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Braden the Young – We Were Forever – Piano Version (Spotify)

Categories: Audio, Pop, The Latest|Tags: , , |

Braden the Young – We Were Forever – Piano Version
(Spotify)

“When music layering harmonies matches brilliant with every warm deep vocal changes, filling any possible gap, you receive this wonderful pop song by Braden the Young & Harrison Turner.”

-Nagamag.com

This reimagination of Braden the Young and Harrison Turner's "We Were Forever" showcases a more intimate, stripped back production of piano and live strings. "We Were Forever (Piano Version)" is more than just an alternate version of the original, but an epic track in it's own right. The song crescendos to a huge cathartic payoff. Fans of Lewis Capaldi will be at home with this song. "We Were Forever (Piano Version) was recorded in Portland, OR.

Valencia James – Friend I Can’t Keep (Spotify)

Categories: Audio, Pop, The Latest|Tags: , , , |

Valencia James – Friend I Can’t Keep
(Spotify)

“A pure bliss of vocals and electronica in "Friend I Can't Keep" from Valencia James. Solid prodiction which caught your attention in first seconds with signature vocal pop style of Valencia and explodes to a colourful harmonic electronic synth groove. From the tracks you are in hurry to open shazam to add it in your collection.”

-Nagamag.com

Sydney-based Valencia James is back with a new single “Friend I Can’t Keep”. Back out of the shadows after her debut EP Light & Shade and in the midst of a pandemic, Valencia now dives into more playful soundscapes while retaining her brand of edge and sarcasm.

Valencia has previously been featured prominently on online media such as Earmilk, Idobi Radio, and VarianceMagazine.
“Friend I Can’t Keep” signals a new era for Valencia James, aligning EDM influences with her signature dark-pop voice.
https://instagram.com/valenciajamesofficial

Padre Tóxico Interview on Nagamag

Categories: Electronica Features, Electronica Interviews, Features, Interviews, The Latest|Tags: , , , , , , , |

Padre Tóxico
Interview


Nagamag:
What are the genres that describe better your music style?

Padre Tóxico:
As my first love was hip-hop and 2nd electronica, therefore the outcome is often fusion of these two genres. But I don't like to keep only one direction. Very often during my recording sessions I sit down with an idea to make some hip-hop sounds and I finish with a minimal house or ambient joint. It might sound cheap but I follow my heart (or rather my ears).


Nagamag:
Few words about your musical background and career?

Padre Tóxico:
I have started in November 2019 having no experience at all, no much has changed since then :)
My only help what the fact that I through many years, have listened to thousands of different artists who composed various music genres. Thanks to that, I knew what I want to create.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Padre Tóxico:
Sure. I heard Snoop Doggy Dogg's "What's my name" on school corridor. That was the begining of my love for music. But I was a kid then, so it was mainly passive listetner. My urge to create appeared when I have started to consume music consciously and that began when I fell in love for the 2nd time - this time my chosen one was electronic music. Tracks from Jon Hopkins, Kiasmos, Stimming, Synkro, Lapalux, Aparde, Ross From Friends and Four Tet gave me natural high which has lasted till I bought my music gear.


Nagamag:
What is your favourite track off your "Mandala" album?

Padre Tóxico:
I would go with Dopamine Warmness and then Serotonin Reuptake.


Nagamag:
Do you plan to work with other artists?

Padre Tóxico:
Of course, I would love to. I already did "Summer in LA" with UK singer Pri. My dream is to make whole "Life Supplement" album a vocal fueled one - with a help from some hiphop and rnb artists, I hope one day that will happen.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Padre Tóxico:
Jon Hopkins "Open Eye Signal"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Padre Tóxico:
Kiasmos "Bent" and "Burnt" I love them both the same

Discover & Listen to Padre Tóxico

Padre Tóxico on Spotify

Padre Tóxico's Signature Track

Padre Tóxico on Social Media

padretoxico
padretoxico
PadreToxico

Padre Tóxico's Website

linktr.ee/padretoxico

Stephen Caulfield – Make the Call (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , |

Stephen Caulfield – Make the Call
(Spotify)

“Stephen Caulfield with his track "Make The Call" from his album "To The Light House" invite us to an atmospheric solo piano performance which captures the scenery of a long drive to Djúpavík. You get a bit tension initially from the expectation of reach the destination which drives through an emotive yet hopefully message as it ends where finally release a sense of calm and satisfaction.”

