David Lindmer – Omen feat. Johanson (Video)

Categories: Electronica, Electronica Features, Features, The Latest, Video|Tags: , , |

“In this gentle, easy listening track, you will discover the world of wonderful harmonies and unexpected musical worlds. Melodic Techno & House, with inclusions of excellent vocals and crystal sound. The dense atmosphere is replaced by an unexpected pressure, and ends smoothly. Great job!”

“В этом нежном, лёгком треке, вы откроете для себя мир чудесных гармоний и неожиданных музыкальных решений. -Omen- сочетает в себе мелодию и ритм Techno & House, с вкраплениями отличного вокала и кристального звучания. Плотная атмосфера сменяется неожиданным напором, а затем так же плавно завершается. Отличная работа!”

-Nagamag.com

Label boss David Lindmer returns to Running Clouds for a very special release. A very personal piece written during the lockdown, Omen is a collaboration with Berlin based vocalist Johanson and lands alongside a stunning music video created by director DRUST.

David Lindmer is a UK born artist based out of New York. It was in 2018 David really found his signature sound characterized by driving, powerful techno that is rich in melody and cinematic drama. Having worked within the VFX industry for many years, David’s passion for sound design and cinematic scores also led him to explore the relationship between audio and the visual arts.

David is also the co-owner of Melodic Techno label Running Clouds founded in 2018 and the Chromia Sound collective. With recent high profile support from the likes of Tale of Us, Mind Against, and many more, David continues to develop as an artist and push the boundaries of immersive audio.

With Omen, David delivers his signature driving melodic techno, rich with emotion and charged with a melancholic atmosphere while maintaining enough low-end punch to absolutely work on the dancefloor. Luscious pads grace the breakdown and create a comforting blanket, wrapping around Johanson’s evocative vocals before resolving into a highly distinctive, synth-heavy, 80’s influenced finale.

Omen is accompanied by a stunning music video created by DRUST, a director raised between Paris & London with a European sensibility to filmmaking. The starting point for the Omen video was to explore the theme of doomed relationships and witness the nuanced moments where things take a wrong turn.

“Bringing emotion to the forefront of the viewers’ experience was key to the storytelling. David was a fantastic artist to engage with because of his openness to the collaborative effort of the whole piece. Early on we decided that the images shouldn’t feel like they’d just been tacked onto the track, but that pictures enhance the music and vice versa. This feeling of both being fully bedded together was of primary importance to us.” DRUST

https://www.instagram.com/davidlindmer/

Son of Zev Interview on Nagamag

Categories: Features, Interviews, The Latest|Tags: , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Son of Zev:
Techno, Breakbeat, Electro, Experimental Electronica. I'm a very wide listener of all styles of music. There are many influences that get pulled into my production.


Nagamag:
Few words about your musical background and career?

Son of Zev:
I've been involved with music since I was about 8. I struggled to settle on an instrument till I was 11 which was piano/keyboards. My school actually had synthesizer lessons and my classes were on an Alpha Juno.. That was in about 1987. I had no idea that I was playing on one of the original machines that could make the classic "hoover" rave sound..
My first experience trying to program my own synth (a DX27) was trying to make Hammond and Rhodes sounds out of it.. I was jamming blues with mates at the time as a teenager.
In 1994, after being self professed "anti sequencer" I found myself in the rave scene and loving some of the more underground sounds I was hearing (Melbourne was/is very Detroit influenced). By 1995 I was playing around with synths for synths sake, and occasionally playing as a regular guest of Melbourne clan analog band "Signal To Noise"
In early 1998 I played my first gig as Son of Zev at the iconic Punters Club, a venue I'd literally seen hundreds of bands and a handful of electronic acts. I played for half an hour, slotted into the very start of the gig. I was home. Andrez Bergen of IF? Records was apologetic for the early start and short time slot and low fee... I didn't care.
I went on to play at least 100 more shows (I lost count somewhere along the way) between 1998 and 2001, many of them with If? Records. I kept playing semi-regularly through till 1998.
Although I could put together a great live set, I was never very good at finishing tunes. Something I've since learned is most likely a product of my (very) late diagnosed ADHD..
After some big life changes, in about 2016 I set up a new studio and have released a couple of EP's and the odd single... WIth my recent diagnosis and some therapy on the horizon, I'm hoping I can channel my energies better and release a lot more music.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Son of Zev:
While not my first connection, I can remember 2 very pivotal moments..
Somewhere around 1994 I saw Jammin' Unit play a live set at Club Filter in Melbourne. It's where I truly understood that electronic music could have be very live and organic. Seeing someone working their gear like that, clearly arranging and manipulating what was going on broke my perception of a person pressing play on a computer sequencer with nothing to do.
The second pivotal moment was dancing front and centre to Thomas P Heckmann playing live and changing what he was doing according to the crowd reactions and realising I really wanted to be on the other side playing my music and being at one with the crowd like that.


