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Translippers – The Gorge (Spotify)

Categories: Audio, The Latest, World Music|Tags: , , , |

“Translippers explores deeper the lands of ethnic, world music, bringing in surface rich sound, warm atmospheres, and chill beats. Dub, Bossa Nova grooves, Electronica, Santur, Guitars, Harmonica, a variety of percussions as shakers, guiro, vibraslap, Tibetan bowls, Shakukhati...the harmonic layering of tickling sounds for the ears in his new album The Gorge, are gorg-eous. Top-notch audio quality, at 24bit, 96khz recorded, mixed and mastered.”

-Nagamag.com

http://cosmicleaf.com/translippers

Shivanam, Zero Cult – Viral Shroom – Zero Cult Remix (Spotify)

Categories: Audio, The Latest, World Music|Tags: , , , , , |

“Zero Cult does his magic spell on "Viral Shroom" golden elements by Shivanam, delivering a wonderful downtempo song that starts with a melancholic mood and ends with an upbeat positive atmosphere, like the cycle of life, which has the up and down.”

-Nagamag.com

http://cosmicleaf.com/shivanam
http://cosmicleaf.com/zerocult

Marco V, Vision 20/20 – RAB/BIT (Spotify)

Categories: Audio, Electronica, The Latest|Tags: , , , , |

“Marco V /Vision 2020 Rab/bit is an instant classic. The classic trance beat picks right up and organic electronic sounds fill in the background. Vocals are soothing with a touch of class that takes us back. ”

-Nagamag.com

2021 currently belongs to Marco V, continuing to switch between styles and never holding back when it comes to giving you goosebumps. In vocal trance mode, sweet, angelic vocals, slicked back between fantasy and reality and with a taste for the bittersweet, skim across feverish beats. As ‘RAB/BIT’ starts its upward charge, it approaches the promised land of the euphoric but keeps its guard up, a shimmering, holographic synth pattern seemingly anticipating danger around the corner. Made for massive parties armed with supersized glo-sticks.

https://ffm.bio/marcov
https://twitter.com/MARCOV
https://www.facebook.com/marcovdj/
https://www.instagram.com/marcovdj/

Mauricio Morales, Roni Eytan, Al Joseph – Garden of Hope (Spotify)

Categories: Audio, Jazz, The Latest|Tags: , , , , , , , |

“A walk among the rhythmic meadows of complex Jazz inspired riffs. They flow seamlessly together like the rivers of time. ”

-Nagamag.com

Artist shared with Nagamag a very instersting story behind song inspiration:

"As we grow we reach moments in our life in which we make mistakes. In which we challenge the principles that work as the foundation of who we are and that eventually continue to build our character. I think there are times in everybody’s life in which we question our own nature. In this particular case I want to convey a specific emotion that I have felt.

It starts with me and a friend spending some time at his house. We drink and end up going out. We end up drinking more and spending money.

At the moment I was unaware or didn't care of the consequences, I just continued behaving as if I owned a world that I didn’t earn myself. But it really did hit me the moment I opened my eyes the next day. For starters, I used my fathers money. He found out of course.

At this moment I felt absolutely lost. First of all I was embarrassed and assumed my dads perception of me had changed completely. I was uncomfortable around my family because of it. I also felt like I had lost whatever innocence I had left in me and that I was turning into someone without proper direction. I felt like the child that wished for the moon was gone and had turned into something else. Something I didn’t like.

A few weeks later, I was sitting down in my pijamas, playing a Nintendo game called Pikmin. After playing it for a couple of hours I realized that for a very short period of time, I didn't think about it at all. In fact I didn't think about anything at all. I was enjoying the game, and it was the most childlike experience I have had in a while. It made me happy. And it was not the video game itself, but the idea that I was still me, and that I am in control of the decisions I make from now on. It was not a matter of neglecting whatever I had done, it was a matter of learning from it. Trying to become the best possible version of myself and be conscious of my ideas and principles and live by them.

I thought it would be a good way to end the record because I believe we are born children, and that in a lot of cases we live our lives pursuing feeling like children again. NOT being children, but feeling like children.

The level of the video game I was playing then was named "Garden of Hope". "

SONOf – Stoaway (Spotify)

Categories: Audio, Pop, The Latest|Tags: , , , , |

“A great track to lose yourself into. The distant vocals seem to shine across the studio floor. The beat builds and climaxes in a soothing guitar riff. ”

-Nagamag.com

A warm wind with eyes closed : Harmony to a far off stare : A window seat just beneath the clouds.

https://www.sonof.us/
https://sonof-music.bandcamp.com/album/sonof
https://www.instagram.com/sonof.music/

andreas owens – bad4you (Spotify)

Categories: Audio, Pop, The Latest|Tags: , , , , , , |

“Are you looking for some light sound after a busy, tiring day? Then, we strongly recommend Andreas Owens new single. Alternative style with pleasant touch and expressive singing. The suitable elixir for your ears and mind relaxation is just ready.”

-Nagamag.com

Los Angeles-based producer and singer-songwriter andreas owens releases his 5-track debut EP, aptly titled almost everything i've ever wanted to say, an intimate and vulnerable R&B-infused pop record showcasing his ingenious and versatile songwriting. The EP follows a series of singles – “don’t feel happy”, “falling & falling”, and “not much (better than before)” – all of which received high praise by the likes of publications Banger Of The Day, Before The Data, DUMMY Mag, Fashionably Early, Substream Magazine, and We Found New Music; inevitably landing editorial placements on Spotify (Fresh Finds, Fresh Finds: Pop, and Study Break) and TIDAL (Rising: Pop).

https://soundcloud.com/andreasowensmp3/sets/almost-everything-ive-ever-wanted-to-say/s-zgQcVaFjAGC

QUOTE

“‘almost everything i’ve ever wanted to say’ is truthfully that — it is in every way, nearly everything I’ve ever wanted to say musically, lyrically, sonically, experimentally, and emotionally. For as long as I can remember, I’ve wanted to create and complete a work like this; something where I’ve sat in my room and slowly worked from beginning to end without any real goal in mind. Almost like I’m reading a book about my life, piecing together one experience after another but not quite knowing where or how the story ends.”

