Modern Andy Interview on Nagamag

Categories: Features, Interviews, The Latest|Tags: , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Modern Andy:
A genre that describes my music more in depth than DownTempo or Chill is something I call FolkTronic. To me FolkTronic is the combination of not just a folk or bluegrass sound interwoven with electronic elements but it is using acoustic instruments in general that are then incorporated into an electronic set. Recording live acoustic instruments for sample/loop playback later is a big part of what Modern Andy is and what I consider FolkTronic.


Nagamag:
Few words about your musical background and career?

Modern Andy:
I grew up in a musical household so I was exposed to music everyday from a very young age and I couldn't be more grateful for it. My dad played guitar and banjo, primarily bluegrass/folk music so as a child I was exposed to harmonies, fingerpicking and interesting chord structures. This helped shape how I would start Modern Andy to be a conceptual music/art project that would combine visuals and music to create a living art piece. As I experimented and explored this I I realized what I wanted to do was be a Modern Andy Warhol and thus Modern Andy was created.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Modern Andy:
I fell in love with music at a very young age. There was always music being played in my house and there were instruments everywhere. From pianos, guitars, mandolins, banjos and more I could walk around our house and just experiment with music and different instruments. As I grew up I continued to experiment and became interested in audio recording and recording techniques. This really propelled me to become the musician I am today and how Modern Andy got its sound.


Nagamag:
What are some of your motivations when creating the music that you do?

Modern Andy:
Some motivations I have when creating my music is finding those places in a song I can get lost in, finding the places where you stop paying attention, where time ceases to exist and you get lost in the moment and lost in your thoughts. My motivation is to give as much power as possible to an instrumental song so the listener has no choice but feel what THEY feel, not feel what they are told to feel.


Nagamag:
What do you hope the listener takes away from a Modern Andy song?

Modern Andy:
My hope is the listener will take away a sense of individuality and uniqueness from my songs. I hope they feel that they haven’t ever really heard anything like this before and that they will get lost in the songs and be lost in their thoughts while they listen. I hope they create their own story and that Modern Andy is the soundtrack to that story they are telling.


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Modern Andy:
Glen Hansard "Say it to me Now"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Modern Andy:
Nine Inch Nails "La Mer"

Discover & Listen to Modern Andy

Modern Andy on Spotify

Modern Andy's Signature Track

Modern Andy on Social Media

Modern Andy's Website

Constant Follower – The Merry Dancers on TV (Official Shimmy-Disc Video) (Video)

Categories: Features, Pop, Pop Features, The Latest, Video|Tags: , , , |

“Feel good and dreamy is the expression of this imaginative sound. Constant Follower has done it, bottled up the sounds of a beautiful dream . ”

-Nagamag.com

*Video premiered on Brooklyn Vegan, Glide Magazine, Indie Music Blog and A Pessimist Is Never Disappointed. We’re looking for video/song coverage from Friday 20th Aug.

“The Merry Dancers on TV is gently affecting. A haunting ramble pitched at the place occupied by both Arab Strap and Bon Iver, this elegantly mellow song is something special indeed. It also helps that the video for the composition is just as memorable.” A Pessimist Is Never Disappointed

“The Merry Dancers on TV combines the introspective chamber folk of Fleet Foxes and The Frames, atop a mystical nod laid beneath stunning simplicity.” Glide Magazine

“The Merry Dancers on TV is a lovely piece of delicate folk rock and comes with a gorgeous stop-motion animated video.” Brooklyn Vegan

The Merry Dancers on TV is the first single from Constant Follower’s debut album ‘Neither Is, Nor Ever Was’ on the legendary Shimmy Disc label (Low, Galaxie 500, Daniel Johnston, Bonnie Prince Billy).

In ‘Scots’ (a traditional language spoken in Scotland), natural phenomena are often given beautiful phrasing – the ‘Merry Dancers’ of the song being the Scots term for the Aurora Borealis. The song speaks to the things in life we miss in the bustle and stresses of modern living. In writing the song, McAll was thinking of a particular episode where friends missed the real Merry Dancers above their cottage whilst they were indoors watching a documentary about them.

