Magnetik, Marija Balaz – Stranger (Spotify)

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Magnetik, Marija Balaz – Stranger
(Spotify)

A wonderful new vocal chill trance from Magnetik in collaboration with Marija Balaz will generate fast your daydreaming in its harmonies.

Lyrics:
Stranger please,
Something happened to my heart
I will gladly tell you all
But I don't know how to start

It was then, I started talking to myself
Cause the feeling that I felt
Wasn't gonna go away

Usken – The Nest (Spotify)

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Usken – The Nest
(Spotify)

In 2016, during a journey of more than 4,000 kms across Scandinavia, Isabelle (ex LO vocals) and Yann (ex LO guitar) discovered a tiny island at the entrance of a Norwegian fjord: Usken. A guitar, a computer loaned on the spot and some explanations of the musical programming sound like an obvious fact: Usken will be a duo, and this is the use of machines that will make it possible to reconcile influences as varied as trip hop and electronic music for Isabelle, the garage and 60s music for Yann.

Wide Waters – Tundra (Spotify)

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Wide Waters – Tundra
(Spotify)

Neo-Classical/Ambient Soundscape that takes the listener on a journey of self-exploration and meditation. Cinematic ambient soundscapes that echo with nature, leading a journey of self-exploration colliding and intertwining with technology. Intense, at times ethereal, with adaptive emotional content immersing the listener in an emotive journey to discovering ourselves.
The band is Justin Krass – Piano, Sam Stauff – Guitar, Phil Anthony – Bass and John Venezia – Drums. And, is an evolution stemming from Justin and Sam making music with Wess Meets West and steering away from post-rock towards ambient, subdued new-wave classical music, exploring textures in a minimalistic soundscape incorporating moments of rock and opera.

Steve Hadfield – Middle Distance (Spotify)

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Steve Hadfield – Middle Distance
(Spotify)

Choral ambience to close out the Displacement Activity EP. Described in the review by At The Barrier: "Concluding the EP is the epic Middle Distance, which returns us to an ecclesiastic setting, taking the organic beauty in a choral harmony and crushing it with feedback well before our love can be soured. A ghost of the choral resonance remains to see out the piece and the record."

tEEonE – 30kilo (Spotify)

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tEEonE – 30kilo
(Spotify)

First track from album “Inceptio”. It starts of in a very dystopian mood that gradually changes through the track, and a very radical change happens little over the halfway marker that brightens up everything. Still, things are not completely resolved which is a theme throughout the album. The track is mostly played by hand using analog synths and analog drum machines.

Hypnotic Peafowl Interview on Nagamag.com

Categories: Features, Interviews, Psychill Features, Psychill Interviews, The Latest|Tags: , , , , , , |

Hypnotic Peafowl
Interview

Photo by Timothée Prézélus


Nagamag:
What are the genres that describe better your music style?

Hypnotic Peafowl:
Giving a very specific genre to my music is not easy. especially when it comes to my "alternative" productions. I think that my music is situated between Basse music with a jazzy side and synthetic textures like halfred or mindex ... and the ethnic and psychedelic side that we can find with merkaba music. The more time passes, the more my compositions are built around the musical instrument. My next outings will be much more hybrid with a very funk very colorful side. ideal music to listen to at home and play with a group in concert for example. but if I had to give only one name to write my "alternative" music I would say jazzy psybass


Nagamag:
Few words about your musical background and career?

Hypnotic Peafowl:
For me everything went particularly fast.I don't have a past as an instrumentalist, I did some drums lessons at the age of 7 and I stopped there. I discovered the world of the night at a young age (14 years) with the meeting of friends who organized evenings in all the region where I lived. But it never occurred to me to make music. It's only been 4 years since I started composing MAO. I lived in a shared flat where a friend had a very old computer which was not useful to anyone with an old version of ableton (I laugh today because it took at least 20 minutes to turn on the computer haha) for no reason or any ambition i turned on ableton i typed "psytrance ableton" on you tub is since i haven't spent a day without making music. I spent 3 years learning composition, mixing, musical theory, harmonization. advance use of ableton ... for 3 years I didn't go out (it's no joke I had to do 5 evenings with friends) I watched tutorials on you tub every day, I I bought a lot of music books ... then after that I played my first concert in 2018 thanks to an association of the region which is called "Lunarmouth" it is the only association which shows to the general public the psychedelic culture at home. (today I am the president) then everything went very very quickly for my project, I released my first album "enygma" independently a few weeks after this 1st date. after that I got 41 concerts in my 1st year of activity in 2018/2019. I had the pleasure of playing all over France. I also produced 28 music during this period which gave me constant visibility on the net. In 2019 I officially joined the Hadra records label. Hadra obviously offers me great visibility throughout France but also enormous support for my professionalization and allows me today to make music. in February 2020 I published my new EP on Zenon records which is a great joy for me because it is one of the best world label in my eyes. Today I am fortunate to live in France and benefit from a special status unique to France which allows me to live on my music. I have more and more dates, programmed a few times a year in advance and the international market is beginning to open its doors to me. I continue to bring the psychedelic movement to life in my region by organizing evenings every month with my associations and the support of all its members and of course that of the best club in the city in my eyes "the front door". I give MAO lessons in my studio during the week when I am not producing and I go to play on weekends. I have a busy life and it is an immense pleasure to live that.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Hypnotic Peafowl:
I remember my 1st party it was Timegate in Switzerland for New Year it is a huge Psytrance party over several days but it was not a revelation for me. honestly the first time electronic music had a real impact on me it was in 2018 (haha yes it was not long ago) I went to an open air psytrance very far from home (10h of car) and I met Version Bizar. I first listened to his live and then I met the man afterwards. The meeting with him mixed with the Zenonesque style of his music was a revelation for me at that time. We had a very strong connection together and it made me discover so much incredible music. He played a bass music djset later that evening and I heard kinds of music that I wasn’t able to imagine before. So I would say that if I have a memory that marked me the most with music and the most changed is this Leon meeting, he became a real source of inspiration for me and will remain so.


