LF-Flo, Honey-B-Sweet – Upper Ground – Radio Edit (Spotify)

Categories: Audio, Features, Pop, Pop Features, The Latest|Tags: , , , , , |

“High-quality mix and pleasant vocals are combined with many unique sounds that are very competently connected to each other. Dynamic and furious; this is what determines -Upper Ground-. The track that will play in your audio system for a long time.”

“Качественная аранжировка и приятный вокал интересно сочетаются со множеством уникальных звуков, которые очень грамотно соединены друг с другом. Динамичность и драв - вот что определяет -Upper Ground-. Трек, который станет гостем в вашей аудиосистеме на долгие времена.”

-Nagamag.com

https://www.instagram.com/florianopagelino
https://www.instagram.com/honey808sweet/

Sonare (Official Video with Score) (Video)

Categories: Features, Neoclassical, Neoclassical Features, The Latest, Video|Tags: , , , |

“We know that among many of you, there are fans of real art in the world of music. -Sonare- will be a real gift for you, like opening the package of which you will instantly feel the breath of a light breeze and the smell of meadow flowers. Soft, but incredibly rich piece of music art!”

“Мы знаем, что среди вам много поклонников настоящего искусства в мире музыки. -Sonare- станет для вас настоящим подарком, открыв упаковку которого вы мгновенно почувствуете дуновение лёгкого ветерка и запахи луговых цветов. Лёгкое, но невероятно насыщенное произведение.”

-Nagamag.com

Lose yourself in the resonance of composer-pianist Martin Graff’s Trips for Piano: eight evocative piano pieces made to move the soul and light the imagination. Graff’s affecting harmonies, soaring melodies, pensive compositional style, and impassioned playing conjure the most beautiful colors from keys of black and white. The final track, “Sonare,” is an increasingly virtuosic celebration of the full expressive range of the piano, a dramatic crescendo of enveloping sonority…

https://www.facebook.com/martin.graff.737
https://twitter.com/The_Face_Zone
https://www.instagram.com/thefacezone

Iderdown Interview on Nagamag

Categories: Electronica Features, Electronica Interviews, Features, Interviews, The Latest|Tags: , , , , , , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Iderdown:
I like to think of it as leftfield music, influenced by a wide array of genres. They all get blended together when I start writing, so any track at any time will be a mixture of noise, prog, post-rock, ambient, drone, glitch, trance, industrial and breakbeat.


Nagamag:
Few words about your musical background and career?

Iderdown:
Well, I was in an industrial band in high school and at the same time playing around with screamtracker. This was followed by some indie rock years in bands and toying with 4-track bedroom lo-fi songwriting. I started releasing my instrumental electronic music as iderdown in 2003 and continue to work on diverse projects like the dark folk band Within and playing as part of the drone collective Cosmic Homeostasis.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Iderdown:
I have been making melodies in my head for long as I can remember and grew up in a house full of music but the first time I heard the songs that made me want to create was during high school, where I was lucky to have a group of friends who explored strange worlds of music.


Nagamag:
Tell me about your latest release?

Iderdown:
iderdown's last release was a collaboration ep with Arcane Trickster called Snowbird. It's an ambient soundtrack for a tranquil shore.


Nagamag:
What's coming up in the future for iderdown?

Iderdown:
A five track Lp of Ambient music that I wrote mostly inspired by the music of Peter Namlook. There will also be a companion set of remixes by Tempest Recording and Slice Records artists.


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Iderdown:
Japanese Breakfast "Posing In Bondage"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Iderdown:
BVDUB "Never In The Prison Of Their Stars"

Discover & Listen to Iderdown

Iderdown on Spotify

Iderdown's Signature Track

Iderdown on Social Media

Iderdown's Website

Boogie Hill Faders – Be Happy (Spotify)

Categories: Audio, Features, House, House Features, The Latest|Tags: , , , , |

“Comprehensive work with sound that interacts with the listener. The vocals in -Be Happy- along with its construction and transitions, form a combination of Electro Pop and Nu-Disco. It draws a bright and very positive picture to which you want to return again and again.”

