the lush green jungle co-existing with the city, and the palpable energy that flows through it all.

I immediately felt at home here and wanted to capture that energy in this track—the result being "Onda", an electronic love letter to the city."

https://www.maynmusic.com/

Jakob Balogh – Aprilregen

Categories: Audio, Neoclassical, The Latest|Tags: , |

“Each of us has repeatedly observed, as after the rain, lonely drops are lazily flowing down the glass, slightly falling on the metal window sill. This neoclassical melody has a unique atmosphere, which seems to whisper to you that even in cold, cloudy weather can enjoy the emerald rain droplets. (Automatically Translated with Google Translate)

“Каждый из нас многократно наблюдал, как после дождя по запотевшему стеклу лениво стекают одинокие капли, звонко падая на металлический подоконник. У этой неоклассической мелодии есть уникальная атмосфера, которая словно шепчет вам, что даже в холодную, пасмурную погоду можно наслаждаться изумрудными капельками дождя.”

-Nagamag.com

http://instagram.com/jakob_balogh

Daniel Versman – The Record

Categories: Audio, Rock, The Latest|Tags: , , , |

“Charisma -Daniel VersMan- make this track one of the best in the Pop Rock genre. Acoustic guitar in combination with soft vocals sounds very appetizing. The composition is capable of hooking the soul of simple music love and remain in his musical collection forever. (Automatically Translated with Google Translate)

“Харизма -Daniel Versman- делают этот трек одним из лучших в жанре Pop Rock. Акустическая гитара в сочетании с мягким вокалом звучит очень аппетитно. Композиция способная зацепить душу простого меломана и навсегда остаться в его музыкальной коллекции.”

-Nagamag.com

https://www.instagram.com/danversman/

Francisco Martin – “Nobody Listens To Me!”

Categories: Rock, The Latest, Video|Tags: , , , |

“The track that fully copes with its task is to immerse the listener into the emotional POP Rock atmosphere. Incredibly juicy sound and powerful vocals -Francisco Martin-! Immediately realize that you are extremely high quality work of your genre! (Automatically Translated with Google Translate)

“Трек, который полностью справляется со своей задачей – погрузить слушателя в атмосферу эмоционального Pop Rock. Невероятно сочный звук и мощный вокал -Francisco Martin-! Сразу осознаёшь, что перед тобой чрезвычайно качественная работа своего жанра!”

-Nagamag.com

Today, the LA-based singer-songwriter and producer Francisco Martin has released the music video for “Nobody Listens To Me,” the lead single from his debut EP ‘Manic,’ out July 22nd. An exhilarating anthem, brimming with dreamy electro-pop ambience, angry and angular guitars, pounding beats, and get-it-off-your-chest songwriting, the video finds Martin railing against a suffocating environment, using his music to break free from outside pressures and constraints. The video was directed by Alexey Figurov.

“’Nobody Listens To Me!’ is an anthem for people who feel like they’re lesser than,” Francisco says. “Validation and acceptance is something our generation struggles with, and I wanted to showcase that in the new music video.”

After his first-ever tour, and a clutch of well-received singles, Francisco realized he had an all-consuming yearning to be his authentic self in his music. To that end, he worked feverishly in his apartment at all hours of the night while facing complaints from the neighbors. He now emerges with his first true artistic statement, the 6-song ‘Manic’ EP, a bold collection of emotionally-raw pop-rock.

Francisco’s dreamy falsetto, and robust belting are present throughout ‘Manic,’ but the songs themselves represent a new era of liberated creativity. The release bursts with dynamic musicality – stately balladry, cathartic, grungy aggression, catchy EDM, and moments of soulful serenity. Throughout the EP, Francisco bravely shares personal reflections on mental health, relationships, angst, and human disconnection in the age of connection. “This EP is close to my heart. I know it’s a risky move, but this is my truth. As long as I am an artist, I will continue to push the limits,” he says.

“I am not afraid to share what is in my heart with brash honesty,” Francisco says. “I want to push boundaries. People see one version of me, and I want them to see all of me. I am ready to come out of my shell as an artist and show who I really am as a person.”

Before the recording session for “Nobody Listens To Me,” Francisco was feeling down about his music, and even considered canceling. His co-producer, Nick, rallied him into being creative, and the pair channeled his emotions into song. “It’s easy to feel like what you do doesn’t matter and people don’t take you seriously, but making this song helped me get out of a bad headspace. I hope when people hear it, it does the same for them,” he says.

Francisco first shot to fame with American Idol season 18 in 2020 where he placed Top 5. From there, he quickly released a few singles before embarking on a fall coast-to-coast tour. His heart-on-sleeve soulful pop has garnered favorable comparisons to songwriter artists such as James Bay, John Mayer, Maggie Rogers, and Ed Sheeran. To date, Francisco has released several hit singles, including “Swollen,” which has amassed close to 8 million streams across all DSPS (6 million on Spotify). Francisco’s previous single “IF U NEED ME,” premiered on PopMatters.

Francisco was born and raised in the Bay Area into a musically fertile household. His father was a fan of rock bands, his mother favored singer-songwriters, and his brother loved soul music. At the age of 9, Francisco started singing and playing drums before going onto master guitar, piano, and several additional instruments. In high school, Francisco became enamored with self-producing renditions of his favorite songs, and posting those on SoundCloud where he became a buzzed-about local artist.

‘Manic’ was made during a three-month pause after he was thrust in the public eye, and he finally had a chance to gather his thoughts as an artist. It was created by Francisco and his co-producer/good friend Nick Sarpa in Francisco’s apartment studio setup. The sleekly sensual EP is lavished with electro-textures, rugged beats, crystalline piano, ultra-catchy pop hooks, sexy pop, and moments of yell-in-the-deep-valley catharsis.

It’s been a transformative journey of reclamation for Francisco as he unapologetically shares his true artistic self with the milestone release ‘Manic.’ The EP is raw, relatable, and, most importantly, real. Francisco says: “This EP is something I cherish—I found my path with this one.”

https://www.instagram.com/franciscomartinmusic

Kerin Maguire – Honeybee

Categories: Audio, Rock, The Latest|Tags: , , , |

“This cute track can be compared with a precious stone, which is the only one in his own way. His shining edges reflect Soul -kerin Maguire-. Impritated with tenderness, femininity and warm acoustic design. (Automatically Translated with Google Translate)

“Этот милый трек можно сравнить с драгоценным камнем, который единственный в своём роде. Его сияющие грани отражают душу -Kerin Maguire-. Пропитан нежностью, женственностью и тёплым акустическим оформлением.”

-Nagamag.com

https://www.facebook.com/pg/KERmusic

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