“Καταπληκτικό τραγούδι της χώρας με μεγάλη φωνητική και ομαλή αρμονική δομή πίσω από αυτό. Γεμάτο από πιασάρικα riffs κιθάρας και ομαλά φωνητικά μολύβδου tat δίνει περισσότερο βάθος στο τραγούδι. Τμήμα τυμπάνου μαζί με αυτά τα κομμάτια κιθάρας είναι απλά υπέροχα, δίνοντας το τραγούδι τέλεια στιγμή μέσα στη γραμμή χορωδίας.”

-Nagamag.com

“Increíble canción country con una gran estructura armónica vocal y suave detrás de ella. Lleno de riffs de guitarra pegadizos y voz suave de plomo, TAT le da más profundidad a la canción. La sección del tambor junto con esas partes de la guitarra son geniales, dando a la canción el momento perfecto dentro de la línea de coro.”

-Nagamag.com

The original review of “Brian Revels & The Heat Lightning – Anywhere with You” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Rock reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Brian Revels & The Heat Lightning” (United States) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated

“Μεταξύ των ηχώ των κλειδιών πιάνου, βρίσκεται ένα ζωντανό καλλιτεχνικό πνεύμα. Ανακαλύψτε έναν πλούσιο καμβά δονητικών μελωδιών που εξελίσσονται με απρόβλεπτη ροή, μέσα σε τέσσερα λεπτά από τον σύγχρονο κλασικό ήχο. Μια εκπληκτική εμπειρία, που συνιστάται για όλα τα επιλεκτικά αυτιά.”

-Nagamag.com

“Entre los ecos de las llaves de piano, se encuentra un espíritu artístico vívido. Descubra un rico lienzo de melodías vibrantes que evolucionan con un flujo impredecible, dentro de los cuatro minutos del sonido clásico moderno. Una experiencia sorprendente, recomendada para todos los oídos selectivos.”

-Nagamag.com

The original review of “Ray Angry – The Hill” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Neoclassical reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Ray Angry” (United States) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated

“With the mysterious entrance of the beautiful melody all our senses turn their attention to it, while our interest remains unabated throughout the track. The sensual and charm full of vocals scatter their dynamic messages and upset us. Our calm rhythm relaxes and lets us get lost in dreamy places.”

-Nagamag.com

“Con la misteriosa entrada de la hermosa melodía, todos nuestros sentidos dirigen su atención hacia ella, mientras que nuestro interés permanece sin cesar en toda la pista. El sensual y el encanto lleno de voces dispersan sus mensajes dinámicos y nos molestan. Nuestro ritmo tranquilo se relaja y nos permite perdernos en lugares soñadores.”

-Nagamag.com

The original review of “Jessica Carter Altman – Aftermath” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Jazz reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Jessica Carter Altman” (United States) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated

“This song has a strong melodic sound, deep vocals and a very meditative atmosphere, which makes it ideal for listening at parties. The author used bold, innovative sounds and effects to create something unique. The composition combines elements of electronic and dance pop music, creating an excellent combination that cannot be forgotten.”

-Nagamag.com

“Den här låten har ett starkt melodiskt ljud, djupa sång och en mycket meditativ atmosfär, vilket gör den idealisk för att lyssna på fester. Författaren använde djärva, innovativa ljud och effekter för att skapa något unikt. Kompositionen kombinerar element i elektronisk och danspopmusik, vilket skapar en utmärkt kombination som inte kan glömmas.”

-Nagamag.com

The original review of “HAGO – LOUD” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Pop reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “HAGO” (Sweden) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated

“Incendiary rock composition, which captivates the listeners with its pure energy and very mental vocal. The intensive instrumental part sets the tone for the whole track, with bright solo batches and impressive chorims that inject adrenaline directly into the listener’s veins. The vocals -ryica daniels- almost rises above the instrumental part, creating passionate and emotional performance.”

-Nagamag.com

“Η εμπρηστική σύνθεση βράχου, η οποία αιχμαλωτίζει τους ακροατές με την καθαρή ενέργεια και πολύ διανοητική φωνή του. Το εντατικό όργανο θέτει τον τόνο για ολόκληρο το κομμάτι, με φωτεινές σόλο παρτίδες και εντυπωσιακές χορωδίες που εισάγουν την αδρεναλίνη απευθείας στις φλέβες του ακροατή. Τα φωνητικά -Ryica Daniels – σχεδόν ανεβαίνουν πάνω από το όργανο, δημιουργώντας παθιασμένη και συναισθηματική απόδοση.”

