Four Hands (GER) – Everlasting World (Original Mix) [Harabe] (Video)

Categories: Techno, The Latest, Video|Tags: , , , , |

“We admit that the original name of the author in this was the main reason why we pay attention to it. And, you know, we were not mistaken in their preferences. Four Hands and his new single, Everlasting World has created a wonderful mood the reservoir. Indescribable feeling words. It is necessary to listen and hear.”

“Признаемся, что оригинальное название у данного автора стало основной причиной, почему мы обратили на него внимание. И, знаете ли, мы не ошиблись в своих предпочтениях. Four Hands и его новый сингл Everlasting World создал удивительный пласт настроения. Непередаваемое словами ощущение. Это нужно слушать и слышать.”

-Nagamag.com

Four Hands – this is Alex and Marcel.

​When Alex and Marcel met a few years ago they soon figured that they are sharing a huge joy and passion for electronic sounds. This was the beginning of a very special friendship and the reason for starting to engage in music intensely together.

Just like the two guys themselves, also their music style has developed over the years and went from a deep sound into a melodic techno style with a focus on massive synth parts.

During the times the two DJs got supported by various famous artists like SOLOMUN, Kevin de Vries and lately Nicole Moudaber who played their tracks on big events like BPM Mexico, United We Stream ARTE concert, ReConnect – Together for Beirut and on Nicole’s legendary radio show IN THE MOOD.

Another important passion project in Four Hands’ career is the launch of their own record label VERSPIELT Musik based in Frankfurt am Main / Germany. It focuses on tracks with a sound from melodic to techno. Part of the label is the VERSPIELT show case, which was welcoming amazing artists like ARTBAT, Musumeci and starlet Carla Casanova so far.

https://www.fourhandsmusic.de/

Chelsea Lovitt – “STATE OF DENIAL” OFFICIAL VIDEO (Video)

Categories: Rock, The Latest, Video|Tags: , , |

“Well this is an absolutely elegant song with 100% natural instrument mix. Excellent overall result, which cannot hide the artist’s professional skill. We are not used to such an experience and even this voice can become unforgetable!”

-Nagamag.com

On the new video:

Mississippi-bred, Nashville-based artist Chelsea Lovitt has a familiar 2020 tale – and has a video she wants to release around Valentine’s Day for her song “State Of Denial.” There’s a pretty funny story here…”State Of Denial” is about being distanced from loved ones when you’re a touring artist, and the message still applies since distance is mandated and viruses are in the way.

Chelsea got a great deal from video guru Joshua Shoemaker (Nicole Atkins, Marcus King Band, Vanessa Carlton, and more), to shoot the music video for “State Of Denial” – he filmed her while she drove her band van around Nashville delivering flowers, making people happy while she’s singing about being separated from her loved ones. Then, two weeks before lockdown, Chelsea put out an album in what was supposed to be “her year,” with a tour planned that had to be canceled, like so many other artists. To add fuel to the dumpster fire that was 2020, Chelsea had arranged to sell her rustbucket van to help pay for this music video. On the way to the airport to meet the guy who’d bought it from her (who had flown in to drive back to his home state), it died. For good.

Chelsea Lovitt’s music is a fantastic blend of sass, swagger, and hip-shaking defiance..rock n’ roll and rockabilly, psychedelic country with the underlying lyrical rebellion of 60s folk. Every song on her latest record, You Had Your Cake, So Lie In It, is a sparkling gem – whether it’s sifting through the emotional storage facility of emerging adulthood or red wine-fueled philosophizing, Lovitt’s got the goods, and she’s got it in spades.

https://www.instagram.com/chelsealovitt/

Quote from Chelsea:

I wrote this song on a harmonica in a field in Delaware the month before going in the studio. It was 5 in the morning and I’d been listening to Dylan. I had ambitions and ideas for this record to be influenced by Blonde on Blonde of course, and since we were doing it on tape and in Nashville I’d been listening to that and Nashville Skyline obsessively. I wrote this when I was in love, after not ever really being in it. It examines psychological issues that maybe stem from being from Mississippi because for some reason we’re prone to be emotional hoarders and it’s hard to “sift through that pile” when it comes to letting go and living in the moment or especially being in love. The song reflects on what wasn’t love and what is and why sometimes it’s a bittersweet “can’t be,” because distance and/or your own neuroses get in the way.

Now distance is mandated and viruses are in the way.

