Sika is a highlife song and it talks about how economic hardship may disturb a healthy romantic relationship

Japanese artist Yunosuke Senoo, aka Lycoriscoris, returns to Anjunadeep with the announcement of his upcoming album ‘Chiyu’, out March 26.

In recent years, Senoo has built a cult following as part of a new wave of Japanese producers. His signature blend of organic melodies with intricate sound design has won him support from the likes of DJ Koze, Michael Mayer, &ME, and BBC Radio 1’s Phil Taggart. A multi-instrumentalist, Senoo has played live alongside the likes of The Field and Moritz Von Oswald at Tokyo’s legendary Dommune.

Composed throughout 2020, ‘Chiyu’ documents Senoo’s journey of reflection and recovery.

“Memories and retrospection are the fundamental concepts that inspire my music. For instance, my own artist name plays on the name of the Lycoris flower. In Japan, it’s often found near cemeteries, which is of course a dark connotation – however, one day when searching in the Language of Flowers (Floriography) I discovered that the word Lycoris also means “I’m looking forward to seeing you again. I realized how this dark flower also hides a beautiful and positive message. I think my music, and my new album ‘Chiyu’, has the same kind of dualism as the Lycoris flower.”

With influences ranging from Boards of Canada and Christian Löffler, Senoo showcases his delicate production style over the 9 tracks of ‘Chiyu’. From the intertwining melodies in ‘Shizumu’ to the polyrhythmic textures of ‘Utsurou’, Seeno combines dreamy soundscapes with modern electronica. A skilled photographer, Senoo also provides the imagery for the album artwork shot in his native, Japan.

Senoo’s new album follows the release of his acclaimed LP ‘Flight’, released on Anjunadeep in 2018. Positioning in the top 5 Electronic albums on iTunes, ‘Flight’ gained support on tastemaker stations including BBC Radio 1, KEXP, and NTS Radio as well as international press support.

‘Chiyu’ is available on March 26 from Anjunadeep.

https://www.instagram.com/lycoriscoris/

Vocalizer is an exciting new pop project that sees four Music Industry friends teaming up to create massive, engaging records. With emotional, hook-drenched songs that instantly resonate with audiences worldwide, the power of their writing and production is undeniable. Vocalizer is Paul Visser, Ria Jaggard, Peter Ruppert, and Hugh Goldsmith, one of the world’s most successful A&R executives, credited with over 20 number one records with artists as Take That, Blue, Atomic Kitten, and Billie Piper

https://www.instagram.com/vocalizermusic/

Reggae has a long history and deep, sacred roots as a music of resistance to the authoritarian establishment — it is protest music we can dance to freely while taking a united stand against political corruption, racism, and social injustice.

West Coast alternative rock and reggae band Cydeways has just delivered a potent reminder of that essential connection with the release of their new single “We Won’t Run” featuring legendary Hawaiian reggae-rock band Pepper. The timely and socially relevant single comes ahead of the band’s first full-length album with LAW Records, slated to be released later this year.

https://www.instagram.com/cydewaysmusic/

Calling attention to the unprecedented era of racial violence and social discontent we now find ourselves living in, the powerful track combines the visceral energy of Rage Against the Machine with the poetic and political potency of Bob Marley’s “Get Up, Stand Up”:

As we stand, there’s a gun up in their hand

telling us to back down while we’re screaming “fuck the man”

We can’t eat, can’t sleep,

‘We can’t breathe’

So why would I have to do what you believe?

Over a million screaming that they’re finally done

But we ain’t gonna run…

With superbly profound lyrics and grooves punctuated by spring reverb hits like ominous gunshots, Cydeways evokes images of the day Minneapolis police officers publicly murdered George Floyd in a blatant public display of institutionalized racism, while at once declaring a vehement collective manifesto that we will not submit to the hatred and governmental monopoly on violence that both infects and defines our current national zeitgeist.

“The chorus says it all!” asserts Cydeways founder and frontman Dustin Parks. “It’s a message to the negative forces that we won’t back down and become complacent with everything that’s going on in our society right now. Despite the mass unemployment, the racism, the fear, and all this crazy shit going on…we won’t become that. Cydeways has never really talked about anything like this before, so I think the song is also a sign of how we are growing as a band”.