Co-produced by Scottish singer-songwriter Stephen McAll and renowned producer and Shimmy-Disc founder Kramer (Low, Galaxie 500, Will Oldham), the recording for Neither Is, Nor Ever Was began in early 2020 at La Chunky studios in Glasgow with engineer Johnny Smillie. This was interrupted by the birth of McAll’s daughter (if you listen closely, her cries are just audible during some of Kessi’s backing vocals on ‘Little Marble’), and shortly afterwards by Covid 19 restrictions. McAll began recording the rest at his own CFFC studio in Stirling. The resulting recordings were then mixed and mastered by Kramer at his Noise Miami Studio, to breathtaking effect.

Each album track is accompanied by its own short film. McAll sought-out the most exciting new talents in Scottish film and animation and invited them to be part of the album project. Each video, the artist’s personal response to the song, with no direction or interference from the band, resulting in incredibly moving and enchanting short ‘films’ in their own right (with multiple film festival considerations including Edinburgh International Film Festival and Manchester Film Festival in process).

“Making art together is something that transcends any distance and that was definitely confirmed over the period of making this film. Being able to work with a local band while being trusted with such a stunning song made any physical distance feel obsolete. Constant Follower’s choice to work with new and emerging artists for their videos meant that I, as an artist, was able to create something unlike anything I’ve had the ability to before. This is my second foray into stop motion and I have learned so much from this project alone- skills that would have taken me years to learn in any other setting. The film, at its core; is about connection and how easy it is to lose it if we start taking things for granted in life. I liked the idea that even the moon herself could tire of being taken for granted and head off on a holiday only for one child to notice it missing and go on a voyage to let it know how much it is loved and respected.” – Fiona (Video Director)

“One of the most beautiful records I have ever been privileged to be a part of, filled to the very brim with moment after moment of poetic clarity, and not a moment too late…an interior force to be reckoned with. I’ve never experienced anything quite like it. It weaves elements of the past around a future I was wholly unaware of before hearing these breath-taking songs, each one a kind of memorial to a memory that may or may not have merely been imagined or hoped into existence.” – Kramer

https://twitter.com/constantfollowr
https://www.instagram.com/constantfollower
https://www.facebook.com/theconstantfollower

David Lindmer – Omen feat. Johanson (Video)

Categories: Electronica, Electronica Features, Features, The Latest, Video|Tags: , , |

“In this gentle, easy listening track, you will discover the world of wonderful harmonies and unexpected musical worlds. Melodic Techno & House, with inclusions of excellent vocals and crystal sound. The dense atmosphere is replaced by an unexpected pressure, and ends smoothly. Great job!”

“В этом нежном, лёгком треке, вы откроете для себя мир чудесных гармоний и неожиданных музыкальных решений. -Omen- сочетает в себе мелодию и ритм Techno & House, с вкраплениями отличного вокала и кристального звучания. Плотная атмосфера сменяется неожиданным напором, а затем так же плавно завершается. Отличная работа!”

-Nagamag.com

Label boss David Lindmer returns to Running Clouds for a very special release. A very personal piece written during the lockdown, Omen is a collaboration with Berlin based vocalist Johanson and lands alongside a stunning music video created by director DRUST.

David Lindmer is a UK born artist based out of New York. It was in 2018 David really found his signature sound characterized by driving, powerful techno that is rich in melody and cinematic drama. Having worked within the VFX industry for many years, David’s passion for sound design and cinematic scores also led him to explore the relationship between audio and the visual arts.

David is also the co-owner of Melodic Techno label Running Clouds founded in 2018 and the Chromia Sound collective. With recent high profile support from the likes of Tale of Us, Mind Against, and many more, David continues to develop as an artist and push the boundaries of immersive audio.

With Omen, David delivers his signature driving melodic techno, rich with emotion and charged with a melancholic atmosphere while maintaining enough low-end punch to absolutely work on the dancefloor. Luscious pads grace the breakdown and create a comforting blanket, wrapping around Johanson’s evocative vocals before resolving into a highly distinctive, synth-heavy, 80’s influenced finale.

Omen is accompanied by a stunning music video created by DRUST, a director raised between Paris & London with a European sensibility to filmmaking. The starting point for the Omen video was to explore the theme of doomed relationships and witness the nuanced moments where things take a wrong turn.