And it’s kind of like the predicament we have on Valentines this year when we have to socially distance ourselves and a lot of lovers can’t be together, and maybe this year has been a soul distancing folks like me have actually needed to figure out and “sift through” our own internal crap and be better people. When else could we have done that in this fast-paced world? It’s also been a test of what it means to really love somebody, especially when you can’t physically be with them.

https://www.facebook.com/chelsealovitt

STATE OF DENIAL

Well I wasnʼt quite ready to live

I wasnʼt quite ready to live,

I wasnʼt quite ready to give,

You a try.

And I ainʼt never been ready to sift

Through that pile.

Cause baby I was born in a state that dug the ditch for denial.

I wasnʼt quite natural to give,

I wasnʼt quite certain Iʼd leave

or care if I died

But now Iʼd pay for your time if cost me every nickel or dime.

And I ainʼt never been ready to sift

Through that pile,

Cause baby I was born in a state that dug the ditch for denial.

I didnʼt cry cause I missed you

Itʼs cause I knew youʼd hurt me when youʼre gone.

When I have you in my arms it seems youʼd never cause any harm.

Baby I know you love me but your heart gets harder when your far.

And I ainʼt never been ready to sift,

Through that pile.

Cause baby I was born in a state that dug the ditch for denial.

Instrumental

Buy a house for a hundred dollars

50/50 make some kinda start.

For the first time Iʼd plant flowers and have some kinda yard.

But whatʼs in paying taxes on land when youʼre both so far?

And I ainʼt never been ready to sift,

Through that pile.

Cause baby I was born in a state that dug the ditch for denial,

Yeah baby I was born in a state that dug the ditch for denial.

https://twitter.com/chelseaolovitt

Philippe Cohen Solal & Mike Lindsay – Scattering the fierce foeman (ft. Adam Glover & Hannah Peel) (Video)

Categories: Pop, The Latest, Video|Tags: , , |

“Scattering the fierce foeman – disturbing anthem, full of positive, endless energy. He bestows faith in the fact that in any case we shall be victorious in the serious trials faced in these difficult times.”

“Scattering the fierce foeman – будоражащий гимн, насыщенный позитивной, нескончаемой энергии. Он дарует веру в то, что мы в любом случае выйдем победителями в серьёзных испытаниях, с которыми столкнулись в эти нелёгкие времена.”

-Nagamag.com

Philippe Cohen Solal and Mike Lindsay release the brand-new album OUTSIDER today on ¡Ya Basta! Records. Listen HERE.
http://smarturl.it/outsiderdarger

Ten astonishing, heart-soaked pop songs, inspired by America’s most celebrated Outsider artist Henry Darger. The album release is accompanied by an official video for the track ‘Scattering the fierce foeman’ – directed by Gabriel Jacquel – watch HERE.

https://youtu.be/G8h12wI1tDc

OUTSIDER, an album of lush, twisted 1950s/60s Americana with stunning, vintage analogue instrumentation transports the listener into panoramic realms, gifting incredible instant-classic songs such as ‘Who Will Follow Angelinia’, ‘Hark Hark’, ‘Bring Them In’, ‘Can A Boy Forget His Mother?’, ‘851 Webster Avenue’ and ‘Scattering The Fierce Foeman’.

The album is a musical and visual extrapolation of Darger, his obsession with the weather, his tormented Christian faith, deceptively naive paintings and lyrics to songs, that have never before been set to music, written over 50 years ago. Darger was a reclusive hospital janitor, whose epic fantasy novels and visual artwork set the art world aflame upon its posthumous discovery. Darger’s work now exhibits around the world, changes hands for close to a million dollars and has admirers among artists including Grayson Perry, the Chapman brothers and musicians like Nick Cave, David Byrne, Sufjan Stevens and Devendra Banhart.

OUTSIDER has been five years in the making and the brainchild of Philippe Cohen Solal, the million-selling artist, producer and composer who co-founded Gotan Project. Solal has been given exclusive, unprecedented access to Henry Darger’s estate comprising lyrics, poems and visual art and has brought together an epic collaboration with Mike Lindsay from acid folk group Tunng, Hannah Peel and the vocals of Adam Glover.

The songs shimmer around the edges of altered states, luxuriously swelling through classic 1950s microphones, like Scott Walker at a pagan festival, music textured with mid-century Americana, under-the-radar found sound and hard weather. It’s PJ Harvey’s ‘Let England Shake’ orchestrated by Ennio Morricone in an illustrated world peopled by angels, valiant children, marching battalions, and vast, colourful landscapes depicting all of the above.

Solal and Lindsay co-wrote and co-produced all the tracks, with acclaimed solo artist and composer Hannah Peel on brass, strings and backing vocals to portray Darger’s child characters, the Vivian girls, and Adam Glover bringing the lush, crooning lead vocals, that conjur up Scott Walker and reflect the inner voice of Darger himself through the original lyrics. Mixed by Grammy-award winning Andrew Scheps (Adele, Beyonce, Lana Del Rey).

