Geena Fontanella – Circles (Spotify)

Categories: Audio, Pop, The Latest|Tags: , , , , |

“Geena Fontanella with her rare polytropic vocal style and the brilliant yet minimal sound design of "Circles" lift up the pop emotions in an endless rhythmic harmonic rainbow.”

-Nagamag.com

Singer-songwriter Geena Fontanella has a knack for penning alt-pop hits and does it again with her new single "Circles," due out next week. The L.A. creative pens her intimate thoughts about not fitting into someone else's mold and pairs it with electrifying production.

The indie artist brings doesn't give a f**k about what other people think and brings that energy to the pop world with creative production, powerful vocals, introspective lyrics and hint of sass that leaves you begging for more.

The L.A-based singer-songwriter fell in love with music as a young kid. "I remember my mom bought me a stereo for my birthday and everyday for a year I would put in a cd and try to hit every note and run I could. Practicing over and over again. For me, it was the first thing I truly fell in love with," she explains. It wasn't until high-school that she realized her passion for writing.

"When I was a sophomore in high school, I watched a video of Katy Perry saying, 'How can you really perform a song and feel it, if you didn't write it?' I think what really struck me was that I realized, I could never be a great performer if I didn't become a great writer. I didn't want anything standing in my way of being great, so I started immediately."

Fontanella brings her refined style to "Circles," a hypnotic and rebellious dance-bop. The track flirts with electronic production and features crunchy guitars and a lilting melody. As the track blooms, a variety of vocal effects make for a unique bridge that grabs you immediately. Fontantella's artistry is abundantly clear as she shares her experience of not fitting into someone else's mold.

Jack Simchak – When I Wake (Spotify)

Categories: Audio, Rock, The Latest|Tags: , , |

“When I Wake from Jack Simchack is an emotional chaser through psychedelic rock with his vocal depth been recognizable once you become familiar with his music due of his signature style.”

-Nagamag.com

Jack Simchak is a singer/multi-instrumentalist that lives in Brooklyn, New York. Simchak writes, produces, records, and performs his original compositions in his home studio. His compositions show his affinity for bands such as Tears For Fears, Joy Division, The Cure and The Smiths.
https://www.instagram.com/jacksimchak/

The Bow – Desire (Spotify)

Categories: Audio, Pop, The Latest|Tags: , , , |

“Desire from "The Bow" at TAOF Records is a minimal indie pop song with a dreaming melancholic vibe which come across through a soft piano and the the warm deep vocals of the band, layered with gentle beats and partly with a synth line, a storytelling for a couple who have fallen out of love.”

-Nagamag.com

Indie pop group The Bow releases new single ‘Desire’ on August 1st on all major streaming platforms. The song takes the listener on a dreamy journey with a couple who have fallen out of love.

Self-described as a “creative and emotional journey”, The Bow combines the raw emotional vocals of Rafael Sotomayor and the musicianship of Tomek Witiak and Robin Schwarzfeld to create dreamy indie pop tunes leading up to their debut album, which is set to be released later in 2020.

Influenced by Coldplay, Muse and Ed Sheeran, The Bow have previously released three singles and accompanying music videos, with the latest single “Quiet Night” described as a modern lullaby. These songs all provide a glimpse into the full experience of The Bow and what they have in store. Their latest single ‘Desire’ is out now on all major streaming platforms.

Formed in 2019, the trio consisting of Rafael Sotomayor, Tomek Witiak and Robin Schwarzfeld combine their unique styles into a melange of Indie and Pop. The newly formed band has released three singles since the beginning of 2020 and have many more to come all the way up until their debut album, set for release later in 2020. With many years of making music on their backs and having previously been in the successful band The Art of Fusion together, the group is now looking to create their own new Indie Pop sound with catchy melodies and lyrics. The decision to strive more towards Pop music was made as this allows for reaching a bigger audience while talking about personal experiences. The band strives for an emotional sound and to achieve their dreams of sharing their music with the world and connecting people through it.