“Bringing emotion to the forefront of the viewers’ experience was key to the storytelling. David was a fantastic artist to engage with because of his openness to the collaborative effort of the whole piece. Early on we decided that the images shouldn’t feel like they’d just been tacked onto the track, but that pictures enhance the music and vice versa. This feeling of both being fully bedded together was of primary importance to us.” DRUST

https://www.instagram.com/davidlindmer/

Son of Zev Interview on Nagamag

Categories: Features, Interviews, The Latest|Tags: , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Son of Zev:
Techno, Breakbeat, Electro, Experimental Electronica. I'm a very wide listener of all styles of music. There are many influences that get pulled into my production.


Nagamag:
Few words about your musical background and career?

Son of Zev:
I've been involved with music since I was about 8. I struggled to settle on an instrument till I was 11 which was piano/keyboards. My school actually had synthesizer lessons and my classes were on an Alpha Juno.. That was in about 1987. I had no idea that I was playing on one of the original machines that could make the classic "hoover" rave sound..
My first experience trying to program my own synth (a DX27) was trying to make Hammond and Rhodes sounds out of it.. I was jamming blues with mates at the time as a teenager.
In 1994, after being self professed "anti sequencer" I found myself in the rave scene and loving some of the more underground sounds I was hearing (Melbourne was/is very Detroit influenced). By 1995 I was playing around with synths for synths sake, and occasionally playing as a regular guest of Melbourne clan analog band "Signal To Noise"
In early 1998 I played my first gig as Son of Zev at the iconic Punters Club, a venue I'd literally seen hundreds of bands and a handful of electronic acts. I played for half an hour, slotted into the very start of the gig. I was home. Andrez Bergen of IF? Records was apologetic for the early start and short time slot and low fee... I didn't care.
I went on to play at least 100 more shows (I lost count somewhere along the way) between 1998 and 2001, many of them with If? Records. I kept playing semi-regularly through till 1998.
Although I could put together a great live set, I was never very good at finishing tunes. Something I've since learned is most likely a product of my (very) late diagnosed ADHD..
After some big life changes, in about 2016 I set up a new studio and have released a couple of EP's and the odd single... WIth my recent diagnosis and some therapy on the horizon, I'm hoping I can channel my energies better and release a lot more music.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Son of Zev:
While not my first connection, I can remember 2 very pivotal moments..
Somewhere around 1994 I saw Jammin' Unit play a live set at Club Filter in Melbourne. It's where I truly understood that electronic music could have be very live and organic. Seeing someone working their gear like that, clearly arranging and manipulating what was going on broke my perception of a person pressing play on a computer sequencer with nothing to do.
The second pivotal moment was dancing front and centre to Thomas P Heckmann playing live and changing what he was doing according to the crowd reactions and realising I really wanted to be on the other side playing my music and being at one with the crowd like that.


Nagamag:
Do you have any new music coming out?

Son of Zev:
I have 2 releases coming in the near future. Both 2 track singles.
The first "Escaped From the Vault" is a couple of tracks I found while digging through some old boxes. Backups of a demo that really hold up today. They are of a more strictly Techno sound, dark and hard, but with a lot of rhythmic exploration. It's due out on the 27th of August on Slice Records.
The second is a collaboration with Arcane Trickster. We've remixed each other's work, these should also be out later this year on Slice Records.
Aside from those, I've been in the studio a lot, and I expect that by next year there should be some more music ready for release.


Nagamag:
You mentioned that you used to play a lot of live sets, do you still do that, and are there any gigs coming up?

Son of Zev:
Absolutely, I love playing live and still like to perform a few times a year.
Lockdowns permitting I am playing at Red Betty in Brunswick on the 14th of August for a Live Electronic Musicians of Melbourne Showcase gig.
I'm also playing on the 3rd of September at Acid Slice Presents 303 909 .. At Bar 303, Northcote.. (expect Acid)


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Son of Zev:
Jimmy Smith "Root Down"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Son of Zev:
Joey Beltram Forklift (Luke Slater's remix)

Discover & Listen to Son of Zev

Son of Zev on Spotify

Son of Zev's Signature Track

Son of Zev on Social Media

Olexandr Ignatov – Arrival (Spotify)

Categories: Audio, Blogwave, Blogwave Features, Features, The Latest|Tags: , , |

“The Synthwave music style is unique, because it acts as a time machine and sends its listeners into their own unique universe. The sound in -Arrival- is saturated with lamp analog synthesizers, light rhythm and excellent dynamics.”