Speaking about the album, creator Philippe Cohen Solal said “I first came across Henry Darger’s work in 2003, and it has stayed with me ever since. I feel I know Darger. So many years I’ve been reading his books and living with his work and words. I feel connected because of the kind of child he was. The outside world was pretty mean to him when he was young and I relate it to what is happening to the world now: with autocrats and mean people We call him an ‘outsider artist’ but he was very inside himself – and he created a whole world inside. OUTSIDER has been five years in the making and it’s been a real labour of love. I imagined Adam’s luxurious, fantastically powerful and beautiful voice being the voice inside Henry’s head, the projection of himself to be stronger, more powerful.”

Mike Lindsay said “The music we created for OUTSIDER sounds like a late 1950s and early 1960s production, with this contemporary twisted, textured edge to it, somehow making it sound quite timelessI don’t know where it fits into contemporary music but it’s classic, it’s beautiful and it’s experimental.”

Hannah Peel said “You’d think the way he was writing; he’d gone to Woodstock on a crazy trip and then gone to church to cleanse his soul. He was a janitor but it’s like he had about ten different past lives, and ten future lives. Musically, it’s more resonant than ever. It’s really energetic and full and so full of hope and beauty and I think that’s really important with what we’ve all been through over this last year.”

OUTSIDER’s reflection of what it means to make art, isolated in one room has taken on extra relevance when so many of us are living in small spaces under lockdown. Philippe and his band of musicians have taken Darger’s questions of isolation, imagination and a David and Goliath fight against evil and turned them into the strangest, yet most beautiful lullabies you’ll ever hear.

Romney Lewis – Sometimes (Official Lyric Video) (Video)

Categories: Hip-Hop, The Latest, Video|Tags: , , , |

“Stylized rhythmic music and rhymed speech intoned. All this in a new track from the young Sometimes hip-hop artist Romney Lewis.”

“Стилизованная ритмичная музыки и рифмованная речь нараспев. Всё это в новом треке Sometimes от молодого хип-хоп исполнителя Romney Lewis.”

-Nagamag.com

Melodic ode to reminding people about the work you’ve put in and who you are.

https://www.instagram.com/romneylewis/

Chino XL & Body Bag Ben – Vanilla Sky (Video)

Categories: Hip-Hop, The Latest, Video|Tags: , , , , |

“”Vanilla Sky” is the new collaborative result of a Hip-Hop duo. Hot like fire, intese and strong, can promise a true enjoyment and lead you out of the ordinary. It’s time to hit the play button and not regret.”

-Nagamag.com

Chino XL & Body Bag Ben deliver the psychedelic new video for their collaborative banger, “Vanilla Sky.” The track is an all-out showcase of the acclaimed emcee’s blistering rhymes and the Oxnard, CA producer’s immaculate instrumental, and it’s hopefully the first of many tag-team releases from the duo.

Both are fresh off collaborative releases with other like-minded artists. Chino just dropped the Chino VS Balt EP with Balt Getty, while Ben teamed up with Milano Constantine for the Write It In Blood album. And now that Chino and Ben are working together, the sky’s the limit for what we can expect from them.

What we know for sure is that they’re off to one hell of a start with “Vanilla Sky.” The tripped-out visuals were directed and edited by DMT Media Brothers who were able to harness the boundary-breaking energy exhibited by Chino and Ben, all while injecting some perfectly chilling imagery into the affair.

Peep the visuals and head over to your preferred digital retailer or streaming platform to support!

https://smarturl.it/VanillaSkySingle

Klangkarussell – Plastic (Video)

Categories: House, The Latest, Video|Tags: , , , , , |

“Plastic boldly tells the story of our world in which we humans like never far apart. Klangkarussell found the perfect balance between melody and dynamics, so in a manner peculiar to reflect its vision of current reality.”

“Plastic смело повествует о нашем мире, в котором мы, люди, как никогда далеки друг от друга. Klangkarussell нашёл отличный баланс между мелодией и динамикой, чтобы в свойственной ему манере отразить его видение нынешней реальности.”

-Nagamag.com

https://smarturl.it/Plastic-Klang

Klangkarussell begin 2021 with ‘Plastic’, a synth-heavy piece of emotive electronic music released via their Bias Beach imprint. ‘Plastic’ is a commentary on consumerism. The poignant vocal and the video created by the band tell of a world – Earth – where people are more disconnected than ever from each other, from themselves, and from the planet that they live on. And, as it fills with plastic from their endless appetite for consumption and convenience, how humans have begun to take that form and become ‘plastic’ themselves.