-Nagamag.com

The original review of “Erica Daniels – It Probably Ain’t” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Rock reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Erica Daniels” (United States) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated

“Vocal performance carries a certain magic. The voice conveys emotions and passion full of energy and mystery, helping you feel every word. The R&B melody gradually immerses you on a wave of a magnificent sound, which reminds of sweet moments in your life. -Lowdown Brass Band- easily mixes many genres in its music, creating something new and original.”

-Nagamag.com

“Η φωνητική απόδοση φέρει μια συγκεκριμένη μαγεία. Η φωνή μεταφέρει τα συναισθήματα και το πάθος γεμάτο ενέργεια και μυστήριο, βοηθώντας σας να αισθανθείτε κάθε λέξη. Η μελωδία R & B σας βυθίζει σταδιακά σε ένα κύμα ενός θαυμάσιου ήχου, που θυμίζει γλυκές στιγμές στη ζωή σας. -Lowdown Brass Band- Αναμιγνύει εύκολα πολλά είδη στη μουσική του, δημιουργώντας κάτι νέο και πρωτότυπο.”

-Nagamag.com

The original review of “LowDown Brass Band – So Long” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Hip Hop reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “LowDown Brass Band” (United States) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated

“This intoxicating melody affects the complexity of the arrangement and at the same time as accessible as possible for understanding a wide audience. The tools are leisurely intertwined, creating an exciting atmosphere, which is difficult to convey in words – it must be felt. The author makes his own contribution to the sound, creating an impressive palette of sounds.”

-Nagamag.com

“Αυτή η μεθυστική μελωδία επηρεάζει την πολυπλοκότητα της ρύθμισης και ταυτόχρονα όσο το δυνατόν πιο προσιτή για την κατανόηση ενός ευρού κοινού ακροατηρίου. Τα εργαλεία είναι χαλαρά αλληλένδετα, δημιουργώντας μια συναρπαστική ατμόσφαιρα, η οποία είναι δύσκολο να μεταδοθεί με λόγια – πρέπει να γίνει αισθητή. Ο συγγραφέας κάνει τη δική του συμβολή στον ήχο, δημιουργώντας μια εντυπωσιακή παλέτα ήχων.”

-Nagamag.com

The original review of “Omar Fadel – Head Trip” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Jazz reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Omar Fadel” (United States) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated

“The instrumental rock arrangement is incredibly well thought out, each tool perfectly complements each other. The vocals are undoubtedly impressive! He easily conveys the emotions and essence of the track, and leaves an indelible impression! The song is well structured: it smoothly crosses between the verses, refrigerates and crossings, preserving the dynamics.”

-Nagamag.com

“Η διάταξη του Instrumental Rock είναι απίστευτα καλά μελετημένη, κάθε εργαλείο συμπληρώνει τέλεια ο ένας τον άλλον. Τα φωνητικά είναι αναμφισβήτητα εντυπωσιακά! Μεταφέρει εύκολα τα συναισθήματα και την ουσία της διαδρομής και αφήνει μια ανεξίτηλη εντύπωση! Το τραγούδι είναι καλά δομημένο: διασχίζει ομαλά μεταξύ των στίχων, των ψυγείων και των διασταυρώσεων, διατηρώντας τη δυναμική.”

-Nagamag.com

The original review of “Brandon Padier – Still Learning” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Rock reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Brandon Padier” (United States) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated

“The delicate and melodic atmosphere of the piano, performed in a soft and sophisticated manner. Melancholy notes seemed to be created in order to envelop the listener with coolness, calm and leave for several minutes in thought alone with himself. Music, which does not disappear after completion and leaves a deep mark in memory.”

-Nagamag.com

“L’atmosphère délicate et mélodique du piano, s’est produite de manière douce et sophistiquée. Les notes de mélancolie semblaient être créées afin d’envelopper l’auditeur de fraîcheur, de calme et de partir pendant plusieurs minutes de réflexion avec lui-même. La musique, qui ne disparaît pas après l’achèvement et laisse une marque profonde en mémoire.”

-Nagamag.com

The original review of “O’Bear – Fade Out” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Neoclassical reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “O’Bear” (France) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated

“The fleeting and romantic vocals in a nostalgic way travel us and make us dream. The melody with its magic touches scatters a charming mystery around her, and seems to feel our painful emotions. The rhythm quiet and lazy flows within us and relaxes us, while keeping our interest unabated throughout the track.”

-Nagamag.com

“Las voces fugaces y románticas de una manera nostálgica nos viajan y nos hacen soñar. La melodía con sus toques mágicos dispersa un misterio encantador a su alrededor, y parece sentir nuestras emociones dolorosas. El ritmo tranquilo y perezoso fluye dentro de nosotros y nos relaja, mientras mantiene nuestro interés sin cesar en toda la pista.”

-Nagamag.com

The original review of “Aaron Rizzo – Funeral Etiquette” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Rock reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Aaron Rizzo” (United States) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated