“A sensual and moving composition, performed on the piano with impeccable technique and deep feeling. As the music unfolds, it envelops the listener in a peaceful and gentle atmosphere. The notes create a gentle and soothing sound that resembles the feeling of a gentle touch. The melody acquires new depths and nuances that smoothly flow into each other, creating wave-like sound images.”

-Nagamag.com

“Une composition sensuelle et émouvante, interprétée au piano avec une technique impeccable et une émotion profonde. Au fur et à mesure que la musique se déroule, elle enveloppe l’auditeur dans une atmosphère paisible et douce. Les notes créent un son doux et apaisant qui ressemble à la sensation d’un toucher doux. La mélodie acquiert de nouvelles profondeurs et nuances qui se fondent harmonieusement les unes dans les autres, créant des images sonores ondulatoires.”

-Nagamag.com

The original review of “Gael Rakotondrabe – Reckoner – Piano” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Neoclassical reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Gael Rakotondrabe” (France) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated

“When you hear the piano sounds performed by -Fares Nsouli-, so tender, sensual and, it seems, inaccessible to most, as if coming from another world, you are amazed at how many emotions they revive in the subconscious. You understand that life is born inside you and everything that used to worry you no longer matters. It’s only begining.”

-Nagamag.com

“Quand on entend les sons du piano interprétés par -Fares Nsouli-, si tendres, sensuels et, semble-t-il, inaccessibles au plus grand nombre, comme s’ils venaient d’un autre monde, on est étonné de voir combien d’émotions ils ravivent dans l’inconscient. Vous comprenez que la vie est née en vous et que tout ce qui vous inquiétait n’a plus d’importance. Cela ne fait que commencer.”

-Nagamag.com

The original review of “Fares Nsouli – Blue Cradle (Marco’s Version)” is written in the native language that is spoken by the dedicated, for this song, Nagamag’s Neoclassical reviewer and followed by two translations*, of which the one depends from the country of origin of the artist “Fares Nsouli” (Belgium) and the other one is translated to a different language than original review and the country of origin of the artist.

* Automatically Translated