Innocenzo Genna Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , , , , |

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Nagamag:
What are the genres that describe better your music style?

Innocenzo Genna:
My solo-piano compositions of Innocenzo Genna fall within the categories of neoclassical, with frequent combinations into blues and jazz. I am similarly conservative as a composer, for my music drawing heavily on harmonic and melodic practices found in 18th and 19th-century European compositions


Nagamag:
Few words about your musical background and career?

Innocenzo Genna:
I always lived music in multiple dimensions: as a musician, firstly performer and entertainer, and then composer, but also as a technology scholar. My interest in music is not only artistic and emotional, but also professional, because for years I have been working in the Internet and technology sector as a lawyer and policy expert, so as to be involved in the major political debates concerning music and technology: from P2P to online piracy, from online platforms to the liberalization of collecting societies, up to the recent European copyright reform. Such an intense professional activity enriched my musical vocation, while adapting my classical practice with modern and pop piano, blues and jazz, so as arranging the various genres into a personal compositional style. The many trips in Italy and abroad have contributed to creating the context of images, memories and fantasies from which his compositions are born.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Innocenzo Genna:
When I was 4 years old my father forgot to pick me up from the nursery. While waiting for my father arrival, the nuns left me own the refectory where an old piano stand. I spent a couple of hours trying to play it, I was aware that it was not a toy, it was something to be treated with respect. From that point onwards, I was fascinated by pianos


Nagamag:
When did you start to compose music?

Innocenzo Genna:
The father of a friend of mine had a grand piano and lots of jazz and blues music sheets. he invited me to play them. For me it was a kind of revelation, because I finally found out the name and the notes of music I have been looking for (there was not Youtube an that time). Bacharach, Mancini, Lewis, ecc . It was a re relation from me. By reading such notes, I realized that there is something even greater than playing music: composing music. I was 16 years old.


Nagamag:
When did you start to publish your music?

Innocenzo Genna:
Very late, because normally I was playing in public as an entertainer and a club pianist, not as a composer. I always found my music to be too delicate and introspective to be played in events with a large audience. However, some people accidentally heard my compositions during private events, and they strongly urged me to publish it.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Innocenzo Genna:
Keith Emeson "Inferno - Main Title Theme"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Innocenzo Genna:
Ryuichi Sakamoto "Merry Christmas Mr. Lawrence"

Discover & Listen to Innocenzo Genna

Innocenzo Genna on Spotify

Innocenzo Genna's Signature Track

Innocenzo Genna on Social Media

Innocenzo Genna's Website

du0 – Come Home feat. Emily Coulston (Acoustic) (Video)

Categories: Features, Pop, Pop Features, The Latest, Video|Tags: , , , , , |

“From where to start and where to end for this blissful song? Wins your attention from the first milliseconds! The sound layering and atmosphere here is brilliant, Emily Coulston impressive vocal capabilities comes to give the secret spice of a wonderful recipe that has been cooked here. This is a memorable song, which invites you to listen again and again on repeat! ”

-Nagamag.com

The track had an unlikely birth. du0 tells the story: “The three of us were among nine musicians invited to attend AMPLIFY, QMusic’s Songwriting Retreat at Heliport Studios in the Sunshine Coast Hinterland in Queensland, Australia. It was amazing and incredibly hectic. We were rotated in groups of three and had to come up with a song from scratch, and produce and record it in 4 hours. We did this five times in three days.”

The result, Come Home, has had 1,107,000 streams on Spotify, but little radio play so far. And now the acoustic video is going off on YouTube. There may be something in this, we don’t know. Hopefully you can help us find out what it is.

https://www.instagram.com/du0_music

Macrowave Interview on Nagamag

Categories: Electronica Features, Electronica Interviews, Features, Interviews, The Latest|Tags: , , , , , , |

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Nagamag:
What are the genres that describe better your music style?

Macrowave:
Electronica, Dark Synthwave, Darksynth, Epic Cinematic


Nagamag:
Few words about your musical background and career?