Cydeways was originally started by Parks and Trevor Buckingham in Boston, MA as a self-described ‘basement project’. Eager for new opportunities, he ended up moving the project out to California, eventually landing in Santa Barbara, where he met and recruited Jeremy Baker on guitar, Casey Kernohan on drums. Parks co-produced the track with Buckingham & Dana Shoults, who both pulled double-duty as engineers.

In this fully rounded-out emanation, Cydeways began playing shows and recording extensively, earning themselves a reputation among their peers as a solid band. Eventually, Parks’s friend Joe D. from Iration introduced Parks to core Pepper member Yesod Williams, who was impressed enough to sign the band to his quickly growing reggae label LAW Records.

In 2020, Cydeways released their debut EP After Hours, featuring veteran reggae bands like Ballyhoo! and Grieves. Late last year, the band followed up by releasing a dub remix of their 2018 song “Shadows” (feat. Grieves), performed by E.N Young. Currently, Cydeways is working on wrapping up their long-anticipated full-length LP to be released later this year.

The new single “We Won’t Run” featuring Pepper is now available on all major streaming platforms!

https://www.cydewaysmusic.com/

Andreas Kübler’s life is all about music. He went on stage to tour Europe as singer and bass guitar player right after school, played lots of music and left the stage again to compose even more. His style could be described as epic music, but plainly emotional would cover it better. A contemporary, modern orchestral sound is the basis of his compositions, but that’s all that makes them comparable.

Andreas is one of the founders and the lead composer of the popular music studio IMAscore and responsible for the music of some of the most successful movie marketing campaigns of all time. This includes Disney’s The Lion King, Aladdin, How To Train Your Dragon, Jurassic World, Avengers and the Star Wars saga. On top of that the music he wrote for the Captain Marvel promotional campaign won the prestigious Clio Gold Award in 2019.

Andreas Küblers public music is the musical portrayal of his artist self. No limitations, no briefings, no boundaries.

http://andreaskubler.com/

J’ai demandé à la lune – Indochine
Reprise par Ghostly Kisses & Louis-Étienne Santais

Piano arrangements: Louis-Étienne Santais
Mixing: Alex Ouzilleau
Recorded at: Studio Le Magnétophone
Mastering: Le Lab Mastering

Video shot by Louis-Étienne Santais & Margaux Sauvé

Edited by Margaux Sauvé

Support Ghostly Kisses:
ಂ Instagram https://www.instagram.com/ghostlykisses/​
ಂ Bandcamp https://ghostlykisses.bandcamp.com/​
ಂ Spotify https://spoti.fi/2P6Uslx​
ಂ iTunes https://apple.co/2NmGA5i​
ಂ Website http://www.ghostlykissesmusic.com/​
ಂ Facebook https://www.facebook.com/ghostlykisses/​
ಂ Twitter https://twitter.com/ghostly_kisses​

Digital distribution: The Orchard / Coyote Records / Universal Music Canada

Label: Akira Records / Coyote Records

J’ai demandé à la lune – Indochine (paroles)

J’ai demandé à la lune
Et le soleil ne le sait pas
Je lui ai montré mes brûlures
Et la lune s’est moquée de moi

Et comme le ciel n’avait pas fière allure
Et que je ne guérissais pas
Je me suis dit “quelle infortune”
Et la lune s’est moquée de moi

J’ai demandé à la lune
Si tu voulais encore de moi
Elle m’a dit “j’ai pas l’habitude”
“De m’occuper des cas comme ça”

Et toi et moi
On était tellement sûrs
Et on se disait quelquefois
Que c’était juste une aventure
Et que ça ne durerait pas

Je n’ai pas grand chose à te dire
Et pas grand chose pour te faire rire
Car j’imagine toujours le pire
Et le meilleur me fait souffrir

J’ai demandé à la lune
Si tu voulais encore de moi
Elle m’a dit “j’ai pas l’habitude”
“De m’occuper des cas comme ça”
Et toi et moi