Nagamag:
Do you have any new music coming out?

Son of Zev:
I have 2 releases coming in the near future. Both 2 track singles.
The first "Escaped From the Vault" is a couple of tracks I found while digging through some old boxes. Backups of a demo that really hold up today. They are of a more strictly Techno sound, dark and hard, but with a lot of rhythmic exploration. It's due out on the 27th of August on Slice Records.
The second is a collaboration with Arcane Trickster. We've remixed each other's work, these should also be out later this year on Slice Records.
Aside from those, I've been in the studio a lot, and I expect that by next year there should be some more music ready for release.


Nagamag:
You mentioned that you used to play a lot of live sets, do you still do that, and are there any gigs coming up?

Son of Zev:
Absolutely, I love playing live and still like to perform a few times a year.
Lockdowns permitting I am playing at Red Betty in Brunswick on the 14th of August for a Live Electronic Musicians of Melbourne Showcase gig.
I'm also playing on the 3rd of September at Acid Slice Presents 303 909 .. At Bar 303, Northcote.. (expect Acid)


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Son of Zev:
Jimmy Smith "Root Down"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Son of Zev:
Joey Beltram Forklift (Luke Slater's remix)

Discover & Listen to Son of Zev

Son of Zev on Spotify

Son of Zev's Signature Track

Son of Zev on Social Media

Olexandr Ignatov – Arrival (Spotify)

Categories: Audio, Blogwave, Blogwave Features, Features, The Latest|Tags: , , |

“The Synthwave music style is unique, because it acts as a time machine and sends its listeners into their own unique universe. The sound in -Arrival- is saturated with lamp analog synthesizers, light rhythm and excellent dynamics.”

“Жанр Synthwave уникален тем, что он действует как Машина Времени и отправляет своего слушателя в свою, уникальную вселенную. Звук в -Arrival- насыщен ламповыми аналоговыми синтезаторами, лёгким ритмом и прекрасной динамикой.”

-Nagamag.com

https://olexandrignatov.bandcamp.com/
https://www.facebook.com/olexandrignatovofficial
https://www.instagram.com/olexandrignatov

Born and raised in Lviv, Ukraine. Started playing piano at an early age, Olexandr quickly adopted the love for music and everything connected to it. Years later - and unlike most artists that work in one specific genre, Olexandr finds himself comfortable in many, dominant of which are inspiring piano music, epic and powerful epic orchestral compositions, heavy-hitting rock and metal pieces, ambient, and a little bit of electronic music too. So there is a high chance you might find something you like by listening to Olexandr’s discography.

The biggest reward for him as a composer is changing people’s lives for the better through music. So fasten your seatbelts and prepare to embark on a journey!

Sea Asylum, Leah Culver, Beau Davis – Lies Between the Waves – song by Sea Asylum, Leah Culver, Beau Davis | Spotify (Spotify)

Categories: Audio, Features, Pop, Pop Features, The Latest|Tags: , , , , , , |

“All-consuming atmosphere of increasing sound elements and sensual vocal duet. It is amazing how the rhythm, tone, instrumental component and emotional singing are virtuosively intertwined. A treasure in the music collection.”

“Всепоглощающая атмосфера нарастающих звуковых элементов и чувственный вокальный дуэт. Поразительно, как виртуозно переплетаются ритм, тона, инструментальная составляющая и эмоциональное пение. Настоящее сокровище в коллекции.”

-Nagamag.com

This is the Single for the forthcoming "Alyson Jane Parker" Album by Sea Asylum coming soon! Alyson Jane Parker is a concept album about a character and her story. More info at www.seaasylum.com

https://www.instagram.com/SeaAsylum

Anton Commissaris – Love Is Like the Blues (Spotify)

Categories: Audio, Features, Jazz, Jazz Features, The Latest|Tags: , , |

“Low light, ringing crystal glasses, whispers at the next table and as background the music of -Anton Commissaris - Love Is Like The Blues-. Light background blues, virtuoso performance and a whole bouquet of impressions. The best thing you can wish at the end of a hard day.”