Macrowave:
My journey started 10 years ago, when I published my first track on Soundcloud. At this time I did not care much about song structure or any other technical aspect, I just loved creating music that tells a story, and was already inspired by dark atmospheres.
I released a first unsigned EP in 2012 and a second one the next year on Badd Records. With the help of the label, I started playing live shows in France with my friends Hantise (aka Elevn and Coldforms now), and it was a great experience that I'll never forget. After the last remix I made for the Tokyoite Naeleck, I wanted to take time for myself and work on my own album, which would be more cinematic and less club oriented.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Macrowave:
It has no link to electronic music, but I think the band that inspired me the most to play music at first was Nirvana. I started to play bass and learned almost of all their songs, then started to play with other people. Then, my love for music composition started, and I never stopped!


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Macrowave:
Stray Cats "Stray Cat Strut"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Macrowave:
Vitalic "Trahison"

Discover & Listen to Macrowave

Macrowave on Spotify

Macrowave's Signature Track

Macrowave on Social Media

Macrowave's Website

Tania Vinokur Interview on Nagamag

Categories: Features, Interviews, Pop Features, Pop Interviews, The Latest|Tags: , , , , , , , , |

Photo by Oded Levent


Nagamag:
What are the genres that describe better your music style?

Tania Vinokur:
Crossover, electronica, pop, world, fusion, ethnic


Nagamag:
Few words about your musical background and career?

Tania Vinokur:
Tania Vinokur, Virtuoso Violinist is all over the globe and has created a sound signature second to none.
Born in Moldova, Tania started life in music at age of 5. Moving to Israel young Tania found a world of musical flavours. Israel is a cultural melting pot.
Tania's mesmerising performance draws the inspiration for her music from Sephardic, Ethnic, Classical, Electronic and Pop music. As a trained dancer, vocalist and a drummer, at first note Tania raises her energy to heaven in a unique performance, a violin virtuoso is revealed, alongside a charismatic, captivating and magnetic theatrical presence.
In recent years, Tania has performed in Europe, North and Latin America, Thailand and Cuba, and recently at the TEDx Jaffa event where she received an ovation for the most original performance that simultaneously combines dancing and violin playing.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Tania Vinokur:
I was born to a musical family and my first love moment with music was when i took my moms violin and tried to make sounds. Shortly after I started learning the violin craft and dancing- when i was 3 years old, and a few years later to invent my own melodies. This was love at first sight...Finding my own unique sound, artistry and voice, and bringing it to the world the way i wan to took some time and i think it will always be a part of my journey.


Nagamag:
what style is your music?

Tania Vinokur:
I've been asked this question whole my life, but since i'm a violinist, composer, dancers, was born in Moldova, immigrated to Israel when i was 8 , but then traveled the world - I find inspiration in every style of music. I don't see the boundaries, the opposite, I look for the fusion point of styles, to bring something new to the sound and composition that haven't been combined yet. Ive released songs, instrumental music, electronic tracks and i keep enjoying more more new combinations.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Tania Vinokur:
Prince "Purple rain"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Tania Vinokur:
Lindsey Stirling Roundtable Rival

Discover & Listen to Tania Vinokur

Tania Vinokur on Spotify

Tania Vinokur's Signature Track

Tania Vinokur on Social Media

Tania Vinokur's Website

Harry Nathan – Last Call (Spotify)

Categories: Audio, Blogwave, Blogwave Features, Features, The Latest|Tags: , , |

“Are you worried about losing your other half? Do you find yourself dissapointed of an unexpected change in a personal relationship? This "Last Call" can release from any fear of loss, because in fact we own nothing at all.”

-Nagamag.com

Australian artist Harry Nathan closed out 2020 with news of his upcoming EP “Songs About Falling” while also sharing its first single ‘High’ (released via Majestic Casual Records). He’s coming back to us this month with that EP’s second single ‘Last Call’.

Throughout all of the songs on this new EP, Harry draws nostalgic inspiration via 80’s drum machines and synthesisers, reminiscent of Todd Terje, Client Liaison and Touch Sensitive. For the story behind this particular song, the singer/songwriter and producer portrays a tale of emotional heartache, written via the viewpoint of his close friend..

“I wrote this song from the perspective of one of my best friends, who was going through a tricky break up. Matters of the heart are never easy, we’ve all been in that situation where a once loving relationship nears its fatal end. We scramble for clarity in the abyss as our world shifts into the emotional unknown.”

"The song wrote itself in an hour. Mr. Moustache was at my place in LA and showing me some instrumental ideas, I heard "Last Call" and the lyrics and story began pouring out of me."– Harry Nathan

A few words that come to mind while listening to ‘Last Call’ are “smooth”, “nostalgic” and “dreamy” just to name a few, and that can all easily be associated with the 80’s drum machines and synthesisers that Harry has used throughout the EP.

