KellyMarie – Timing Right (Spotify)

Categories: Audio, Features, Pop, Pop Features, The Latest|Tags: , , , , |

“"KellyMarie" is back and proves her talent once again. Her playful singing style is perfectly matched with melody and beat. Now is the right time to lay back and simply synchronize your ears with this sound. Don't miss it!”

-Nagamag.com

Indie-pop singer-songwriter KellyMarie delivers a captivating follow up to her 2018 debut EP, On A Whim, with her newest single, “Timing Right,” out February 4th. The artist is set to celebrate this release the following night with her first post-lockdown show opening for American band Mae at Dallas’ Granada Theater on Saturday, February 5th. KellyMarie shows listeners with this release just what she’s had in the works during her time away; her performance will feature more new songs from the upcoming album due for release in March 2022. This new project was a moment for the artist in which she dove head first into creating a body of work inspired by beloved house-hold television staple, The Office. “It’s often said - write about what you know and love,” says the seasoned songstress, “so during the lockdown, [she] did just this.” KellyMarie found herself writing the lead single for this album in the electric moment that inspiration hit. Beyond the angelic vocals and breezy melodies fans have already fallen in love with, listeners can expect to encounter a new side of KellyMarie’s artistry that offers a deeper look into the singer we met in 2018.

https://www.kellymariemusic.com/

Minorarc Interview on Nagamag

Categories: Features, Interviews, Rock Features, Rock Interviews, The Latest|Tags: , , , , , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Minorarc:
Minorarc is by no means strictly "Progressive Metal". The project had its origins (under a different name "Mystral Tide") as darkwave with strong classical piano influences. These orchestral and cinematic flavours co-exist with a mixture of Prog, Djent and experimental electronica.


Nagamag:
Few words about your musical background and career?

Minorarc:
Since the early 2000s I have been an active multi-instrumentalist and community-founder for underground and experimental music. A classically trained violinist, my modern musical journey began in Tokyo. The first project “Mystral Tide” performed at numerous industrial and darkwave events, including as a guest artist for Japan’s “Seij minus aC” at Leipzig’s Wave-Gotik-Treffen in 2002. Returning to Australia in 2003, I helped establish a decade-long series of concerts (Enzyme), including events for the Melbourne Fringe Festival, all to showcase and expose dozens of independent Australian experimental musicians.

Over two decades, I've periodically recorded and performed as “Minorarc”. The music shifted from synth-heavy dark electronica, into a new world of progressive metal and post-rock. An expression of despair and regret, crafted through piano-driven melodies, non-traditional song structures, and a wide variety of stringed instruments.

Now in 2022, Minorarc has released its second full-length album, “Untold”. A largely instrumental work summoning elements of modern metal and djent to portray emotive unease, offset through the reverberant and powerful effects of classical piano, the warmth of cinematic synth pads, and delicate touches of acoustic mandolin and guitar. “Untold” is accompanied by the release of “Blind Remixes”, featuring a variety of fellow Australian independent artists, and “Overburden”, a sonic side-dish and reflective continuation of “Untold’s” themes.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Minorarc:
My first connection to a love of music came from my first purchases (and rentals) of music albums on CD and Cassette, in my early teens. There was a whole world of music to explore, and without preconceptions I was able to simply find albums that struck a chord with me personally. Artists that made my love of music grow, including Fields of the Nephilim, Pink Floyd, Ministry, Alice In Chains, Nocturnus, Solitude Aeternus, Bathory and more.


Nagamag:
What was the concept behind your release, "Untold"?

Minorarc:
Originally I'd wanted the album to be completely instrumental, and tell a story and convey emotions purely through the "feel" of the sounds. Along the way though, during the two years of recording that took place, a very limited selection of the tracks began to just sit better, with some vocals. "Victim of That Before" features vocals by a Melbourne artist and friend, Trayce of Neverembers. Her poetry sets the scene for the album, with a seaside vision and references to drowning and loss.
The album was designed to feel quite claustrophobic, yet also shed occasional moments of light and positivity. Ultimately though, my hope was to convey a story about an innocent soul's final moments, as they drown (either literally, or metaphorically), and suffer strange visions and recollections as the dark waters slowly close. Hope, in hopelessness.