On était tellement sûrs
Et on se disait quelquefois
Que c’était juste une aventure
Et que ça ne durerait pas

http://www.kadebostany.com/

Riding on the fast-growing hype around the release of “Take Me To The Moon”, Kadebostany strikes the crowning blow with the video clip of the same song. Watch it: http://bit.ly/KadebostanyMoonOfficialVideo

The video introduces once again to a challenging new world that Guillaume de Kadebostany has been creating. The video clip showcases the death of Guillaume de Kadebostany, and takes us in a journey where singer Valeria Stoica travels with Guillaume de Kadebostany’s body in a surreal and singular world.

The video was shot in 6 days in Switzerland, and highlights extraordinary and singular locations.

With over 1 billion streams on streaming platforms, over 500 shows performed the latest years in more than 25 countries, and several singles which hit the top 10 in more than 30 countries,… Kadebostany now releases its highly anticipated new single, “Take Me To The Moon”!

With its immediate appeal and delicate charm, this stellar new single wears the stamp of Kadebostany’s acclaimed mastery of modern pop.

With several chart-topping singles under his belt already, genre-defying producer/composer Guillaume de Kadebostany crafts the defining music of the next era, and delivers with “Take Me To The Moon” another pop song with attitude.

“Take Me To The Moon” is a luminous and haunting song where elegant guitar melodies, bold beats and electronic landscapes bond together seamlessly to form timeless melodies magnified by the sublime voice of Valeria Stoica.

https://www.instagram.com/kadebostany_official

Brainchild of DJ/producer Guillaume de Kadebostany aka President Kadebostan, Kasebostany achieved a breakthrough with numerous chart-topping single including “Castle in the Snow”, “Mind If I Stay”, and their cover of Beyoncé’s “Crazy In Love” (featured in 50 Shades of Grey).

Under the flag of the conceptual Republic of Kadebostany, Kadebostany rapidly captured attention far and wide with its singular brand of pop music, unique visual identity, and colossal live performances. Kadebostany draws a modern vision of pop music, best described by its leaders as “sophisticated music with mass appeal”.

https://www.facebook.com/kadebostany

Much has been said about the scope and intent of Son Lux’s multi-album Tomorrows project. Born of an active, intentional approach to shaping sound, the music reminds us of the necessity of questioning assumptions, and of sitting with the tension.

Today they announce the arrival of Tomorrows III, set for an April 16th release via City Slang. Bell tolls of a detuned guitar clang out a warning at the start of “A Different Kind of Love”, the new single out today. Thick punches of percussion enter and the song moves in heaves through a foggy atmosphere of sound. Instruments remain mostly out of focus, but in brief moments, flurries of strings and woodwinds emerge and recede from the fog.

The music encompassed on Tomorrows provides an appropriate parallel for the sustained cacophony of the present moment, advancing a friction that reveals the strange in the familiar and the familiar in the strange. The deluxe physical edition of the Tomorrows series will be released July 30th on City Slang.

https://sonluxmusic.com/
https://www.instagram.com/son_lux/
https://www.facebook.com/sonlux
https://twitter.com/sonlux
https://open.spotify.com/artist/3kZdsaTYgaaolNxpnJ4iDe
https://music.apple.com/us/artist/son-lux/272690127

“Same Dirt Road” is the standout debut single from South Florida songwriter and recording artist Eric Lee. Inspired by the idea that we’re all connected, no matter where we grow up and what “road” we walk, Lee both co-wrote and produced the release, which was mixed by Multi Grammy-winner, Vance Powell (Chris Stapleton, Jack White) and mastered by Grammy-winning engineer Pete Lyman.

With a breezy, effortless contemporary sound that showcases Eric Lee’s expressive vocals, “Same Dirt Road” is a strong introduction from a promising new emerging artist. Nashville’s GrassRoots Promotion will lead the digital marketing and streaming campaign, focused on connecting with fans on all social and streaming platforms.