“Комплексная работа со звуком в целом, которая производит взаимодействие инструментов друг с другом. Вокал в -Be Happy-, построение композиции, переходов, сочетание Electro Pop и Nu-disco и многих других элементов, рисует яркую и очень позитивную картину, к которой хочется возвращаться вновь и вновь. ”

-Nagamag.com

Following the success of “In A Minute” with Disco Fries & Big Nab, and “The Spot”, the new Boogie Hill Faders single “Be Happy” is the 3rd release from the upcoming debut studio album “The Formula” from Liftoff Recordings.

A crossover feel good dance track with that trademark Boogie Hill Faders bounce & groove. Deep basslines, flipped sample magic, and polished studio production.

Absolutely dripping with positive Summer vibes; put your shades on, crank up “Be Happy” and head to the beach.

Thank you so much for any and all support you can provide. For more on Boogie Hill Faders check out the official website at http://www.boogiehillfaders.com

https://www.facebook.com/boogiehillfaders
https://www.instagram.com/boogiehillfaders

OVRGRWN – The Riders – Instrumental (Spotify)

Categories: Audio, Blogwave, Blogwave Features, Features, The Latest|Tags: , , |

“Retro never sounded so good. Synth me up baby this is the way. Instrumentals as this really make the 80’s vibe pop. ”

-Nagamag.com

https://www.facebook.com/ovrgrwn/
https://www.instagram.com/ovrgrwnmusic

Blending the synthscapes of ‘80s film scores with contemporary indie pop, San Francisco-based duo OVRGRWN has developed a remarkable creative formula that is richly atmospheric, sweetly melodic, and frequently willing to tap into its dark side. Balancing a seriousness in the music with genuine enthusiasm, the group’s songs captivate listeners with immersive production techniques and a serene singing style.

OVRGRWN consists of Brandon and Danae, two California natives who met in 2012 when Brandon answered a “drummer wanted” ad on Craigslist to be part of a garage/surf rock project Danae was organizing. The two formed a creative synergy over six years of playing together in the band before branching out into new musical territory with OVRGRWN.

The group’s debut EP, O Well, landed in 2019 and immediately resonated with fans of synthwave and indie pop music. The early success of the album put them on the radar of retro synth label FiXT Neon, which signed the group to a deal in 2020. O Well was re-packaged and re-released through the label later that same year, and OVRGRWN has new material scheduled with FiXT Neon for early 2021.

Gorge, Markus Homm – Holos – Edit (Spotify)

Categories: Audio, Electronica, Electronica Features, Features, The Latest|Tags: , , , , |

“An organic deep house vibe. Well designed and executed. Clean layering with superb breakdowns. Instant “on rotation at the club” ”

-Nagamag.com

Poker Flat Recordings keeps up its prodigious release schedule with another superb EP - this time by scene statesmen Gorge and Markus Homm. Gorge (aka Pit Waldmann) is the co-owner of 8bit Records, originally from Mannheim and has carved a singular niche for himself over the past 20-odd years. Similarly. Markus Homm has been deeply influential in developing the scene in his native Romania, and is now working alongside the Poker Flat regular Mihai Popoviciu.

With this EP Gorge and Markus Homm have mer- ged their many talents and honed two tracks of depth and weight. 'Holos' is a tightly wound slice of superior tech house, textured and layered with lush chords and a thick lower end.

'Glint' also showcases the duo's mutual understan- ding of the dynamics of the dancefloor - a slick groove is enhanced and expanded via subtle and effective melodic elements, including a pinch of acidic 303 sounds.

https://www.instagram.com/gorge_music/

Modern Andy Interview on Nagamag

Categories: Features, Interviews, The Latest|Tags: , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Modern Andy:
A genre that describes my music more in depth than DownTempo or Chill is something I call FolkTronic. To me FolkTronic is the combination of not just a folk or bluegrass sound interwoven with electronic elements but it is using acoustic instruments in general that are then incorporated into an electronic set. Recording live acoustic instruments for sample/loop playback later is a big part of what Modern Andy is and what I consider FolkTronic.


