Blooy Interview on Nagamag

Categories: Electronica Features, Electronica Interviews, Features, Interviews, The Latest|Tags: , , , , , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Blooy:
Blooy's sound is its own unique flavor of chillout that’s fueled by dreamy electronics, lo-fi hip-hop beats, drama-filled instrumentation and melancholic soundscapes.


Nagamag:
Few words about your musical background and career?

Blooy:
In the nineties I was inspired by the emerging trend of house music and started working together with producer and composer Dorian Broekhuyse, with whom I collaborated on several dance projects.
In the beginning of this millennium our musical style evolved to chillout music. Dorian and I launched our nu-classical project “Bardo State” in 2008, especially known from the internationally acclaimed song “Sospiro” (album “Mariposa”). Several Bardo State songs were licensed to well-known samplers such as Buddha-Bar and Supperclub. The track "Kosovo" was the soundtrack of the Hollywood film Jekyll and Hyde.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Blooy:
I'm the son of Jan Wijn, a famous Dutch concert pianist. Raised on musical influences such as Chopin, Ravel and Saint-Saëns, I became interested in experimental jazz throughout my teenage years and I started playing drums. In my late teens, I also started singing and playing keyboard in the new wave band The Primrose Path. The often dark and gloomy sound of new wave music has continued to inspire me throughout my musical career.


Nagamag:
What exactly inspired you to start with Blooy?

Blooy:
I started working on my solo project “Blooy” during the Corona period. Inspired by the imperfection of lo-fi music, I combined chillout with jazz and classical influences, sometimes accompanied by spoken word. As the strongest form of art, I use Blooy’s music to express myself and always try to embellish my compositions with layers of heartfelt emotions.


Nagamag:
What are your musical plans for the future?

Blooy:
During 2021 I will be releasing my first two Blooy EP's on the label Sine Music and I'm planning to release my first album by the beginning of 2022.


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Blooy:
Thomas Newman "Revolutionary Road (End Title)"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Blooy:
Kupla "Roots"

Discover & Listen to Blooy

Blooy on Spotify

Blooy's Signature Track

Blooy on Social Media

Blooy's Website

Loxy & Ink – Phoenix Rising (Video)

Categories: Electronica, Electronica Features, Features, The Latest, Video|Tags: , , |

“Like in a dream, sweet particles of sensation broke out as if something unearthly penetrated into the soul and does not let you wake up. It’s amazing how easily that Drum & Bass rhythms can enter you in a state of trance and meditation. Present miracle!”

“Словно сквозь сон наружу вырывались сладкие частицы ощущения, будто что-то неземное проникло в душу и не даёт тебе проснуться. Поражает, насколько лёгкие ритмы drum & bass могут вводить в состояние транса и медитации. Настоящее чудо!”

-Nagamag.com

http://hyperurl.co/gr9z1p

Breakbeat titans Loxy and Ink have done nothing but bring to the table excellent sounds – soaking their gritty UK sound in a soothing warmth, ‘Phoenix Rising’ (Taken from the forthcoming E.P. ‘Manifested Visions’) hits home with undeniable force. A follow up to the hip hop track ‘Manifested Visions’, this track goes on to demonstrate the duo’s mastery of fluidity in sound. As an uncompromising drum ‘n bass pattern propels us forward, the imagination is tickled and teased; in this multiverse, the world appears shattered and beautiful, leaving it to the artist to pick up and patch the pieces. As vocal samples soar through an open sky, heavy bass keeps us grounded in reality; one that, however real it may feel, can shift shape at the blink of an eye.

Loxy

Instagram = https://www.instagram.com/loxycylon/
Soundcloud = https://soundcloud.com/loxy_x
Twitter = https://twitter.com/Loxycylon
Facebook = https://www.facebook.com/LoxyUK
Spotify = https://open.spotify.com/artist/5Cs0SJYrr8XUtlZWtkoian
Youtube = https://www.youtube.com/channel/UCnGopWKdIMVEBhtBkU4QQig

Ink

Instagram = https://www.instagram.com/architexink
Soundcloud = https://soundcloud.com/architexink
Twitter = https://twitter.com/DJINKARX
Facebook = https://www.facebook.com/architexink
Spotify = https://open.spotify.com/artist/37JsC7B8cn5BkNzFrV9Px4
Youtube = https://www.youtube.com/channel/UCnxTsKybaKWNACSViRR7t5Q

Nother, Moon Leap – Lines (Spotify)

Categories: Audio, Electronica, Electronica Features, Features, The Latest|Tags: , , , , , |

“There is a music that remains forever in our hearts. Really worth hearing the captivating voice of vocalist. Organic sound, every sound in its place and fit into the overall sound design by adding depths and melodic eloquence.”