Nagamag:
There is rumor of a companion release for "Untold", can you tell us more about that?

Minorarc:
During the months immediately after "Untold" was completed, we kept recording works in the same vein, and of a similar theme. They now form a release titled "Overburden" which will come out in March/April 2022. Stylistically, they have greater contrast between ambient sections and metal components. Heavier, yet also lighter. We like to think of it as a "side dish" to accompany "Untold".


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Minorarc:
Bliss "Quiet Letter"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Minorarc:
Sithu Aye "A Future With No Colour"

Discover & Listen to Minorarc

Minorarc on Spotify

Minorarc's Signature Track

Minorarc on Social Media

Minorarc's Website

veronicavon – Negging (Spotify)

Categories: Audio, Electronica, Features, Pop Features, The Latest|Tags: , , , , |

“Its dreamy soundscape surrounds us with warm fuzziness. A downtempo dreampop track filled with gentleness. The guitar and harp tones bring it even closer to heaven ”

-Nagamag.com

Sexy, magnetic, and full of hazy hooks - ‘Negging’ is a late-night jewel of lo-fi dreampop.

https://www.instagram.com/vvsohot

Formed in the depths of 2020, veronicavon is the brainchild of songwriters Chris Hackman (Human Barbie) and Xuan Nguyen (Xuan), who joined forces with a secret plan to stay sane and explore new horizons in bedroom pop. Hackman & Nguyen’s other projects have been featured on KCRW, Brooklyn Vegan, Spotify Editorial, Compact Cassette, and more; veronicavon adds a bewitchingly dreamy flavor to their already-enticing repertoires.

Entirely self-produced, the duo’s latest single ‘Negging’ has a distinctly lo-fi aesthetic, but with all of the addictive melodic and lyrical power of a pop favorite. It’s the perfect soundtrack for midnight drives with your crush… So dim the lights, and surrender to a smoky scene of animal attraction gone terribly right.

HOAX – soju (Video)

Categories: Features, Pop, Pop Features, The Latest, Video|Tags: , , , , , |

“”Soju” is a heartwarming Indie Pop single, which underlines an important truth; we should absorb every single moment se spend with people we love, because life won’t last forever. Wise message, expressed in a very artistic way.”

-Nagamag.com

Indie pop / rock band HOAX released “soju”, the ninth and final single off the band’s narrative-driven debut concept album, b?, a 17-track project detailing the inner workings of being vs. doing.

https://hoax-band.com/

“soju”

On the surface, “soju” might be best described to have an upbeat pop-centric sound, but the song itself is about dealing with death and reflecting on the notion that life sometimes feels like random moments in time that are out of your control. For most people, they wouldn’t know that Mike Raj wrote “soju” from the perspective of his late grandfather and that 2021 was the year of loss for him.

The first verse and chorus of “soju” was written about the aftermath of loss and grief. We tend to feel completely helpless and achingly wish for one more moment with our loved ones, as we are overwhelmed by the struggle to go on through life feeling like the meaning is lost. Most of the lyrics in the first verse and chorus are reflections on how hopeless life feels when you lose someone, and how much the sky feels like it is falling in the wake of their death. Simply put, life becomes monochromatic.

The second half of the second verse is all about that idea to not lose love when you have lost a loved one, and rather to use the pain you experienced that has undoubtedly changed you – to love even deeper. Pain is more relatable to people than success; than happiness; than anything else we often experience. Our lives more often than not are our symbols of pain that we have synthesized through our coping methods into how we then choose to perceive the world. At its worst, we let it consume us and we create insecurities that eat us alive. At its best, our pain becomes lessons of growth and empathy that we can use to understand why it is so goddamn hard for all of us to be alive and human.

The takeaway message of the song? Make sure you find someone that you can give your all to, and then love them in your every waking moment – until their final breath. That’s what the bridge of “soju” is all about. How often can we regret the time we no longer have with someone who is gone? Savor every moment you get with someone who loves you, exist with them, and be with them. And though Mike hopes that none of you will ever have to go on living without someone you love, knowing you were truly with them – and they were with you – is enough.

Debut Album: b?

