“Scott Fisher – “Scars” finds its emotional weight in restraint rather than excess, allowing sincerity to become its defining strength. Fisher’s warm, expressive vocals carry a quiet intensity, communicating vulnerability with a conviction that feels lived-in rather than performative. The melody gradually broadens the song’s emotional landscape, balancing reflective moments with an uplifting sense of release. Beneath it all, a steady, purposeful rhythm anchors the arrangement, maintaining its momentum while giving the track a subtle pulse that makes its emotional resonance feel both intimate and enduring.”
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“”Get It (Weapon Of Mass Creation)” by Flytrap thrives on restless momentum, channeling its energy into a groove that feels both immediate and meticulously controlled. The melody pulses with infectious vitality, while its smart structural shifts keep the arrangement feeling fresh rather than repetitive. Flytrap’s vocals cut through with sharp presence and an unwavering flow, matching the instrumental’s urgency with effortless confidence. Anchored by a driving rhythm that never loses its pulse, the track transforms its kinetic force into something undeniably exhilarating, sustaining its intensity from the first beat to the last.”
-Nagamag.com
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Release date: Jun 21, 2026
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“”JOURNEY” by INSPIRAYSTONNER channels its optimism through a melody that feels bright without becoming predictable, creating a sense of forward motion that mirrors the song’s title. Its uplifting atmosphere unfolds naturally, carried by vocals whose clean tone and unforced delivery give the performance an inviting sincerity. Rather than overwhelming the arrangement, the vocal presence blends seamlessly into the track’s buoyant momentum. Driven by a brisk, energetic rhythm, JOURNEY sustains its vibrant pulse throughout, embracing feel-good energy with confidence and an easy sense of freedom.”
-Nagamag.com
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“”Say That (Orchestral Version)” by Planetarium Sessions x Blimes and Gab unfolds over a cinematic melody that balances romance and drama, building an immediate sense of tension without ever resorting to easy sentimentality. As the vocals enter, their raw honesty and quiet confidence transform the orchestral grandeur into something deeply human. The rhythm, shaped by subtle yet meaningful shifts, keeps the track in constant motion, allowing its emotional weight to build organically rather than forcing a climax.”
-Nagamag.com
Hit Play and enjoy listening “Say That (Orchestral Version)” by Planetarium Sessions x Blimes and Gab
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Press Release – About Song:
Planetarium Sessions – a new LA-based live session series that blends orchestral arrangements, astronomy, hip hop, and R&B. Inspired by stargazing, it’s all about discovering new stars in every sense – both literally and musically. We believe that hip hop and strings have long been among the strongest cultural connections in music, but have never had the right online outlet. That’s why we are creating a spin on the live session concept – instead of relying on the location and the hook and expecting the artist to come up with a version of their song (like Tiny Desk or any other live session series), we’re reimagining the artist’s song with creative string arrangements ourselves. The vision is to shoot our episodes inside actual observatories around Los Angeles, and to create ongoing cultural events that will collide chamber music and hip hop audiences.
In the short time that we’ve been around, we’ve already generated notable traction – with hundreds of thousands of views on social media and industry legends like Timbaland paying attention.
The pilot episode, featuring Blimes and Gab, marked the loved duo’s long-awaited comeback with their new single – Say That – completely reimagined with strings and drums.
“On “Her Voice,” Dillon Leggett leans into sincerity with a performance that feels both immediate and deeply personal. His youthful vocals, marked by a clear tone and expressive delivery, carry the song’s emotional weight with remarkable ease. There’s a quiet vulnerability at the center of the track that resonates beyond its lyrics, creating a genuine connection with the listener. The melody unfolds with a bright, understated warmth, balancing sweetness and optimism without slipping into sentimentality. Meanwhile, the lively rhythm injects a sense of momentum and wonder, giving the song a dreamlike quality.”
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“On “Bus To Nowhere,” Marta Valadon turns nostalgia into forward motion. Her vocals, warm and sensual without ever feeling excessive, drift across a gentle, carefully crafted melody that favors subtle charm over grand crescendos. The song builds an intimate world where romance is not framed as a dramatic confession but as a quiet, enduring force that effortlessly pulls you in. The rhythm remains restrained, carrying an almost understated optimism that gives the track a sense of freedom and escape. It’s a song that never rushes to impress; instead, it gradually finds its place within you, revealing its appeal through natural confidence and character.”
-Nagamag.com
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“Edge Of A Knife by Saliva and Judge & Jury feels like an explosion of energy aimed directly at the monotony of everyday life. From the outset, its larger-than-life melody and dense production create a sense of urgency that leaves little room for complacency. The vocals, charged with intensity and uncompromising determination, deliver every line with a force that amplifies the track’s momentum. Meanwhile, the relentless rock rhythm never lets up, transforming raw tension into forward motion. Rather than seeking balance, the song thrives on pushing the listener ahead, offering a feeling of liberation and defiance against anything that threatens to hold them back.”