“Приглушённый свет, звон хрустальных бокалов, шепот за соседним столиком и музыка -Anton Commissaris - Love Is Like the Blues-. Лёгкий фоновый блюз, виртуозное исполнение и целый букет впечатлений. Лучшее, что можно себе пожелать в завершение дня. ”

-Nagamag.com

A song about a guy who's never going to get what he needs from a gal he's madly in love with. For him, love is like the blues.

https://antoncommissaris.bandcamp.com
https://twitter.com/antoniusego
https://www.facebook.com/anton.commissaris
https://www.instagram.com/antoncego/

Carlos Maya Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Carlos Maya:
I'm perfectly OK with this "Neoclassical" term to refer music that has a strong emotional focus, as I pretend to do that, to communicate and to express these "emotional ideas" and perspectives that cannot be expressed with words.


Nagamag:
Few words about your musical background and career?

Carlos Maya:
I've studied music at the Conservatory of Music of the National University of Colombia. I studied classical music, academic music, composition and music theory. But my interest in music was raised from a very young age, with the music instruction of my father who is a Sax player. Regardless my academic music background I was always interested in genres that are more connected to people than the strictly academic music, hence this neoclassical piano project, I also have great love for the keyboards and synthesizers, and absolutely for the Rock music. I also have a progressive rock project called Cadius in which I am its main composer.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Carlos Maya:
My first connection of love with music was when I was very young... I think 6 maybe 7 years old... My father used to play in his turntable classical music and progressive rock music, music from Bach, Mozart, but also Rick Wakeman, Yes and that kind of stuff... I remember that Bach music touched me very deeply, I was really moved in my heart while listen to this second movement of the Harpsichord Italian concerto, touched to the point of tears, and I was like 7 or 8 years old, right then I decided that I wanted to be a pianist.


Nagamag:
What do you want to achieve with your music?

Carlos Maya:
I try to do my best to make beautiful music, I deeply feel that the purpose of each one of us, as human beings, is to bring beauty to this life, the beauty is an ideal from "higher states" and we bring these "higher states" to this world, and when we commit to this purpose I think we make the world a little better.


Nagamag:
What are your next steps in your career?

Carlos Maya:
I am working to put one of my songs as a soundtrack in a movie or a documentary. That would be awesome!


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Carlos Maya:
Meshuggah "Clockworks"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Carlos Maya:
Michael Nyman The heart asks pleasure first

Discover & Listen to Carlos Maya

Carlos Maya on Spotify

Carlos Maya's Signature Track

Carlos Maya on Social Media

Carlos Maya's Website

JOLENE – Diamond Eyes (Spotify)

Categories: Audio, Features, Pop, Pop Features, The Latest|Tags: , , , , |

“-Jolene- delivers a unique sound and has the ability to find the appropriate elements. Harmony and mood are so clear in -Diamond Eyes-. The vocal part and variety of collected voice tones is practically driving. Unearthly work!”

“У -JOLENE- есть уникальное чутьё звука и способность подобрать соответствующие инструменты, гармонию и настроение, которое так отчётливо прослеживается в -Diamond Eyes-. Правильная вокальная позиция и многообразие тембральных оттенков голоса практически сводит с ума. Неземное произведение. Факт.”

-Nagamag.com

https://instagram.com/followjolene

This song is a mirror; crafted as a space to look into yourself, an invitation into a moment. A place to breathe and be, to find the world inside yourself. In the fast-paced culture we're in, I hope this gives you pause and brings you into a deeper awareness of your place in the universe.

The official video is a black screen, so you can see yourself in it. It is the soundtrack to The Mirror Room, which is an entryway into the dream dimension, my storyworld called HEMISPHERES. Come in: https://hemispheres.land/the-mirror-room

Messer – Angels Pray (Visualizer) (Video)

Categories: Features, Pop, Pop Features, The Latest, Video|Tags: , , , , |

“In -Angels Pray- in the desired dosage we found a common language with its listeners, which helps to express the artist’s idea and talk to us in the same language. Noticeably, as -Messer- communicates through music, it helps to immerse ourselves with his thoughts in this amazing world.”

“В -Angels Pray- в нужной дозировке найден общий язык со своими слушателями, что помогает выразить свою авторскую задумку и разговаривать с нами на одном языке. Заметно, как автор общается посредством музыки, что помогает погрузиться с головой в этот удивительный мир.”

-Nagamag.com

Angels Pray’ ON STREAMING PLATFORMS EVERYWHERE.
https://orcd.co/meserangelspray

PRE-SAVE THE ‘Roses’ EP NOW. OUT 8/27.
https://orcd.co/messerrosesep

GRAMMY Award-winning vocalist Mitch Grassi today reveals “Angels Pray,” the latest piece of original music from his new solo project, Messer.