-andreas owens

'almost everything i've ever wanted to say'

The mentality and overall vision behind andreas owens has been pretty different to that of The Millennial Club. Ironically, the biggest distinction between the two projects lies less in the final product, but more so within the creative process itself.

Adapting an “anything goes” mindset helped facilitate a lack of pressure to fit within a specific genre and andreas owens quickly found himself enjoying the refreshing freedom present in creating without convention. This unadulterated creative energy ultimately led to the birth of almost everything i’ve ever wanted to say: a diverse and genre-blending EP that not only reflects his personal growth as a songwriter and producer, but surely defines his personal footprint as a truly generational artist.

BIOGRAPHY

andreas owens is the solo project of Los Angeles-based producer and multi-instrumentalist Andres Owens, the lead vocalist of indie pop and R&B band The Millennial Club. Delicately blending intimate vocals with unabashedly ‘pop’ backbeats, the So-Cal native has been slowly but steadily building a catalogue of truly unique material. Embracing the ever-evolving notion of bedroom pop, everything is written, recorded, and produced in his (tiny) bedroom-turned-studio.

In his own words, “It’s the only way I’ve found it to feel authentically myself. The safe, familiar space is the catalyst for facilitating something visceral and unapologetically my own. It allows me to release my compulsive ‘perfectionist mindset’ and instead create with the understanding that mistakes are inevitably a unique and beautiful part of the process that makes it my own.”

Track Commentary by andreas owens

“bad4you”

“‘bad4you’ is likely the first song I’ve ever written where I can truly say I understood the significance of every sonic and conceptual decision. I’m not sure why, but with ‘bad4you’ in particular, I felt like something just clicked and suddenly everything made sense to my brain. Writing and arranging the song became less about convention and expectation, and more about what I felt the song needed, throwing caution to the wind, and consciously letting the song finish itself. I think in doing that – in a sense, giving myself to the song and not trying to dictate its final form – I found a place of comfort knowing I wasn’t forcing anything into the track that perhaps didn’t belong. Through the process I think it came into focus that production is, in every sense, a language, and producing ‘bad4you’ really helped widen my vocabulary.”

https://www.instagram.com/andreasowens
https://twitter.com/ndresowens

Kiey – Sunday Sanctuary (Spotify)

Categories: Audio, Pop, The Latest|Tags: , , , , |

“Very fresh delivery in the Electro Pop scene, from those which we appreciate from the first seconds. Rich sound pallete with organized mix of pads and melodic patterns. The song starts smoothly and quickly changes with dynamic shifts, followed by the lyrical part. True masterpiece by "Kiey"!”

-Nagamag.com

https://orcd.co/kiey-sundaysanctuary
https://www.instagram.com/kiey_nature/

Justy – Letting Loose (Spotify)

Categories: Audio, House, The Latest|Tags: , , , , |

“"Justy" presents an interesting tune with innovative ideas. "Letting Loose" has the structure of House matched with Hip-Hop style lyrics. Remarkable is the bass and beat part which function like a connecting ingredient between the two music genres.”

-Nagamag.com

"Letting Loose" is the first single where I've really experimented with house elements and song structure. When I first heard the beat I knew I wanted to incorporate some of that house-hip hop vibes in my delivery. The musiciality in the song felt like stepping out of my comfort zone and I wanted to write a song that also touched on that feeling of letting loose. The song is about unwinding and liberating yourself for yourself.

https://justymusic.com/
http://instagram.com/justymusic

Banco De Gaia, Ian Urbina – My Little Country (Spotify)

Categories: Audio, Psychill, The Latest|Tags: , , , , , |

“A classic buildup of arpeggiators opens the vibe. The mid-tempo techno vibe takes over and grabs you along for the journey. Strings appear and you want more. ”

-Nagamag.com

Artist shared few words behind his song inspiration with Nagamag:

"I often work with field recordings but generally in abstract ways where the shape and texture of the sound is more important than its general context or meaning. For this project in particular, it is the meaning of what you are hearing that matters — the mood created by the sonic environment and the message of the words being spoken. One person stating a fact is less convincing than witnessing the reality, even if it’s indirectly.

I’ve always loved the sea, both being in it and on it. I’ve spent many happy days diving, snorkeling and being among sea creatures in their environment, and I value aquatic life as highly as I do life on land. Thus it saddens me to learn of the extent to which marine life is treated as nothing more than a resource to exploit, with no concern for what is impacted in the process. This project spurred me to not be complicit in this exploitation, and to instead call it out when I see it." - Banco de Gaia

http://banco.co.uk/
https://twitter.com/bancodegaia
https://www.facebook.com/bancodegaia

Banco De Gaia has been performing and releasing for over 25 years now, along the way becoming one of the music industry’s most maverick innovators. His legacy is as glittering as it is diverse, ranging from Hollywood film sound credits to the critically acclaimed ‘Last Train to Lhasa’, first released in 1995 to a rapturous reception. His live act still packs out venues and festivals all over the world, with audio-visual performances renowned for their explosive, cutting edge quality: from sampling wizardry fused with haunting vocals and poignant acoustics to genre-hopping musical instrumentals, all accompanied by socially engaged visuals.

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