HOAX’s debut album, b?, is a concept album that follows the narratives of characters that are thrown together in the aftermath of tragedy. Each song is written from the point of view of a character who explores the abstract concepts of the essence of “BEING” – an evident obsession of both the characters in the story and the band members themselves. The dichotomy of BEING vs. DOING is highlighted through careful lyricism on the album. Visit hoax-band.com for HOAX’s supplementary album content for their debut album, b?

QUOTE

“2021 was one of the toughest years of my life. It’s probably just confirmation bias, but death came to me in threes. I lost my grandmother, my dog (Luna), and then my grandfather. I wanted to express the grief I felt, but through the lens of my grandfather and all the pain he endured before his time finally came. The instrumental for ‘soju’ was written back in 2019, but all the lyrics I would write for it held no weight. It was only now after this year of loss did the words come to finally give me peace with it.” -Michael Raj

https://www.instagram.com/hoax_band/

FR3SH TrX – In The Dark (Spotify)

Categories: Audio, Electronica, Electronica Features, Features, The Latest|Tags: , , |

“When night falls, most things happen "In the Dark" covered with mystery... Feel the adventure and the adrenaline running through your veins via this powerful Trance track. Craftfully mixed synth patterns, causing strong addiction and excitement too.”

-Nagamag.com

FR3SH TrX is back with his fourth solo single! After various successful and very catchy collabs and solo tracks, he proves courage to take corners and edges with the Progressive House track ‘In The Dark‘ and celebrates the ambivalence of feelings in the dark. This darkness offers us peace and protection, but is also the scene of our deepest fears and nightmares.

In terms of sound technology, FR3SH TrX uses multi-layered sound collages and ‘thunderstorms of sound‘. ‘In The Dark‘ is powerful and dynamic and creates a balance between excitement and peace. The track always has a hypnotic effect.

Streaming-Link: https://bfan.link/fr3shtrx-in-the-dark

Video-Link: https://youtu.be/zTfrQ9ZuHKw

https://www.instagram.com/fr3sh.trx/

Marcel van Houte – Can You Dance To My Beat (Spotify)

Categories: Audio, Features, Techno, Techno Features, The Latest|Tags: , , , , |

“It's time for some real music experience with this Techno dynamite. Shaking beat, bold percussion, dynamic progression and super effects are waiting for your selection. Very difficult to not put this on repeat too! Boom!”

-Nagamag.com

https://www.instagram.com/marcel_van_houte/

Jim Perkins – Cloud Memory (Spotify)

Categories: Audio, Features, Neoclassical, Neoclassical Features, The Latest|Tags: , , , , |

“There're instances when we need to spent some time alone, away from the constant noise that fills everything. Just wear headphones and let this music travel you where you need to go. "Cloud Memory" is an Ambient & Drone masterpiece with deep relaxation properties.”

-Nagamag.com

https://www.instagram.com/jim_perkins_

Neil Foster – Trawalua (Spotify)

Categories: Audio, Features, Neoclassical, Neoclassical Features, The Latest|Tags: , , , , |

“This Ambient gem has all you need to clean your mind and soothe your tired body. "Neil Foster" offers his intoxicating creation in a crystal-clear mix of soundscapes and peaceful melodies. Don't miss this magic!”

-Nagamag.com

https://neilfoster.bandcamp.com/
https://www.facebook.com/neilfostermusic/
https://www.instagram.com/neil_foster_music/

Goya – Dilli (Spotify)

Categories: Audio, Electronica Features, Features, The Latest, World Music|Tags: , , , |

“Melodic, experimental work with artistic images. Variety of field records blended with Asian vocals. A realistic picture eventually appears in front of the listener, where music plot and symbolism appear on its canvas.”

“Мелодичная, экспериментальная работа, в которой прослеживаются художественные образы. Разнообразие полевых записей, восточный вокал красиво ложится на душу и в итоге перед слушателем реалистичная картина, на полотне которой отображены музыкальный сюжет и символизм. ”

-Nagamag.com

Artist shared few words about this song:

"Everything you hear in this track has been created using the sounds recorded in Delhi, no musical instruments have been used.

Dilli is a track that came about as a part of - 'Sounds of the City', a collaborative initiative between Berklee College of Music & MAP Bangalore where one music producer was chosen from 4 metropolitan cities each to compose a track by using sounds of their city.