-Nagamag.com

Pheeler – Echoes (Spotify)

Categories: Audio, Techno, The Latest|Tags: , , |

Pheeler – Echoes
(Spotify)

“Echoes from Pheeler at Sintezo Records, is one of the techno tracks you hear on the venue door waiting on the line and you get in hurry mood to jumb in and be part of the dancefloor energy of a promising night. Strong hypnotic "housey" vibes here.”

-Nagamag.com

‘Echoes’ which as you might expect from this dynamic Producer is a serious rally of bass, rhythm and production power. A rumbling and aggressive bassline lays down a chunky foundation for a sparkling drumline groove which scatters over the higher frequencies and out into the wider spaces of the sonic spectrum.

The break turns dark-side as an eerie pause in the energy makes way for a spraying of FX and pads before we’re slapped back into the groove for a finale of dancefloor magic.

DragonflyStigma – Don’t Wait (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , |

DragonflyStigma – Don’t Wait
(Spotify)

“Don't wait by DragonflyStigma is a soft airy morning theme, a neoclassical emotive theme to put you a smile in face and start up your day in good mood. ”

-Nagamag.com

Based on the island of Martinique, Dragonfly Stigma is a songwriter/producer who uses her piano and acoustic guitar a and soulful inner voice to spread her message of love and self-empowerment.

Growing up in France in the 80’s, the young artist was always surrounded by music. While she loved the synth pop that was dominating the air waves, what she really connected to was acoustic music. Learning to play the piano and guitar was a revelation to her, as she was able to use the instruments to express her innermost feelings, creating her own "world of emotions". She began writing her own songs, but she was too shy to share them with the world. She began working as a teacher, while continuing to play music privately. Until things brings her to an amazing worldwide collaboration with musicians like, Leonard Herron, Natasha Jaffe, Andrew Ishee, Fabian Hernandez...

Nate Wonder, Roman GianArthur – Opening | Antebellum (Original Motion Picture Soundtrack) (Video)

Categories: Features, Neoclassical, Neoclassical Features, The Latest, Video|Tags: , , , |

Nate Wonder, Roman GianArthur – Opening | Antebellum (Original Motion
Picture Soundtrack)
(Video)

“Does shadows can speak? and how they sound? This epic cinematic neoclassical theme translate their dark language in harmonies. A dark contemporary modern classical song.”

-Nagamag.com

Coinciding with the September 18th release of Lionsgate’s Antebellum, the motion picture starring Janelle Monáe, Milan Records will release Antebellum: Original Motion Picture Soundtrack, with music by Nate “Rocket” Wonder and Roman GianArthur. Best known for their work alongside Monáe on her albums and as part of her Wondaland Arts Society, it’s the first-ever score from the production duo, a Colin Stetson-esque work which combines dark, orchestral strings with contemporary textures and influences.

“Opening” is the first song from the score and film itself.

“Writing the score for Antebellum has been a rewarding adventure in creating a musical bed that compliments the script while becoming its own unique character and identity within the film. It was really wonderful to work with my brother on this, it was one of the most fulfilling experiences,” says Nate “Rocket” Wonder of the project, adding, “Working with Janelle Monáe has also been a pleasure as always. We’ve done this a few times before and every time it is a thrilling experience to work on such intriguing ideas. It’s been especially heart-warming to work on this feature, as it is the next step in the evolution of her emotional pictures.”

https://www.facebook.com/AntebellumFilm/
https://www.instagram.com/antebellumfilm/
https://twitter.com/antebellumfilm

Garry DW Judd – Electric Nocturne No. 17 (Spotify)

Categories: Audio, Neoclassical, The Latest|Tags: , |

Garry DW Judd – Electric Nocturne No. 17
(Spotify)

“No rush here, just press play and enjoy a relaxing calming piano with gentle performance and an "Erik Satie" feeling from Garry DW Judd. A well and gentle performed solo piano released on Compendium Recordings.”

-Nagamag.com

Garry Judd is a contemporary classical composer whose music is driven by such diverse influences as the English Experimentalists, Erik Satie and Percy Grainger. His music has been played on BBC Radio 3, ClassicFM, and other broadcasters in the USA, Germany and France, by such performers as the Royal Philharmonic Orchestra, Leslie Howard and Courtney Pine.

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