Nagamag:
Few words about your musical background and career?

Modern Andy:
I grew up in a musical household so I was exposed to music everyday from a very young age and I couldn't be more grateful for it. My dad played guitar and banjo, primarily bluegrass/folk music so as a child I was exposed to harmonies, fingerpicking and interesting chord structures. This helped shape how I would start Modern Andy to be a conceptual music/art project that would combine visuals and music to create a living art piece. As I experimented and explored this I I realized what I wanted to do was be a Modern Andy Warhol and thus Modern Andy was created.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Modern Andy:
I fell in love with music at a very young age. There was always music being played in my house and there were instruments everywhere. From pianos, guitars, mandolins, banjos and more I could walk around our house and just experiment with music and different instruments. As I grew up I continued to experiment and became interested in audio recording and recording techniques. This really propelled me to become the musician I am today and how Modern Andy got its sound.


Nagamag:
What are some of your motivations when creating the music that you do?

Modern Andy:
Some motivations I have when creating my music is finding those places in a song I can get lost in, finding the places where you stop paying attention, where time ceases to exist and you get lost in the moment and lost in your thoughts. My motivation is to give as much power as possible to an instrumental song so the listener has no choice but feel what THEY feel, not feel what they are told to feel.


Nagamag:
What do you hope the listener takes away from a Modern Andy song?

Modern Andy:
My hope is the listener will take away a sense of individuality and uniqueness from my songs. I hope they feel that they haven’t ever really heard anything like this before and that they will get lost in the songs and be lost in their thoughts while they listen. I hope they create their own story and that Modern Andy is the soundtrack to that story they are telling.


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Modern Andy:
Glen Hansard "Say it to me Now"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Modern Andy:
Nine Inch Nails "La Mer"

Discover & Listen to Modern Andy

Modern Andy on Spotify

Modern Andy's Signature Track

Modern Andy on Social Media

Modern Andy's Website

Constant Follower – The Merry Dancers on TV (Official Shimmy-Disc Video) (Video)

Categories: Features, Pop, Pop Features, The Latest, Video|Tags: , , , |

“Feel good and dreamy is the expression of this imaginative sound. Constant Follower has done it, bottled up the sounds of a beautiful dream . ”

-Nagamag.com

*Video premiered on Brooklyn Vegan, Glide Magazine, Indie Music Blog and A Pessimist Is Never Disappointed. We’re looking for video/song coverage from Friday 20th Aug.

“The Merry Dancers on TV is gently affecting. A haunting ramble pitched at the place occupied by both Arab Strap and Bon Iver, this elegantly mellow song is something special indeed. It also helps that the video for the composition is just as memorable.” A Pessimist Is Never Disappointed

“The Merry Dancers on TV combines the introspective chamber folk of Fleet Foxes and The Frames, atop a mystical nod laid beneath stunning simplicity.” Glide Magazine

“The Merry Dancers on TV is a lovely piece of delicate folk rock and comes with a gorgeous stop-motion animated video.” Brooklyn Vegan

The Merry Dancers on TV is the first single from Constant Follower’s debut album ‘Neither Is, Nor Ever Was’ on the legendary Shimmy Disc label (Low, Galaxie 500, Daniel Johnston, Bonnie Prince Billy).

In ‘Scots’ (a traditional language spoken in Scotland), natural phenomena are often given beautiful phrasing – the ‘Merry Dancers’ of the song being the Scots term for the Aurora Borealis. The song speaks to the things in life we miss in the bustle and stresses of modern living. In writing the song, McAll was thinking of a particular episode where friends missed the real Merry Dancers above their cottage whilst they were indoors watching a documentary about them.

Co-produced by Scottish singer-songwriter Stephen McAll and renowned producer and Shimmy-Disc founder Kramer (Low, Galaxie 500, Will Oldham), the recording for Neither Is, Nor Ever Was began in early 2020 at La Chunky studios in Glasgow with engineer Johnny Smillie. This was interrupted by the birth of McAll’s daughter (if you listen closely, her cries are just audible during some of Kessi’s backing vocals on ‘Little Marble’), and shortly afterwards by Covid 19 restrictions. McAll began recording the rest at his own CFFC studio in Stirling. The resulting recordings were then mixed and mastered by Kramer at his Noise Miami Studio, to breathtaking effect.