Originating in the town of Frankfurt, Germany, the lead singer Rafael wants to make his dream come true of touching people with his music and his personal views on life and love. With the strong and emotional vocals of Rafael Sotomayor and the deep and soft instrumentals of his band members they produce their unique sound, which is, in their own words, Pop music with a pinch of Alternative. The ideas for the songs came during a period where Rafael had to fight with his own feelings and tried to process these into songs. With their goal to create links between people with their music, The Bow wants to remind their audience that emotions are one of our greatest gifts. With the success of their four already released singles and their music videos, as well as the success story of their previous band, it seems The Bow is a group to watch as they are making a buzz in the Indie Pop scene.

In the bands words: “Through our music, we open ourselves to the listeners and as an artist we compromise to not ignore the problems in the world and this we consider a must. We as musicians are with our art a mirror of society and to influence it in a positive way is our aim. Confronting injustice and dreaming of a better now.”

Claudio Donzelli • Ossessione (Video)

Categories: Neoclassical, The Latest, Video|Tags: , , |

“Claudio Donzelli with “Ossessione” invite us to a mysterious cinematic atmosphere of both tension and feelings, performed gently with care on dynamic details and goes deep until gives the final emotional salvation to listeners!”

-Nagamag.com

Claudio Donzelli unveils haunting ambient classical portrait with ‘OSSESSIONE’

Italian composer, songwriter and multi-instrumentalist Claudio Donzelli is poised to announce details of a brand new release with the arrival of ‘Ossessione’. A haunting, introspective thought piece drawing on classical and electronic soundscapes, underpinned by a shimmering, abstract piano melody.

In his newest piece, the Berlin-based composer and one third of international alternative folk rock band Mighty Oaks, collaborated with rising film-making duo ​HOMETOWN and dancers ​Jackson Carroll​ and ​Léa Salomon​ to create a surrealscape, audiovisual experience. Fusing music, cinematography and contemporary dance, they created a unique contribution to the discourse on contemporary practices of social media brands and its effect on the human brain. The 5-minute-long piece and its accompanying video are a metaphorical journey originating in a world of noise, consumption and addiction, portraying the fight to free oneself from the repetitive loop and the relentless search for a harmony that can never be gained in the endless feeds of the digital sphere.

In OSSESSIONE, Donzelli reflects on the three stages of the dopamine-reward loop – search, reward, disillusionment – through a piano melody, complemented by classical and electronic instrumentation. During the length of the track, the leading melody tilts into a sense of obsessiveness. Its odd measure of a 5/4 time signature creates anticipation and a sensation of continuously leaning towards the next moment without ever finishing what has been started moments earlier. Harmonies change, but the insisting, obsessive melody prevails – just like a social media user is drawn deeper and deeper into their feed, the listener is drawn into the depth of the track, into the very heart of obsession.

OSSESSIONE pre-empts Claudio Donzelli’s second album due to be released in November 2020, after 2017’s ​’Frammenti’​, his solo-debut. As a solo musician, he has previously shared the stage with Federico Albanese and Peter Broderick and has played at Lollapalooza Berlin 2018. His music has been described as dreamy, romantic, cinematic, choreographic, meditational, and hypnotic, comparing his work to the likes of Chilly Gonzales, Yann Tiersen, and Ludovico Einaudi.

Sbeady Interview on Nagamag

Categories: Features, Instrumental Hip Hop Features, Instrumental Hip-hop Interviews, Interviews, The Latest|Tags: , , , , , |


Nagamag:
What are the genres that describe better your music style?

Sbeady:
I never thought about my music in genres or at least subgenres, because it's obviously hip hop, that I make most of the time. Nevertheless, I would never limit myself to a genre. I'm influenced by everything that hits me and gives me emotions in whatever mood. But to be honest, currently I'm all into this lofi hip hop and chillhop thing. I really began to love this sound and I want to dig deeper into it, while keeping and pushing my own unique style and recognition value.


Nagamag:
Few words about your musical background and career?