“Есть музыка, которая навсегда остаётся в наших сердцах. -Lines- оживает, стоит лишь услышать пленительный голос вокалистки. Органичный звук, каждый инструмент на своих местах и вписываются в общую звуковую картину, добавляя ей глубины и мелодичной эпичности. ”

-Nagamag.com

“Lines” is the second single from the upcoming album “Future is Bright”.

A lo-fi arpeggio and deep beat guide Moon Leap’s voice through a texture of bright synths that float around your head, as the colors of the Northern Lights soar across the sky of your emotion, till the exploding end.

The calmness of her voice is a whisper that travels through the layers of the song and the relentless drums.

“Lines” is one of the most challenging songs I’ve written, trying to find the perfect balance between my own emotions and rhythm.

It describes the connection with someone who saved you from apathy, and Moon Leap helped me a lot during the writing process of the lyrics.

Her voice is capable of striking the outer reaches of your soul, and she was perfect for a song where the movement of the beats grows constantly.

https://www.instagram.com/nothermusic
https://www.instagram.com/moonleapmusic/

March and June , Indra – Love Lies (Video)

Categories: Blogwave, Blogwave Features, Features, The Latest, Video|Tags: , , , |

“A new star has dropped down from heavens and is called; “Love Lies”. Prepare for a fascinating trip in space with “March and June”. Hot Electronic waves with some old-style touch and the super voice of “Indra” are capable to blow up your mind.”

-Nagamag.com

Nothing is lost. Nothing is created. Everything is transformed. Love turns into bubbly electro pop-dance synths, tears of happiness morph into stardust and discoball reflections. Riding along the dusty guitar riffs we found Indra’s sensual tones.

Love Lies is March & June’s newest journey into the outer space, following the same musical path back into the glorious 80s’ decade. He doesn’t travel by himself: Indra, one for Romania’s up-and-coming musical talents joined the mysterious astronaut, bringing smooth, sensual colours to the mix.

https://www.instagram.com/march.and.june

Stars and Rabbit Interview on Nagamag

Categories: Features, Interviews, Pop Features, Pop Interviews, The Latest|Tags: , , , |

Photo by Robby Suharlim


Nagamag:
Which are the genres that describe your music style better?

Stars and Rabbit:
Alternative Pop/Folk


Nagamag:
Few words about your musical background and career?

Stars and Rabbit:
Didit: Experimenting the root
Elda: Self taught


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Stars and Rabbit:
Elda:
1. when i sing in harmony for a choir
2. when i found Jewel singing with her guitar
3. when i finally wrote a song of my own
Didit:
When first time heard some of The Beatles songs and want to be able play the song with guitar


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Stars and Rabbit:
Niki & The Dove "Coconut Kiss"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Stars and Rabbit:
The Zombies "The Way I Feel Inside"

Discover & Listen to Stars and Rabbit

Stars and Rabbit on Spotify

Stars and Rabbit's Signature Track

Stars and Rabbit on Social Media

Stars and Rabbit's Website

An-Ten-Nae x Maddy O’neal x Torii Wolf – Let Go (Video)

Categories: Electronica, Electronica Features, Features, The Latest, Video|Tags: , |

“Three artistic minds join forces in this special song. Chilling mood, popping bass and spacious syth effects form a unique puzzle that keeps the mind stimulated. Our fascination has a new name and this is; “Let Go”. Caution! Addictive side-effects may occur after listening.”

-Nagamag.com

An-Ten-Ne, Maddy O’neal & Torii Wolf combine forces to create a very future forward piece of music that transcends categorization, With tasty 808 hip hop beats, Warm oozing bass and wonderfully laced with the majestic voice of Torii Wolf. This is that summer time Driving with the top down type of song. Maddy O’neal recent collaboration with Clozee, Zest was an instant hit and featured on a bunch of Spotify editorial playlists and has garnered millions of streams already.

https://maddyoneal.fanlink.to/Let_Go

Transient Lines – Calm Unrest (Spotify)

Categories: Audio, Electronica, Electronica Features, Features, The Latest|Tags: , , , , , , |

“Taken from the latest "Transient Lines" EP this track is not just another Downtempo single, but carries some kind of magic. The artist attracts your attention with gentle wave patterns and a variety of sophisticated sounds. A true elixir, which we loved from the first listening. Congratulations!”