“Same Dirt Road” is the standout debut single from South Florida songwriter and recording artist Eric Lee. Inspired by the idea that we’re all connected, no matter where we grow up and what “road” we walk, Lee both co-wrote and produced the release, which was mixed by Multi Grammy-winner, Vance Powell (Chris Stapleton, Jack White) and mastered by Grammy-winning engineer Pete Lyman.

With a breezy, effortless contemporary sound that showcases Eric Lee’s expressive vocals, “Same Dirt Road” is a strong introduction from a promising new emerging artist. Nashville’s GrassRoots Promotion will lead the digital marketing and streaming campaign, focused on connecting with fans on all social and streaming platforms.

http://instagram.com/ericleemusic

Eric Lee is an American Singer-Songwriter. Raised in South Florida, Lee grew up with eclectic tastes in music. With wide-ranging influences — from Dwight Yoakam, Bob Dylan, Eagles, and Dolly Parton; He emotes a unique voice in country music, creating vocally driven songs with heart and soul.

Since it’s release in November, Eric Lee’s debut “Same Dirt Road” has been added to Six of Spotify’s Country Editorial Playlists including New Boots, Wild Country, Breakout Country, Next From Nashville (Top 5), New Music Nashville, & Fresh Finds Country (No. 4). “Same Dirt Road” has already garnered over a Million Streams on all platforms, 135,000 monthly listeners, 9,000 Followers and counting!

Also added on:

Pandora: New Country Now & Fresh Finds Country

He’s also had success as a producer and co-writer, licensing music for TV, Film, and Ads. In 2018, He produced and co-wrote the song “Stronger Than I’ve Ever Been” performed by Kaleena Zanders which was featured in Toyota’s segment during the Super Bowl & Winter Olympics that year.

His upcoming debut album, “For Who You Are” was self-produced and mixed by six-time Grammy winner Vance Powell (Chris Stapleton & Jack White) & Mastered by Grammy winning engineer, Pete Lyman.

This song is about Alzheimer’s disease. Specifically she talks about someone whose mother is affected by Alzheimer’s disease and who no longer remembers her child. She talks about all those memories that are forgotten forever, and the anguish and the situation that this causes. This song was entirely produced by Ullie Swan.

https://www.instagram.com/ullieswan

Ullie Swan is a french singer, songwriter, multi musician, self-taught producer and sound addict. She just released her new album “6%” on every digital platform. Her album is made solo from the first note to the mix and was recorded in her studio in the South of France “Swaman Productions”.

6% is about human emotions, it’s like a musical healing process. A mix of dark pop, electronica, ambient the album is influenced by the likes of: Archive, Portishead, Radiohead, IAMX, Muse and Lana del Rey… Her songs deal with apologies, depression, Alzheimer disease, personal reconstruction, self-confidence, doubts, growing up in a strange world far from children’s dreams, invisible scars, and pain, love, positive mindset and the law of attraction.

It all started with classical training when she was six years old. She learned the flute at the music conservatory for 10 years but wanted to stop to learn guitar and piano on her own. Music production has been part of her daily life since she was 20 years old and she never stopped since. She learned watching tutorials online, practicing a lot, sharing with professionals, asking some questions..

Over the years, she built her recording studio because she didn’t want to use what she had learned just for her personal projects. “Music becomes immortal if it’s recorded. Music should not be reserved for an elite. Recording your voice is an experience to live, it’s like jumping in a parachute. It’s all about emotions and pleasure.”

She also recently recorded from her phone the Kamala’s Harry’s historical speech to create a song called “Kamala’s speech”, available everywhere..

A report released in 2018 looked at the Grammy nominees and those who made it on the year end Billboard Hot 100 chart between 2012 and 2017. The research revealed that only 2 percent of producers are women. Ullie founded in January 2020 a group to try to bring together all the “female music producers of the world”. They can help each other, share on every subject, organize some meets up in different cities, do collabs.. “Female producers are so under represented year by year, it’s important to gain visibility for the next generations. We are all connected. When a woman succeeds, all women win. You’re not alone. We’ re in this together, and stronger than never, it’s time to change these statistics.”