-Nagamag.com
Hit Play and enjoy listening “Edge Of A Knife” by Saliva x Judge & Jury
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Lyrics of Saliva x Judge & Jury – Edge Of A Knife
I’m My own worst enemy This raging energy This fucking A.D.D. I’m Atomic anarchy There’s nothing left to see Just get away from me
I’m dying alive I can barely survive No matter how hard I try I’m livin’ on the edge of a knife Bleeding me dry No matter how hard I try I’m livin’ on the edge of a knife
Scars Are all that’s left from you Been broken and abused But I’m finally seeing through (Seeing through) There’s Nothing more to prove I’m stronger than the wounds And the shit you Put me through
I’m dying alive I can barely survive No matter how hard I try I’m livin’ on the edge of a knife Bleeding me dry No matter how hard I try I’m livin’ on the edge of a knife
You can’t control me You don’t own me You can’t erase the past you took from me
You can’t control me You don’t own me You can’t erase the past you took from me You can’t control me You don’t own me You can’t erase the past
I’m dying alive I can barely survive No matter how hard I try I’m livin’ on the edge of a knife Bleeding me dry no matter how Hard I try I’m livin’ on the edge of a knife
You can’t control me You don’t own me You can’t erase the past you took from me You can’t control me You don’t own me You can’t erase the past
Release date: Jun 23, 2026
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“On Lamentations, Biribá Union weave a sonic landscape that balances the ritualistic with the dreamlike. The melody unfolds gradually, carrying an understated tension that draws the listener in without ever forcing its presence. The vocals function less as a narrative guide and more as an atmospheric instrument, drifting through the arrangement with quiet elegance. Subtle rhythmic shifts and the organic interplay between the musicians lend a sense of constant motion to a composition that seems to hover outside of time. The result is hypnotic, richly textured, and open-ended enough to leave ample room for the imagination to fill in the spaces.”
-Nagamag.com
Hit Play and enjoy listening “Lamentations, ft. Mike Block, Christylez Bacon, and Patricia Ligia” by Biribá Union
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Press Release – About Song:
The song is a reimagined version of a solo-cello piece, originally written in 1973 by the African-American composer Coleridge-Taylor Perkinson. Based on the fourth movement, “Calvary Ostinato,” it frees GRAMMY-winning cellist and vocalist Mike Block to improvise over acclaimed bassist Patricia Ligia’s foreboding line. GRAMMY-nominated beatboxer and guitarist Christylez Bacon composed a meaningful and timely rap that brings the piece into the context of our modern world… “Blaming the opposition… can we ever see eye to eye when hatred got us blind…knowing our humanity’s more complex than ones and zeroes…both sides engaged in a zero-sum game.”
“On Cry Lie Die, Demitrios Mountzouris delivers a melody that immediately establishes an infectious sense of fun. The track thrives on its upbeat energy, pairing a danceable groove with a carefree spirit that makes its appeal hard to resist. The rhythm is the song’s driving force, pushing everything forward with an effortless momentum that encourages movement rather than contemplation. Mountzouris’ vocals match that energy perfectly, bringing enthusiasm, charisma, and a lived-in immediacy to the performance. Rather than aiming for complexity, Cry Lie Die succeeds through its directness, offering a vibrant and thoroughly enjoyable experience.”
-Nagamag.com
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Lyrics of Demitrios Mountzouris – Cry Lie Die
I don’t know why I’m in love, makes me want to cry You don’t treat me like you should, I just want to die And Cry and I Lie and I Cry and I Love I found is nothing more Than just telling lies Seeing what you can get From the one you like Cry and I Die and I Cry and I Hold my hand and I’ll hold yours And then I’ll tell you why All this love I’m giving you Is keeping me alive But why Cry and I Die and I Cry and I You don’t treat me like you should,
I don’t know why I’m with you You just keep telling lies You don’t treat me like you Should I just want to die and cry, cry and I lie and I cry and I
Release date: Apr 24, 2026
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“On Tell Me, Amber Ingram begins with a melody that feels light on its feet, balancing playful charm and romantic warmth before gradually revealing deeper reserves of passion and intensity. The song’s emotional arc unfolds with subtle confidence, allowing its textures to bloom naturally rather than forcing dramatic turns. Ingram’s vocals are the centerpiece, their sensual tone and understated strength shaping a melodic atmosphere that feels intimate and inviting. Meanwhile, the rhythm maintains a steady pulse, grounding the track while preserving a sense of forward motion. It’s a song that finds its appeal in restraint, letting elegance and emotion coexist with remarkable ease.”
-Nagamag.com
Hit Play and enjoy listening “Tell Me” by Amber Ingram