Klangkarussell launched Bias Beach with ‘Comoros’, their first single away from a major label deal that spawned hit singles ‘Sonnentanz’ and ‘Time’, and their debut album, ‘Netzwerk’. Creating their own label has proven to be a winning strategy: Klangkarussell’s releases on Bias Beach alone totalled over 25 million in 2020, spurred by the huge success of a run of singles. The label has now become home to GIVVEN (‘Ghostkeeper’) which comprises Klang’s Adrian alongside Jordan and Nico; and SIN, whoselatest release ‘Neon’ is out now.

Adrian and Tobi’s previous single, ‘My World’ (feat. Kyle Pearce), and the accompanying short film, portrayed environmental issues that Klangkarussell now continue with ‘Plastic’. This single joined ‘Shipwreck’ as a two-track release. Ahead of this came ‘Ghostkeeper’, their previous collaboration with GIVVEN, which now has over 9 million streams.

Following the outbreak of the current covid 19 pandemic, Klangkarussell put all touring on hold. Their last shows were in the UK for a sold out Night Tales London, Europe (including taking the Saturday night honours at Benicassim), Beirut and South America.

Klangkarussell, which translates to English as “Sound Carousel”, were formed in Salzburg, Austria by Tobias Rieser and Adrian Held. Both respected producers in their own right, they first broke through with the jazz-tinged instrumental club record ‘Sonnentanz’, which reached the Top 10 in 6 different countries, including No.1 in The Netherlands. Unexpectedly, a record they’d written for their own DJ sets had taken on a life of it’s own, and when a vocal version – retitled ‘Sonnentanz (Sun Don’t Shine)’ and featuring British soul singer Will Heard – was released the following summer, it became a global hit and went on to become one of the biggest dance records of that decade (despite the pair shunning all publicity).

Following the success of ‘Sonnentanz’, the duo then released their second single, ‘Netzwerk (Falls Like Rain)’, featuring vocalist Tom Havelock, and which also became a hit. Klangkarussell’s debut album, ‘Netzwerk’, appeared soon after and sporting the singles ‘Hey Maria’ and ‘In the Crowd Alone’ appeared in 2016, followed by ‘Time’, ‘Circuits’, and ‘Good to Go’ in 2017. Musically, and with the type of creative freedom they had during their initial rise to fame, both Tobi and Adrian have entered a new decade exactly where they want to be.

https://www.instagram.com/klangkarussellofficial/

Joseph Shabason – “The Fellowship” (Video)

Categories: Neoclassical, The Latest, Video|Tags: , , , |

“Beautiful presentation of Joseph Shabason’s awaited work. Ambient & Drone tune to travel us through the dark cold February days, towards the arrival of Spring light. The warm company of many listeners out there.”

-Nagamag.com

Toronto-based Destroyer-collaborator Joseph Shabason is behind past releases Anne (2018) and Aytche (2017), as well as last year’s Shabason/Krgovich/Harris album Philadelphia — all of which received deserved acclaim. His empathetic style manifests itself in a unique stylistic blend of ambient electronics and new-age driven jazz.

On his new album The Fellowship out April 30th on Western Vinyl/Telephone Explosion Records, he sketches an auditory map of the transcendence, unity, conditioning, and eventual renunciation of his upbringing in an Islamic and Jewish dual-faith household across eight tracks that mesh spacious, jazz-laced composition with fourth-world and adult-contemporary tonality. As a listening experience, it’s an autobiography and in the form of instrumental music.

New single and album title track “The Fellowship” is out today. It’s a mystical ambient journey down winding city roads, with Shabason’s layered saxophone providing bright sprites behind each turn.

https://josephshabason.com
https://www.facebook.com/josephshabasonmusic
https://www.instagram.com/josephshabason
https://twitter.com/josephshabason
https://josephshabason.bandcamp.com/album/the-fellowship

ÜUCE – Whiteout (feat. Michele) // Ambient, Trance Piano, Psybient, Relaxing (Video)

Categories: Neoclassical, The Latest, Video|Tags: , , , , |

“”Whiteout” is an Ambient piece perfectly made for the cold Winter days. There is nothing better than a warm, relaxing piano sound while snowing outside. A special experience even for the most selective listeners.”

-Nagamag.com

The felt piano was given a lush sound by adding a tape delay and and putting a very wet reverb on the delay. My wife, Michele, vocalized throughout the song and that was also modulated. The various sound waves and walls were created using a KORG MicroKORG and a KORG Minilogue.

https://uucemusic.bandcamp.com

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