Each album track is accompanied by its own short film. McAll sought-out the most exciting new talents in Scottish film and animation and invited them to be part of the album project. Each video, the artist’s personal response to the song, with no direction or interference from the band, resulting in incredibly moving and enchanting short ‘films’ in their own right (with multiple film festival considerations including Edinburgh International Film Festival and Manchester Film Festival in process).

“Making art together is something that transcends any distance and that was definitely confirmed over the period of making this film. Being able to work with a local band while being trusted with such a stunning song made any physical distance feel obsolete. Constant Follower’s choice to work with new and emerging artists for their videos meant that I, as an artist, was able to create something unlike anything I’ve had the ability to before. This is my second foray into stop motion and I have learned so much from this project alone- skills that would have taken me years to learn in any other setting. The film, at its core; is about connection and how easy it is to lose it if we start taking things for granted in life. I liked the idea that even the moon herself could tire of being taken for granted and head off on a holiday only for one child to notice it missing and go on a voyage to let it know how much it is loved and respected.” – Fiona (Video Director)

“One of the most beautiful records I have ever been privileged to be a part of, filled to the very brim with moment after moment of poetic clarity, and not a moment too late…an interior force to be reckoned with. I’ve never experienced anything quite like it. It weaves elements of the past around a future I was wholly unaware of before hearing these breath-taking songs, each one a kind of memorial to a memory that may or may not have merely been imagined or hoped into existence.” – Kramer

https://twitter.com/constantfollowr
https://www.instagram.com/constantfollower
https://www.facebook.com/theconstantfollower

David Lindmer – Omen feat. Johanson (Video)

Categories: Electronica, Electronica Features, Features, The Latest, Video|Tags: , , |

“In this gentle, easy listening track, you will discover the world of wonderful harmonies and unexpected musical worlds. Melodic Techno & House, with inclusions of excellent vocals and crystal sound. The dense atmosphere is replaced by an unexpected pressure, and ends smoothly. Great job!”

“В этом нежном, лёгком треке, вы откроете для себя мир чудесных гармоний и неожиданных музыкальных решений. -Omen- сочетает в себе мелодию и ритм Techno & House, с вкраплениями отличного вокала и кристального звучания. Плотная атмосфера сменяется неожиданным напором, а затем так же плавно завершается. Отличная работа!”

-Nagamag.com

Label boss David Lindmer returns to Running Clouds for a very special release. A very personal piece written during the lockdown, Omen is a collaboration with Berlin based vocalist Johanson and lands alongside a stunning music video created by director DRUST.

David Lindmer is a UK born artist based out of New York. It was in 2018 David really found his signature sound characterized by driving, powerful techno that is rich in melody and cinematic drama. Having worked within the VFX industry for many years, David’s passion for sound design and cinematic scores also led him to explore the relationship between audio and the visual arts.

David is also the co-owner of Melodic Techno label Running Clouds founded in 2018 and the Chromia Sound collective. With recent high profile support from the likes of Tale of Us, Mind Against, and many more, David continues to develop as an artist and push the boundaries of immersive audio.

With Omen, David delivers his signature driving melodic techno, rich with emotion and charged with a melancholic atmosphere while maintaining enough low-end punch to absolutely work on the dancefloor. Luscious pads grace the breakdown and create a comforting blanket, wrapping around Johanson’s evocative vocals before resolving into a highly distinctive, synth-heavy, 80’s influenced finale.

Omen is accompanied by a stunning music video created by DRUST, a director raised between Paris & London with a European sensibility to filmmaking. The starting point for the Omen video was to explore the theme of doomed relationships and witness the nuanced moments where things take a wrong turn.