When I stepped out to record, I realized Delhi is not just one thing or one sound but rather a diverse collection of it. Delhi is noisy, crowded, fast, and yet, serene and peaceful at certain time and places. I wanted to showcase this aspect through my track.

I went to locations such as Chandni Chowk, Nizammuddin Railway Station, Ghats of Yamuna, Lodhi Garden, some of the oldest restaurants, Bangla Sahib, Jama Masjid and several other unique places to record the rich and diverse sounds the city had to offer." - Goya

https://www.instagram.com/goya.music/

Gifts From Crows Interview on Nagamag

Categories: Features, Interviews, Neoclassical Features, Neoclassical Interviews, The Latest|Tags: , , , , , |

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Nagamag:
Which are the genres that describe your music style better?

Gifts From Crows:
I like to think of my music as classical music for a post-rock audience. Neoclassical is probably the best genre though as it includes a lot of artists, like me, that use classical instrumentation but are not quite classical in the true sense of the word. Neoclassical is a broad church and easily encompasses artists that weave electronics in with the more traditional orchestral instruments.


Nagamag:
Few words about your musical background and career?

Gifts From Crows:
Since I was a teenager I have been passionate about composing and performing music and have been involved in many post-rock / electronic bands and studio projects. Whilst I played guitar and synth during those years, my first love was always the piano and Gifts From Crows really feels like coming home.
Writing orchestral arrangements is a relatively new undertaking for me but one that feels very natural and intuitive. Hearing my music performed by the Northern Film Orchestra for the first time was an incredible experience and I have carried the learnings from that into the new album, 'Stories in Slow Light' which features a lot of live performance mixed in with the samples and the piano.


Nagamag:
Do you remember your first connection of love to music that was the right impact to be a music artist now?

Gifts From Crows:
I grew up near and went to school in Macclesfield in the north of England - home to one of the greatest bands of the post-punk era - Joy Division. I can still remember taking home their album, 'Closer' and playing it for the first time. I had shivers running down my spine listening to that music and it still affects me the same way today. That was when I truly understood how powerful music could be and also when I realised that I wanted to try and produce something that gave other people the same feeling. Whilst you never feel that you even get close to those levels, there is always the hope that the next piece of music will be transformational.


Nagamag:
What was the inspiration for the new album, Stories in Slow Light

Gifts From Crows:
Each piece was inspired by a different photograph by artist Helena Whitten. I found that by sitting at the piano with one of Helena’s photos placed where the sheet music would normally rest, I could literally write music to accompany the scene in front of me, as if the score were hidden inside the image.
I find Helena’s photos incredibly emotive. They are simultaneously timeless but also contemporary and speak to so many of the challenges that humanity is facing today – the fragility of the planet, the transience of life, loneliness and mental health. It is all there and these are also the themes that I explore in my music.


Nagamag:
How did the video for The Empty Mirror come about?

Gifts From Crows:
The song was inspired by a photograph taken by Helena Whitten at Poltimore House in Devon which depicts a solitary figure in front of an oval frame where a mirror used to be.
The track evokes the memory of our ancestors and imagines all the living souls who have passed in front of the now long gone mirror. The protagonist appears to be channelling these spirits out of the ancient walls of the house, at times contorted by the energy flowing through her and then flowing with serenity.

The video for was shot on location at Poltimore House but this time dancer and choreographer Kristine Berget reprises Helena’s role from the photograph and we follow her as she moves around the rooms and hallways of the crumbling mansion.

We worked with Kristine before on the video for 'Without Beauty' and so I knew her choreography was good but her performance on The Empty Mirror was extraordinary and the film directed by Corey Rid really brings the whole work to life.


Nagamag:
Many artists listen to genres that they are not producing music for. Which track is your favorite that is NOT similar to yours?

Gifts From Crows:
Joy Division "Love Will Tear Us Apart"


Nagamag:
Of Course Nagamag would love to listen also which is the track from a similar artist you admire?

Gifts From Crows:
Wim Mertens "Struggle For Pleasure"

Discover & Listen to Gifts From Crows

Gifts From Crows on Spotify

Gifts From Crows' Signature Track

Gifts From Crows on Social Media

Gifts From Crows' Website

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