“For those who seek the different in music, "Spectre" drifts among IDM, Glitch and Garage. Modern sound arrangement built on vibrating echoes. The vocals bounce and pan around you, while the beat leaves the impression that is something alive.”
-Nagamag.com
“In this Deep House track there is everything to help you excommunicate your consciousness from reality and take a break from everything in this world. Enjoy the rays of simple and melodic music, throw out all the mental garbage and get a dose of high -quality sound! (Automatically Translated with Google Translate)”
“В этом deep house треке есть всё, чтобы помочь вам отлучить своё сознание от реальности и отдохнуть от всего в этом мире. Насладиться лучами простой и мелодичной музыки, выкинуть весь душевный мусор и получить дозу качественного звучания!”
-Nagamag.com
Should we look back and bring somethingof the past back into the forefront of our mind?We think yes!!!Because Kellerkind's “Disco on the Dancefloor”remainsto this daya huge milestone in Sirion Records discography and the original track is still 10 years later an absolute earworm.Dedication, constant focus on music, care and respect for others, are attributes that continue to apply to Kellerkind and have moved us to a remake of this infamous title.
As the title of the main track says, “Disco on the Dancefloor”with its groovy basses, poignant disco stabs is ideal for the dancefloor and still perfectly suited to inspire the masses. But Kellerkinddoesn’t rest on the guaranteed success of the past, he immediately delivers a thriving remake that perfectly reflects his current musical taste. Percussive, hypnotic and an all-around successful job to dress the track in a new garb.Fittingly, there are two remixes by 8 Bit labelhead Gorge and Bernese producer Youen, among others.A housy framework paired with percussion, discoid bassline and the hypnotic synth surface in the usual Gorge manner, not only gets the legs bobbing and the head nodding, but animates to conquer the dance floor.Youen's techhousy remix puts the focus more on kick and clap and therefore comes as a true stomper. Peppered with the discreetly used samples, this makes for a wonderfully danceable mix for peak time.10 Years of “Disco on the Dancefloor”is therefore more current than ever and an absolute must in the record bag, either on vinyl or digitally.
https://www.instagram.com/kellerkindmusik
“”Dillon” returns after a long pause and she’s influenced from intense emotions. Sadness, despair and bittersweet thoughts can be traced in this remarkable Downtempo single, which covers everything like a dark cloud. Dare to listen!”
-Nagamag.com
Brazilian-born artist Dillon is back after five years – On her fourth album, 6abotage, produced by Greek-German producer Alexis Troy, Dillon has created a powerful sound sphere one can hardly restrain from. The first single, “<3core,” is available for streaming from June 10th.
With her first single, “<3core”, the Berlin-based artist has created an oscillating tension field – giving the first insight into her fourth album, 6abotage. Written and produced with Alexis Troy, Dillon describes the album as “a love letter, a cry for help and a consequence all in one”, with the hypnotically painful first single, “<3core”, tying up reluctant impulses and emotions, attracting and repelling like rotating magnets.
Reduced to the core, it sounds abyssal and sobering when Dillon outlines an entangled situation, where, perhaps only leaving may help, with the escalating line “if you hurt, till you hurt me, till I hurt you, till you want me, till you love me <3core… “. Troy’s skilfully consummate production embraces Dillon and her struggle with this emotional chaos, which momentarily shifts into spoken word, in sombre warmth, and simultaneously, in stifling coldness. “<3core” reveals Dillon’s unsparing openness, a relentless inner conflict, and the powerful combination of pain/despair and relief/conciliation.
“With a strong dose of creativity and personal style, “Bolivard” presents his mind-blowing single. Indie Pop atmosphere, cool beat and plenty of sarcastic lyrics about our modern way of life. Music for anxious minds and restless spirits.”
-Nagamag.com
After being a bizarre psychiatrist in his first EP and his interviews on YouTube (among his patients: Jacques, Myd, L’impératrice and Dombrance). The multifaceted artist embodies a new character now: a psychopath perfectly integrated into a sick society. Recalling the funky instrumentals of French icons IAM and the laid-back flow of MC Solaar, the new single “Psychoptahe” will be released with a music video directed by Bolivard.
https://www.instagram.com/bolivardmusic/
“This solo piano piece envelops you in a delicate state of bittersweet feelings. Absolutely peaceful mood which slowly unfolds itself in a world of constant flow. Ideal music to listen alone in search of self-balance.”
-Nagamag.com
The 27-year-old pianist Benjamin Grundahl is a rising piano talent in the neoclassical genre. There is nothing quite like the soft depression of a piano key. Expressing serenity through his four pieces 'Ohm & I', 'Sol', 'Atomos', and 'Ad Hoc', the medium-slow instrumentals calm and relax you - and almost make you sonder. On the piece 'Ohm & I', it oozes serenity and tranquility through the soothing, serene melancholy notes paint pictures of Scandinavian forests, calm lakes, and fresh morning mist. On 'Ohm & I', you can expect light piano with deep emotion.
“Gorgeous jazz music in a very minimalist, but expressive cocktail of muffled light, faded rays of spotlights and breathing of a living orchestra. Pure pleasure in melodic surroundings of chic music. (Automatically Translated with Google Translate)”
“Шикарная джазовая музыка в очень минималистичном, но при этом выразительном коктейле из приглушённого света, блеклых лучах прожекторов и дыхания живого оркестра. Чистое наслаждение в мелодичном антураже шикарной музыки.”