-Nagamag.com

Transient Lines is the electronic solo project of Max Lanzinger.

The combination of rather dark spheric elements with driving beats could be a rough description of his music.

Calm Unrest is a testimony of his drive as a musician that arises from a certain inner restlessness. At the same time the contradictory title aims to describe a felt quietude and peace whilst getting lost in the process of creating music.

https://www.facebook.com/TransientLinesMusic
https://www.instagram.com/transientlines/
https://transientlines.bandcamp.com/releases

Kebu Interview on Nagamag

Categories: Electronica Features, Electronica Interviews, Features, Interviews, The Latest|Tags: , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Kebu:
I haven't found a single genre that would describe my music style, so I normally say "melodic instrumental synthesizer music, similar to that made in the 70's and 80's".


Nagamag:
Few words about your musical background and career?

Kebu:
Music was always only passionate hobby for me. I played some piano when I was a kid, but wasn't motivated to practice enough. It was first when I picked up the synthesizer in high school that I found my instrument. Since that, I played as a keyboardist in numerous hobby bands, and had small a bedroom studio as well. I worked as a project manager at a research center in Finland and have a PhD in energy engineering and environmental protection. So I always ended up being the project manager in the bands I played with as well. I started doing Youtube videos of me performing with various synths as synthesizer demonstration videos, but I used my own compositions. I quickly got a following and stopped playing in bands, as it was much more fun to do my own music and videos alone. Soon I had my first album out, and after my second album I quit my daytime job and started doing my music as a full-time job. Since then, I've given over a hundred concerts around Europe and right now I'm finalizing my third studio album "Urban Dreams", which will be out this autumn.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Kebu:
I was always amazed by the synthesizer music I grew up with in the eighties. The sounds were so otherworldly and bigger than life, but the music itself was also interesting. And at that time, it was something new, and optimistic - the future seemed full of amazing opportunities.


Nagamag:
On your concerts, you perform with a very large synthesizer setup. How do you manage it? Do you rent part of your gear and how do you manage to perform at festivals?

Kebu:
My synthesizer setup is a very integral part of my performance. We have a big van full of equipment that we set up for each concerts, and it takes us 4 hours to set everything up. People always think I look so happy and enthusiastic on stage, but that comes partly from the joy when all the equipment is working as it should! But it does impose some restrictions. For instance, we have to travel by road and sea, and performing at festivals is really difficult, since I need so much time to set everything up. I have considered a smaller, flight-friendly keyboard rig, but so far I haven't gotten around to make one, because it would take a lot of time for me to prepare a new rig. My current set has slowly evolved during a time span of ten years, and there's a lot of mixing automation going on, since I don't use backing tracks - the music you hear on stage is generated by the synths. Also, I wouldn't feel comfortable relying on rented synths. It would take too long time to transfer all my setting to the synths and ensure that everything is working as it should, so I prefer using my own synths. But there are many countries where I haven't been able to perform do these restrictions, so I will probably have to make a flight-friendly rig eventually.


Nagamag:
What can we expect from your upcoming album, "Urban Dreams"?

Kebu:
My upcoming album is about dreams - both day dreams and night-time dreams. So the songs tend to be on the slower side and I've many of them have a dreamy quality about them. For this album I generated about a hundred ideas - from single riffs to almost complete songs - and chose the ones that suited the theme of the album. But I might have generated a bit too many ideas for the album, because I really struggled with turning them into full songs. And while I was working on them I came up with sections that turned into new songs. And all of a sudden I realized I had 75 minutes of music, divided into 20 tracks. I thought about splitting it up into two albums, but I felt that these songs were related and belonged on the same album.


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Kebu:
Peter Gabriel "In Your Eyes"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Kebu:
Madis Carrying the Fire

Discover & Listen to Kebu

Kebu on Spotify

Kebu's Signature Track

Kebu on Social Media

Kebu's Website

Johan Hugosson, Brett Deubner, Allison Brewster Franzett – Samarthana (Version for Viola & Piano) – song by Johan Hugosson, Brett Deubner, Allison Brewster Franzetti | Spotify (Spotify)

Categories: Audio, Features, Neoclassical, Neoclassical Features, The Latest|Tags: , , , , , , |

“100% Classic creation carefully made for selective listeners. Cooperative work with variety in progress and dynamic changes. Discover the vibrating Viola chords as they match with those piano keys in order to approach perfection.”