‘Last Call’ is one of those songs that would perfectly suit a late-night cruise through a city or coastal road on a warm summer’s eve.

Stay tuned for the “Songs About Falling” EP, scheduled for release in March 2021.

Stream:
http://smarturl.it/last*call

Listen to ‘High’ via Majestic Casual:
https://youtu.be/fWcD0P-dIgA

Artist Connect:
www.instagram.com/harrynathan_
www.facebook.com/harrynathan
www.soundcloud.com/harrynathan
www.twitter.com/harrynathan_

Geist Contagion Interview on Nagamag

Categories: Electronica Features, Electronica Interviews, Features, Interviews, The Latest|Tags: , , , , , , , , |

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Nagamag:
What are the genres that describe better your music style?

Geist Contagion:
With my project Geist Contagion, I find myself with varied inspirations from one song to the next, so it becomes a bit of a daunting task to label each with its own discrete genre. There are elements of Glitchstep, Breakbeat, Techno, Industrial, Ambient, and Drone throughout my releases. I generally don't stick to one style for very long because I get bored easily, and I like to keep the listener on their toes.


Nagamag:
Few words about your musical background and career?

Geist Contagion:
I started out like a lot of people do, playing guitar in a garage band with my friends. *That eventually fizzled out, as it often tends to.* Shortly after, I attended school for artist management and music production, which is where I developed my love of synthesizers, and of a whole new world of musical styles and composition techniques. From there, I dove headfirst into experimental electronic music which lead to the formation of my main project, The Databats. I met the folks over at Slice Records around this time and after working together on a couple of gigs, they brought us into their stable of artists. Geist Contagion spawned from there as my first full solo project. I wanted an avenue for the music I was writing that didn't stylistically gel with my work with The Databats. This has allowed me to explore my songwriting ideas more deeply, and to illuminate music that otherwise wouldn't be making it out into the world at large.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Geist Contagion:
I've felt a strong connection to music since I was very young. Some of my favourite parts of Saturday morning cartoons were the theme songs, not the cartoons themselves. As an adult, one of my more formative experiences was attending a live performance by Alessandro Cortini's solo project Sonoio, opening for Ladytron at The Phoenix in Toronto. Watching him utilize a myriad of synthesizers and vocal effects to craft such a layered and complex performance really opened my eyes to what was possible as a solo electronic performer, and to what an audience would be interested in experiencing.


Nagamag:
Tell us about your new album Écoutez and the process behind it.

Geist Contagion:
Écoutez is a collaborative album by Geist Contagion and Arcane Trickster. I met Damiano from Arcane Trickster a few years back when The Databats travelled to Australia and hooked up with the Slice Records crew for a couple of club gigs. We got along well and had a good rapport, so working together seemed like the logical next step.
Flash forward to 2020, and we found ourselves with a lot more time on our hands, so Damiano and I messaged back and forth a bit to discuss our ideas for a project. We then exchanged a bunch of demos via email, and once we decided on the tracks we wanted to use, we got down to editing, remixing and performing on one another's work. The ensuing result was a rather cohesive blend of each of our styles that we hope provides the audience with a fun journey from start to finish.

"Écoutez" means "listen" in French. It's both a title and an instruction. We'd like the audience to take a moment out of their hectic lives to do exactly that, just listen.


Nagamag:
What are the plans for Geist Contagion in 2021?

Geist Contagion:
I've been writing a lot of music, so hopefully we'll have followup to my record "Residue" out by the end of the year. On the collaborative front, there are a couple of projects going on at Slice Records that I plan to be very involved in, so you'll be hearing new remixes and joint productions from me as well. I'm very excited for those.
In terms of live performances, we're still under tight lockdown up here in Canada, so I've had to adapt. Thankfully, there are more ways than ever to reach out and interact with your audience, and I plan to take full advantage of those. Livestream performances, music videos, and interactive experiences are all part of the plan, so stay tuned for that! I'm also hoping I'll be able to get out and perform work by this project live some time before the end of the year, as I haven't had the opportunity to do that yet.


Nagamag:
Most artists have a favorite song from a different music genre than the one they are producing music for... Which is yours?

