Composer/Producer Danny Olson is leaving his biggest mark yet on dance music with his monumental Club Cinema EP. As an independently released project, Club Cinema sees Olson shed label expectation and take his epic signature sound to new heights.

In his exploration of a new sonic palate, Danny delivers a truly grand musical experience that few producers can match. Throughout the five-track EP, Danny’s cinematic bass style evolves from song to song, showcasing his ability to capture awe-inspiring emotions in larger-than-life productions. This aural adventure is augmented with a terrifically talented cohort of creators including Vo Williams, David Frank and Daemon.

From the cinematic intro “Dreamer” to its dark and distorted counterpart “Don’t Wake Me Up,” Club Cinema shines as a crowning achievement in Danny’s impressive catalog. His harder approach lends itself to a festival setting, while the orchestral tone leans into his sync background as exemplified by “Sunrise” and the lead single “Night Falls.”

Danny Olson will be celebrating the EP release a few weeks after it drops with his headline show on April 29th at Catch One alongside some of his collaborators and friends. This will be Olson’s first Club Cinema Live experience, so expect much more than your conventional DJ set!

“During the evolution of my brand, sound, and identity as an artist, one constant question always remained: How do I create a world in which orchestral and electronic music are one? Exploring this has been my most important endeavor, and I believe that Club Cinema is the first true chapter of that story. Club Cinema represents a juxtaposition of many different emotions, just as a cinematic or nightlife experience would. At the core is passion, but also present are fervor, inspiration, intrigue and drama. I do not believe that my sound is mono-dynamic and if I continue to successfully integrate these two genres, the result may sound very different in the future than it does today. However, that’s the point.. if evolution, growth and honesty have taken place, my brand, sound and identity will all be exactly where they’re meant to be.” - DO

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Rising Latin-pop star Maria Deirisarri finds herself grappling with “the struggle of freeing a tethered heart and the process of learning your worth” on “if the noon was a person.” Deirisarri teams up again with producer Patrick Taylor (also known as Lazuli Vane) for her newest release. Deirisarri’s delicate and whimsical vocals are elevated with the help of Taylor’s ethereal production style which utilizes ukulele, acoustic guitar, kalimba, and synthesizers. Lyrically, Deirisarri cleverly personifies the moon in order to disparage a former love. Examining a past partner without the rose-colored glasses, she is able to unpack the characteristics which she once revered and see their shortcomings for what they were.

“It can be frustrating to fall in love with an uncommitted person,” she says, but she explains that the track “offers immunity from their charms.” Lighthearted yet clever, Deirisarri sings “I swear if the moon was a person, different faces, other places, it’d be you.” Despite once being so enamored, the bridge finds a stronger, more self-assured Deirisarri, able to reflect with clarity beyond the “hypnotic” pull of her past partner. “Love can be a beautiful, ephemeral, and dreamy poison,” she explains. Detailing what it’s like to fall out of love, Deirisarri sums up the track succinctly. “‘If the Moon Was a Person’ is a beautiful and delicate yet savage song that rips the undeserving off their pedestals."