-Nagamag.com

MOTHER EARTH, the new album from celebrated violist Brett Deubner with PARMA Recordings, reflects humanity’s search for meaning in the midst of loss and mortal frailty. Born out of the strife of 2020, MOTHER EARTH expresses the angst and hope of this deeply challenging period through the language of music. Chant-like meditations, cathartic outpourings, and even a call to arms for environmental justice are only a few of the themes explored in MOTHER EARTH. Deubner, whose solo debut with the Grammy award-winning New Jersey Symphony Orchestra resulted in numerous subsequent engagements throughout the United States and abroad, partners with pianist Allison Brewster-Franzetti for this deeply moving collection.

https://www.brettdeubner.com/
https://www.facebook.com/bdeubner

Dutch Falconi – La Amante Del Inquisidor (Spotify)

Categories: Audio, Features, Jazz, Jazz Features, The Latest|Tags: , , , |

“-La amante del Inquisidor- made from soft and very pleasant percussion, jazz elements and live music. All this is really sedative for the soul. It happens that you do not know what to expect from the next portion of this being revered by many genres, but this composition is acting in a special way. Unforgettable impression!”

“-La Amante Del Inquisidor- мягкая и очень приятная перкуссия, джазовые элементы, живая музыка, всё это настоящее успокоительное для души. Бывает, что не знаешь чего ожидать от очередной порции этого почитаемого многими жанра, но эта композиция воздействует особым образом. Незабываемое впечатление!”

-Nagamag.com

Composer Dutch Falconi’s sophomore solo album, Curious Fabrications, out on Aurore Records July 23rd, is a sonic sleight of hand. It’s a film noir-ish adventure set in the big, cold, naked city, with the songs functioning as a roadmap for the intrepid listener to follow. Each track is a puzzle piece in the unfolding of the listener’s personalized narrative, one motivated by the fruitful ambiguity of the music. Is it a crime you’re solving? Probably. Are there clues? Everywhere. Are there dangerous and sexy characters to encounter? You bet. Hang onto your seats.

https://www.facebook.com/DutchFalconiMusician/

“I hope the pieces themselves lead to narratives conjured up in the mind of the listener. I prefer an unfixed perspective with music where the listener participates by bringing their own imagination to the pieces, and that contributes to their perception of the album. They’re part of the ensemble that way,” the Sacramento, California-based artist shares.

In the heyday of the 1990’s swing revival movement, Dutch led The Dutch Falconi Orchestra, a 27-piece swing orchestra juggernaut, replete with go-go dancers. From 1989-2000, he was the band’s benevolent dictator and composer, conductor, mechanic, bank and therapist. The small city of a group made 3 three records and shared stages with the big cats of the day like Cherry Poppin’ Daddies and the Royal Crown Revue. Dutch retired from the bandstand to pursue other creative ventures outside of music, but in 2020 resurfaced with a clutch of singles and a wildly eclectic solo debut, Bloom & Brimstone.

http://instagram.com/dutchfalconi

Curious Fabrications builds upon the success of his first solo bow, and like that album Dutch is the sole writer, player/performer, and producer. The similarities stop there. In keeping with the overarching theme of fruitful ambiguity, Dutch has created a swing album where nearly everything is synthetic and virtual with a tiny tidbit of Dutch’s actual playing. This album is a showcase for Dutch’s original swing era compositions, his flamboyant musicality, and his fearless imagination.

The single, La Amante Del Inquisidor, slinks forth with theatrical flair. The song exudes a hard-to-pin-down ethnic quality, and instead of being an appropriation, it is a melting pot of sounds. The tune boasts a vaguely klezmer melody set into a mildly Spanish flamenco framework performed with 40’s Latin dance band instrumentation. It’s an intriguing mélange of cultures and sounds that could possibly only come to fruition while twiddling one’s thumbs during pandemic downtime. “For me, the lockdown brought the delicious opportunity to stretch out,” Dutch shares. “I had the luxury of time to experiment. I frequently set out to reorder and recombine elements from tangentially related styles. The intention was to hit on some crooked math, like, 1+1+1=4, where the sum of the parts might make something surprising and unexpected. Something beautiful, wild and curious while being charged with passion and mystery.”

http://dutchfalconi.com/

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