Geist Contagion:
Venetian Snares x Daniel Lanois "Night MXCMPV1 P74"


Nagamag:
Of Course Nagamag would love to listen also which track from a similar artist you admire?

Geist Contagion:
Oneohtrix Point Never "Nothing's Special"

Discover & Listen to Geist Contagion

Geist Contagion on Spotify

Geist Contagion's Signature Track

Geist Contagion on Social Media

Geist Contagion's Website

David Whitman – With Love (Spotify)

Categories: Audio, Features, Jazz, Jazz Features, The Latest|Tags: , , , , |

“Music David Whitman is a bouquet of passions and a deep, sincere respect for his work. The album Soul Flow is an example of defeating improvisations within the framework of Jazz, and ensemble percussion as an inventive element of hunting technical masterpieces.”

“Музыка David Whitman это букет из страсти и глубокого, искреннего уважения к своему творчеству. Альбом Soul Flow пример поразительной импровизации в рамках изысканного Джаза, а ансамблевая перкуссия как изумительный элемент ловкого технического мастерства.”

-Nagamag.com

This song received an Independent Music Award nomination for Best Instrumental Jazz Song. The album received two other IMA nominations and won four Global Music Awards. John Raymond, one of DownBeat magazines most watched young trumpet players, marvelously interprets the feature.

https://www.instagram.com/davidrobertwhitman/

David Whitman brings a passion and deep respect for the music to the stage wherever and whenever he performs. Praised for his versatility, he possesses a high level of skill across a broad range of percussion styles and ensemble situations. Critics provide affirmation ; “His spirit echoes the playing of Art Blakey,” and “his goal of capturing the high standards of … prestigious jazz labels is dazzlingly achieved,” with playing that is hailed as “swinging,” “mesmerizing,” and “invigorating,” with “mesmerizing brushwork,” “youthful exuberance,” and “deft technical skill.”

David’s first album as leader ("Oh, Clara!") was recently released on the North Park label to critical acclaim, winning an Independent Music Award for Best Instrumental Jazz Album in 2018, as well as a nomination for Best Producer. His second album as leader (“Soul Flow”) won four Global Music Awards (Production, Composition, Jazz, Album --- all Silver), and three additional Independent Music Award nominations (Best Jazz Song, Best Blues Song, and Best Producer).

David has also toured, performed, or recorded with The Who, Geoffrey Keezer, Peter Townshend, Jimmy Dorsey Orchestra, John Raymond, Johnny Mathis, Weird Al Yankovic, Roger Nierenburg, and so many more amazing artists.

https://twitter.com/whitmadr

Hypnotic Peafowl – The Mind Box (Spotify)

Categories: Audio, Features, Psychill, Psychill Features, The Latest|Tags: , , , , , |

“One more special track from Hypnotic Peafowl & Bendja in slow bpm and Psydub style. Clear synthesis and prototype sounds, which prove the great experience of these artists.”

-Nagamag.com

Hypnotic Peafowl breathes new life into his experiments and explores different soundscapes with a quality sound design. Always in a work of advanced hybridization, he brilliantly mixes his multiple influences: orchestral music, jazz, funk, bass music. In this opus, some sweet piano bar melodies and retro inserts with stoner rock influences, dominated by hypnotic, repetitive rhythms, accompanied by a very heavy bass with a warm envelope.

This album is part of a long narrative, all my releases are built around a central character : the peacock and his spirit. The metaphor for imaging his spirit is the Pandora's box.

Quickly it is the story of a colorful peacock who is schizophrenic with all the other worries that arise from such a pathology.

Beautiful to look at, full of life and energy. A funk/Jazz fan, he exudes the joy of life. But not that, the black sides are there.

All of my past and future releases are in the form of chapters that tell a passage of the Peacock's life. Here: Pandora's box or Logorrhia tells the impression of feeling better after a first meeting before the awareness and the psychic fall.

https://www.facebook.com/Hypnotic.Peafowl

Hypnotic Peafowl – Understand the Universe (Spotify)

Categories: Audio, Features, Psytrance, Psytrance Features, The Latest|Tags: , , , |

“Another twisting creation from Hypnotic Peafowl. The title "Understand the Universe" make us wonder how it all began while listening the craftfully composed sound vibrations.”