“Жанр Synthwave уникален тем, что он действует как Машина Времени и отправляет своего слушателя в свою, уникальную вселенную. Звук в -Arrival- насыщен ламповыми аналоговыми синтезаторами, лёгким ритмом и прекрасной динамикой.”

-Nagamag.com

https://olexandrignatov.bandcamp.com/
https://www.facebook.com/olexandrignatovofficial
https://www.instagram.com/olexandrignatov

Born and raised in Lviv, Ukraine. Started playing piano at an early age, Olexandr quickly adopted the love for music and everything connected to it. Years later - and unlike most artists that work in one specific genre, Olexandr finds himself comfortable in many, dominant of which are inspiring piano music, epic and powerful epic orchestral compositions, heavy-hitting rock and metal pieces, ambient, and a little bit of electronic music too. So there is a high chance you might find something you like by listening to Olexandr’s discography.

The biggest reward for him as a composer is changing people’s lives for the better through music. So fasten your seatbelts and prepare to embark on a journey!

Sea Asylum, Leah Culver, Beau Davis – Lies Between the Waves – song by Sea Asylum, Leah Culver, Beau Davis | Spotify (Spotify)

Categories: Audio, Features, Pop, Pop Features, The Latest|Tags: , , , , , , |

“All-consuming atmosphere of increasing sound elements and sensual vocal duet. It is amazing how the rhythm, tone, instrumental component and emotional singing are virtuosively intertwined. A treasure in the music collection.”

“Всепоглощающая атмосфера нарастающих звуковых элементов и чувственный вокальный дуэт. Поразительно, как виртуозно переплетаются ритм, тона, инструментальная составляющая и эмоциональное пение. Настоящее сокровище в коллекции.”

-Nagamag.com

This is the Single for the forthcoming "Alyson Jane Parker" Album by Sea Asylum coming soon! Alyson Jane Parker is a concept album about a character and her story. More info at www.seaasylum.com

https://www.instagram.com/SeaAsylum

Anton Commissaris – Love Is Like the Blues (Spotify)

Categories: Audio, Features, Jazz, Jazz Features, The Latest|Tags: , , |

“Low light, ringing crystal glasses, whispers at the next table and as background the music of -Anton Commissaris - Love Is Like The Blues-. Light background blues, virtuoso performance and a whole bouquet of impressions. The best thing you can wish at the end of a hard day.”

“Приглушённый свет, звон хрустальных бокалов, шепот за соседним столиком и музыка -Anton Commissaris - Love Is Like the Blues-. Лёгкий фоновый блюз, виртуозное исполнение и целый букет впечатлений. Лучшее, что можно себе пожелать в завершение дня. ”

-Nagamag.com

A song about a guy who's never going to get what he needs from a gal he's madly in love with. For him, love is like the blues.

https://antoncommissaris.bandcamp.com
https://twitter.com/antoniusego
https://www.facebook.com/anton.commissaris
https://www.instagram.com/antoncego/

Carlos Maya Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Carlos Maya:
I'm perfectly OK with this "Neoclassical" term to refer music that has a strong emotional focus, as I pretend to do that, to communicate and to express these "emotional ideas" and perspectives that cannot be expressed with words.


Nagamag:
Few words about your musical background and career?

Carlos Maya:
I've studied music at the Conservatory of Music of the National University of Colombia. I studied classical music, academic music, composition and music theory. But my interest in music was raised from a very young age, with the music instruction of my father who is a Sax player. Regardless my academic music background I was always interested in genres that are more connected to people than the strictly academic music, hence this neoclassical piano project, I also have great love for the keyboards and synthesizers, and absolutely for the Rock music. I also have a progressive rock project called Cadius in which I am its main composer.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Carlos Maya:
My first connection of love with music was when I was very young... I think 6 maybe 7 years old... My father used to play in his turntable classical music and progressive rock music, music from Bach, Mozart, but also Rick Wakeman, Yes and that kind of stuff... I remember that Bach music touched me very deeply, I was really moved in my heart while listen to this second movement of the Harpsichord Italian concerto, touched to the point of tears, and I was like 7 or 8 years old, right then I decided that I wanted to be a pianist.