Messer is about freedom in identity, independence, confidence, queerness, the theatrical, and living your fantasy and romanticizing your life. Basking in beautiful solitude, embracing the darkness we carry within ourselves, as well as celebrating the moments of bliss, humanization, empathy, self-awareness, and global awareness.

“‘Angels Pray’ came from a place of longing, specifically longing for an escape. it’s that inexplicable desire to run out the nearest exit and leave everything behind in search of your higher personal truth. it’s the need for a bird’s eye view. When we find ourselves in the midst of chaos, it is often very difficult to view our circumstances from a larger perspective. The narrator of this song is searching for solace, perhaps in a new place, or perhaps in another person,” Grassi says.

Be on the lookout for additional Messer original music releases over the coming months.

https://twitter.com/messerweb
https://www.instagram.com/messer/

Demuja – Take Me Away From Here (Video)

Categories: Features, House, House Features, The Latest, Video|Tags: , , |

“New House tune with Old-school style and uplifting mood. Released in the “Period Of Time” album is ready to take you away in a full dancing trip. “Demuja” knows how to attract our interest and this can be proved from the first listening of this work.”

-Nagamag.com

Austrian DJ/producer Demuja drops his new Single “Take Me Away From Here” from the forthcoming album “Period of Time” out on August 20.

https://www.facebook.com/iamdemuja

https://www.instagram.com/iamdemuja

Anzhelika Kovalenko – Black Earth (Kara Toprak) by Fazil Say | WeLive on Tour | Live im Parktheater (Video)

Categories: Features, Neoclassical, Neoclassical Features, The Latest, Video|Tags: , , , |

“-Black Earth- combines the experimental component, which as it is developed, is revealed before the listener. In the begining you are immersed in melodic waves and it seems that the Earth leaves under your feet, but after a couple of minutes, the piano melody absorbs and takes you into oblivion. Awesome journey.”

“-Black Earth- сочетает в себе экспериментальную составляющую, которая по мере развития раскрывается перед слушателем. Сначала вас погружают в мелодический хаос и, кажется, что земля уходит из-под ног, но уже спустя пару минут мелодия фортепиано поглощает и уносит в небытие на своих волнах. Потрясающее путешествие.”

-Nagamag.com

In the video, the Ukrainian pianist Anzhelika Kovalenko performs the piece “Black Earth (Kara Toprak)” by the Turkish composer Fazil Say live at the German “Parktheater Lahr”. The core motif of the piano solo piece is the imitation of the Turkish folk music instrument Saz. Kovalenko herself is a great admirer of the Turkish composer Say. In front of 15 cameras and with a light show staged especially for the performance, she stages “Black Earth” as never before. The 25-year-old pianist impresses with a lot of feeling and great musicality. The recording is part of the second episode “Classic meets Electro” from the concert film series “WeLive on Tour”.

https://www.welive-festival.com/

Im Video stellt die ukrainische Pianistin Anzhelika Kovalenko live im deutschen “Parktheater Lahr” das Stück “Black Earth (Kara Toprak)” des türkischen Komponisten Fazil Say vor. Das Kernmotiv des Klavier-Solostückes ist die Imitation des türkischen Volksmusik-Instruments Saz. Kovalenko selbst ist eine große Bewunderin des türkischen Komponisten Say. Vor 15 Kameras und mit extra für den Auftritt inszenierter Lichtshow setzt sie “Black Earth” wie noch nie in Szene. Die 25-jährige Pianistin beeindruckt durch viel Gefühl und große Musikalität. Die Aufnahme ist Teil der zweiten Episode “Classic meets Electro” aus der Konzertfilmserie “WeLive on Tour”.

Anzhelika Kovalenko is a Ukrainian pianist. She studied at the Mykola Lysenko National High School in Lviv with Humetska Marianna and Humetska Halisa. Already as a student she was part of the “European Academy of Young Virtuosos” and played concerts in Ukraine, Poland and Lithuania. Kovalenko now lives and performs in Germany.

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Anzhelika Kovalenko ist eine ukrainische Pianistin. Sie studierte an der Nationalhochschule Mykola Lysenko in Lwiw bei Humetska Marianna und Humetska Halisa. Bereits als Studentin war sie Teil der “European Academy of Young Virtuosos” und spielte Konzerte in der Ukraine, Polen und Litauen. Mittlerweile lebt und konzertiert Kovalenko in Deutschland.

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