-Nagamag.com

https://soundcloud.com/hypnoticpeafowl

Aurélien Dornier, sound designer, musician and composer, releases his first album "Logorrhia" on the Hadra Records label with his Hypnotic Peafowl project: 8 new exclusive tracks, resolutely eclectic, which reflect the artist's advanced musical research. Hypnotic Peafowl breathes new life into his experiments and explores different soundscapes with a quality sound design. Always in a work of advanced hybridization, he brilliantly mixes his multiple influences: orchestral music, jazz, funk, bass music. In this opus, some sweet piano bar melodies and retro inserts with stoner rock influences, dominated by hypnotic, repetitive rhythms, accompanied by a very heavy bass with a warm envelope. A work that is at once colourful, festive and dynamic, enriched by collaborations with artists such as Bendja or the emerging French group Version Bizar.

Chapter 3 of a cleverly orchestrated narration, Hypnotic Peafowl transcends the simple sound production and has been working on a work that has been a common thread in "Pandora's Box" since its first independent release "Enygma". A work of intention where nothing is left to chance: from the visual aesthetics of each piece of work to the choice of sampling, Hypnotic Peafowl produces each release as a chapter in its history. After releasing its second release "The Mirror" on Zenon Records in early 2020, Hypnotic Peafowl is now laying the third stone of its building "La Boite de Pandore".

BIO

Aurélien Dornier is a French sound designer, musician and composer. Lovers of Jazz and orchestral music he also enjoys psychedelic electronic music.

In 2015 he decided to create his project Hypnotic Peafowl, a highly psychedelic project with jazzy influences, funky and bass music.

Music with heavy and tortuous atmospheres that he will seek in the depths of his subconscious, it is with great dexterity that he works his grooves and textures ...

It is in 2018 that he will play his first date and very quickly his project this remark of the general public, with a summer spent in the four corners of France to play in festivals with artists like Halfred, Sumiruna, Hypogeo, Tribone...

His passage in the south of France did not go unnoticed. And because of his energetic performances have allowed him to attract the attention of some French programmers allowing him to regularly perform in parties in Paris, Lyon, Besançon, Grenoble, Nantes, Avignon ...

2019 will mark for him the release of his first album "Enygma" a self-produced album But not that!

He continues to be noticed by his musical eclecticism, in fact mastering himself Peafowl is not content to produce music Psygressive intended for the dancefloor, lover of alternative musical culture he has another facet to his credit.

He likes to produce songs where he gives free rein to all his imagination where the words of others would not be only dancefloor but also musicality, subtlety and travel. Music where he likes to take the time and embark with him in another world ... always accompanied by Jazz sound he loves so much.

You will understand, Aurelien did not stop surprising us that it is on the dancefloor and on an alternative scene there is a good chance for you to meet him in the course of this year 2019!

Sulkin’ Raven – Okay, for Real This Time (Spotify)

Categories: Audio, Blogwave, Blogwave Features, Features, The Latest|Tags: , , , , |

“Brand new and very emotional chilling work from Sulkin' Raven. An electronic music producer who combines the ambient sounds for passive listening with the grooves for the active ear.”

-Nagamag.com

Artist shared with us few words about this song:

"When I wrote this EP back in 2016, it was the first time I set out to release music on my own without any collaborators. I had worked with my band members or worked with filmmakers on musical projects in the past but never solely by myself, so this was a new adventure for me. At the time, I was still very unsure how to capture the sound in my head, and what I ended up releasing wasn't very representative of what I wanted at the time. I didn't know who I was as an independent artist, and I lacked the skills to manifest the sounds in my head without others' help. Following my first EP's release, I continued to experiment and develop as an artist, leading to better and better music from Sulkin' Raven. Now I feel like I have found myself as a craftsman, a composer, and an artist. Because I was so unsure of myself when releasing my first EP, I never promoted the songs much because I knew deep down they weren't me, and they weren't representative of the sounds that were in my heart. Now I've re-made, re-shaped, and re-released the EP, bringing it up to my current standard for my music. Now it’s a release I'm truly proud of and something I feel excited to share with everyone in the world. Okay, for Real This Time represented how I felt then, and it is how I feel right now with this new version of this old track"

https://www.instagram.com/sulkin_raven/

Sulkin' Raven is the brain child of Kevin De Nicolo. Combining elements of synthwave, chiptune, psych-rock, and ambient music. Kevin performs live stream jams on Twitch.tv

https://sulkinraven.bandcamp.com/
https://www.twitch.tv/sulkin_raven

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