“Bringing emotion to the forefront of the viewers’ experience was key to the storytelling. David was a fantastic artist to engage with because of his openness to the collaborative effort of the whole piece. Early on we decided that the images shouldn’t feel like they’d just been tacked onto the track, but that pictures enhance the music and vice versa. This feeling of both being fully bedded together was of primary importance to us.” DRUST

https://www.instagram.com/davidlindmer/

Son of Zev Interview on Nagamag

Categories: Features, Interviews, The Latest|Tags: , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Son of Zev:
Techno, Breakbeat, Electro, Experimental Electronica. I'm a very wide listener of all styles of music. There are many influences that get pulled into my production.


Nagamag:
Few words about your musical background and career?

Son of Zev:
I've been involved with music since I was about 8. I struggled to settle on an instrument till I was 11 which was piano/keyboards. My school actually had synthesizer lessons and my classes were on an Alpha Juno.. That was in about 1987. I had no idea that I was playing on one of the original machines that could make the classic "hoover" rave sound..
My first experience trying to program my own synth (a DX27) was trying to make Hammond and Rhodes sounds out of it.. I was jamming blues with mates at the time as a teenager.
In 1994, after being self professed "anti sequencer" I found myself in the rave scene and loving some of the more underground sounds I was hearing (Melbourne was/is very Detroit influenced). By 1995 I was playing around with synths for synths sake, and occasionally playing as a regular guest of Melbourne clan analog band "Signal To Noise"
In early 1998 I played my first gig as Son of Zev at the iconic Punters Club, a venue I'd literally seen hundreds of bands and a handful of electronic acts. I played for half an hour, slotted into the very start of the gig. I was home. Andrez Bergen of IF? Records was apologetic for the early start and short time slot and low fee... I didn't care.
I went on to play at least 100 more shows (I lost count somewhere along the way) between 1998 and 2001, many of them with If? Records. I kept playing semi-regularly through till 1998.
Although I could put together a great live set, I was never very good at finishing tunes. Something I've since learned is most likely a product of my (very) late diagnosed ADHD..
After some big life changes, in about 2016 I set up a new studio and have released a couple of EP's and the odd single... WIth my recent diagnosis and some therapy on the horizon, I'm hoping I can channel my energies better and release a lot more music.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Son of Zev:
While not my first connection, I can remember 2 very pivotal moments..
Somewhere around 1994 I saw Jammin' Unit play a live set at Club Filter in Melbourne. It's where I truly understood that electronic music could have be very live and organic. Seeing someone working their gear like that, clearly arranging and manipulating what was going on broke my perception of a person pressing play on a computer sequencer with nothing to do.
The second pivotal moment was dancing front and centre to Thomas P Heckmann playing live and changing what he was doing according to the crowd reactions and realising I really wanted to be on the other side playing my music and being at one with the crowd like that.


Nagamag:
Do you have any new music coming out?

Son of Zev:
I have 2 releases coming in the near future. Both 2 track singles.
The first "Escaped From the Vault" is a couple of tracks I found while digging through some old boxes. Backups of a demo that really hold up today. They are of a more strictly Techno sound, dark and hard, but with a lot of rhythmic exploration. It's due out on the 27th of August on Slice Records.
The second is a collaboration with Arcane Trickster. We've remixed each other's work, these should also be out later this year on Slice Records.
Aside from those, I've been in the studio a lot, and I expect that by next year there should be some more music ready for release.


Nagamag:
You mentioned that you used to play a lot of live sets, do you still do that, and are there any gigs coming up?

Son of Zev:
Absolutely, I love playing live and still like to perform a few times a year.
Lockdowns permitting I am playing at Red Betty in Brunswick on the 14th of August for a Live Electronic Musicians of Melbourne Showcase gig.
I'm also playing on the 3rd of September at Acid Slice Presents 303 909 .. At Bar 303, Northcote.. (expect Acid)


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Son of Zev:
Jimmy Smith "Root Down"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Son of Zev:
Joey Beltram Forklift (Luke Slater's remix)

Discover & Listen to Son of Zev

Son of Zev on Spotify

Son of Zev's Signature Track

Son of Zev on Social Media

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