Nagamag:
What is your vision of electronic music ?

Hypnotic Peafowl:
For me music is a language that you have to learn in order to master it and develop it. I think that electronic music responds to the same code as acoustic music when we talk about music theory, harmonization, the placement of its instruments in the stereo field ect ect. My vision of electronic music is what allows me to explore even further the sound systems and the design of my sounds but also the impact on the live spectator, the physical experience it brings. Playing with emotions is achievable with any type of music (jazz, rap, electro ...) but playing on the physical sensations in concert and something specific to electronic music I find. We have certain constraints with our instrument certain limits impossible to exceed. Electronic music allows me to go further. But beware if I have a Rhode, a piano or any other instrument I don't see the point of replacing it for an electronic version. I imagine that like two completely complementary world one will never replace the other but they complement each other perfectly well if the artist makes sense in the use of electronic music.


Nagamag:
What was most important to you in your career and what do you recommend?

Hypnotic Peafowl:
I would say that having a supportive environment is very important. having the presence of mind to analyze our friends and ask the question of their knowledge in the world of music is important. for example when we make listen to our music to our friends most tell you that they are good and do not dare to hurt you (unconsciously for the most part). you have to know create an entourage of people who will hustle you when your productions are not at the top. Its very important.
Have someone who accompanies you on a daily basis and who understands the issues. for my part it is my companion who supports me from the beginning (morally and financially)
knowing my shortcomings and developing personal techniques to stimulate well-being was of great help to me. Meditation for example.
And finally i would say that good management of your project is essential from the start. In our hyper connected era it is important to pay attention to one's artistic image and not to mix private and professional life.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Hypnotic Peafowl:
Aukai "La Joya"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Hypnotic Peafowl:
5am Trio Transmission 1 - Supa > Concentrated

Discover & Listen to Hypnotic Peafowl

Hypnotic Peafowl on Spotify

Hypnotic Peafowl's Signature Track

Hypnotic Peafowl on Social Media

Mordian – The Feeling I Knew (Spotify)

Categories: Audio, Pop, The Latest|Tags: , , |

Mordian – The Feeling I Knew
(Spotify)

Mordian is Gothic-Alternative artist for the Darkened Heart. Mordian said about this song:
"When I was writing and recording this track, I envisioned a different time... a ballroom in a 1700s palace, a princess dancing alone with only her harpsichord player to accompany her, and a melancholy, indescribable feeling as she loses herself in the dream of the dance."

Neil Friedlander – In the Faintest Familiar Sense (Spotify)

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Neil Friedlander – In the Faintest Familiar Sense
(Spotify)

Israeli singer-songwriter and artist Neil Friedlander releases new single ‘In The Faintest Familiar Sense’ on 14 February 2020, setting the tone for a brand new album release this Spring.
“In the Faintest Familiar Sense is a song about trust. I wrote it for a distant friend, recognising that life and time would have their way with us before we might be together again. It’s a surrender to the notion of “it’s not up to you”, and a prayer to keep my heart open in the meantime.” - Neil Friedlander
Producer Aviv Meshulam brings his magic to the production, infusing it with 80’s warmth. The breezy guitar melodies, lush pads, marimbas and vocoder choir set the tone, while Neil’s ethereal voice floats above.
Neil Friedlander was born in Jerusalem, Israel. They started writing songs when they were 9 years old, and continued to hone their craft throughout High School and their service in the Navy. Their first album, Movements Into Language, was produced by Aviv Meshulam and recorded at MRTF studios, and released in January 2018. The album, a collection of letters to
former lovers, explorations of loss, addiction, sexuality and desire, received critical acclaim in Israel upon its release, and the single ‘What Part of Love’ was featured on leading media outlets and radio stations.
Neil and Aviv toured with the album in Italy and Israel, and returned to the studio to begin working on their next project. After backpacking in India, Neil moved to Brooklyn, New York. Their second album with Aviv, ‘Love is a Ripple on a Lake’, was completed over the course of a year and a half.
The album reflects the dawn of a new chapter in their life, and revolves around the themes of acceptance and freedom, ego, and falling in love. Neil continues to use music to express the changes and life transitions they go through; letting go of their orthodox religious education, deepening their understanding of love and of themselves, and moving towards a new form of spirituality.
‘Love is a Ripple on a Lake’ is released this Spring.

BPMoore – Galvanised (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , , |

BPMoore – Galvanised
(Spotify)

BPMoore’s Galvanised is an ambient/electronic instrumental piece that unfolds from a suspenseful drone and pulsing synths into sparkling piano lines, lively drums, and melodic string parts. Soft felted piano riffs shimmer a stirring and hopeful introduction, before a spirited drum groove creates an energetic foundation for the subsequent evolving layers of string and synth parts. The piece is extremely compelling both melodically and texturally, and is quite unlike much of the popular ambient music today that focuses solely on subtle shifts. While the music retains a similar sense of nuance and ebb-and- flow, the composition itself is quite intricate, somehow achieving the perfect balance of ambient and interest.
Galvanised is the “part two” to London-based Ben Moore’s most recent single, From All Who Came Before, the title track on his upcoming album Komorebi. The two have been mixed so that there is no discernible break from one song to the next, and Galvanised brings a sense of completion to the delicate and expectant atmosphere set by the first. In Ben’s own words,
“Galvanised is feeling that moment of anticipation and the release that (finally) everything has just locked into place for the positive.”

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