-Nagamag.com
http://www.wolkenpark.com/
The title track «Lazy Day» is composed by bass player Jean-Pierre Schaller, a smoothly rolling theme which evolves smoothly thoughout the whole piece passing a dialogue like solo by bass and trumpet and culminating towards the end in looping cascades over the main theme.
“When the gray ash falls on the tired ground, it turns into a velvet carpet, through which green stems occasionally peeping over. Let this neoclassical melody associate you with the birth of something new, because sooner or later, sprouts of a nascent life appear on the field of past battle. (Automatically Translated with Google Translate)”
“Когда серый пепел опускается на уставшую землю, она превращается в бархатный ковёр, сквозь который изредка проглядывают зелёные стебельки. Пусть эта неоклассическая мелодия ассоциируется у вас с рождением чего-то нового, ведь рано или поздно даже на поле былой битвы появляются ростки зарождающейся жизни.”
-Nagamag.com
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Nagamag:
Which are the genres that describe your music style better?
Jon Hannz:
Hip Hop, Motivation, Grown man Music
Nagamag:
Few words about your musical background and career?
Jon Hannz:
I been writing since a young lad. As a teen I was introduced to Hip Hop, in my early twenties I began to take it seriously as a career. I then realized my passion and how I wanted my Hip Hop to come across.
Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?
Jon Hannz:
Listening to the greats, hearing “Children stories” and “I got it made” that era was like the 5 o'clock news for people like me growing up. That made me fall in love with the art. I will never fall in love with the business.
Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?
Jon Hannz:
Earth Wind and Fire "Keep your head to the sky"
Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?
Jon Hannz:
Royce da 5'9'' "Strong friend"
“-Tim freitag-still continues to delight us with its new works, each of which has already become a hit from the first days after the release. His new track in the Indie Pop genre is an Idel example how to love what you do and surrender to your work completely and completely. (Automatically Translated with Google Translate)”
“-Tim Freitag- по-прежнему продолжает радовать нас своими новыми работами, каждая из которых уже с первых дней после релиза становится хитом. Его новый трек в жанре Indie Pop идельный пример как нужно любить то, чем занимаешься и отдаваться своему делу целиком и полностью. ”
-Nagamag.com
Release of their captivating debut album «Monsters Forever» and then the «SRF 3 Best Talent» hype - March 2020 turned out to be a huge steppingstone for Tim Freitag! But, instead of the anticipated chance to take off and fly, the past two years have given the Zurich band – as to most of us – a lot of involuntary time to ponder, brood, ... and social distance. And yet, while musing, «Brick by Brick» was born!
This haunting indie-pop number deals with the difficult but absolutely necessary process of detaching from one's parents - without ever really completely breaking away and cleanly severing the umbilical cord binding us to them. Then, in an ancient recurring subliminal dance, inevitably passing on to the future what they taught us - so much so that the "old" homestead is gradually, almost blindly replaced by a "new" one: grain-by-grain, stone-by-stone, «Brick by Brick».
While the lyrics mirror what is in all of us, front-man, Janick Pfenninger, nevertheless, slips in a few very, very personal lines: with «I've fought the stars and found the moon / I'm riding high, waving goodbye, to You» he alludes to the classic lullaby «Bajuschki, baju» that his mother would sing to him as a wee small lad, still surrounded in the lulling dreamy, cottony aura of maternal love. And this soothing children’s bedtime song should actually be the outro of EVERY Tim Freitag gig – with immediate effect -- from now on: But this particular issue is still being hotly debated by the band.
What makes this debate even MORE drawn-out? Three YES- and three NO-votes are now possible because the Quintet has grown into a Sextet: longtime band best-buddy and live helper, Martin Künzle, has become the sixth permanent member, alongside Janick, Nicolas Rüttimann, Severin Graf, Lorenzo Demenga, and Daniel Gisler. The Timmies are growing, «Brick by Brick».
Achille Lietha and Laura Gerster now, too, have taken their places amongst the cornerstones of the rock-solid Tim Freitag foundation, becoming integral members who magically transform the group's music videos into veritable minor works of art; whether it be from Achille’s Director's chair or from Laura’s studio. This visual conjuring, this sartorial legerdemain applies so strongly to «Brick by Brick» that the Zurich-Six should actually replace their existing kimono-look stage-style with this clip’s awesome, aeolian, enchanted, ethereal costumes. But that is yet ANOTHER hotly debated issue.
http://www.timfreitag.com/
“Do not waste your time, doing the wrong thing and listening to music that does not resonate with you at the level of feelings. Let this song, with a charming vocal -dacris-, will become the most missing link in your collection. Her bright rhythm and melody of this is proof! (Automatically Translated with Google Translate)”
“Не растрачивайте своё время впустую, занимаясь не теми делами и слушая музыку, которая никак не резонирует с вами на уровне чувств. Пусть эта песня, с очаровательным вокалом -Dacris- станет тем самым недостающим звеном в вашей коллекции. Её яркий ритм и мелодичность тому доказательство! ”
-Nagamag.com
https://ffm.bio/dacris