Nagamag:
What do you want to achieve with your music?

Carlos Maya:
I try to do my best to make beautiful music, I deeply feel that the purpose of each one of us, as human beings, is to bring beauty to this life, the beauty is an ideal from "higher states" and we bring these "higher states" to this world, and when we commit to this purpose I think we make the world a little better.


Nagamag:
What are your next steps in your career?

Carlos Maya:
I am working to put one of my songs as a soundtrack in a movie or a documentary. That would be awesome!


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Carlos Maya:
Meshuggah "Clockworks"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Carlos Maya:
Michael Nyman The heart asks pleasure first

Discover & Listen to Carlos Maya

Carlos Maya on Spotify

Carlos Maya's Signature Track

Carlos Maya on Social Media

Carlos Maya's Website

JOLENE – Diamond Eyes (Spotify)

Categories: Audio, Features, Pop, Pop Features, The Latest|Tags: , , , , |

“-Jolene- delivers a unique sound and has the ability to find the appropriate elements. Harmony and mood are so clear in -Diamond Eyes-. The vocal part and variety of collected voice tones is practically driving. Unearthly work!”

“У -JOLENE- есть уникальное чутьё звука и способность подобрать соответствующие инструменты, гармонию и настроение, которое так отчётливо прослеживается в -Diamond Eyes-. Правильная вокальная позиция и многообразие тембральных оттенков голоса практически сводит с ума. Неземное произведение. Факт.”

-Nagamag.com

https://instagram.com/followjolene

This song is a mirror; crafted as a space to look into yourself, an invitation into a moment. A place to breathe and be, to find the world inside yourself. In the fast-paced culture we're in, I hope this gives you pause and brings you into a deeper awareness of your place in the universe.

The official video is a black screen, so you can see yourself in it. It is the soundtrack to The Mirror Room, which is an entryway into the dream dimension, my storyworld called HEMISPHERES. Come in: https://hemispheres.land/the-mirror-room

Messer – Angels Pray (Visualizer) (Video)

Categories: Features, Pop, Pop Features, The Latest, Video|Tags: , , , , |

“In -Angels Pray- in the desired dosage we found a common language with its listeners, which helps to express the artist’s idea and talk to us in the same language. Noticeably, as -Messer- communicates through music, it helps to immerse ourselves with his thoughts in this amazing world.”

“В -Angels Pray- в нужной дозировке найден общий язык со своими слушателями, что помогает выразить свою авторскую задумку и разговаривать с нами на одном языке. Заметно, как автор общается посредством музыки, что помогает погрузиться с головой в этот удивительный мир.”

-Nagamag.com

Angels Pray’ ON STREAMING PLATFORMS EVERYWHERE.
https://orcd.co/meserangelspray

PRE-SAVE THE ‘Roses’ EP NOW. OUT 8/27.
https://orcd.co/messerrosesep

GRAMMY Award-winning vocalist Mitch Grassi today reveals “Angels Pray,” the latest piece of original music from his new solo project, Messer.

Messer is about freedom in identity, independence, confidence, queerness, the theatrical, and living your fantasy and romanticizing your life. Basking in beautiful solitude, embracing the darkness we carry within ourselves, as well as celebrating the moments of bliss, humanization, empathy, self-awareness, and global awareness.

“‘Angels Pray’ came from a place of longing, specifically longing for an escape. it’s that inexplicable desire to run out the nearest exit and leave everything behind in search of your higher personal truth. it’s the need for a bird’s eye view. When we find ourselves in the midst of chaos, it is often very difficult to view our circumstances from a larger perspective. The narrator of this song is searching for solace, perhaps in a new place, or perhaps in another person,” Grassi says.

Be on the lookout for additional Messer original music releases over the coming months.

https://twitter.com/messerweb
https://www.instagram.com/messer/

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