Sbeady:
I started in the early 2000s after I were exposed to music production through a friend of mine. I was a huge hip hop fan, listening to non Phixion, Necro, Mobb Deep, Nas, Cage, Beatnuts and many others all the time, but also German acts like Kool Savas and Azad were running through my headphones frequently.
Over the time, the love for music got bigger and bigger. I made beats 24/7, skipped school to make music together with my friends which used to rap. We hung out and wrote songs as a crew in our own self made studio. Seriously the best time of my life. From time to time, I worked together with other underground acts. For example Millionadi, Peat38, Favourite and Casper. The last one became a bit more known some years later.
As time went by, the old crew drifted in different directions, people lived their own life. We stopped making music together. I took years off from music.
In 2016, I decided to make a beat album. Some turbulent private stuff came along, I needed a break again, so that I eventually finished it at the beginning of 2020. The kind people at the independent label "Vinyl Digital" gave me a chance, agreed to release it in May and I signed a contract there. To work with them is great and uncomplicated (Shout out to Julius).
Only after all that, I really came in contact with lofi hip hop and now here I am!


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Sbeady:
The first real connection was in my early days as a rug rat. Hardly able to walk, my favourite thing to do at home was putting my dad’s headphones on and listen to his vinyl records. We lived in the former GDR - East Germany - and my dad used to buy his records on East Berlin black markets. He collected music, you normally couldn't get there, because it was forbidden. Blues, Rock and Metal bands were his favourites like Canned Heat, Deep Purple, Genesis, Metallica, Motörhead and Scorpions.
Since I was a small child, I loved to listen to these vinyl treasures and I still do to up until this very day when I dig samples out of the crackling and warm sounding records from the good old days.


Nagamag:
How do you aproach a new Song? Do you start with a beat or do you come with melody first and how do you go on from there?

Sbeady:
I always always start with the melody. Regardless if I start from scratch, have something in mind and begin to write some chords into the piano roll or if I listened to some vinyl records, found a lovely sample, chopped it and played around with the slices on my Maschine MK2. I always start with the melody or chord progression. Then I would add synths or other instruments and the bassline of course. The drums are usually the last thing I write into the song. I know many producers out there that start with the drums, but I never did because I have to feel the vibes the melodic parts give me, before I play the drums. Sometimes I write the whole song arrangement before I even choose the drum sounds.


Nagamag:
Would you ever consider having a feature on one of your tracks?

Sbeady:
As I used to produce beats for rappers and singers for many years and just started with lofi hiphop in 2020, I’m excited to work on my own and don't have to wait till vocals are written and recorded. I can just write the song, finish it on my own, produce the sound design, and release it whenever I want. I enjoy this freedom. But of course, when an artist catches my attention and we have somewhat of a connection, I'm happy to work with him. No matter if it's a rapper, singer, beat producer, pianist or other instrumentalist. If we click, we will rock!


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Sbeady:
Journey "Don't Stop Believin' "


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Sbeady:
Turnawai "honeymilk"

Discover & Listen to Sbeady

Sbeady on Spotify

Sbeady's Signature Track

Sbeady on Social Media

Sbeady's Website

Yolcu – A Hunter and the Prey (Video)

Categories: Electronica, The Latest, Video|Tags: , , |

“”A Hunter and the Prey” from Yolcu is a dark hypnotic downtempo electronica with elegant layering and a quick arp which instead of make the track “fast” it initiates more the state of hypnosis their lead warm vocals drive you. A fine dark pop theme with a beautiful video, deep emotional!”

-Nagamag.com

Anatolian-inflected art-pop and indie-electronica duo Yolcu are poised to announce their debut release with the arrival of ‘ A Hunter and the Prey’ due this September. Lifted from the pair’s forthcoming EP ‘In Stream’, the accompanying video fuses the track’s atmospheric and propulsive electronica with a meditative, exploratory landscape, offering a perfect embodiment of delicate melodies and triumphant song craft.

They detail the track: “A Hunter and the Prey is about becoming a part of a system, and how that process consumes and changes a person. It’s the way in which money, profit and industrialisation can slowly affect peoples’ personalities, like a psychological or physical sickness. It’s the enveloping relationship between employees and their employers; a hunter and it’s prey. In time, this system becomes their world.”

Yolcu first met in 2017 while studying sonic arts in Istanbul. It was an interest in the musical heritage of each other’s country that brought Dağ Taş (TR) and Joe Conchie (UK) together. Their outside perspectives helped ignite in the other an enthusiasm for the richness of their own musical cultures. Dağ, hailing from the frantic metropolis Istanbul, a lifelong fan of the British alternative scene, and Joe, from the sparsely populated, pastoral Northumberland, moved by the sound and emotion of Turkish folk music.

Before meeting, Dağ had an alternative indie rock project ‘Golden Horn’, while Joe was composing and performing folk music and producing electronic music. From 2017, Dağ took up bağlama, a Turkish folk instrument, and Joe started to compose and produce music in the vein of British electronica. During their studies they also immersed themselves in experimental approaches to sound creation and manipulation, composing and performing electro- acoustic music around Istanbul.

The excitement of bringing these musical worlds together birthed Yolcu. With songs that reflect the existential yearnings of Anatolian folk music and with an emotional authenticity summoned from the soul of the land around them, Dağ’s powerful baritone voice, ornamented with Turkish microtonal tuning, wraps around Joe’s twisted synth lines and productions, creating a unique blend of folk-inflected modern electronica and pop. Many of their songs feature bağlama and use the voice as an instrument, which, although they directly call upon the spirit of the region, are employed in a non-traditional way.

When they formed the project, Dağ and Joe set up their studio under Mount Ida, home of several Greek myths, on the Aegean Coast of Turkey. By the sea and under a mountain, inspired by the place and its isolation, there they spent many fruitful periods of time experimenting, composing and refining their sound, all the while cementing their friendship and creative partnership. This significant stage was the genesis all of Yolcu’s music and identity, and the location continues to be their home for the project.

https://www.instagram.com/yolcuing
https://www.facebook.com/yolcuing
https://twitter.com/yolcuing

Toby Bligh – I Am (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , |

“"I Am" from Toby Bligh, is an emotive piano with with a soft string minimal arrangement , gently performed in a 1850 Bechstein Grand Piano which goes emotional further after 01:26 with a bit more complex style. Beauttiful dynamics and harmonies.”

-Nagamag.com

Toby Bligh, is a British born composer, instrumentalist and producer. Toby has drawn inspiration from his backgound as a touring pianist, guitarist and songwriter. His solo work is a blend of atmospheric elctronica and neo-classical piano and string arrangements. He works out of his project studio in Surrey, UK.
https://www.instagram.com/thetobybligh/

MΛD FVN – Skeletons (Spotify)

Categories: Audio, Best of 2020, Pop, The Latest|Tags: , , |

“A top notch electro pop with wonderful sound design full of diversity and energy, and with a vocal style which follows the same and stands out of the usual forma. MΛD FVN, She knows the “skeletons” in your closet: the lies you’ve kept from her, the disguises you put on. You hid your true self, and now that she is smart enough to know better, you can’t hide from her anger. ”

-Nagamag.com

MΛD FVN share with us few words about her:
"When I was 12, I was in an ATV accident with my brother. Then again, at age 21, I had an even worse ATV accident. Neither time was I the one driving, so other than them teaching me to never trust others with heavy machinery, they also left me with a constant, unnerving awareness of death. I realized that my biggest fear is not dying, but dying before I have the chance to give what I love, whether it’s people or passion, all that I’ve got was not an option. Those experiences gave me the gift of perseverance and perspective. I adore every moment of happiness, sadness, and everything in between, with music fueling my purpose to have a life worth living.

Music has always been my saving grace, my true passion, and my ultimate talent. Since I was a little girl, gathering crowds in department stores because I couldn’t help but sing and dance to Britney Spears playing on the store radio, I knew I was born to entertain. From singing, to dancing, to songwriting, to performing, I was born to be a singer like a cat to tearing apart furniture (I know, because I have two). Music gives me the power to embrace every part of who I am in my darkest times to my best moments, all while connecting with people from across the globe. Since growing up traveling the world, from living in Saudi Arabia to backpacking across Asia with my best friend, my ultimate goal is to connect the most emotional, raw, human parts of myself with people all over the planet through the power of music."
https://distrokid.com/hyperfollow/mdfvn/skeletons

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